Isis Rising: Curse of the Lady Mummy (Tom Cat Films, January 18, 2013)
A new 20-film watch-a-thon project. All previously unseen, all free to watch. The twist for this one is that I typed the word ‘mummy’ into Tubi’s search engine, and just chose the first 20 films that showed up. I already know this is going to be terrible, and I’m really interested to see if any of the films I’m going to watch will score higher than 5 out of 10. Here goes…
Isis Rising: Curse of the Lady Mummy (AKA Tomb of the Mummy) (2013) – Tubi
Once again I am tricked like the feeble-minded fool that I am by a film with the word ‘mummy’ in the title, and no mummy in the film.
A hokey, green-screen prologue tells the sordid tale of King Osiris, his sister and wife, Isis, and his jealous brother Seth. Seth fancies Isis (his sister-in-law and sister), so he has Osiris killed and chopped up. However, Isis is a witch of sorts, and vows to reassemble Osiris before she herself is murdered.
Cover for Home Is the Hangman by Martin Andrews Cover for We, in Some Strange Power’s Employ, Move on a Rigorous Line by Wayne Barlowe
The twenty-first Tor Double is the first time both of the authors in a collection are repeats. It includes the second (and final) Samuel R. Delany story, We, in Some Strange Power’s Employ, and the second of three Roger Zelazny story, Home is the Hangman. Delany first appeared in Tor Double #4 and Zelazny in #12. It is also unique in that it is the first time one of the stories (Delany’s) includes a dedication to the other author (Zelazny).
We, in Some Strange Power’s Employ, Move on a Rigorous Linewas originally published as “Lines of Power” in Fantasy & Science Fiction in May, 1968. It was nominated for the Hugo Award and Nebula Award.
After nearly two decades of whispering sweet nothings to Mary Shelley’s corpse, Guillermo del Toro has finally exhumed his long-gestating dream project, Frankenstein, and stitched it together with a cast that reads like my fantasy dinner party: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, and Charles Dance. The film premiered at the Venice International Film Festival on August 30, and will lurch into select theaters on October 17 before unleashing itself globally on Netflix on November 7.
So, what’s the verdict? Critics are calling it “visually stunning,” “emotionally charged,” and “a feast for the eyes.” Jacob Elordi, who plays The Creature, is getting serious praise for bringing a quiet, soulful intensity to the role, while Oscar Isaac’s Victor Frankenstein is described as “enormously fun to watch” as he descends into madness with prosthetics, a fake leg, and an ego that could rival Voldemort’s.
Journey to Mesharra, Book 3 of the Ro-Lan series by Mike Sirota (Zebra Books, 1980). Artist uncredited
Mike Sirota (1946-) has written quite a lot of books in SF and Fantasy, including some Sword & Planet novels. He’s still writing and is currently working on a comedy/Sci-fi series.
I first encountered Sirota’s work in a book called Berbora, which I’d call Sword & Sorcery rather than S&P. Somewhat later, I found his five book Dannusseries, so named after the main character. They are definitely S&P and are listed below.
The Best of Glen Cook (Night Shade Books, November 24, 2020) Cover by Raymond Swanland
It’s no exaggeration to call short stories the bedrock of sci-fi and fantasy. Over the years, short fiction has been the proving ground for many of our favorite authors. Heck, a ton of great book-length projects were born from short stories. Consider it, if you’ll indulge me, the anvil on which many an awesome idea has been tempered.
But for every “This Immortal Life” and “Sandkings” there are several great tales that have fallen through the cracks. Here are nine stories that in my humble opinion definitely deserve a lot more love.
The seriously talented Jim Zub jumped on board last year
It’s Cimmerian September! Youtuber extraordinaire Michael K. Vaughn coined the term, in which he spends the month talking about my second favorite writer, Robert E. Howard (John D. MacDonald still holds the top spot). He’s going beyond Conan this year, and is starting out with my favorite Howard character, El Borak!
A month celebrating REH is the best thing I can think of. John Bullard of the Robert E. Howard Foundation invited me to join a panel with Michael, John Hocking, Mark Finn, Patrice Louinet, and my Hither Came Conan cohort, Jason Waltz. We recorded two long-winded but fun sessions, and I’ll share those links here when they’re online this month.
I mentioned here that I read the issues 1 through 115 of the Conan the Barbarian comic from Marvel. And with each issue, I read the accompanying chapter from Roy Thomas’ terrific three memoir series. I enjoyed it and will blog more about those comics.
I have also been reading some Savage Sword of Conan issues from the Marvel Omnibuses. And I am enjoying them in a different way. The black and white graphics are very different from the CtB color ones. I’m finding the adaptations of the REH stories are pretty faithful. I just finished up “The Treasure of Tranicos,” which was L. Sprague de Camp’s rewrite of Howard’s unpublished story, “The Black Stranger.”
“The Black Stranger” is in my Conan Top Five, and I enjoy de Camp’s version quite a bit. The Savage Sword version is a good read, covering two issues. The first one also has an informative history on the story, by Fred Blosser.
The Magazine of Fantasy & Science Fiction, October 1983. Cover by Thomas Kidd
“Downtown,” a short story by Thomas M. Disch
First published in F&SF, October 1983
Read the story in the original magazine here
A waitress notices a very strange customer: a woman who orders the same pancakes and wears the same pantsuit every day. She never gets to know the enigmatic customer, until one day, the stranger appears to collapse and die in her booth. The waitress flees from the restaurant, not wanting to deal with the situation. She enters a department store, where she is summoned to two staff-only upper floors, where she discovers a strange alternate world. The woman in the green pantsuit is there, alive and much younger and more communicative. The story takes place against a backdrop of urban decay and declining business activity in midtown St. Paul, and presents an eerily surreal, but still compellingly readable riddle.
The Mummy Resurrected (Halcyon International Pictures, 2014)
Starting a new 20-film watch-a-thon project. All previously unseen, all free to watch. The twist for this one is that I typed the word ‘mummy’ into Tubi’s search engine, and just chose the first 20 films that showed up. I already know this is going to be terrible, and I’m really interested to see if any of the films I’m going to watch will score higher than 5 out of 10. Here goes…
The Mummy Resurrected (2014) – Tubi
Straight out of the gate comes this steaming pile from Halcyon International Pictures, a production company in the same vein as The Asylum, UnCork’d, and Wild Eye. HIP had a go at ‘reinventing’ a bunch of classic horror stories, and for this one they claim it is based on Bram Stoker’s The Jewel of Seven Stars, a tenuous claim at best.
Cover for The Pugnacious Peacekeeper and The Wheels of If by Joe Burleson
While the eighteenth volume of the series included C.L. Moore’s Vintage Season and Robert Silverberg’s In Another Country, which takes place at the same time, this volume includes a story and an actual sequel. It also includes the first original story in the series (Silverberg’s story appeared in IASFM nearly a year before appearing in this story). From a production point of view, this is also the first volume that does not have an embossed cover.
The Wheels of If was originally published in Unknown Fantasy Fiction in October, 1940. The story is an alternate history tale that follows Allister Park. Park is a prosecutor in a world which seems to be our own. His current goal is to successfully prosecute the Antonini gang. He sees the successful prosecution as a stepping stone to being nominated for the position of District Attorney for the County of New York. However, when he awoke on Monday, April 11, it was clear that something was different. Park suddenly had a moustache and the New York in which he found himself was not the New York in which he was familiar.
