Vintage Treasures: World’s Best Science Fiction First Series edited by Donald A. Wollheim and Terry Carr

Vintage Treasures: World’s Best Science Fiction First Series edited by Donald A. Wollheim and Terry Carr

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World’s Best Science Fiction First Series (Ace Books, 1970). Cover by Jack Gaughan

If you want to understand science fiction, it’s not a bad idea to start by reading Year’s Best volumes. And if you’re going to do that, it’s not a bad idea to start with the World’s Best Science Fiction, edited by Donald A. Wollheim and Terry Carr, an annual series that began in 1965 and lasted for an amazing 26 volumes. The last of which, The 1990 Annual World’s Best SF, appeared four months before Wollheim’s death at the age of 76.

The series survived both editorial changes and a switch in publishers (from Ace to DAW, in 1972), and was one of the only Year’s Best series to receive multiple paperback reprints. In fact, for collectors like me, its publication history is all rather confounding. Follow along while I try and figure it all out.

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A to Z Reviews: “A Brief History of Death Switches,” by David Eagleman

A to Z Reviews: “A Brief History of Death Switches,” by David Eagleman

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A to Z Reviews

David Eagleman’s “A Brief History of Death Switches” is a perfect example of a story whose meaning changes over time, but is just as valid now than it was when it was originally published in 2006.

Around the time Eagleman wrote his story, there were many web services which were set up designed to prolong a person’s internet presence beyond death. These services would send out emails purportedly from the dead person on anniversaries or notifications of death. They didn’t last long, but Eagleman took the idea and expanded upon it.

In the context of his story, death switches begin as a means of protecting information. If a person doesn’t log into an account in a set period of time, the system assumes they are dead and sends the appropriate log-in information to a designated successor. This is meant to ensure that businesses can continue to function and heirs can access confidential financial information following the death of an employee or loved one.

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The Hobby Shop Dungeon, by Benoist Poire and Ernest Gary Gygax Jr.

The Hobby Shop Dungeon, by Benoist Poire and Ernest Gary Gygax Jr.

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The Hobby Shop Dungeon Marmoreal Tomb Campaign Starter

The Hobby Shop Dungeon, by Benoist Poire and Ernest Gary Jr. Gygax is a marvel to behold.

One can utilize these books and maps for years — a complete setting loaded with maps, histories, set pieces, dungeons (arguably a mega-dungeon), wilderness, factions, heraldry, unique monsters, unique magic items, and adventure hooks abounding. It is quite a feat and an enormous labor of love.

Poring through it all, I’d say my favorite parts are the heraldry (very Greyhawk in spirit), the wilderness and dungeon maps, and the Prismatic Maze (sounds very Vancian).

I’ve assembled some photos from the box set below for you to enjoy. You can order copies from Troll Lord Games or from Isle of Games.

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Emancipation: April by Mackey Chandler

Emancipation: April by Mackey Chandler

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April, Mackey Chandler (self published, May 4, 2019). Cover uncredited

Back in 2020, one of the blogs I follow had a paragraph about a newly released self-published novel, Who Can Own the Stars? by Mackey Chandler. The title sounded interesting, so I tracked it down on Amazon. It turned out to be volume 12 of a series; having enjoyed it, I went back to the first volume, April, and then read through the entire series, one volume at a time.

Like many science fiction writers of an earlier era, Chandler has a background that’s technological rather than literary. The April series is self-published, and has the rough spots that often go with that: It could benefit from a professional line edit, both to catch errors of language and to avoid minor inconsistencies such as changing a character’s name. As a copy editor, I’m sensitive to such things, and often they put me off a book. However, I just finished rereading April, and still found it both enjoyable and interesting.

