Their Oath shall drive them, and yet betray them, and ever snatch away the very treasures that they have sworn to pursue. To evil end shall all things turn that they begin well; and by treason of kin unto kin, and the fear of treason, shall this come to pass. The Dispossessed they be for ever.
from Chapter 9 The Flight of the Noldor
I took The Silmarillion to camp with me the summer of 1978. I’d gotten it for Christmas the previous year, but I was put off by its Biblical diction. Still, I was determined to make my way through it. I mean, Tolkien was my favorite author, and I’d already read The Hobbit twice and Lord of the Rings, including the appendices.
I did read it that summer in the woods of Upper Delaware Valley. For all the activities, there was always free time to read, and read I did. Beside Tolkien’s book, I read Cajus Bekker’s A War Diary of the German Luftwaffe. Bekker’s book was a relatively easy undertaking, Tolkien’s was not.
A great way to kickstart the franchise after a dozen years, even if it is a retread of A New Hope. There’s a lot to love in this film; I think it features some of Williams’ best work with recurring leitmotifs that instantly feel like they’ve been part of the entire saga, I love the new principal characters, the action set-pieces are thrilling and tick all my visual/sound design boxes, I really like all the Jakku scenes, especially Rey’s introduction, I can’t get enough of the X-wing attack outside Maz Kanata’s castle — the single tracking shot of Poe Dameron handing the New Order their arses in the air sends shivers up my spine, the respect shown to the Falcon, despite an ugly radar dish, and the unsubtle nostalgia threads woven throughout.
There’s not much on show that I don’t enjoy in this one; perhaps the superfluous scene with the betentacled beasties onboard Han’s hideous new ship, or the petulant Ren stuff, but I mostly get on fine with it all. One personal sticking point for me though is the inclusion of Simon Pegg as Unkar Plutt (he of the measly muffin portions). I used to be a huge fan of his, firstly in Spaced, and then in Edgar Wright’s Cornetto Trilogy, but his ongoing vocal hatred for the prequels and the ‘death’ of Star Wars used to get on my nerves.
Cover for Conjure Wife and Our Lady of Darkness by Wayne Barlow
Originally published in August 1991, Tor Double #36 offers two stories by Fritz Leiber, doubling the number of his stories included in the series. It also brings the official Tor Double series to an end, although just as I began by looking at a proto-volume in the series, I’ll be covering one last Tor Double next which, which was never published.
Conjure Wife was an originally published in Unknown Worlds in April 1943. The novel would eventually be awarded a Retro-Hugo, beating out works by C.L. Moore & Henry Kuttner, Herman Hesse, C.S. Lewis, A.E. van Vogt, and Leiber, himself. The novel is also listed in James Cawthorn & Michael Moocock’s Fantasy: The 100 Best Books and David Pringle’s Modern Fantasy: The Hundred Best Novels.
The novel follows Norman Saylor, a sociology professor at a small, conservative liberal arts college, Hempnell College. Saylor’s life is going well, he and his wife, Tansy, have a large circle of friends, his students respect him, and he is up for appointment to head the sociology department. Despite these seemingly close relationships with Tansy and their friends, most of the novel is focused on Norman’s thoughts and broodings, with little real interaction with anyone, certainly not over the important matters that concern him.
To Leave a Warrior Behind (McClelland & Stewart, January 20, 2026)
Charles Saunders, the Father of Sword & Soul, was one of the most talented and beloved heroic fantasy writers of the last fifty years. That he died unknown, and was buried in an unmarked grave in Nova Scotia in June 2020, is one of the great tragedies of our genre.
The thing about great writers is that they don’t stay buried. When the news of Charles’ untimely death began to spread, it was met with an outpouring of grief and heartfelt tributes. David C. Smith wrote the touching memorial Charles, My Friend in December 2020, and Michael de Adder produced a superb comic strip bio for the Washington Post three years after his death. Greg Mele wrote Black Gate‘s obituary, and Seth Lindberg crafted a detailed survey of his most famous work in the Imaro Series Tour Guide. And a year after Charles’s death, Jon Tattrie raised $17,000 to erect a gravestone to mark his grave.
Now comes word of a more enduring tribute, and one that I hope will help the world understand and appreciate Charles’ remarkable legacy. Jon Tattrie, who worked alongside Charles for two years at the Halifax Daily News, has written To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, which will be released in hardcover next month from McClelland & Stewart.
