Search Results for: Peplum

Ellsworth’s Cinema of Swords – The Barbarian Boom (Part 1)

Hawk the Slayer (1980) The Eighties Barbarian Boom didn’t start with Conan the Barbarian (1982), though its long pre-release hype train certainly primed the pump. In truth, the market was ripe for such films, and by mid-1981, a number of other sword-and-sorcery movies were in production or pre-production. The genre had been bubbling its way up in other mass media throughout the Seventies, Dungeons & Dragons co-designer Gary Gygax had come to Hollywood talking it up, and the largely heroic…

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Ellsworth’s Cinema of Swords – 1981: The Old Order Changeth

Excalibur (Warner Bros, 1981) 1981 was a watershed year in fantasy films. The success of Star Wars had made it possible to fund and produce large-scale SF and fantasy movies, but it also heralded a change in the way such movies were made, placing high-quality (and thus expensive) special effects front and center. Prior to Star Wars, special effects in fantasy films were almost invariably low-budget and cheesy, reflecting movie producers’ almost invariable belief that such films appealed only to…

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Ellsworth’s Cinema of Swords: The Year of Shogun

TV Guide featuring Shogun (September 6-12, 1980) Before 1980, few people in America and Europe knew much about Japan’s samurai era — if anything, they associated its warrior ethos with the hostile mindset that had led the country into its big mistake in World War II. The unarmed combat skills of judo and karate had been popularized during the Sixties, but little was known about the martial arts of the samurai that had preceded them until Shogun, James Clavell’s blockbuster…

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Ellsworth’s Cinema of Swords: Seventies Hall of Shame

Swashbuckler (US, 1976) Let’s face it, in the spate of historical swashbucklers that followed Richard Lester’s Musketeers films, not everything was a classic like Robin and Marian. There were a few toads in the flower garden, some rotten apples in the barrel, and it’s only fair to warn you about them. However, even a terrible misfire can have its amusing side, as you’ll see in the sterling examples gathered below, three attempts to capture the that old swordplay magic that…

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Ellsworth’s Cinema of Swords: So Many Prisoners of Zenda

The Prisoner of Zenda (USA, 1922) Sir Anthony Hope Hawkins (1863-1933) wrote some thirty-two books, mostly novels, many of them bestsellers that were adapted to stage and screen. Today he is remembered only for his swashbuckler The Prisoner of Zenda (1894) and its sequel, Rupert of Hentzau (1898). Both were set in the fictional principality of Ruritania, and were so popular that they spawned a host of imitators known as “Ruritanian romances.” A littéraire at Oxford, Hawkins took a first…

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Ellsworth’s Cinema of Swords: Wuxia in the Time of Kung Fu

The Fate of Lee Khan (Hong Kong, 1973) Hong Kong directors King Hu and Chang Cheh had revived the wuxia, or chivalrous hero genre for the modern era in the late Sixties, dominating Asian box offices until Bruce Lee burst on the scene in 1971 with his weaponless kung fu films set in contemporary times. The biggest Hong Kong studios, Shaw Brothers, Golden Harvest, and Seasonal films, all began churning out kung fu thrillers as fast as they could. Historical…

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Ellsworth’s Cinema of Swords: Classics on Screen – 1977

The Duellists (UK, 1977) In the wake of the surprise success of Richard Lester’s 1973-74 Musketeers movies, there was a spate of swashbuckler films in the mid to late Seventies attempting to replicate Lester’s success — some by Lester himself. The trend peaked in 1977 with a trio of notable films all based, like The Three Musketeers, on classic Victorian and Edwardian adventure fiction. The Salkind brothers, who’d produced Lester’s Musketeers films, tried again with Crossed Swords, based on Mark…

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Ellsworth’s Cinema of Swords: Mash-Up or Shut Up

Zorro and the Three Musketeers (Italy, 1963) Everyone likes crossovers and mash-ups, right? If you’re a fan of two heroes in the same genre, then of course you’d like to see a story in which they meet and confront a challenge together. That is the commercial calculation for crossovers in every medium, whether it’s comics, games, TV shows, or movies. It’s assumed a crossover or mash-up is a sure thing that will draw in the fans of both franchises. It’s…

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Ellsworth’s Cinema of Swords: Fight Direction by William Hobbs (Pt. 1)

Captain Kronos – Vampire Hunter (UK, 1974) William Hobbs (1939-2018) was the greatest director of European-style stage fencing of his generation. An English actor trained to the stage at the Old Vic, Hobbs was fight director at Laurence Olivier’s National Theatre Company in the Sixties before making is first big splash in films with Richard Lester’s The Three Musketeers in 1973. As a fencing choreographer, he was known for his more realistic, rough-and-tumble approach to cinematic fighting, having the actors…

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Ellsworth’s Cinema of Swords: Sinbads Three

Son of Sinbad (USA, 1955) Sinbad movies loom so large in the history of fantasy film that it’s remarkable there weren’t more of them — only six or seven live-action features from the Forties through the Seventies. Before the sword-and-sorcery boom of the Eighties, if you wanted to watch a film of heroic fantasy, the first thing you reached for probably had Sinbad in its title. We’ve already covered three of them in this series: Sinbad the Sailor (1947), The…

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