Nero Wolfe’s Brownstone: What If? – The Unchronicled Cases

Nero Wolfe’s Brownstone: What If? – The Unchronicled Cases

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Two Nero Wolfe posts in one month? What flummery is this? Like most avid readers know, there’s just not enough time to read (and write about) all our interest areas.

I finished a Terry Pratchett novella (last week’s post), while continuing on with a Savage Sword of Conan Omnibus, and starting a first read of Tolkien’s Sir Gawain and the Green Knight (I’m never gonna be a poetry fan), AND grabbing an Isaac Bell detective book from the Clive Cussler shelves.

While still working on a couple of Nero Wolfe projects ‘in my other spare time.’ I started this one a year or two ago and finally dialed in to finish it. And man, it was fun. Using every original or alternate title, I came up with a different plot, title, or both. With a minimum of two per.

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Into the Weird: Weird Tales, June 1923 (Volume 1, Number 4), Part 2

Into the Weird: Weird Tales, June 1923 (Volume 1, Number 4), Part 2

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Weird Tales, June 1923
The table of contents of the fourth issue of Weird Tales boasts of sixteen thrilling short stories, two of them two-parters, and “two complete novelettes.” It also promises “Interesting, Odd, and Weird Happenings.” Having dealt with the happenings previously, let’s look at the fiction.

The first story, as advertised on the cover, is Paul Ellsworth Triem’s “The Evening Wolves.” The cover claims it’s a novel, which as short as it is it certainly is not, although it is one of the two-part tales. The conclusion will come in the next issue, but I’ll write about the whole story here for the sake of convenience. Triem was in the previous issue of Weird Tales with his short tale “Vials of Insects,” an interesting if not entirely successful attempt by a white man in the 1920s to present a Chinese hero; “The Evening Wolves” tries something similar, though again I don’t think it entirely works.

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Fresh Blood: Todd Grimson’s Stainless

Fresh Blood: Todd Grimson’s Stainless

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Vampires, of all the residents of the Kingdom of Fright, are uniquely vulnerable to the revisionist impulses of writers and filmmakers. People just don’t turn the same tricks with mummies or werewolves or ghosts that they do with the Nosferatu. I’m not sure why this should be so, but I do think it’s true.

This is a problem for me, though, because with monsters, I’m a traditionalist. (I want a ghoul just like the ghoul that buried dear old dad, as we used to say on the playground.) My stodginess is especially firm when it comes to the undead. When the sun goes down over the Carpathians, give me Bela Lugosi or Christopher Lee any day (or should I say, night); I want none of this Near Dark, Lost Boys or True Blood nonsense, and as for Twilight, please – Black Gate is a family-friendly site, and we’re not allowed to use words like that. This is why Salem’s Lot is my favorite Stephen King novel; its steadfast old-fashionedness warms the cockles of my heart, right where the stake would go through. (By the way, what the hell are cockles?)

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Forgotten Authors: Wilbur Scott Peacock

Forgotten Authors: Wilbur Scott Peacock

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Jungle Stories, Fall 1940

Wilbur Scott Peacock was born in Wichita, Kansas on June 27, 1915 to Walter Winfield Peacock and Vera (nee France).

Peacock married Eva Lucille Studer in 1940, although their marriage only last a couple of years and she remarried in 1943. Peacock married Gladys Lucille Malagen in 1958. Peacock and Gladys had a daughter, Sharon, and a son, Wynn.

Peacock began publishing fiction in the Fall 1940 issue of Jungle Stories with “The Ju Ju Kiss.” His story “Life Cycle” appeared in the October 1940 issue of Science Fiction and “Uranian Justice” appeared that same month in Captain Future. Over the next fourteen years, hs fiction would appear in numerous magazines, including Terror Tales, Planet Stories, Future Fantasy and Science Fiction, The Blue Book, Super Science Stories, The Phantom Detective, and Startling Stories. Although they usually appeared under bylines reflective of his real name, the story “The Silver Witch” appeared as by John Peter Drummond, a house name used for Ki-Gor stories in Jungle Stories, and shared with Jerome Bixby, Robert Turner, Stanley Mullen, and others. Peacock’s final story, Martians Twitter,” appeared in the July 1954 issue of Fantastic Story

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Sudden Joyous Turns: Pilgrimage: The Book of the People by Zenna Henderson

Sudden Joyous Turns: Pilgrimage: The Book of the People by Zenna Henderson

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Pilgrimage by Zenna Henderson (Avon Books, 1967)

Zenna Henderson was one of the better known woman science fiction writers of the 1950s and 1960s. One of her early stories, “Ararat,” published 1952 in The Magazine of Fantasy and Science Fiction, became the start of perhaps her best known work, the stories of the People.

The first six of them, all dating to the 1950s, were brought together in 1961 as Pilgrimage. This is a fix-up, tied together with a framing narrative about a young woman whose intended suicide is interrupted by one of the People, and who then witnesses the telling of incidents from the People’s history. But there’s more continuity than the framing narrative; the later stories refer back to the earlier and reintroduce some of their characters.

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Carving out a Genre of His Own: A Conversation with Zig Zag Claybourne

Carving out a Genre of His Own: A Conversation with Zig Zag Claybourne

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Tambour: From time to time on social media you’ve spoken about being a Black author. Your fiction is unabashedly you. And few authors of any gender write women characters the way you do. Most of all, specifically, Black women. Your women aren’t artificially magnificent to fill a marketing niche as all those sword-wielding bikini’d white generic heroines are. Would you care to add a few words on your experience with creating “true” worlds in your fiction?

