The Giant of Marathon (Italy/France, 1959) When you think of Italian cinema, probably the first thing that comes to mind are its great dramatic directors such as Roberto Rossellini, Vittorio De Sica, and Federico Fellini. But you wouldn’t be reading this fine website devoted to genre fiction if the second thing wasn’t Italy’s action films, the Spaghetti Westerns, such as The Good, the Bad, and the Ugly from the decade of 1964-74, and the historical epics from the decade before…

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Hercules in the Haunted World (Italy, 1961) During the late Fifties and early Sixties, if you were a fan of films of imagination and the fantastic, though there were plenty of monster movies playing at the drive-in, except for the films of Ray Harryhausen there were very few classical fantasies coming out of Hollywood — and Harryhausen’s movies were mostly British productions. In fact, heroic fantasy films were thin on the ground, being regarded in America as fodder for children….

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Krull (1983) By the mid-Eighties, fantasy films for adults had become a legit commercial genre releasing around a dozen medium to high-budget titles a year. For fantasy fans who’d lived through the slim pickings of the Sixties and Seventies, this was an embarrassment of riches. The fact that about half of these movies were embarrassments in other ways was something one could overlook, because if this week’s fantasy film was disappointing, next week’s might show you things you’d never before…

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Star Wars (Twentieth Century Fox, 1977) In adventure movies throughout the twentieth century, swords had been losing ground to guns as the hero’s weapon of choice. Though films of knights, pirates, and cavaliers had a strong start in the silent era, they were gradually sidelined over the decades as Western, gangster, and war movies came to the fore. By 1971, Dirty Harry and his ultra-macho Smith & Wesson .44 Magnum seemed to have put the nail in the coffin. Then…

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Conan the Destroyer (Universal Pictures, 1984) Filmmakers jump on a hot new genre with alacrity if it looks like it can be reduced to an easily replicated formula. That was certainly the case with Eighties sword-and-sorcery films, which were happily adopted as a replacement for the dying genre of Westerns. Producers of formulaic genre and exploitation movies, such as the notorious Roger Corman, practically started an assembly line to produce quickie barbarian pictures. Following the heroic fantasy formula probably reached…

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Zu: Warriors from the Magic Mountain (Hong Kong, 1983) The worldwide success of the Star Wars movies, followed by that of Conan the Barbarian, opened the funding floodgates for fantasy films, not just in Hollywood and Europe, but in Asia as well. Of course, Asian cinema had a tradition of making movies of fables and horror stories dating back to the silent era, but the new, hot trend out of Hollywood was combining such themes with heavy special effects support….

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The Sword and the Sorcerer (USA, 1982) The pre-release hype for Conan the Barbarian in 1981, and then its delayed release until the following year, meant that by the time it appeared, there were already plenty of imitations in the pipeline ready to take advantage of its success. As a result, 1982 abounded in barbarian adventures, and if none of these was better than merely good and you couldn’t get quality, you sure as Hyborea got quantity. If you were…

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The Count of Monte-Cristo (UK, 1975) Completing our survey of Seventies movies that attempted to recapture the fire (and the box office success) of Richard Lester’s Musketeers films, here are three European productions that are often overlooked, in America at least. All three are adaptations of novels by Alexandre Dumas, but the real gem here is D’Artagnan and Three Musketeers, a Russian adaptation of the master’s greatest novel, presented with Slavic brio and panache. If you’re a fan of cinematic…

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Lady Snowblood (Japan, 1973) Japanese chanbara (samurai swordplay) adventure shows and movies had a long history of being adapted from popular manga series. As the Sixties turned into the Seventies, chanbara manga got increasingly bizarre and extreme, and the screen adaptations followed. These historical fantasies drew on the avant-garde film movements of the last Sixties, but also pulled imagery and characters from traditional sources, melding dream-logic with ghostly revenants. Bracing stuff, and if it’s sometimes hard to follow their abrupt…

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The Spanish Main (Warner Bros, 1945) “Every normal man must be tempted, at times, to spit upon his hands, hoist the black flag, and begin slitting throats.” –H. L. Mencken, 1919. And when more than during the winter holiday season, the Festival of the Taillights? Bring me my whetstone and cutlass! This week we celebrate old school Hollywood pirate epics, stories of charming rogues and swaggering scallywags. Come on, me lads, heave to and turn aside from It’s a Wonderful…

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