It’s Not That Deep – Silliness in Entertainment

It’s Not That Deep – Silliness in Entertainment

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Image by StockSnap from Pixabay

Good afterevenmorn, Readers!

I’m here to do something angsty, teenage me would be horrified by – defending “bad” entertainment. You know the ones – bad movies that are just a fun time to sit through, even if the only thing they have going for them is epic fight choreography, pulpy books with lead characters whose names are alliterations, and who rock their way through the pages with naught but their wry grins and cheesy one-liners. Video games that attempt a story, but fall short and yet are still really fun to play by virtue of their mechanics or visuals. All these “bad” movies, books and games, if done right, can actually be just what the doctor ordered.

Sometimes you need RPGs that inexplicably change direction to wallop the bad guys. Sometimes you need heroes with flowing locks and bare chests. Sometimes you need the weirdly gravelly-voiced maniac with a gun fetish who saves the day. Entertainment does not need to be deep. Sometimes, the exact thing it needs to be is silly — “Bad.”

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A (Black) Gat in the Hand: A Terrific Little Noir – After Dark My Sweet

A (Black) Gat in the Hand: A Terrific Little Noir – After Dark My Sweet

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

— Phillip Marlowe in Raymond Chandler’s The Big Sleep

1990 was quite the year for hardboiled and Noir on the big screen. Pacific Heights (Michael Keaton) came in as the 41st highest grossing movie of the year, with Revenge (based on the novella from the uber-talented James Harrison) was 83rd. Those are both solid Noirs.

At 107th was The Two Jakes – the long-delayed sequel to Chinatown. At 109th was Miami Blues, with Fred Ward as Charles Willeford’s Hoke Mosely. I’ve read the books several times, but not seen the movie.

The 135th highest grossing movie is probably second only to The Maltese Falcon in the harboiled genre for me. It’s the Coen Brothers’ Miller’s Crossing. Starring the tastefully-last named Gabriel Byrne! At 155th is a remake of a Bogart flick, Desperate Hours. Mickey Rourke delivered a pretty good Noir.

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A Taste of British Dark Fiction: The Sanctuary and Other Strange Stories by RB Russell

A Taste of British Dark Fiction: The Sanctuary and Other Strange Stories by RB Russell

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The Sanctuary and Other Strange Stories by RB Russell (Tartarus Press, May 15, 2026). Cover by R.B. Russell

Co-owner of the distinguished British publishing house Tartarus Press, editor, author and music composer RB Russell has collected in one hefty volume most of his short stories. The book includes tales of very different type and content, which have in common one feature: good quality.

Commenting upon every single story would be tedious and in a way, useless. Thus, I will mention only the stories that I’ve especially liked and which, to me, make the book absolutely worth reading.

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The Limits of Vision: Arthur C. Clarke’s Imperial Earth

The Limits of Vision: Arthur C. Clarke’s Imperial Earth

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When I began reading science fiction in the early 70’s, a handful of writers stood taller than any others, at least judging by the bookshelves at the thrift store around the corner from my middle school, where I spent my lunch money every day on used sf paperbacks. In those days the Kings of the Hill were Robert A. Heinlein, Isaac Asimov, Ray Bradbury… and Arthur C. Clarke.

I read very little Clarke in those years, though; for me, Heinlein stood higher than anyone else, with Bradbury and Asimov right behind. Clarke was far in the rear; aside from a few short stories, the only thing of his that I read back in the day was Childhood’s End.

For the past decade or so, though, I’ve been correcting that failure by reading the Clarke novels that I neglected all those years ago, and I’ve greatly enjoyed them. Most recently I read one of his later works, Imperial Earth. I found it a problematic book, and it left me with more mixed feelings than I usually have after finishing a Clarke opus.

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Forgotten Authors: R.F. Starzl

Forgotten Authors: R.F. Starzl

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R.F. Starzl

Roman Frederick Starzl, who wrote as R.F. Starzl was born in Le Mars, Iowa on December 10, 1899 to John V.N. Starzl and Margaret (née Theisen). His grandparents immigrated to the U.S. from Austria in 1895, along with their five children, including Starzl’s father.  While the family settled in Le Mars, Iowa, John moved to Chicago, where he owned a pharmacy. Around the time he married Margaret, John moved back to Le Mars and bought a German language newspaper, Der Herold, which he renamed Le Mars Globe-Post newspaper. Starzl began working as reporter for his father and claims he began writing for the pulp magazines in order to raise enough capital to acquire the newspaper and the printing press, a goal he achieved in 1934 when he became a partner in the Globe-Post, becoming the sole owner and publisher in 1940.

Starzl served in the army during World War I, serving for about eight and half months. Upon his return to the U.S., he spent a year at Northwestern University before finding a job in the advertising department of the Chicago Tribune. He worked there from 1920 until 1923, when he returned to Le Mars, began working for his father, and married Anna Laura Fitzgerald on November 14. Anna was a nurse from  They had one son, Thomas, who was born in 1926. Anna died in 1947 and on July 27, 1948, Starzl married Rita Gertrude Kenaley.

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Dark Muse News: The Legend of Top-Shelf Books Open Mic

Dark Muse News: The Legend of Top-Shelf Books Open Mic

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Ever hear of the legend of Top Shelf Books? Gene Wolfe did!

