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Third Time’s the Charm: Avram Davidson’s The Enemy of My Enemy

Third Time’s the Charm: Avram Davidson’s The Enemy of My Enemy

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We all have our favorite obscure or neglected authors, writers we get touchy about and on whose behalf we’re instantly ready to jump on top of a table, ball up our fists and yell at the top of our voices, “HEY!! Don’t forget THIS GUY!!!”

For me, Avram Davidson is at the top of that list. I’ll knock over the Parcheesi board for him any day of the week.

As is often the case with such semi-forgotten writers, he wasn’t always obscure or neglected; though never a behemoth like Heinlein, Clarke, or Bradbury, during the 50’s, 60’s, and 70’s Davidson was quite well-known. He had three World Fantasy Awards to his credit, won a 1958 Hugo Award for his delightfully paranoid short story “Or All the Seas with Oysters” (read it and you’ll never turn your back on a closet full of coat hangers again) and was briefly the editor of The Magazine of Fantasy and Science Fiction. Few people in the genre were more well-respected or personally beloved.

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A (Black) Gat in the Hand: Kirby O’Donnell and The Bloodstained God (REH)

A (Black) Gat in the Hand: Kirby O’Donnell and The Bloodstained God (REH)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

 

It can’t be a Summer of Pulp without some Robert E. Howard now, can it? Heck no!!! The looong shadow cast by my buddy Dave Hardy, with his two terrific essays on El Borak, still prevents me from tackling ‘The Swift.’

However, I am comfortable continuing to blaze my own trail regarding the similar, but different, Kirby O’Donnell.

I wrote about “Gold from Tartary,” and “Swords of Shahrazar,” in prior summers. Which just leaves the third, long-unpublished, “The Trail of the Bloodstained God.” Now having tackled this one, I’m sure there’s a Steve Clarney post (“The Fire of Asshurbanipal”) somewhere down the road.

In my first two essays, I explained how the second O’Donnell story, “Swords of Shahrazar,” found print first, in the October, 1934 issue of Top-Notch magazine. It was a direct sequel to “Gold from Tartary,” which appeared four months later in the January, 1935 issue of Thrilling Adventures. It’s quite likely that many people did not read “Swords,” then “Gold” shortly thereafter. But it certainly would seem odd to do so.

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Tor Doubles #12: Roger Zelazny’s He Who Shapes and Kate Wilhelm’s The Infinity Box

Tor Doubles #12: Roger Zelazny’s He Who Shapes and Kate Wilhelm’s The Infinity Box

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Cover for He Who Shapes by Wayne Barlowe
Cover for The Infinity Box by Royo

He Who Shapes was originally serialized in Amazing Stories between January and February, 1965. It won the Nebula Award, tying with Brian W. Aldiss’s The Saliva Tree, which appeared as half of Tor Double #3. He Who Shapes is the first of three Zelazny stories to be published in the Tor Doubles series. Zelazny’s original title for the story was The Ides of Octember, which was changed before its initial publication. He eventually expanded the novella to the novel length The Dream Master and the original title was used on the story when it was reprinted in 2018 in the collection The Magic.

The story focuses on Charles Render, a neuroparticipant therapist, and drops the reader into a session, in which Render is creating a reality for his patient, in which the patient is Julius Caesar in a world in which the assassins kill Marcus Antonius while Caesar/the patient longs for martyrdom. Following the session, Zelazny introduces Render and his techniques to the reader in a manner which leaves no room to doubt that Render may be adept and the technical part of what he does. But his bedside manner leaves much to be desired.

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Shouldn’t the Missing Be Missed?

Shouldn’t the Missing Be Missed?

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I’m a big fan of mystery stories, and I’ve read a lot of the genre’s major writers, from well-mannered Brits like Doyle, Christie, and Chesterton to hard-hearted Yanks like Hammet, Chandler, and McBain. A lot of their stories begin with a disappearance (even if they end with a corpse), and though in fiction the Great Detective always solves the case, in real life many disappearances remain unsolved, which makes them the most baffling mysteries of all. That may be why people still debate the fate of Judge Crater, search remote islands for a trace of Amelia Earhart, and argue over whether the New York Giants snap the ball over the remains of Jimmy Hoffa.

I don’t spend much time worrying about those folks — what really bothers me are the people who disappear on the internet, without Hercule Poirot or Philip Marlowe ever so much as lifting a finger to find them.

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Movie of the Week Madness: The Horror at 37,000 Feet

Movie of the Week Madness: The Horror at 37,000 Feet

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I’m sure you’ll agree that William Shatner is a man apart. Still going strong at ninety-four, he appears to maintain an admirable sense of humor about himself and the ups and downs of his long career, and he seems to have come to comfortable terms with Captain James Tiberius Kirk and Sergeant T.J. Hooker, and also with his appearances on Dr. Kildare, The Twilight Zone and scads of other television shows, which, considering the highly variable quality of the medium, was undoubtedly a wise decision.

Never having met the man, this is just a guess, but I think there might be an exception to his amiable acceptance of his service record; I suspect that there’s one of his television assignments, the mention of which might well provoke a lapse into sullen silence or prompt an eruption of foul-mouthed fury: the made-for-TV movie The Horror at 37,000 Feet.

I’ve often sung the praises of the iconic ABC Movie of the Week, but old-school network television being imitative if nothing else, CBS and NBC also bombarded a supine 1970’s public with their own original TV films. As with ABC, all the usual genres were on display, and the shows ranged from the socially serious to the unashamedly schlocky; the quality level veered as wildly as a drunk trying to walk a straight line on an episode of Adam-12, and most of these films were as disposable as what is euphemistically called “bathroom tissue.”

