A Decisive Argument for Physical Media

A Decisive Argument for Physical Media

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It was six years ago. Six years. Do you remember? Do you remember the lockdown summer of 2020?

Things may have been easing up by then where you were, but here in California the ball was just getting rolling. Ah, the joys of living on the Golden State’s cutting edge! Half your income goes for bandages and blood transfusions. (I’ll spare you the story of my fourth-grade year in an “open,” chart-your-own-course California classroom, where I didn’t learn any math but did listen to a lot of Cheech and Chong records.)

Rough as COVID was, though, we got through it, one way or another. Never were our books, our music, our television shows and movies more important to us. They became more than mere diversions; often they were literally lifelines anchoring us to a sanity that we felt we were floating farther away from each day. (Sometimes I was amazed that the whole social and economic life of the United States was put on hold just so I could get caught up on The Mandalorian.)

All of this came back to me just last week, when I got the email that I wait for every June or July, the one announcing the annual Criterion 50 percent off sale at Barnes and Noble. Criterion, as I’m sure you know and if you don’t, you should, is “dedicated to gathering the greatest films from around the world and publishing them in editions of the highest technical quality, with supplemental features that enhance the appreciation of the art of film.” For movies, Criterions are the gold standard of physical media.

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Forgotten Authors: Leah Bodine Drake

Forgotten Authors: Leah Bodine Drake

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Leah Bodine Drake

Leah Bodine Drake was born on December 22, 1904 in Chanute, Kansas to Thomas and Cornelia (née Bodine) Drake. Her father worked in the oil industry. Drake was sent to the Oakhurst School for Girls in Cincinnati and later attended Hamilton College, a junior college operated by Transylvania University, in Lexington, Kentucky as well as Sayre College in the same city.

Drake began publishing poetry in 1935 and is primarily known as a poet, although she also published some short fiction. From 1936-1937, She appeared as a Billy Rose dancer in the Fort Worth Centennial Exposition. Drake’s first published poem was “In the Shadows,” which appeared in the October 1935 issue of Weird Tales. The same issue of Weird Tales included the first of eight letters she had published in the magazine. Her letters indicated that she haunted used book stores searching for old back-issues of Weird Tales, which she said were rare and more expensive than other magazines. She would go on to publish nearly three dozen poems in the magazine.

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Dark Muse News: Blue Fire: A Jirel of Joiry Novella

Dark Muse News: Blue Fire: A Jirel of Joiry Novella

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Blue Fire, a Jirel of Jory tale by Molly Tanzer (Brackenbury Books, 2026). Cover art by Saša Đurđević

In February 2025, Black Gate covered Molly Tanzer’s release of “Jirel Meets Death” (published with permission from Moore’s estate); and in March 2026 Black Gate’s Dark Muse News covered Tanzer’s next story, “Jirel in the Forest of Night.” These were brought to us by Brackenbury Books, the same outfit that champions New Edge Sword & Sorcery magazine.

And now, Dark Muse News (your biweekly Black Gate blog) has coverage of Brackenbury Books’ current campaign, bringing the first-ever Jirel of Joiry book-length adventure to life (crowdfunding launched June 11th, and is still ongoing).

Blue Fire begins with Jirel fighting a foe her sword cannot smite: a terrible illness nobody can explain, let alone heal. Her search for a cure takes her many miles across many worlds, encountering friends and foes familiar and frightening!

Like Alice in Wonderland with a big f***ing sword, Jirel has compelling adventures in bizarre dream-logic realms, balancing a rich emotional life with terrifying struggles against dark forces!  — boasts Brackenbury Books

Here ye, here ye. Read on to see:

  • A tour guide of the Jirel of Jory writings
  • Excerpts from Blue Fire
  • Special Perspectives from author Molly Tanzer, artist Saša Đurđević, and editor Oliver Brackenbury
  • Status updates on the campaign

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The Heroes of Fantasy Quiz

The Heroes of Fantasy Quiz

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Art for Carson of Venus by Frank Frazetta

They slice. They dice. They bash their way through hordes of foes. They are the heroes of fantasy and just below is a list of some of the greatest. Can you pick out the hero on the right who goes with the author on the left?

