Forgotten Authors: Charles W. Diffin

Forgotten Authors: Charles W. Diffin

Astounding, February 1930, Cover by H.H. Wesso

Charles Willard Diffin was born on March 25, 1884 in Meadville, Pennsylvania to Charles A. Diffin and Julia (nee Benedict). He attended the University of Buffalo, where he graduated with a degree in analytical chemistry.

In 1903, Diffin married Pearl Burnside. Their daughter, Beatrice, was born in 1905. Son Charles followed in 1910 and Douglas in 1915. Charles predeceased his parents, dying in 1938 and Pearl died in 1951.

He began publishing science fiction in the February 1930 issue of Astounding with “Spawn of the Stars,” which was reprinted in Conklin’s The Best of Science Fiction in 1946. His “The Power and the Glory” in the July 1039 issue of Astounding explored the use of nuclear power, questioning whether it would be used to benefit or harm mankind.

From 1931 to 1932, he published four stories in his Harkness Bullard series. The series includes an initial trilogy beginning with “Dark Moon,” continuing with “Brood of the Dark Moon,” (serialized over four issues) and concluding with “The Finding of Haldgren,” all published in Astounding. He followed them with the serialized novel Two Thousand Miles Below, which was set in the same universe, although several years earlier.

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Dark Muse News: Sword & Sorcery Chain Story (#29-#32)

Dark Muse News: Sword & Sorcery Chain Story (#29-#32)

In August 2025, we hailed the emergence of a second Chain Story project championed by Michael A. Stackpole. This is a Sword & Sorcery-focused, contagious set of connected (“chained”) stories.

Each is:

  • A standalone tale
  • Readable in any order
  • Free to read! (for at least three months from its posting date)
  • Interconnected via a theme involving a Crown

We round up groups every several weeks, but check the Chain Story website for the latest. Here we highlight the latest set of five, Episodes 29-32.

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Pulp Treasures Rediscovered: Tony Rome, Private Eye by Marvin H. Albert

Pulp Treasures Rediscovered: Tony Rome, Private Eye by Marvin H. Albert

Twelve years ago, I wrote a piece for Black Gate about Marvin H. Albert’s unsung hardboiled private eye, Tony Rome.  The post concluded with my suggestion, some might claim it was a plea, that an enterprising publisher would give these long out-of-print treasures a new lease on life. Here we are a dozen years later and that is exactly what has happened.

The paperback original (PBO to collectors) was the immediate successor to the pulp magazine as the home of pulp fiction. Marvin Albert was one of the bright lights of the paperback original market for detective fiction.

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Nine Years Later – Revisiting Castlevania and Tragic Villains and Heroes

Nine Years Later – Revisiting Castlevania and Tragic Villains and Heroes

Goodafterevenmorn, Readers!

Being chronically online has revealed some pretty awesome things (as well as absolute nonsense (covered previously)). For example, I discovered an entirely new to me Transformers show – Transformers Prime, which is a lot of fun. Also, fully available on YouTube, if you’re interested. Perhaps one day I’ll go through the show and point out its very funny rebuke of the Bayverse Optimus Prime. It’s probably very basic of me, but Optimus was always my favourite Cybertronian. But we’re not here to talk about that.

What I wanted to talk about was Castlevania. Let’s dive in!

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Nero Wolfe’s Brownstone: What If? – The Unchronicled Cases

Nero Wolfe’s Brownstone: What If? – The Unchronicled Cases

Two Nero Wolfe posts in one month? What flummery is this? Like most avid readers know, there’s just not enough time to read (and write about) all our interest areas.

I finished a Terry Pratchett novella (last week’s post), while continuing on with a Savage Sword of Conan Omnibus, and starting a first read of Tolkien’s Sir Gawain and the Green Knight (I’m never gonna be a poetry fan), AND grabbing an Isaac Bell detective book from the Clive Cussler shelves.

While still working on a couple of Nero Wolfe projects ‘in my other spare time.’ I started this one a year or two ago and finally dialed in to finish it. And man, it was fun. Using every original or alternate title, I came up with a different plot, title, or both. With a minimum of two per.

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Into the Weird: Weird Tales, June 1923 (Volume 1, Number 4), Part 2

Into the Weird: Weird Tales, June 1923 (Volume 1, Number 4), Part 2


Weird Tales, June 1923
The table of contents of the fourth issue of Weird Tales boasts of sixteen thrilling short stories, two of them two-parters, and “two complete novelettes.” It also promises “Interesting, Odd, and Weird Happenings.” Having dealt with the happenings previously, let’s look at the fiction.

