Movie fans will forever remember Malcolm McDowell for his simpering, ultra-violent turn in A Clockwork Orange (1971), but actors aren’t the sort to rest on their laurels, and by 1979, McDowell felt ready to embody a genuine historical figure, H.G. Wells.

The film was Time After Time, not to be confused with the Cyndi Lauper song (or the infinitely better cover by songbird Eva Cassidy), and if there’s a more definitive origin point for the Steampunk movement, I’d like to know what it is.

At the helm is first-time director Nicholas Meyer, who must have a soft spot for science fiction. Only a few years later, and armed with a much heftier budget, he was tapped to captain Star Trek II: The Wrath Of Khan (1982).

As for Time After Time, it’s far from perfect –– the script contains several gargantuan plot holes, and we viewers (if I may be forgiven the mixed metaphor) must swallow hard to keep up –– but it does work in fits and starts, thanks especially to the looming presence of David Warner as a time-skipping and dangerously prescient Jack the Ripper.

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As with most “BIG EVENT” movies, from the first day the new Star Wars film was announced fans, critics, and Hollywood pundits have been speculating about what the storyline will be. The rumor mill is in full gear, and so it will go until the first previews are actually screened late next year. The studio and filmmakers have been playing their part by keeping everything mum, hush-hush, top-secret –  confidential scripts and non-disclosure clauses in actors’ contracts (on threat of being tossed into a rancor pit). The usual.

So when Harrison Ford broke his leg on the set a few weeks back (as I’m sure most of you have heard), the Hollywood gossip machine was already fired up and spitting out rumors on cue.

First, though, if somehow you missed it, this is what happened: Apparently, a door of the Millennium Falcon fell on him. And pause for a moment here to let that sink in. Could you have imagined, ten years ago, that in 2014 you’d be reading about Han Solo breaking his leg on the Millennium Falcon? The Falcon is undoubtedly a bit more dangerous to navigate when you’re 72 years old — but who would have thought that old space smuggler would be back on the big screen? Ford has vehemently insisted for the past THIRTY years that he would never again reprise the role that made him famous. The prequels came and went, and the clock kept ticking, and George Lucas said he wasn’t going to make any more films, and most people just naturally assumed that Ford was probably correct. But — surprise — Han Solo is back!

And then he breaks his leg.

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Cemetery Dance is a magazine I buy rather sporadically. I should probably remedy that, as its non-fiction features – especially their news and reviews columns – are consistently excellent. It does a terrific job of keeping you up on the latest in the horror field.

I’m usually a fiction guy, which is why their All Fiction Special Issues are particularly appealing. There’s only been two others in their 25-year history, so when I saw this one on the magazine rack a few weeks ago, I bought it immediately.

This issue has a stellar cast of contributors, including Bentley Little, Simon Clark, Darrell Schweitzer, Jack Ketchum, and many others. The cover is by Alan M. Clark, and the issue is cover-dated May 2014. Here’s the complete table of contents:

Fiction

“In the Room” by Bentley Little
“Sacred Duty” by Simon Clark
“Odd Man Out” by Darrell Schweitzer
“A Million Miles from Graceland” by Christopher Reynaga
“Gorilla in my Room” by Jack Ketchum

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This column was written the day before a nine-day, 1,900 mile round trip venture to Disney World. So, it’s a bit of a rush job. I’ll tackle the issue in more depth when the Supreme Court gets going.

Did that catch your interest?

Beginning with his children, the heirs of Sir Arthur Conan Doyle have battled to maintain control of the Sherlock Holmes copyright. The sons developed a reputation that endures to this day of gleefully trying to stick it to anyone who wanted to use Holmes without paying them their due.

When August Derleth attempted to publish his first collection of Solar Pons tales (you’re going to be reading lots more about Pons in this column: trust me!), the deceased Doyle’s sons threatened to sue him. Derleth persisted and happily, over 70 Pons stories would be published.

Derleth said, “The plain fact is that the Doyle sons are a pair of lazy bastards who have tried to eke out a complete living from proceeds of their father’s writings. Others have told me that before; I was dubious; but I am less so.”

All 60 of Doyle’s Holmes stories are in the public domain in England. At one time they also were in America, but when Disney backed legislation to protect their ownership of Mickey Mouse, the last set of Holmes stories, collectively known as The Casebook of Sherlock Holmes, came back under copyright protection.

