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Birthday Reviews: Neil Gaiman’s “Snow, Glass, Apples”

Birthday Reviews: Neil Gaiman’s “Snow, Glass, Apples”

Cover by Charles Vess

Cover by Charles Vess

Neil Gaiman was born on November 10, 1960.

Gaiman has received Hugo Awards for his novels American Gods and The Graveyard Book, his novella Coraline, his short story “A Study in Emerald,” and his Graphic Story The Sandman: Overture. Both American Gods and Coraline won the Nebula Award and Gaiman has also won the Bradbury Award from SFWA for his screenplay for the Doctor Who episode “The Doctor’s Wife.” His short story “A Midsummer Night’s Dream,” part of his Sandman graphic novel, won the World Fantasy Award for Gaiman and collaborator artist Charles Vess. Gaiman and Yoshitaka Amano won the Bram Stoker Award for The Sandman: Dream Hunters and Gaiman has also won the award for American Gods, Coraline, and The Sandman: Endless Nights. He won the British SF Association Award for Coraline and The Wolves in the Wall, the latter in collaboration with Dave McKean. His novelette “The Truth is a Cave in the Black Mountains” earned him a Shirley Jackson Award in 2011 and the anthology Stories: All New Tales earned him and collaborator Al Sarrantonio a second Shirley Jackson Award that same year. Gaiman’s work in both prose and comic has won him several other awards as well. He was the guest of Honor at Anticipation, the 67th Worldcon in Montreal in 2009. Gaiman has collaborated with numerous authors and artists for his work in comics and collaborated with Terry Pratchett on the novel Good Omens. Other prose fiction collaborators include Dave McKean, Kim Newman, Eugene Byrne, Gene Wolfe, Toby Litt, Alisa Kwitney, Jaime Delano, and Bryan Talbot.

Snow, Glass, Apples was originally published as a chapbook in 1995 by DreamHaven Press to support the Comic Book Legal Defense Fund. Terri Windling and Ellen Datlow selected the story to appear in their anthology The Year’s Best Fantasy and Horror: Eighth Annual Collection and Poppy Z. Brite included the story in her anthology Love in Vein II: Eighteen More Tales of Vampiric Erotica. The story was translated into Spanish in 1997 for inclusion in the July issue of the fanzine Artifex. Gaiman included it in his collection Smoke and Mirrors: Short Fictions and Illusions, which was translated into French. The story has also been translated into Dutch. In 2007, Martin H. Greenberg included it in the anthology Women of the Night and John Joseph Adams used the story in his 2009 anthology By Blood We Live. The next year, it appeared in Peter S. Beagle’s anthology The Secret History of Fantasy. Gaiman adapted the story into a play in 2002 and that same year, he recorded the play along with another for HarperAudio. The story was also adapted into a play by the Edinburgh University Theatre Societty in 2012.

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Looking at the Density of Comic Book Page Layouts

Looking at the Density of Comic Book Page Layouts

Eternals01-003 copy

I may have picked the most boring blog post title in history, but this is something I’ve been thinking a lot about lately.

I was listening to Kieron Gillen’s excellent podcast Decompressed. Decompressed is a look under the hood at the craft of comic book creation and in the 4th one, he interviewed Matt Fraction and David Aja, the creative team behind Marvel’s Hawkeye from 2012. During the episode, Matt Fraction mentioned that Hawkeye was meant to feel different from most of the mainstream comics at the time, especially with respect to how much compression there was.

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Dare We Dream? – The Sandman Coming to Television?

Dare We Dream? – The Sandman Coming to Television?

morpheusMany of my contemporaries believed that one of the most amazing comic book series ever was Neil Gaiman’s The Sandman, which ran from 1989 through 1996 – formative teenage years for me and my peers – originally by DC Comics and (from issue #47) under their Vertigo imprint. Now it looks like The Sandman has been re-optioned for consideration as a television series. Though the series creator isn’t associated with the show, there’s still reason to be hopeful.

A Current Dearth of Viewing Pleasures

The last few years haven’t been great for science fiction and fantasy on television. Heroes started out great, but quickly collapsed for a variety of reasons. The quirky series Pushing Daisies – about a man who could re-animate dead people for 60 seconds – never quite found its audience, despite critical acclaim. Legend of the Seeker was pushing out some impressive storylines toward the end, but was ultimately canceled with its season 2 finale.

Among harder science fiction, great concept shows like Dollhouse and FlashForward suffered from some awkward initial storytelling and were ultimately cancelled, while the lackluster V will return for a second season.

In fact, going into this season there isn’t much in the way of science fiction or fantasy on television.

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