I first heard about the legendary Top Shelf Books from four people who had frequented that mythical venue. However, they were not together when they mentioned the place, and the interval between tellings was years and across many locations. What I eventually learned was that it was a used book shop that hosted open-mic readings for writers. The “open-mic” writer’s group ran from ~2007-2013, in Top Shelf Books in Palatine, Illinois. It was uncanny that Top Shelf kept creeping into conversations, so I had to find out the history and then share it! Here are those who introduced me to the legend.

2015: Author Joe Bonadonna was the first. Back in 2015, he had reviewed my first novel and, by serendipity, we both joined forces as Perseid Press contributors for Heroika and Heroes in Hell, sharing six volumes; we even jointly wrote a story for Monsters in Hell. I adore Joe’s Dorgo the Dowser (Mad Shadows) books and interviewed him in 2022. Several times over the last decade, he mentioned Top Shelf.

2016: Chief editor of Black Gate, John O’Neill, was another Top Shelfer. I met John in person at the 2016 World Fantasy Convention, the same year and event in which Black Gate won the World Fantasy Special Award.  I began contributing to Black Gate in 2018, with one of my lead articles being coverage of Todd McAulty’s Robots of Gotham (spoiler alert: Todd McAulty is a pseudonym for John O’Neill). In 2019, at a Gen Con event with John and Howard Andrew Jones, I heard about the editing opportunity at Black Gate that led to becoming the Managing Editor.

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The Epic Science Fiction & Fantasy of Poul Anderson, Part Two

The Epic Science Fiction & Fantasy of Poul Anderson, Part Two

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The Ace Flandry editions by Poul Anderson: Ensign Flandry, Agent of the Terran Empire, and
Flandry of Terra (Ace Books, February 1979, January 1980, July 1979). Covers by Michael Whelan

Read Part One of this article here.

I’ve never read a Poul Anderson book or story I didn’t like, although certainly I have my favorites. The first book I remember reading by him was 7 Conquests (cover art by Emanuel Schongut; see below), a collection of 7 short stories. I was about 14 and in awe of his language, and there’s still a scene in one story that titillates my daydreams even now.

Next, I started reading Anderson’s Flandry of Terra series, about an intelligence officer for the Terran Empire named Dominic Flandry. Flandry is very much a James Bond kind of character, with a fair amount of anti-hero in his makeup, but I loved these tales, which I’d primarily categorize as Space Opera.

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Richard Stark’s Parker, Part 1: The Master Criminal

Richard Stark’s Parker, Part 1: The Master Criminal

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All 16 original series Parker Novels by Richard Stark in 15 paperbacks (Avon and Berkely editions). Deadly Edge is a double volume also containing The Sour Lemon Score

This week we kick off an occasional new series of reviews of the Parker crime novels by Richard Stark.

If you know Parker, you understand. If you aren’t familiar with him, trust me: You are in for a treat.

In installment two, I’ll explain why he’s worthy of being discussed in this august forum.

But first, let’s chat a bit about the character, his creator, and why he matters.

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A (Black) Gat in the Hand: Ten Things I Think I Think (Gat Edition)

A (Black) Gat in the Hand: Ten Things I Think I Think (Gat Edition)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

— Phillip Marlowe in Raymond Chandler’s The Big Sleep

I don’t think I’ve done a Ten Things I Think I Think, for A (Black) Gat in the Hand. Huh. I guess we can rectify that today.

As I write this, all 2,000+ books which I own are boxed up. They will be moving to the house I close on later this week. They made up 55 boxes of books. There’s a loft that will be my writing room/home office, with bookcases spread out across a few other rooms.

It’s weird not being able to grab a book to read, or look something up. I feel like I’m in a book version of homelessness. Definitely strange. So, I think:

1 – PHILIP MARLOWE HAS STAR POWER

Philip Marlowe was born in 1939, when Raymond Chandler cobbled together parts from short stories featuring other detectives (I’m not exaggerating, I believe he used he word ‘cannibalized’), and wrote The Big Sleep. Marlowe novels were used for movies starring The Falcon, and Mike Shayne. But the character of Marlowe has compelled some big Hollywood names to play him. Such as Dick Powell, Humphrey Bogart, James Garner, Elliot Gould, Robert Mitchum, Powers Boothe, James Caan, and Liam Neeson.

These are heavyweight male stars playing a character often from decades before.  For the most part they’re good, though I definitely like them to varying degrees. Sam Spade, Race Williams, The Continental Op: similar big names in hardboiled fiction don’t have nearly the ongoing screen impact of Philip Marlowe. I ruminated on various Marlowe incarnations here.

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The Epic Science Fiction & Fantasy of Poul Anderson, Part One: The Last Viking Trilogy

The Epic Science Fiction & Fantasy of Poul Anderson, Part One: The Last Viking Trilogy

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The Last Viking trilogy: The Golden Horn, The Road of the Sea Horse, and The Sign of the Raven (Zebra Books, April-June 1980). Cover artist uncredited

As a teenager reading SF and Fantasy, I had two go-to authors whose work never let me down. One was Andre Norton, who I’ve talked about a lot. The other was Poul Anderson (1926-2001), who I’ve barely mentioned so far. I’ve got a number of posts planned about him.

Anderson wrote excellent heroic fantasy and SF with equal ease, although I slightly prefer his fantasy. The series I want to talk about first is his Last Viking trilogy, consisting of The Golden Horn, The Road of the Seahorse, and The Sign of the Raven, all published in 1980 by Zebra. They blur the line between fantasy and heroic historical. The cover artist is uncredited but my best guess is Don Maitz, who did the cover for another Anderson Viking book called Hrolf Kraki’s Saga (see below). I could be wrong; if so, someone will surely tell me.

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