Balzan of the Cat People: The Blood Stones (Pyramid Books, May 1975). Cover artist unknown
Writing under the name Wallace Moore, Gerard F. Conway (1952 -), produced a 1970s trilogy billed as “The Tarzan of Outer Space.” Conway is known mostly for his comic book writing for Marvel and DC, where he wrote as Gerry Conway and is best known for co-creating the Punisher in 1974. He also has some TV and film credits, including for Conan the Destroyer.
I haven’t read any of his comics but have read the first two in his trilogy, and I own the third. I bought them because they have been billed as Sword & Planet fiction. I suppose they fit, although they’re not exactly typical, being more Tarzan than John Carter. The covers certainly stress that resemblance.
Chris Gunter’s choice for the best vintage paperbacks of 2025. Finally a socially relevant Year’s Best list
Ah, the end of the year. When social media — and my email in-box — are filled with Best of the Year lists.
I’m not complaining. I love ’em. But the ones I most enjoy are (of course) lists that include delightful old paperbacks finds. Or are maybe, I dunno, exclusively old paperbacks, since that’s about 90% of my own reading these days.
This year I especially enjoyed old books by Lin Carter (Flashing Swords 2), Jerry Pournelle (West of Honor), C.J. Cherryh (Faded Sun: Kutath) and Clifford D. Simak (City). Not too surprisingly, my favorite 2025 Best of the Year list (so far) has been a short post by Chris Gunter on the Vintage Paperback and Pulp Forum on Facebook, which enthusiastically included classics by Alfred Bester, Keith Roberts, Bob Shaw and others.
Frequent guest columnist, New Pulp maven Will Murray, is back with more speculation: this time linking about the two biggest names in Pulp. Was Dashiell Hammett a Lester Dent fan? Well, let’s find out!
The so-called Pulp Jungle, as Frank Gruber once called it, was a densely populated wonderland, at least insofar the greatest concentration of pulp magazine writers lived in or in close proximity to New York City, where most of the publishers were established.
Late in life, Theodore Tinsley, a regular contributor to BlackMask, TheShadow, as well as numerous other top pulp titles, recalled:
“Pulpland seems a strange, purple-clouded island, in a warm sea somewhere far off, where some of the damnedest elves and goblins I ever met used to say and do strange things, especially when drunk.”
Thanks in part to the American Fiction Guild, a writer’s association which flourished during the 1930s, a great many of these writers and their editors convened for Friday luncheon gatherings at Rosoff’s restaurant on 43rd Street. They socialized, vacationed together, dated, and even married. It was virtually a subculture delineated and confined by a common vocational focus.
Others, scattered throughout the country, kept in touch by letter. But not everyone knew everyone else, except possibly by reputation.
Under the Moons of Mars: New Adventures on Barsoom (Simon & Schuster, February 2012). Cover by Mark Zug
Under the Moons of Mars: New Adventures on Barsoom has “Inspired by the work of Edgar Rice Burroughs” on the cover. I hesitated about picking this one up. A note on the back said: “Not licensed or authorized, or in any way affiliated with, Edgar Rice Burroughs, Inc.” This suggested some kind of controversy surrounding the publication and it seems awfully easy these days to step on toes and get hated for it. I don’t enjoy that kind of thing. But, it had stories by Joe Lansdale, Jonathan Maberry, and S. M. Stirling in it, and I knew all three of those could write. So I pulled the trigger.
Overall, I found the anthology enjoyable, and even though it seemed generally marketed for “teen” readers, the stories were far from simple and unsophisticated. I thought there were three particularly strong stories, as well as several others I liked a lot.
It would seem my film lists and reviews haven’t been controversial enough, because our esteemed leader recently yelled down from the lofty belfry of Black Gate Tower and asked me to expand a little on my current Letterboxd rankings of the documentary series known collectively as The Star Wars Saga.
Essentially the rankings boil down to how the films make me feel, based purely on that initial hit I received in 1977 aged 10, when my world turned upside down.
These films are important to many of us for various reasons. They’ve dominated my life for almost 50 years, and influenced my marital status (for the better), my careers (mixed results), even my kids’ names (just ask my eldest, Salacious).
Cover for Universe and Silent Thunder by Joe DeVito
Tor Double #35 is the penultimate volume in the Tor Double series and also the final multi-author offering, originally published in July 1991. A throwback to the early volumes in the series, this volume, although only having a single cover, has embossed title text for the first time since volume #19.
Universewas originally published in Astounding Science Fiction in May 1941. Although not the first generation ship story, Universe is a relatively early example of the subgenre and Heinlein’s first foray into it, although he would return to it in the future, eventually published Universe and its sequel “Common Sense” as the novel Orphans of the Sky.