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Wrestling With Fan-Fiction

Wrestling With Fan-Fiction

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Image by Лариса Мозговая from Pixabay

Good afterevenmorn, Readers!

I’m afraid my Doom hyperfixation is still in full effect. And as with all things that has my attention for longer than a few days my brain has latched onto it and created a story out of it. This one is set in the Doom universe, and deals specifically with Doom Guy/The Doom Slayer. Which means it’s not actually an original. It is, I made the realisation late last week, a fan-fiction (cue horror stinger). I have complicated feelings about this. Let’s dive in.

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What I’ve Been Listening To: June, 2025

What I’ve Been Listening To: June, 2025

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I continue to listen to audiobooks daily. I frequently drift off to sleep with a fifteen minute timer on. The BBC radio plays of the two Dirk Gently novels are regular late night listens. So is the terrific Marx Brothers homage, Flywheel, Shyster, and Flywheel. It was originally done by the Marxes themselves. BBC radio made a new version in 1990 and I frigging LOVE it.

Since I often have an audiobook on while I’m doing other things, I re-listen to things; or listen to books I’ve already read. It works great for me. I get some through my library app, but I mostly use Audible.

Here are some recent listens.

LEE GOLDBERG’S EVE RONIN

In the most recent What I’ve Been Listening To, I talked about Goldberg’s ‘buddy cop’ series featuring Sharpe & Walker. They are arson investigators in LA, and book one was pretty good. I just got the audiobook for number two, and I’m thrilled it crosses over with Lee’s Eve Ronin series. Even more thrilled that Nicol Zanzarella is doing Eve again – she’s terrific!!

The books are part of Kindle Unlimited, and number six is coming out later this year. I re-listened to all five in less than a week. Eve and her partner Duncan are a terrific buddy cop pair. Eve rose to fame when she was off duty and subdued a drunken action movie star who was smacking around his girlfriend in a parking lot. The video went viral on the Net and she parlayed it into a big promotion.

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Tor Double #10: Robert Silverberg’s Sailing to Byzantium and Gene Wolfe’s Seven American Nights

Tor Double #10: Robert Silverberg’s Sailing to Byzantium and Gene Wolfe’s Seven American Nights

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Cover for Sailing to Byzantium by Brian Waugh
Cover for Seven American Nights by Bryn Barnard

Seven American Nights was originally published in Orbit 20, edited by Damon Knight and published by Harper & Row in March, 1978. It was nominated for the Hugo Award and the Nebula Award. Seven American Nights is the first of two Wolfe stories to be published in the Tor Doubles series.

Sailing to Byzantium was originally published in Isaac Asimov’s Science Fiction Magazine in February, 1985. It was nominated for the Hugo Award and the Nebula Award, winning the latter.  Sailing to Byzantium is the second of five Silverberg stories to be published in the Tor Doubles series and aside from the proto-series Laumer novel, it is the first time an author has been repeated.

Wolfe’s story opens with a short note from Hassan Kerbelai indicating that he is sending the travelogue of Nadan Jaffarzadeh back to his family, noting that Jaffarzadeh seems to have gone missing. The final paragraphs of the story are focused on Jaffarzadeh’s mother’s reaction to the travelogue. The majority of the story is Jaffarzadeh’s description of his first week visiting America.

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Heroes and Humanity: Jack Kirby at the Skirball Center

Heroes and Humanity: Jack Kirby at the Skirball Center

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Last Friday, as an early Father’s Day gift, my wife arranged for us to spend the afternoon at the Skirball Cultural Center in Los Angeles, which is hosting a wonderful new exhibition dedicated to the memory and achievement of a great American artist. Titled Jack Kirby: Heroes and Humanity and running until March 1, 2026, the show is a must-see for any admirer of the King of Comics.

Jack Kirby is arguably the most influential person in the history of mainstream American comic books; his work, more than that of any other artist or writer, defined the visual grammar of the superhero. Along with his partner Joe Simon, he created Captain America in the 1940’s, soldiered through the postwar superhero slump of the 1950’s doing work in all genres — science fiction, war, horror, western, and romance (it’s an often forgotten fact that Simon and two-fisted Jack Kirby created the romance comic book) until, in the 1960’s, when DC showed that there was a reawakening market for costumed heroes, he teamed up with Stan Lee to create the “Marvel Universe”, though they didn’t know that’s what they were doing when they did it.

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A Hand-Crafted World: Karel Zeman’s Invention for Destruction

A Hand-Crafted World: Karel Zeman’s Invention for Destruction

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Is there anything more dispiriting than the ceaseless quest for novelty, especially when it seems bound to end in disappointment? It’s something I feel just about every time I turn on the TV. We’ve never had so many viewing choices, but so often everything feels reheated, recycled; we’ve seen it all before. The genuinely different is so rare that when you do see it, you know it — and you never forget it.

Sometime in the 70’s I saw an old black-and-white movie on television; it was called The Fabulous World of Jules Verne and it was the most extraordinary-looking thing I had ever seen. Guess what? I never forgot it.

A few years later I saw a movie on the late-night tube about the world’s greatest liar, Baron Munchausen. This time I couldn’t say that I had never seen anything like it because there was one thing that it reminded me of — The Fabulous World of Jules Verne. It was only years later that I learned that both films were the work of the Czechoslovakian director, Karel Zeman.

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