So, sit right back and you’ll hear a tale, a tale of a fateful trip…..
It was just another typical Friday night in the Goth Chick News bunker filling out expense reports for her Gothness when a call came in over “Zuni” (Goth Chick’s version of “Alexa”). It was the “Big Cheese” John O informing me that since GC is out on assignment (attending Gothicon… don’t laugh it’s a real thing) I would need to fill in on a ghostly adventure traveling to an exotic locale. Before I could even react, a puff of air, a prick on my neck and darkness.
We all have our favorite obscure or neglected authors, writers we get touchy about and on whose behalf we’re instantly ready to jump on top of a table, ball up our fists and yell at the top of our voices, “HEY!! Don’t forget THIS GUY!!!”
For me, Avram Davidson is at the top of that list. I’ll knock over the Parcheesi board for him any day of the week.
As is often the case with such semi-forgotten writers, he wasn’t always obscure or neglected; though never a behemoth like Heinlein, Clarke, or Bradbury, during the 50’s, 60’s, and 70’s Davidson was quite well-known. He had three World Fantasy Awards to his credit, won a 1958 Hugo Award for his delightfully paranoid short story “Or All the Seas with Oysters” (read it and you’ll never turn your back on a closet full of coat hangers again) and was briefly the editor of The Magazine of Fantasy and Science Fiction. Few people in the genre were more well-respected or personally beloved.
Dray Prescot #17-24, all from DAW: Captive Scorpio (1978), Golden Scorpio (1978), A Life for Kregen (1979), A Sword for Kregen (1979), A Fortune for Kregen (1979), A Victory for Kregen (1980), Beasts of Antares (1980), and Rebel of Antares (1980). Covers by Josh Kirby (#17-18), Richard Hescox (#19-23), and Ken Kelly (#24)
Not only is the Dray Prescot series the longest running Sword & Planet series ever published in English, but it’s also consistently of a high quality. There are quite a few volumes that — for me—rival any of Edgar Rice Burrough’s Barsoom books. Certainly, these two series are my all-time favorites, and together make up the primary influence on my own Sword & Planet series, the five books of the Taleraseries by Charles Allen Gramlich (Gotta get those “three” names in there.) I’ve posted about the Talerabooks before, but back to Kenneth Bulmer (who wrote the Prescot series as ‘Alan Burt Akers’) and Dray Prescot now.
I’ve never been one to put a lot of emphasis on covers, but the Bladud books, all five compendiums containing the last fifteen novels, have the same cover image with just a change in the color of the dust jacket. This made me long for the original DAW publications where each vibrant cover was tied directly to the book it illustrated.
“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep
It can’t be a Summer of Pulp without some Robert E. Howard now, can it? Heck no!!! The looong shadow cast by my buddy Dave Hardy, with his two terrific essays on El Borak, still prevents me from tackling ‘The Swift.’
However, I am comfortable continuing to blaze my own trail regarding the similar, but different, Kirby O’Donnell.
I wrote about “Gold from Tartary,” and “Swords of Shahrazar,” in prior summers. Which just leaves the third, long-unpublished, “The Trail of the Bloodstained God.” Now having tackled this one, I’m sure there’s a Steve Clarney post (“The Fire of Asshurbanipal”) somewhere down the road.
In my first two essays, I explained how the second O’Donnell story, “Swords of Shahrazar,” found print first, in the October, 1934 issue of Top-Notch magazine. It was a direct sequel to “Gold from Tartary,” which appeared four months later in the January, 1935 issue of Thrilling Adventures. It’s quite likely that many people did not read “Swords,” then “Gold” shortly thereafter. But it certainly would seem odd to do so.
The Language of the Night: Essays on Fantasy and Science Fiction by Ursula K. Le Guin
(trade paperback reprint from Perigee Books, 1980). Cover by Michael Mariano
I’m not a big fan of literary criticism in any field (although I have committed some), but one of my big books from my late teens onward was Le Guin’s The Language of the Night (1979), especially for the essays “From Elfland to Poughkeepsie” and “A Citizen of Mondath.”
Le Guin has some great passages in “Citizen” about what she liked to read as a kid, and how she liked it.
The Haunted Palace (American International Pictures, August 28, 1963)
Yes, a new watch-a-thon, featuring me, a hopeless procrastinator, plumbing the depths of cinematic misery for your entertainment.
This time around, I will be watching Lovecraftian and Lovecraftian-tangential films, and as usual they must be films I’ve never seen before (which makes the task trickier and bound for disaster).
