The Astounding-Analog Reader (Sphere 1972 and 1973). Covers by unknown (left) and Chris Foss (right)
I used to scoff at the idea of online bookstores. How will you browse for books?, I demanded to know. You’ll never replace that wonderful moment of discovery, of serendipity, finding a treasure you weren’t looking for, which happens all the time in great bookstores.
Of course, these days I find books online all the time. I’m a huge fan of Harry Harrison and Brian W. Aldiss’s top-notch science fiction anthologies, like the long-running The Year’s Best SF series and Farewell Fantastic Venus! But I had no idea they’d collaborated on a two-volume collection of Golden Age pulp SF, The Astounding-Analog Reader, until I stumbled on a copy of the second volume on eBay a few weeks ago. I tracked down the first one, ordered both, and have been dipping into them ever since they arrived.
The Astounding-Analog Reader is a fantastic assortment of (generally longer) fiction from the pages of Astounding, circa 1937 — 1946. It was originally published in hardcover as The Astounding-Analog Reader, Volume 1 by Doubleday in 1972, and reprinted in paperback in the UK by Sphere as The Astounding-Analog Reader, Book 1 and Book 2 in October 1973. It has never has a paperback edition in the US.
The editors completed the series a year later with The Astounding-Analog Reader, Volume 2 (Doubleday, 1973), which contained stories from 1947-1965. That volume has never had a paperback edition, which makes me sad.
[Click the images for Golden Age-sized versions.]
Astounding Science Fiction, June 1941 and September 1941. Covers by Hubert Rogers
Now, there’s probably no magazine on the planet that’s been read, picked over, and anthologized as much as the Golden Age Astounding. But one thing I appreciate here is that the editors focus on longer stories which haven’t been reprinted as often.
Yes, they include stone cold classics like “Nightfall” by Isaac Asimov, and “City” by Clifford D. Simak. But there’s also five long novellas that you see much more rarely: Ross Rocklynne’s “Time Wants A Skeleton,” (1941), “By His Bootstraps” by Robert A. Heinlein writing as Anson MacDonald (also 1941), “The Push of a Finger” by Alfred Bester (1942), “Clash by Night” by Henry Kuttner and C. L. Moore (1943), and “Giant Killer” by A. Bertram Chandler (1945).
Astounding Science Fiction. October 1941 (cover by Hubert Rogers) and October 1943 (William Timmins)
I also enjoy the nostalgic introductions by Aldiss and Harrison, and the lengthy story notes, both of which vividly convey the importance of Astounding to the development of science fiction, and the seemingly never-ending parade of talented newcomers editor John W. Campbell discovered during the Golden Age. Here’s a selection from their intro to the third section.
In each section now, more young giants spring out of the ground!
After Asimov, Heinlein writing as Anson MacDonald, Henry Kuttner writing as Lawrence O’Donnell, and Alfred Bester writing as Alfred Bester!
They are three very different kinds of writer. Like Asimov, Heinlein will always be regarded as an author moulded by ASF, and it is at least arguable that once he was free of the Campbellian mould he tended to sprawl and lose that first fine-honed precision of his. (Asimov’s best novels, on the other hand, appear beyond the pages of ASF — Caves of Steel and The Naked Sun.)
By general consent, “By His Bootstraps'” is the most effective story of time travel after H.G. Wells’s The Time Machine. It is as inward-turned as The Time Machine is outward-looking…. what a piece of ingenuity “Bootstraps” is!
Like Asimov’s, Heinlein’s was a cool fiction. For Kuttner, glamor and excitement came first, and science second or third. His ability to tell a story seem much more natural than theirs. By this date, he was prolific and well known, writing under many names; in “Clash by Night” we can watch the great, the ingenious Kuttner, diving and darting in and out of the mythological seas of his imagination in yet another disguise….
And then there is Alfred Bester’s “The Push of a Finger”! The authors represented so far have been old-timers. the Men who dwell in the Mountains. Bester is one of the modern masters, and it is a surprise to find him appearing so early in the science fictional day… But “Push of a Finger” is a miracle: very Campellian in many ways, and yet entirely Besterish, with all his love of the towering and the just plain damned unlikely (which is nevertheless expertly justified). It is Besterish in its tale of obsessional love, in its gallant battle against the statistics of chance, in its rich humour, and even in its love of a jingle…. And it is Campbellian in the theme of something being hunted down, in the detail of a vast organization, in the secrecy, and the pace being stepped up towards an awful and unexpected revelation.
Here’s the complete intro to the third section of the book, for you completests in the audience.
The Sphere editions broke Volume One into two parts, containing seven and eight stories each. Both contained the 9-page introduction and story notes.
Here’s the original magazine covers for two of my favorite tales from the book (click for bigger versions.)
Astounding Science Fiction, November (UK edition) and October 1945. Covers by William Timmins.
Here’s the complete Table of Contents for The Astounding-Analog Reader, Volume 1, published in hardcover by Doubleday in 1972.