Twelve to fifteen correct means you know your bloodthirsty authors like Conan knows ale. Eight to eleven correct is pretty good but you’re not as bloodthirsty as you might like others to believe. Four to seven correct definitely means you’re squeamish at the sight of crimson gore. Below four correct? I’m afraid you’re just not an “army of one.”

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Richard Stark’s Parker, Part 2: Parker the Barbarian!

Richard Stark’s Parker, Part 2: Parker the Barbarian!

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Richard Stark’s Parker by Darwyn Cooke

Last time we discussed the character of Parker, Donald E. Westlake’s master thief and heist planner.

This time, we’ll look at why we’re talking about Parker at all, here in the hallowed spaces of this fine magazine.

Parker might seem like an odd fit. Allow me, however, to draw some parallels that will help to illustrate how and why the master criminal Parker fits in with classic sword and sorcery characters like Conan the Barbarian. For these two gentlemen have far more in common than one might guess.

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A (Black) Gat in the Hand – Words of Wisdom from Black Mask‘s Joe Shaw

A (Black) Gat in the Hand – Words of Wisdom from Black Mask‘s Joe Shaw

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BlackMask_May1934EDITED“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I closed on a house a week ago Thursday and immediately began moving in, which is a long process for me. And I then had to go to Chicago for a work conference, doubling up my stress. So, today, you get an encore from season one of A (Black) Gat in the Hand. As a hardboiled fan, I find this essay from the legendary Black Mask editor, Joe ‘Cap’ Shaw. It offers his insights into writing for the Pulps. And it’s from an issue of Writer’s Digest, not Black Mask. I add some comments throughout. I think it’s a good read. 

The hardboiled school was born in the page of Black Mask Magazine under the editorship of George W. Sutton, with Carroll John Daly’s “Three Gun Terry” (which I wrote about here…) and “Kings of the Open Palm,” and Dashiell Hammett’s “Arson Plus,” appearing in 1923. In 1924, Sutton resigned and circulation editor Phil Cody replaced him.

Cody pushed for more stories featuring Race Williams and the Continental Op, encouraged Erle Stanley Gardner to develop Ed Jenkins (‘The Phantom Crook’), and added Frederick Nebel and Raoul Whitfield to the magazine. Cody was spread too thin managing multiple publications, and he handed the reins to Joseph Shaw, a former bayonet instructor in the Army and an unsuccessful writer with zero editorial experience (I mean, sure, why not?).

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The Epic Science Fiction & Fantasy of Poul Anderson, Part Four: The High Crusade, Three Hearts and Three Lions, and The Queen of Air and Darkness

The Epic Science Fiction & Fantasy of Poul Anderson, Part Four: The High Crusade, Three Hearts and Three Lions, and The Queen of Air and Darkness

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The High Crusade (Berkley Medallion, March 1978). Cover artist unknown

Two other good novels by Anderson are The High Crusade (SF), a humorous look at 14th Century humans getting loose in the universe with a captured spaceship, and Three Hearts and Three Lions (Fantasy), which follows a modern (1950s) Earthman who is cast onto a parallel Earth where fantasy and magic are real.

The High Crusade (Doubleday  1960) was first published in three parts in John Campbell’s Astounding Science Fiction, July – September 1960. It starts when an alien spaceship lands in England in 1345 just as an English army is being formed to fight in France. The ship belongs to the Wersgorix, who have conquered many planets. This time their plans go awry and the English capture the ship. And now they’re about to take the war to the aliens. My copy is Berkley, 1978, with the cover artist uncredited (see above).

Three Hearts and Three Lions would be categorized as “High Fantasy” and was first published serially in 1953 in The Magazine of Fantasy and Science Fiction. It was published in book form in 1961. My copy is Berkley, 1978 with a cover by Wayne Barlowe (see below, midway down).