If you don’t know anything about Lovecraft’s writings, cosmic horror, the Mythos, or Cthulhu, that’s great — keep it that way. Onwards!
The Haunted Palace (1963) – Tubi
We kick off Part II with a stone-cold classic from AIP that I somehow had never seen before. A shock, I know.
Billed as Edgar Allen Poe’s The Haunted Palace, this film is, in reality, a retelling of Lovecraft’s ‘The Case of Charles Dexter Ward,” with just a fraction of Poe’s original poem used to frame the film as opening and closing quotes.
Fans of the story will recognize many familiar elements; Vincent Price plays Charles Ward, who has brought his wife to Arkham to claim an old palace he has inherited from his long-gone descendant, Joseph Curwen. Curwen (who was burned alive 110 years ago) was an infamous warlock who terrorised the town until his fiery comeuppance. He cursed the lynch mob as he sizzled, and true to his word is resurrected through an old portrait that he uses to possess the hapless Ward. Ward/Cullen is aided by his two fellow warlocks, Jabez and Simon, and proceeds to take vengeance on the descendants of his killers. Shenanigans ensue.
Cover for He Who Shapes by Wayne Barlowe Cover for The Infinity Box by Royo
He Who Shapes was originally serialized in Amazing Stories between January and February, 1965. It won the Nebula Award, tying with Brian W. Aldiss’s The Saliva Tree, which appeared as half of Tor Double #3. He Who Shapes is the first of three Zelazny stories to be published in the Tor Doubles series. Zelazny’s original title for the story was The Ides of Octember, which was changed before its initial publication. He eventually expanded the novella to the novel length The Dream Master and the original title was used on the story when it was reprinted in 2018 in the collection The Magic.
The story focuses on Charles Render, a neuroparticipant therapist, and drops the reader into a session, in which Render is creating a reality for his patient, in which the patient is Julius Caesar in a world in which the assassins kill Marcus Antonius while Caesar/the patient longs for martyrdom. Following the session, Zelazny introduces Render and his techniques to the reader in a manner which leaves no room to doubt that Render may be adept and the technical part of what he does. But his bedside manner leaves much to be desired.
The Warrior of Mars trilogy by Michael Moorcock: Warriors of Mars (DAW, January 1979), Blades of Mars (as by Edward P. Bradbury; Lancer, 1966), and Barbarians of Mars (DAW, March 1979). Covers by Richard Hescox, Gray Morrow, and Richard Hescox
Quite a few writers who went on to bigger names in other genres wrote some of their earliest books in Sword & Planet. Michael Moorcock was one of these. He’s mostly known for his Elricseries. Elric is a kind of anti-Conan. But in 1964, at around the age of 25, he wrote three Edgar Rice Burroughs pastiches set on Mars. In the introduction to a later release of these books he mentioned his early infatuation with ERB, and that after the publication of the first Elricbook he was asked by another publisher to do a fantasy series for them.
He offered several possible author names and titles, and the books were published in 1965 under the name Edward Powys Bradbury as Warriors of Mars, Blades of Mars, and Barbarians of Mars. Later they were republished as City of the Beast, Lord of the Spiders, and Masters of the Pit under his own name. The hero is an earthman named Michael Kane and the adventures are very ERBian.
I’m a big fan of mystery stories, and I’ve read a lot of the genre’s major writers, from well-mannered Brits like Doyle, Christie, and Chesterton to hard-hearted Yanks like Hammet, Chandler, and McBain. A lot of their stories begin with a disappearance (even if they end with a corpse), and though in fiction the Great Detective always solves the case, in real life many disappearances remain unsolved, which makes them the most baffling mysteries of all. That may be why people still debate the fate of Judge Crater, search remote islands for a trace of Amelia Earhart, and argue over whether the New York Giants snap the ball over the remains of Jimmy Hoffa.
I don’t spend much time worrying about those folks — what really bothers me are the people who disappear on the internet, without Hercule Poirot or Philip Marlowe ever so much as lifting a finger to find them.
Dungeons & Dragons Supplement I: Greyhawk by Garg Gygax and Rob Kuntz
(TSR, 1975; reprint edition 2003). Cover and interior art by Greg Bell
Fifty years of Greyhawk and an amusing Castle Zagyg anecdote.
It has been 50 years since the release of the first and perhaps most important supplement to Dungeons & Dragons. It was none other than Supplement I: Greyhawk, by Gary Gygax and Robert Kuntz. This pivotal, 68-page book is not likely to be celebrated by the entity that owns the rights to D&D, because they do not look upon the original materials or its creators favorably. But we don’t need them to celebrate the anniversary of this great achievement.
