Diving Deep (again) into the Wonder that is Terry Pratchett

Diving Deep (again) into the Wonder that is Terry Pratchett

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I am working on a post about my trip to the Greenbrier Resort, with the Wolfe Pack. It was a neat time, and I’ve got a ton of pictures. What I do not have is a completed essay yet. So, I should have that next week.

Today I’m gonna talk a little more about Terry Pratchett.

A few months ago, I decided to start re-reading – and listening to – some Discworld books. I’ve been a Pratchett fan for decades, and I occasionally grab something off the shelf for a mental breather. I’m usually reading for purposes of a Black Gate post. Or an actual work product, like a new intro for Steeger Books. Discworld is always a fun break.

The book I most often ‘randomly grab’ is The Last Hero. It’s such an exquisite work of art. It is probably the most thoughtful, beautiful, book which I own. The story, of course, is classic Pratchett. But the only reason this book is such a wonderful item, is because the people behind it, wanted it to create something of beauty. It’s more than just a book. It’s something to be cherished.

 

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Neil’s Horror Corner: The Weird, Weird West, Part III

Neil’s Horror Corner: The Weird, Weird West, Part III

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The Dead and the Damned (Mattia Borrani Productions, 2010), The Pale Door (Shudder,
2020), and The Magnificent Dead (Broom Closet Video, 2010)

The Dead and the Damned (2011) – Tubi

Stand-off with six guns?

Lots of unconvincing shootin’.

Uncomfortable chaps?

Rubbish zombies.

Any good?

As with some previous entries, it gives me no pleasure to rip into this film.

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Vintage Treasures: Falling Free by Lois McMaster Bujold

Vintage Treasures: Falling Free by Lois McMaster Bujold

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Falling Free (Baen Books, April 1988). Cover by Alan Gutierrez

Lois McMaster Bujold is one of the most acclaimed writers in science fiction, with four Hugo wins for Best Novel under her belt (matching Robert A. Heinlein’s record), and three enormously popular series to her credit — the Miles Vorkosigan saga, the fantasy trilogy World of the Five Gods, and the Sharing Knife series.

But in April 1988, when Falling Free appeared, she was a relative unknown. Her first novel Shards of Honor had appeared the previous year, followed quickly by two others set in the same universe: The Warrior’s Apprentice, the tale of the young Miles Vorkosigan, and Ethan of Athos, the story of an exclusively male planetary colony.

But Falling Free was the book that would catapult her to stardom. The first novel (in chronological order) in the sprawling and ambitious Vorkosigan Saga, it was nominated for a Hugo and won the Nebula Award for Best Novel, the first of numerous nominations and awards she’d receive during her career. In 2017, when the first Hugo Award for Best Series was awarded at the 75th World Science Fiction Convention in Helsinki, Bujold easily brought it home for the Vorkosigan Saga.

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A to Z Reviews: “The Haunted House on Rocketworks Street,” by Pasi Ilmari Jääskeläinen

A to Z Reviews: “The Haunted House on Rocketworks Street,” by Pasi Ilmari Jääskeläinen

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A to Z Reviews

Pasi Ilmari Jääskeläinen captures the nostalgic, carefree summer days of childhood in “The Haunted House on Rocketworks Street,” which also demonstrates the universality of human experience.  The story does have a frame which becomes important, but the meat of the story follows for kids on a summer day, who have the freedom of movement on Rocketworks Street, free from responsibility or parental controls.

The four kids, leader Albin, Max, Henry, and Henry’s sister Henrietta, spend their summer running up and down the street, staying out of sight of their parents, and working up tests of their courage. The fact that all of the parents who live on Rocketworks Street have been pulled into the fireworks factory from which the street took its name, just makes their freedom easy to maintain and enjoy.

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Goth Chick News: Where We Drag Another Horror from the Vault

Goth Chick News: Where We Drag Another Horror from the Vault

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The Fury (20th Century Fox, Release date March 10, 1978)

As I mentioned a couple weeks back, I am in the middle of some tedious travel and am amusing myself by streaming from a list of horror films I hadn’t thought about in ages. Some of these titles came from an archeological expedition to the back reaches of my crawl space. There, I have multiple storage bins containing VHS tapes, which I am certain will someday fund my retirement when a future generation becomes nostalgic for the good old days of movie viewing.

I must admit, it was fun to dig through these titles. Each tape is like a 7”x4” bookmark for a point in time in my personal history, reminding me of an evening sitting in front of a friend’s “projection TV” following a trip to Blockbuster, or a date night where I could pretend to be scared.

When VHS began its decline, I collected many meaningful titles from “$3 or less” bins at various stores, finally snagging the motherload when the local “Family Video” store had a going-out-of-business sale. In that case, I pretty much scored one of everything from their horror section allowing me to catch up on a lot of titles I was too young to see in the theater due to the R-ratings.

Which brings me to how I spent last evening; streaming The Fury.

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Ellsworth’s Cinema of Swords: Peter Jackson’s Lord of the Rings: Two-Thirds of a Miracle

Ellsworth’s Cinema of Swords: Peter Jackson’s Lord of the Rings: Two-Thirds of a Miracle

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The Fellowship of the Ring (New Line Cinema, December 2001)

Some of us waited a very long time for these movies — or at least, that’s how it felt. I grew up in the 1960s reading science fiction and fantasy; my father had read pulps like Weird Tales back in the ‘30s, and when those stories were republished as postwar paperbacks, he bought them and then passed them on to me. But I discovered Tolkien’s Lord of the Rings trilogy on my own in my junior high school library, which had pristine copies of the Houghton Mifflin hardcovers with those two-color foldout maps bound into the endpapers. I can still picture exactly where those volumes stood on those library shelves. I read them cover to cover… and then I read them again. When Dungeons & Dragons came along a few years later, giving us all the ability to tell such stories to ourselves, the course of my life was set. And here I am, 55 years after pulling The Fellowship of the Ring down from that shelf, still telling stories of heroic fantasy — and writing about them also, it seems.