The characters from all non-Casebook stories and those previous stories remained in the public domain, for use by all. To avoid “trouble,” and/or to get the Estate’s blessing, many authors, filmmakers, etc., have paid a fee to use Holmes.

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We’re big fans of Michael Moorcock at Black Gate.

I published an original Moorock novella, “The Dreamthief’s Daughter,” way back in our very first issue. More recently, Fletcher Vredenburgh reviewed his classic The Eternal Champion, Connor Gormley looked his at Von Bek series, Matthew David Surridge examined his Hawkmoon novels, and I covered the reprint of his early novels The Warlord of the Air and The Sword of the Dawn.

Now comes word that Tor will publish a brand new novel from Moorcock, a semi-autobiographical fantasy of a young man in post World War II London…

Tor Books now proudly presents Moorcock’s first independent novel in nine years, a tale both fantastical and autobiographical, a celebration of London and what it meant to be young there in the years after World War II. The Whispering Swarm is the first in a trilogy that will follow a young man named Michael as he simultaneously discovers himself and a secret realm hidden deep in the heart of London.

The Whispering Swarm is the first novel of The Sanctuary of the White Friars.

The Whispering Swarm will be published by Tor Books on December 9, 2014. It is 512 pages, priced at $26.99 in hardcover and $12.99 for the digital edition.

This weekend, I have the pleasure of attending the DETCON1 in Detroit, the North American Science Fiction Convention. I have never been to a NASFIC, but it rose on my list of cons after seeing how sincere the organizers were in having a diverse body of panels and panelists. Not just from a standpoint of age and background, but the mediums that are represented too. I will be doing four panels, two of them on Afrofuturism.

Pretty cool. Still, I feel trepidation. When you go on a vacation (and that’s what con-going is), the real world does not stop. And in the real world, the host city Detroit is in dire straits. With property so cheap, gentrification is at an extreme level. Corporations are buying up whole blocks. Citizens who can’t pay their water bills are getting the utility shut off.

It is nice that the city can attract events like NASFIC or the recent Allied Media Conference. But I hope that we aren’t so busy celebrating spec-fic to at least acknowledge that we’re in a city where the poorest people don’t have water.

I don’t know why anybody reads The Hunger Games. You want dystopia, just read Reuters.

But that’s the irony of dystopia. Writers make novels about the types of issues that marginalized communities face every day, and pass it off as something that could only happen in the future.

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Sometimes it’s handy being editor of Black Gate. For one thing, it sure keeps you in-the-know on great books. I was editing Fletcher Vredenburgh’s enthusiastic review of P. C. Hodgell’s God Stalk last October, which begins thusly:

Out of the haunted north comes Jame the Kencyr to Rathilien’s greatest city, Tai-Tastigon. From the hills above, the city appears strangely dark and silent. She arrives at its gates with large gaps in her memory and cat claws instead of fingernails. She’s carrying a pack full of strange artifacts, including a ring still on its owner’s finger… and she’s been bitten by a zombie. Wary, but in desperate need of a place to heal, Jame enters the city. So begins God Stalk, the first book in P.C. Hodgell’s Kencyrath series and one of my absolute, bar none, don’t-bother-me-if-you-see-me-reading-it, favorite fantasy novels…

I’m so grateful Carl gave me this book thirty years ago. P.C. Hodgell seems so far below the general fantasy radar, I don’t know if I would have ever heard of her at all, which is pretty darn shameful.

Ha, I thought smugly, looking at my bookcase. Maybe she’s below the radar for most folks, but I’ve got my copy right here. Fletcher continued:

Following God Stalk came the 1985 sequel, Dark of the Moon… It’s taken nearly thirty years for the next four books to appear: Seeker’s Mask, To Ride a Rathorn, Bound in Blood, and Honor’s Paradox.

Wait, what? There are sequels? Like, five sequels? How did I not know? Are they out of print? Gahhh!

Fortunately, Baen Books to the rescue. Baen has collected the first four novels in two handsome mass market paperbacks: The God Stalker Chronicles (January 2010) and Seeker’s Bane (August 2010), both still in print. They’re a great way to get started on this terrific series, which Hodgell and Baen are continuing — I note the seventh volume, The Sea of Time, was just published last month. I just bought Seeker’s Bane and it’s a fabulous bargain: 1168 pages, priced at $7.99 in paperback and $6.99 for the digital version. The covers are by Clyde Caldwell. Check ‘em out.