Claybourne: Gets to a point for any so-called “marginalized” author — and I never put myself on the margins, my landscape is dead center of the page — that we will do one last “diversity” panel and then no more. I hit that point a while ago. One reason I don’t talk a lot about my work as, specifically, a Black writer, is a lot of people aren’t knowledgeable enough beyond the tip of their noses for the answer. They want to know “Why should I allow you in?” — a heinous question in itself — when the actual question to put to them is “What are you so afraid of?”

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Richard Stark’s Parker, Part 10: The Jugger

Richard Stark’s Parker, Part 10: The Jugger

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The Jugger, by Richard Stark (Pocket Books, 1965)

What is it?

Volume 6 of Richard Stark’s Parker series of crime novels.

A “jugger” is a slang term for a safecracker. Interestingly, my research has shown that this was never a term in common use. It seems as if Westlake might have created the term “jugger” himself, and then used it as the title of this book, as well as the description of what Joe Sheer did, back before he retired.

This is sort of the On Her Majesty’s Secret Service of Parker novels. It’s unlike the rest of the series in a number of ways, and was not well-regarded by fans for a while. But, like that Bond film, it has enjoyed something of a renaissance among afficionados in more recent years. Today it’s considered one of the better entries in Parker’s chronicles.

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Short, Strange Trip: Stalker #1 – 4, by Paul Levitz, Steve Ditko, and Wally Wood

Short, Strange Trip: Stalker #1 – 4, by Paul Levitz, Steve Ditko, and Wally Wood

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Stalker, issue 1 (DC Comics, June 4, 1975). Cover by Wally Wood and Steve Ditko

It must have looked like a can’t-lose comic: An original sword and sorcery title with art by two legends. One was Steve Ditko — the co-creator of Marvel’s biggest solo superhero, Spider-Man, and creator of Marvel’s psychedelic occult investigator, Dr. Stephen Vincent Strange. The other was Wally Wood, the storied veteran of EC Comics’ infamous horror and crime titles.

With scripts by future DC Comics President/Publisher Paul Levitz, DC’s new S&S series (launching in July 1975) would be bizarre and amazing and creepy, filled with the touches that made the mid-Twentieth-Century Dr. Strange comic such a trip, and it would be set within the Weird and horrific and sometimes-cosmic environs of a fantasy subgenre still fresh to comics.

And Stalker was all of these things, except a hit. The bimonthly title was unfortunately cancelled in January 1976, after four issues.

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Prometheus Undone – Or, Cohen Meets the Gods (Terry Pratchett)

Prometheus Undone – Or, Cohen Meets the Gods (Terry Pratchett)

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I have written a half-dozen essays on the late, great, Terry Pratchett. As with Robert E. Howard, Rex Stout, and some other authors, I discovered him late in my reading life. I was a fan of Good Omens (I STILL find the streaming series unwatchable. David Tenant is nothing like Azrael to me), but I had never read a single Discworld novel.

Being a huge Douglas Adams fan, I gave Guards, Guards! a try, and I was hooked. I’ve since called him a ‘modern-day fantasy Voltaire.’ Do the kids still read Candide? We did in high school. I liked it.

The Last Hero is a 2001 illustrated novella, and is a rather unique work. This is sized between a coffee table book and an over-sized hardback, and it is LAVISHLY illustrated by Paul Kidby. There’s barely a page that doesn’t have some kind of background, or at least a block letter. And it’s literally filled with drawings of all sizes; Including full two-page spreads. If you like Kidby’s art, this will be one of your favorite Pratchetts. I’m not overestimating the sheer volume of terrific art in this. I cannot give enough praise and credit to this labor of love. I have the illustrated Eric, and this is a whole other level.

The story itself is a Pratchett-esque take on the Greek myth of Prometheus. Since we don’t teach the classics anymore, a quick recap: Prometheus was a Titan who sided with Zeus in the big rebellion against an overbearing father.

Later, seeing the suffering of man, he steals fire and brings it down from Mt. Olympus, giving mankind its greatest gift. That doesn’t fly well with the god crowd, so he’s captured and chained to a rock. Every day an eagle comes and eats his liver: Which then grows back for tomorrow’s snack. Man. Zeus could really be a vindictive SOB. Prometheus, Sisyphus: it’s not just punishment. It’s a repeatable action, for an eternity of torment. Eventually, Prometheus is freed by Hercules.

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Weird Times 7: Labour and the Economy

Weird Times 7: Labour and the Economy

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The J.P Morgan Bank at 23 Wall Street, New York, built in 1914.
This is the sixth post in a series reflecting on the world of the 1920s as a background to early issues of Weird Tales. Imagine that you’re an American in a big city in 1923, and you’re taking a walk to the newsstand to buy the first issue of a new pulp fiction magazine. What sort of things might you see? What do those things suggest about ways people think? Or about the stories they tell?

Perhaps you’ll see a bank. Bank architecture in the 1920s typically follows traditions going back to the 18th century, in terms of what the architecture is supposed to convey and how. Neo-classical buildings speak of power and security. You can leave your money in one of these temple-like structures, and feel safe. The bank will not disappear, it will not collapse, it will not fall before the bombs of a robber or a revolutionary. That matters; in an age before the Federal Deposit Insurance Corporation the collapse of a bank can wipe out a depositor’s savings. And certainly this is an age that has recently seen many panics and controversies revolving around money and the economy; therefore often also revolving around politics, and around labour.

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