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The Real Superheroes of the Comics

The Real Superheroes of the Comics

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USS Stevens March 1943

If I say “comic book superhero” who do you think of? Superman? Iron Man? Batman? Wonder Woman? Spider-Man? Captain Marvel? (The real one please, and don’t give me any of this “Shazam” crap.) Those and many others are all perfectly legitimate choices, of course, only they’re not really heroes — super or otherwise — are they? They’re adolescent daydreams, and no matter how dark or gritty they have gotten in the years since their shiny Golden or Silver Age peaks, they’re still characters with “secret identities” running around in silly costumes doing things that no actual person could ever do — or probably would even want to. (In the words of the immortal Will Eisner, “I never understood why the hell anyone would run around fighting crime.”)

That’s not a knock on the members of the Justice League or the Avengers, and when I was a kid, I loved superhero comics; in fact, I still do, but then I love all kinds of comic books — science fiction, humor, horror, romance (Patsy Walker, anyone?) — back in the day, I read them all.

One of my favorite genres was war. Now, with all due apologies to Sergeant Fury and his Howling Commandoes, I was a DC guy, which meant that during my Silver and Bronze Age heyday, I was reading stories that were somewhat more realistic than what Marvel was offering at that time, even taking the Haunted Tank and Dinosaur Island into account. (“Comic book realism” is a tricky term, as we all know.)

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Forgotten Authors: George Griffith

Forgotten Authors: George Griffith

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George Griffith

George Griffith was born George Chetwynd Griffith-Jones on August 20, 1857 in Plymouth, England to George Alfred Jones and Jeanette Henry Capinster Jones. The family did not have roots to any specific place as his father’s role as a clergyman kept him moving from parish to parish. By the time George was seven, his father had served in at least six different parishes.

He was home-schooled by his parents and allowed to teach himself from books in his father’s library.  Following his father’s death in 1872, Griffith began attending private school , where the limitations of his home schooling became apparent, particularly with regard to mathematics. He left school in 1873 and ran away to sea, deserting in Melbourne, Australia after less than three months. By the age of 19, he had worked in various jobs in Australia and managed to travel, eventually returning to England where he began teaching English, first at Worthing College in Sussex and later at Bolton Grammar School in Manchester. He viewed his time teaching as “penal servitude.”

It was while he was teaching at Bolton that he published his first two books, Poems and The Dying Faith, both were collections of poetry and both published under the pseudonym Lara. Other pseudonyms he used over the course of his career included Levin Carnac and Stanton Morich. He also met Elizabeth Brierly, whom he married in February of 1887.  They had a daughter and two sons, including Alan Arnold Griffith, who was a mechanical engineer who helped develop the jet engine.

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A Heaven of Action: Mistress of Mistresses by E.R. Eddison

A Heaven of Action: Mistress of Mistresses by E.R. Eddison

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Mistress of Mistresses (Ballantine Books, August 1967). Cover by Barbara Remington

I heard her say, faint as the breath of nightflowers under the stars,

“The fabled land of Zimiamvia. Is it true, will you think, which poets tell us of that fortunate land: that no mortal foot may tread it, but the blessed souls do inhabit it of the dead that be departed: of them that were great upon earth and did great deeds while they were living, that scorned not earth and the delights and the glories of earth, and yet did justly and were not dastards nor yet oppressors?”

 Very shortly after the paperback publication of The Lord of the Rings made it a best seller, Ballantine Books began treating publishing other paperback fantasy novels, turning fantasy into a genre. Some of these were by contemporary authors, such as Joy Chant, Katherine Kurtz, or Evangeline Walton; but many more were older works being brought back into print. Among these older works was E.R. Eddison’s Mistress of Mistresses, first published in 1935.

Eddison had begun writing fantasy in 1922 with The Worm Ourobouros, which Ballantine also republished, a little earlier. In fact they treated them as two volumes of a series. There is indeed a minor linkage between them: The Worm Ourobouros begins by introducing a viewpoint character named Lessingham, who has a dream in which his consciousness is transported to Mercury and witnesses the events of the novel proper, though he doesn’t take part in them and soon enough is no longer mentioned even as a witness.

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