So, to those of us who grew up treading in our imaginations the weed-grown paths of Middle-earth, a world to us almost as real as that of the asphalt roads and concrete pavement where we led our physical lives, the gift of Peter Jackson’s Fellowship of the Ring and The Two Towers was unexpected and kind of a miracle. Jackson was one of us, he saw the same visions we did, and he had the talent and drive to put them on the screen, in a depiction as vivid and real as what we saw in our minds when we read the works of J.R.R. Tolkien. And if that act of respectful and dedicated creation isn’t inspiring, I don’t know what would be.

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A Paean to the Outsider: A Review of Neither Beg Nor Yield, edited by Jason M. Waltz

A Paean to the Outsider: A Review of Neither Beg Nor Yield, edited by Jason M. Waltz

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Neither Beg Nor Yield (Rogue Blades Entertainment, April 2024)

I can’t say if Jason M. Waltz and his Rogue Blades Entertainment’s swansong is the largest collection of Sword & Sorcery ever published, but it’s damn close.

It’s also the most metal. From this over-the-top, blood-splash cover featuring an axe headed toward the reader’s face to the powerful black & white line art that runs throughout. there’s a Savage Sword of Conan-meets-Heavy Metal vibe to the layout that tells you exactly the feel of the prose within.

With all respect to my friend Dave Ritzlin at DMR Books (and the most metal *publisher* of S&S), who literally launched his press by bringing S&S-loving metalhead musicians together to create anthologies of tales, I don’t mean erudite, I can tell you the difference between symphonic metal, thrash metal, Viking metal, dark metal, and the White Christ help us, Troll Metal (which I just learned a few months ago is actually a thing): I mean working out with your buddies in your dad’s garage gym with the Judas Priest-cranked between rewatches on VHS of Conan (the Barbarian, we don’t talk about the sequel), and Beastmaster, or cackling to yourself while working on your killer dungeon to spring on your friends at Friday night’s game with Black Sabbath and Iron Maiden wailing metal.

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GEN CON WRITERS’ SYMPOSIUM AUG 1-4, 2024: SPECIAL GUESTS AND PROGRAM RELEASE

GEN CON WRITERS’ SYMPOSIUM AUG 1-4, 2024: SPECIAL GUESTS AND PROGRAM RELEASE

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Gen Con Writers’ Symposium

This post announces our 2024 Special Guests and reveals the Program. May 19th is the official registration day, but attendees can wishlist their events now!

Gen Con is the largest tabletop gaming convention in North America. In 2023, they welcomed over 70,000 unique visitors and offered over 19,000 events. By its nature, Gen Con attracts a large number of attendees who enjoy speculative fiction across formats. Gen Con 2024 will be held August 1-4 in Indianapolis, Indiana.

The Gen Con Writers’ Symposium is a semi-independent event hosted by Gen Con. It’s focused on writers of games and speculative fiction of all experience levels, but with as much fun and interest for gamers, readers, and fans. All registration is handled through the Gen Con website.  In the past 28 years, the Writers’ Symposium has grown from a small set of panels over a day or two of the convention to one of the largest convention-hosted writing tracks in North America, offering hundreds of hours of programming from 70+ authors, editors, agents, and publishers to nearly 3000 unique visitors per year on average.  We’ll be on the second floor of the Indianapolis Downtown Marriott (i.e., not the adjacent JW Marriott ). Head to our event at 350 W Maryland St, Indianapolis, IN 46225. The Black Gate Convention report for last year’s symposium gives a good flavor of what to expect, and the planning committee’s website at genconwriters.org has all the details.

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The Public Life of Sherlock Holmes: The Final Adventures of Sherlock Holmes (Haining)

The Public Life of Sherlock Holmes: The Final Adventures of Sherlock Holmes (Haining)

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Peter Haining was a notable Sherlockian who compiled/edited several useful Sherlock Holmes books.

Back around 2005 or so, an article in the Wall Street Journal was about Barnes & Noble’s in-house publishing imprint. They have been reproducing classic works for years and selling them at affordable prices. But they range father afield than that, and my Sherlockian bookshelf includes several of their titles, such as The Sherlock Holmes Companion, The Lost Adventures of Sherlock Holmes and The Final Adventures of Sherlock Holmes.

The latter was the main source for the Doyle on Holmes series. The Final Adventures of Sherlock Holmes is a collection of stories, plays, and essays about Holmes that are not part of the Canon but certainly make nice supplementary reading. An excellent addition to any Holmes library.

It is somewhat similar to the out-of-print and often difficult to find Sherlock Holmes: The Published Apocrypha by Jack Tracy. Both books include the “almost Sherlock Holmes” stories and plays that don’t fit in the Canon, but are certainly in the neighborhood. I wrote about that one, here.

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Roger Corman, April 5, 1926 – May 9, 2024

Roger Corman, April 5, 1926 – May 9, 2024

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Roger Corman, the Godfather of American independent film, is gone. He died at his home in Santa Monica, California, on May 9th. He was ninety-eight.

Legendary both for his cheapness (no one could squeeze more out of a budget than he could) and for his generosity (he gave countless actors, directors, writers, and technical people their first chance in Hollywood), Corman began his almost seventy-year long career in the mid 50’s by directing extremely low-budget movies for the fledgling American International Pictures, most of which were shot in one or two weeks for less than 100,000 dollars. Corman’s understanding of the necessity of ruthless economy on the one hand and of the appetites of his largely teen-aged audience on the other made these films highly successful, and during those early years, that success was perhaps the major factor in establishing AIP as an ongoing concern.

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