When I was growing up in Halifax, Nova Scotia, there was a theater that had a science fiction and monster-movie double feature every Saturday. After we finished our paper route, my brother Mike and I would walk downtown and plunk down our hard-earned money for three and a half hours of monster movie bliss.

The theater was always packed with screaming kids. There Mike and I saw films that are still burned into my brain today — like the terrifying Planet of the Vampires (1965), giant-monster classic Frankenstein Conquers the World (1965), and the greatest film of all time, Destroy all Monsters (1968).

Needless to say, I still have a weakness for classic monster movies, and especially the great science fiction films of the 50s and 60s. Also, the not-so-great science fiction films of the 50s and 60s.

You can’t walk downtown with 50 cents and watch a monster-movie double feature these days. Fortunately, you don’t have to — virtually every science fiction film of the 20th Century is available on DVD, Blu-ray, or download, for your home-viewing enjoyment. The real question these days isn’t how to see these great old films, but which ones are worth your time?

The answer, of course, lies on the Internet. There’s a ton of info out there, if you’ve got the energy to look for it (and sort out the relevant stuff). Or you could just rely on us — that’s what we’re here for.

One of the most useful articles I’ve stumbled on recently is Joey Paur’s Geek Tyrant piece ”10 Great 1950s Sci-Fi Movies You May Never Have Heard Of,” which covers many terrific SF films I really enjoyed, such as When Worlds Collide (1951),  and more than a few I’ve never seen, such as Flight to Mars (1951) and 4-D Man (1959). Lots here to keep you entertained in the late hours — check it out here.

Thanks to SF Signal for the tip!

Frank Herbert’s groundbreaking 1965 novel Dune is still rightly considered one of the greatest sci-fi novels ever. This majestic novel justly won the 1966 Hugo award and the first ever Nebula in 1965. As fans of Dune know, it’s a book (and a series) dealing with a host of interesting and complex philosophical and religious concepts.

If you haven’t read Herbert’s original novel, then perhaps you’re familiar with David Lynch’s infamous 1984 movie version of Dune. (Oh James, please don’t go there!) This was an early letdown — something that us genre fans are unfortunately far too familiar with by now — and was quite a bomb. (Personally, I think there are some elements of that movie that are quite good.)

One of the most interesting things about the theatrical version of Dune is its “development hell” history. For example, were you aware that after the Hollywood execs edited the movie the way they wanted, David Lynch refused to have his name attached to the movie and early cuts claim to be directed by Alan Smithee?

But even before any of that, you also may not know that Dune had been vigorously pursued as a possible movie by a Chilean surrealist filmmaker named Alejandro Jodorowsky.

Never heard of Jodorowsky? Few have. I personally was familiar with his name from behind-the-scene footage and documentary interviews on DVD extras. Jodorowsky’s name often comes up in discussions about the making of Ridley Scott’s 1979 movie Alien or his 1982 Blade Runner.

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There’s no question that the hottest trend in fiction right now isn’t vampire romances, zombies, or even superheroes. It’s young adult dystopias. The trend didn’t begin with The Hunger Games, but for sure that’s the series that kicked it into high gear. Wander the young adult section of your local bookstores and you’ll see what I mean — you’ll find dozens of volumes advertising a grim future for our young folk. It would be depressing, except for the cheery sound of a cash register ringing.

There’s been such a flood of new dystopian fantasy that it’s made it tough for a quality new series to get noticed. Mandy Hager’s Blood of the Lamb trilogy — beginning with The Crossing (January 2013) and Into the Wilderness (January 2014) — has quietly been accumulating excellent reviews and new readers, and the arrival of the third book next month is sure to launch this one into the spotlight. Pick up the first two books now, while there’s still time.

When Maryam arrives back at Onewēre and tries to loosen the Apostles’ religious stranglehold by sharing the miraculous remedy for Te Matee lai, she finds herself captured once again — prey to the Apostles’ deadly game. The ruling elite manipulate her return by setting in motion a highly orchestrated ritual before a hysterical and brain-washed crowd. Somehow Maryam must get the islanders to listen to her plea that they start thinking for themselves — hoping to stir the independence in their hearts, even as she finds herself on the brink of death.

Resurrection will be published on August 12 by Pyr Books. It is 365 pages, priced at $17.99 in hardcover and $11.99 for the ebook.