A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)
“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep
(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)
Pulp Fest took place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its Summer line at this event. Last week I shared the latest intro I wrote for Hammett’s Continental Op series; which is up to four volumes. This week, it’s my other new Steeger release. I’m a big fan of W.T. Ballard’s Hollywood studios troubleshooter, Bill Lennox. He’s a neat take on the hardboiled PI.
Lennox was featured in short stories and novels, and I wrote the intro for Volume 2.
Willis T. Ballard’s middle name is ‘Todhunter.’ While that is certainly a rare one, it is also the middle name of his cousin, Rex Stout, who created the hugely popular Nero Wolfe. Apparently Todhunter is a good name if you want to become a successful writer.
Ballard grew up in Cleveland and attended college in Ohio. His father-in-law was a well-known cartoonist who went by ‘Dwig.’ He wandered out West during the Depression and had been trying to sell to the New York pulps with minimal success.
He saw a Detective Dragnet Magazine with one of his stories in a store window (likely “Easy Does It,” in December, 1930). As he walked away, a man called out his name: it was Harry Warner, who he had known somewhat back in Cleveland, where the family had been making movie trailers for local organizations. Warner asked what Ballard was doing in Hollywood. He exaggerated a bit, bought that magazine and gave it to Warner, saying he was a freelance writer. A little self-promotion never hurt anybody, right?








