The Moonraker (UK, 1958) In many ways, 1958 was a peak year for British screen swashbucklers. On the TV screen, The Adventures of Robin Hood continued its popular run, and was joined by other series, including Ivanhoe, William Tell, and Sword of Freedom. On the big screen, the swashbuckler hit of the year was The Moonraker, a fine cloak-and-sword production that did well in Europe but didn’t really make it across the pond to America. This week, let’s take a…

Read More Read More

Master Swordsman Hirate Miki (Japan, 1951) If you’re just getting into watching older samurai adventures movies, you can’t go wrong picking those directed by Akira Kurosawa or starring Toshiro Mifune and/or Tatsuya Nakadai. However, eventually you’ll run through all those, and then where do you look? Fortunately, in the ‘50s through ‘70s, chambara action films were as common in Japanese movie theaters as Westerns were in America, and a lot of the very best samurai features are available with fairly…

Read More Read More

The Princess Bride (USA, 1987) George Lucas and Stephen Spielberg: we may love their movies, but those guys have a lot to answer for. Their early fantasy action blockbusters, especially the Star Wars series, were such global mega-hits that they spawned countless imitators making noisy, busy, and sadly shallow films that flooded the theaters from the late ‘70s throughout the ‘80s. Everyone was chasing the golden youth market that was supposedly hooked on broad, colorful action enhanced by flashy special…

Read More Read More

The Golden Horde (USA, 1951) Huns and Mongols, the mounted hordes who swept out of Central Asia into eastern and central Europe in the Middle Ages, made a lasting impact on the psyche of the folk of the lands they invaded, all the way down the 20th century—as shown by the fact that Allied propaganda during World War I successfully branded their German opponents as “the Huns.” Invoking the Mongol Horde was a reliable source of terror in mid-century movies…

Read More Read More

The Buccaneer (USA, 1958) Pirates were a popular subject in midcentury Hollywood — but piracy, not so much, because it was obviously committed by bad people who would take all your stuff, given the chance (and maybe do worse). Thus the common cinematic usage of the term buccaneer, which sounds like it just describes a gentleman adventurer with an attitude rather than someone who would casually cut your throat and throw your corpse over the side. Aye, call your pirate…

Read More Read More

The Valiant Ones (Taiwan/Hong Kong, 1975) Wuxia, which can be translated as martial chivalry, is the term usually applied to tales of ancient Chinese armed martial arts, especially when retold in the context of the Hong Kong action film tradition that began in the Sixties. Wuxia movies were eclipsed by the Seventies kung fu boom but never quite went away, reviving full force in the Nineties and staying strong to this day. By the late Seventies there was a changing…

Read More Read More

Amazons (1986) By late 1986, the Barbarian Boom was well into its deliberate self-parody phase — and all the better for it, frankly. If nothing else, self-parody is inexpensive, and if you have a rock-bottom budget anyway you might as well aim for something that’s within reach. Though the spate of barbarian films in the Eighties is beloved by fantasy nerds of a certain age, as we’ve seen in our previous instalments in this series, very few of them hold…

Read More Read More

Treasure Island (1934) Swords in hand, swashbucklers strode across the silver screen throughout the silent era, especially in the Twenties, when Hollywood budgets grew large enough to encompass grand historical spectacles. Then sound came in circa 1930, and swashbucklers went out, in part because early microphones didn’t record well outside, so most of the first “talkies” were filmed on interior sound stages — not the best venues for historical action. But historical adventure films were saved by the insatiable American…

Read More Read More

Vendetta of a Samurai (Japan, 1952) If American and European film fans recognize only one Japanese actor, it’s the great Toshiro Mifune (1920-1997), who came to prominence in the west for his collaborations with director Akira Kurosawa — not just the historical films such as Rashomon (1950), Seven Samurai (1954), and Yojimbo (1961), but also Kurosawa’s acclaimed crime movies such as The Bad Sleep Well (1960) and High and Low (1963). Mifune had a broad range, with the ability to…

Read More Read More