The first story, as advertised on the cover, is Paul Ellsworth Triem’s “The Evening Wolves.” The cover claims it’s a novel, which as short as it is it certainly is not, although it is one of the two-part tales. The conclusion will come in the next issue, but I’ll write about the whole story here for the sake of convenience. Triem was in the previous issue of Weird Tales with his short tale “Vials of Insects,” an interesting if not entirely successful attempt by a white man in the 1920s to present a Chinese hero; “The Evening Wolves” tries something similar, though again I don’t think it entirely works.

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Fresh Blood: Todd Grimson’s Stainless

Fresh Blood: Todd Grimson’s Stainless

Vampires, of all the residents of the Kingdom of Fright, are uniquely vulnerable to the revisionist impulses of writers and filmmakers. People just don’t turn the same tricks with mummies or werewolves or ghosts that they do with the Nosferatu. I’m not sure why this should be so, but I do think it’s true.

This is a problem for me, though, because with monsters, I’m a traditionalist. (I want a ghoul just like the ghoul that buried dear old dad, as we used to say on the playground.) My stodginess is especially firm when it comes to the undead. When the sun goes down over the Carpathians, give me Bela Lugosi or Christopher Lee any day (or should I say, night); I want none of this Near Dark, Lost Boys or True Blood nonsense, and as for Twilight, please – Black Gate is a family-friendly site, and we’re not allowed to use words like that. This is why Salem’s Lot is my favorite Stephen King novel; its steadfast old-fashionedness warms the cockles of my heart, right where the stake would go through. (By the way, what the hell are cockles?)

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Forgotten Authors: Wilbur Scott Peacock

Forgotten Authors: Wilbur Scott Peacock

Jungle Stories, Fall 1940

Wilbur Scott Peacock was born in Wichita, Kansas on June 27, 1915 to Walter Winfield Peacock and Vera (nee France).

Peacock married Eva Lucille Studer in 1940, although their marriage only last a couple of years and she remarried in 1943. Peacock married Gladys Lucille Malagen in 1958. Peacock and Gladys had a daughter, Sharon, and a son, Wynn.

Peacock began publishing fiction in the Fall 1940 issue of Jungle Stories with “The Ju Ju Kiss.” His story “Life Cycle” appeared in the October 1940 issue of Science Fiction and “Uranian Justice” appeared that same month in Captain Future. Over the next fourteen years, hs fiction would appear in numerous magazines, including Terror Tales, Planet Stories, Future Fantasy and Science Fiction, The Blue Book, Super Science Stories, The Phantom Detective, and Startling Stories. Although they usually appeared under bylines reflective of his real name, the story “The Silver Witch” appeared as by John Peter Drummond, a house name used for Ki-Gor stories in Jungle Stories, and shared with Jerome Bixby, Robert Turner, Stanley Mullen, and others. Peacock’s final story, Martians Twitter,” appeared in the July 1954 issue of Fantastic Story

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Sudden Joyous Turns: Pilgrimage: The Book of the People by Zenna Henderson

Sudden Joyous Turns: Pilgrimage: The Book of the People by Zenna Henderson

Pilgrimage by Zenna Henderson (Avon Books, 1967)

Zenna Henderson was one of the better known woman science fiction writers of the 1950s and 1960s. One of her early stories, “Ararat,” published 1952 in The Magazine of Fantasy and Science Fiction, became the start of perhaps her best known work, the stories of the People.

The first six of them, all dating to the 1950s, were brought together in 1961 as Pilgrimage. This is a fix-up, tied together with a framing narrative about a young woman whose intended suicide is interrupted by one of the People, and who then witnesses the telling of incidents from the People’s history. But there’s more continuity than the framing narrative; the later stories refer back to the earlier and reintroduce some of their characters.

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Carving out a Genre of His Own: A Conversation with Zig Zag Claybourne

Carving out a Genre of His Own: A Conversation with Zig Zag Claybourne

Support the Khumalo Tales campaign now on Kickstarter

Tambour: From time to time on social media you’ve spoken about being a Black author. Your fiction is unabashedly you. And few authors of any gender write women characters the way you do. Most of all, specifically, Black women. Your women aren’t artificially magnificent to fill a marketing niche as all those sword-wielding bikini’d white generic heroines are. Would you care to add a few words on your experience with creating “true” worlds in your fiction?

Claybourne: Gets to a point for any so-called “marginalized” author — and I never put myself on the margins, my landscape is dead center of the page — that we will do one last “diversity” panel and then no more. I hit that point a while ago. One reason I don’t talk a lot about my work as, specifically, a Black writer, is a lot of people aren’t knowledgeable enough beyond the tip of their noses for the answer. They want to know “Why should I allow you in?” — a heinous question in itself — when the actual question to put to them is “What are you so afraid of?”

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