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New Treasures: The Water City Trilogy by Chris Mckinney

New Treasures: The Water City Trilogy by Chris Mckinney

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Midnight, Water City; Eventide, Water City; and
Sunset, Water City (Soho Crime, 2021-2023). Covers by Vlado Krizan

I was in Barnes & Noble last week, and saw an intriguing set of books on the shelves: The Water City Trilogy. It’s not often an entire trilogy manages to sneak past me, especially one with covers this colorful. The back of the first volume had this enticing blurb from Buzzfeed.

This gritty noir set in a sci-fi landscape is a real page turner.

I’m not familiar with the publisher, Soho Crime, and I’ve never heard of the author, Chris McKinney. But I’m not known in this business as a crazy risk taker for nothing. I put down my money and brought Midnight, Water City home.

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Nero Wolfe’s Brownstone: The Big Store (Wolf J. Flywheel)

Nero Wolfe’s Brownstone: The Big Store (Wolf J. Flywheel)

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For nearly the first time in a year, it’s Nero Wolfe’s Brownstone!

If you read my column here, or follow me on FB, you know that I am a gargantuan Nero Wolfe fan (points if you got that). It’s my favorite series in any genre. I’ve written a lot of fiction and non-fiction about him, and below, you can find links to the prior forty-four posts here at Black Gate.

I have several stories in progress (maybe I could actually finish one or two!). There is one project I set aside that has been one of the most fun things I’ve written so far. I’m also a huge Marx Brothers fan. While The Big Store is not considered one of their best movies, I like it quite a bit.

I’m deep into a story in which I have Wolf J. Flywheel hire Wolfe for help solving a murder in The Big Store. The story is original, but it uses the characters, and is definitely an homage. You can imagine how Groucho gets on Wolfe’s nerves.

If this works, I might write one with Groucho and Wolfe, based on the Flywheel, Shyster, and Flywheel radio show. I think I do Groucho and Chico fairly well. Hope you get a chuckle.

The doorbell rang. I put down my coffee and walked out to the hall, waving off Fritz, who had come out of the kitchen. “Allow me. I’ve been staring at the wall for fifteen minutes. I don’t think it’s going to move now that I’ve taken my eye off of it.” I shooed him away.

I looked through the one-way glass to see two men standing on the stoop. Even as a boy in Chillicothe, Ohio, I was never the slack-jawed yokel New Yorkers think we corn-fed Midwesterners are. But I’m pretty sure my mouth was hanging open now. The guy in the front had a ridiculous mustache and dark, bushy eyebrows. Add in the wire rim glasses and cigar, and he was probably the most unique-looking individual to visit the Brownstone.

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Vintage Treasures: Memories by Mike McQuay

Vintage Treasures: Memories by Mike McQuay

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Memories (Bantam Spectra Special Edition, August 1989). Cover by Will Cormier

Mike McQuay published his first SF novel, Lifekeeper, in 1980, and he died just fifteen years later, in May 1995. But in that decade and a half he enjoyed an impressive career as a science fiction and fantasy novelist.

He made his mark writing men’s adventure with a light SF twist, starting with the Mathew Swain (“The 21st Century Private Eye”) series, the covers of which unfailingly featured our hero clutching one of three essential tools of the trade: a pistol, a cigarette, or a slender young woman (frequently several at once). They began with Hot Time in Old Town (1981), which proudly bore the cover blurb “Can a hard-boiled private eye beat the odds in the back alleys of tomorrow?” That same year he was selected to write the novelization for John Carpenter’s cinematic masterpiece Escape From New York, and you can sorta see the connection.

Just six years later McQuay published Memories, which signaled a significant evolution as a writer. It was nominated for the Philip K. Dick Award for distinguished science fiction paperback, and began a period when McQuay was taken much more seriously. His next book The Nexus — which Joe Bonadonna called ‘brilliant’ in his Black Gate review — was released as part of Bantam Spectra’s prestigious Spectra Special Edition line in 1989.