Introduction by Brian W. Aldiss and Harry Harrison
“Forgetfulness” by John W. Campbell, Jr. (Astounding Stories, June 1937)
“Seeds of the Dusk” by Raymond Z. Gallun (Astounding Science-Fiction, June 1938)
“Farewell to the Master” by Harry Bates (Astounding Science-Fiction, October 1940)
“Trouble on Tantalus” by P. Schuyler Miller (Astounding Science-Fiction, February 1941)
“Time Wants A Skeleton” by Ross Rocklynne (Astounding Science-Fiction, June 1941)
“Nightfall” by Isaac Asimov (Astounding Science-Fiction, September 1941)
“By His Bootstraps” by Robert A. Heinlein (Astounding Science-Fiction, October 1941)
“The Push of a Finger” by Alfred Bester (Astounding Science-Fiction, May 1942)
“Clash by Night” by Henry Kuttner and C. L. Moore (Astounding Science-Fiction, March 1943)
“The Storm” by A. E. van Vogt (Astounding Science-Fiction, October 1943)
“City” Clifford D. Simak (Astounding Science Fiction, May 1944)
“First Contact” by Murray Leinster (Astounding Science Fiction, May 1945)
“Giant Killer” by A. Bertram Chandler (Astounding Science Fiction, October 1945)
“Vintage Season” by Henry Kuttner and C. L. Moore (Astounding Science Fiction, September 1946)
“Placet Is a Crazy Place” by Fredric Brown (Astounding Science Fiction, May 1946)
The Doubleday hardcover editions may be a little harder to find than the paperbacks; I don’t have a copy of them, anyway.
Although they were both sizeable books, Volume One and Volume Two both rather look like low-budget productions. They use the same exact same cover art and design, for example, which I’m sure wasn’t confusing at all.
Volume Two contains 21 additional stories which originally appeared between 1947 – 1965, including a Cities in Flight novelette by James Blish, a Hub tale by James H. Schmitz, and classics such as “Thunder and Roses” by Theodore Sturgeon, “The Little Black Bag” by C. M. Kornbluth, “The Cold Equations” by Tom Godwin, “Call Me Joe” by Poul Anderson, and stories by Arthur C. Clarke, Philip K. Dick, Robert Sheckley, William Tenn, Eric Frank Russell, Arthur Porges, Randall Garrett, Harry Harrison, Gordon R. Dickson, and many others.
The Astounding-Analog Reader, Volume Two
(Doubleday 1973). Cover by Gary Friedman
Here’s the Table of Contents for Volume Two. If you’re in the market for this one, pay close attention to the cover text so you don’t end up with two copies of Volume One or something. I’m just saying.
Introduction by Brian W. Aldiss and Harry Harrison
“Child’s Play” by William Tenn (Astounding Science Fiction, March 1947)
“Thunder and Roses” by Theodore Sturgeon (Astounding Science Fiction, November 1947)
“Dreams Are Sacred” by Peter Phillips (Astounding Science Fiction, September 1948)
“Hide and Seek” by Arthur C. Clarke (Astounding Science Fiction, September 1949)
“The Little Black Bag” by C. M. Kornbluth (Astounding Science Fiction, July 1950)
“The Bridge” by James Blish (Astounding Science Fiction, February 1952)
“What Have I Done?” by Mark Clifton (Astounding Science Fiction, May 1952)
“Noise Level” by Raymond F. Jones (Astounding Science Fiction, December 1952)
“Impostor” by Philip K. Dick (Astounding Science Fiction, June 1953)
“Potential” by Robert Sheckley (Astounding Science Fiction, November 1953)
“Pyramid” by Robert Abernathy (Astounding Science Fiction, July 1954)
“The Cold Equations” by Tom Godwin (Astounding Science Fiction, August 1954)
“Grandpa” by James H. Schmitz (Astounding Science Fiction, February 1955)
“The Waitabits” by Eric Frank Russell (Astounding Science Fiction, July 1955)
“Call Me Joe” by Poul Anderson (Astounding Science Fiction, April 1957)
“The Yellow Pill” by Rog Phillips (Astounding Science Fiction, October 1958)
“The Weather Man” by Theodore L. Thomas (Analog Science Fact/Science Fiction, June 1962)
“The Rescuer” by Arthur Porges (Analog Science Fact/Science Fiction, July 1962)
“After a Few Words” by Randall Garrett (Analog Science Fact/Science Fiction, October 1962)
“Rescue Operation” by Harry Harrison (Analog Science Fact/Science Fiction, December 1964)
“Computers Don’t Argue” by Gordon R. Dickson (Analog Science Fiction /Science Fact, September 1965)
Here’s the back covers for the Sphere paperbacks.
Back covers for The Astounding-Analog Reader, Book One and Book Two
Here’s the complete publishing details for the Doubleday hardcovers.
The Astounding-Analog Reader, Volume 1 (546 pages, $7.95, 1972) — cover by Gary Friedman
The Astounding-Analog Reader, Volume 2 (473 pages, $7.95, April 1973) — cover by Gary Friedman
And for the Sphere paperbacks, which reprinted Volume One in two books.
The Astounding-Analog Reader, Book One (291 pages, £0.40, October 1973) — cover artist unknown
The Astounding-Analog Reader, Book Two (320 pages, £0.40, October 1973) — cover by Chris Foss
Volume Two has never been reprinted. All the books have been out of print since 1973, and there are no digital editions.
Aldiss and Harrison produced some excellent anthologies, separately and together. Some of the ones we’ve covered include:
The Year’s Best SF 9, edited by Brian Aldiss and Harry Harrison
Farewell Fantastic Venus! edited by Brian W. Aldiss with Harry Harrison (1968)
Hell’s Cartographers, edited by Brian W. Aldiss and Harry Harrison (1976)
Perilous Planets, edited by Brian Aldiss (1980)
See all our recent Vintage Treasures here.