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Immaculate Scoundrels by John R. Fultz

Immaculate Scoundrels by John R. Fultz

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Every job needed a crew.

from Immaculate Scoundrels

I keep revisiting the earliest days of writing about contemporary swords & sorcery lately. Last month I read and reviewed Rogue Blade’s fantastic new anthology, Neither Beg Nor Yield. Now, I’ve just finished John R. Fultz’s return to bash and thrash of the genre with Immaculate Scoundrels (2024).

Fultz was one of the first authors I encountered back in 2011/2012 when I started blogging about S&S. He was one of the writers I discovered through the electronic pages of Black Gate, along with James Enge, Howard Andrew Jones, and Ted Rypel in particular.

Between his collection The Revelations of Zang (2013 – I read it after winning a free copy in a giveaway here at Blackgate!) and The Books of the Shaper series, Fultz staked out a claim to being one of the best new voices in S&S.  These works were heavily inspired by Clark Ashton Smith’ and Lord Dunsany’s strange and often psychedelic fiction ladled over with more blood and thunder. If you think I’m maligning him, rest assured I am not. Anybody daring enough to take Smith as an inspiration and make it more violent, well, that’s not a bad thing.

Instead of more S&S, Fultz followed up with a Native American-themed sword & planet duology. I reviewed both The Testament of Tall Eagle (2015) and Son of Tall Eagle (2017) here. I might have been a little disappointed he hadn’t written more stories like his previous ones, but these are good books and Fultz isn’t one to sit around spinning the same tales again and again.

In the intervening years, he’s written enough short fiction to fill two collections. The first, World Beyond Worlds (2021) brings together his fantasy stories from the period. The second, Darker Than Weird (2023) contains fourteen straight-up horror stories. Now, with Immaculate Scoundrels, it’s back to swords & sorcery, but not like in any of his previous books.

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A to Z Reviews: “Virtually Correct,” by Marianne Dyson

A to Z Reviews: “Virtually Correct,” by Marianne Dyson

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A to Z Reviews

Marianne J. Dyson’s “Virtually Correct” was originally published in the May 1995 issue of Analog under the “Probability Zero” rubric. Stories published as part of the Probability Zero series are stories that use the science fiction tropes, but in a way that allows the author to write a story which could never happen.

Dyson tackles the concept of racial profiling in “Virtually Correct.” Maxwell Bishop runs a security firm known as Security Unlimited. The firm uses virtual reality simulations of actual crime scenes to train their security guards. Unfortunately, following a lawsuit in which a security guard from another firm shot a man who was determined to be innocent, a new law was passed regarding the use of virtual reality.

Mr. Compton has arrived to inform Bishop of the new stipulations, which mean that in order to avoid training his security guards with an unconscious racial bias, all of the individuals in the simulations must be recoded to be color-neutralized. Even as Bishop argues against the need and asks for an exemption, he questions whether he would respond the same way if Compton were caucasian instead of Black.

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Goth Chick News: A24 Comes at Us Hard With Their Latest (Risky) Release – But Is It Horror, or Reality, or Both…?

Goth Chick News: A24 Comes at Us Hard With Their Latest (Risky) Release – But Is It Horror, or Reality, or Both…?

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If you hang around here often, then you know we here at Goth Chick News love a good indie horror film, and if it comes to us via Daniel Katz, David Fenkel, and John Hodges, aka the independent film company A24, we love it even more. Founded a mere thirteen years ago, A24 has been a juggernaut in the horror industry with such titles as The Witch (2015), Hereditary (2018), Midsommer (2019), and Talk to Me (2023). In all, A24 has cranked out an incredible 156 movies across multiple genres, but it has been horror that has gained them the most mainstream attention.

Considering the creativity of A24 titles, it seems almost inevitable that current headlines would eventually provide source material. Most A24 plots have a deeper social commentary anyway, but their current outing is incredibly interesting on a few levels. Civil War, from writer-director Alex Garland (28 Days Later, Dredd, Ex Machina), represents a fairly risky venture for our favorite indie company.

Allow me to explain.

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