Vintage Treasures: The 1989 Annual World’s Best SF edited by Donald A. Wollheim with Arthur W. Saha

Vintage Treasures: The 1989 Annual World’s Best SF edited by Donald A. Wollheim with Arthur W. Saha

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The 1989 Annual World’s Best SF (DAW, 1989). Cover by Jim Burns

Most SF readers are familiar with Gardner Dozois’ legendary Year’s Best Science Fiction series, which ran for three and a half decades from 1984 to 2018, and helped shape modern perceptions of short SF. But it was by no means the first Year’s Best in science fiction, and in the early days, wasn’t even my favorite. No, back in the 80s I preferred the annual anthologies by Terry Carr and, more frequently, Donald A. Wollheim’s Annual World’s Best SF, which ran from 1965 until the late 80s.

I recently bought a copy of The 1989 Annual World’s Best SF, and was surprised to find it had a guest introduction by Isaac Asimov. Flipping it open, I found a sober explanation in his first paragraph.

This is the first time that the introduction to his annual volume has not been written by Don Wollheim. Alas, we are not immune to the ravages of time (not even science fiction personalities are) and Don is hospitalized just as the deadline for the volume approaches, so he has asked me to do the introduction for him.

For all my fabled immodesty, I am forced to admit I am a poor substitute. Don has been a sextuple-threat person in science fiction. Let me list his threats…

The rest of Asimov’s 4-page intro is a detailed and affectionate tribute to Wollheim, and the enormous impact he had on the field. Knowing that Wollheim passed away at the end of the decade, I was strongly suspicious he never emerged from that hospital stay. Asimov wrapped up with the hopeful lines:

Don… is a sweet and gentle fellow who has spent his whole life giving more than he has taken. I hope and trust that next year he will be writing his own introduction again.

Donald Wollheim died on November 2, 1990, at the age of 76. He did in fact emerge from the hospital, produce one more volume, The 1990 Annual World’s Best SF (with his co-editor Art Saha), and he did write the introduction.

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Rogue Blades Presents: All Good Things Must Come to a … Change!

Rogue Blades Presents: All Good Things Must Come to a … Change!

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All good things must come to an end. Sort of. Kind of. But not exactly.

This will be my last Rogue Blades article for Black Gate. This doesn’t mean I’m going anywhere. No. One of my articles will still be here every other Friday. And no, I’m not stepping down as vice president of the Rogue Blades Foundation, a non-profit which focuses on all things heroic, especially heroic literature.

What is changing is that the Rogue Blades Foundation and its for-profit publishing side, Rogue Blades Entertainment, will be coming together on a new Web site, Rogue Blades. The new site will not only feature news about both sides of this publishing venture, but will also present weekly articles from a variety of writers, including myself. So I’ll be penning articles about the heroic over at Rogue Blades.

As for my future here at Black Gate, as mentioned above, I’ll keep writing articles here, but now I’ll have more freedom to write about other topics, many which might be related to heroic literature but not necessarily.

As for what I’ll be writing here, I’ve a number of subjects I’d like to cover. For instance, I’ve long been a fan of Ed McBain’s 87th Precinct police procedural novels, and I’m considering a series on each of those books, though at 55 novels and a handful of shorter works, I have to admit that’s a rather daunting task. Other subjects I’d like to tackle are older tabletop role playing games that don’t see as much love as I’d like; Dungeons & Dragons is well covered online and even Star Frontiers has received some recent love here at Black Gate, but I’d like to take a look back at such games as Dragonquest, Lords of Creation, Car Wars and the original Deadlands, plus others as they come to mind. It’s also possible, even likely, I’ll sometimes write about fiction I’m reading or movies or shows I’m watching.

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Goth Chick News Presents: “Tots:” A Wonderfully Uncomfortable Short Story by Peter Schneider

Goth Chick News Presents: “Tots:” A Wonderfully Uncomfortable Short Story by Peter Schneider

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Flights, edited by Al Sarrantonio (Roc, 2004). Cover by Steve Stone

In December I told you about my magical meeting with Peter Schneider, author and owner of boutique publisher Hill House Press. During the course of one of our many conversations since, Peter let me know he had written a short story called “Tots,” which he thought I would like. It had originally appeared in a 2004 collection called Flights: Extreme Visions of Fantasy edited by horror and science fiction writer Al Sarrantonio. In the introduction for “Tots,” Sarrantonio states that Peter’s sense of humor is reminiscent of National Lampoon. When Peter sent me a copy of original manuscript of “Tots,” I absolutely agreed. I’ll also add that it’s just the right amount of wrong and knew I had to share it with you.

So, reprinted here with Peter’s permission, I am excited to share…

TOTS

By Peter Schneider

It is 2:45 a.m., in the parking lot of one of the massive superstore shopping centers that have sprung up like a series of mushrooms across the country.  But the action at this time of the morning isn’t in the Barnes & Noble or Home Depot–it’s in an isolated corner of the lot, surround on two sides by security fencing and hemmed in on the remaining sides by a variety of vehicles, circled like wagons and facing inward with their headlights shining.  The halogen illumination reveals a ring, roughly twelve feet in diameter, crudely outlined on the pavement with a can of purple spray paint.  Outside the circle perhaps fifty or sixty people, mostly men but including a smattering of well-dressed women, stand and watch.  Money changes hands here–big money.  But their attention right now is on the two combatants standing within the ring, long and deadly sickle-like blades strapped securely to their right arms.  One fighter takes a tentative step in the direction of his foe and raises his hand in preparation to strike.  He’ll have to get in closer, however–his four-year-old arms aren’t long enough to deliver a killing blow from such a distance.

This is the world of totfighting.

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Future Treaures: Sun-Daughters, Sea-Daughters by Aimee Ogden

Future Treaures: Sun-Daughters, Sea-Daughters by Aimee Ogden

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Sun-Daughters, Sea-Daughters (Tor.com, February 23, 2021). Cover art by Chase Stone

Tor.com has a full slate of Winter and Spring releases in the pipeline, including new novellas from Martha Wells, Nnedi Okorafor, P. Djèlí Clark, Daryl Gregory, Django Wexler, Aliette de Bodard, Adrian Tchaikovsky, Sylvain Neuvel, and lots more.

But the one I’m most looking forward to is Sun-Daughters, Sea-Daughters by Aimee Ogden, a space opera retelling of The Little Mermaid. You gotta admit, that twists your head around just a little. Here’s a snippet from the appreciative review at Publishers Weekly.

Poetic as myth, but studded with spaceships, gene-modification technology, and alien species, Ogden’s debut delivers an emotionally mature if occasionally labored reimagining of The Little Mermaid. Atuale’s husband, Saaravel, is dying of the disease that’s ravaging their community, while Atuale, the Greatclan Lord’s daughter who left the ocean for land, is immune to the sickness. It’s up to her to save her husband and his people, but to do so she must join forces with her former lover, the World-Witch Yanja, as they travel the galaxy looking for a cure. With this slim space opera, Ogden delves deep into Atuale’s psyche, probing her love for both Saaravel and Yanja, her longing for adventure, and her desire for motherhood… Fans of feminist fairy tale retellings and thoughtful speculative fiction will appreciate Atuale’s quest.

Sun Daughters, Sea Daughters will be released by Tor.com on February 23, 2021. It is 110 pages, priced at $13.99 in trade paperback and $3.99 in digital formats. The cover is by Chase Stone.

See all our coverage of the best upcoming SF and fantasy here.

Crimson Mists and Uncrowned Kings: Savage Scrolls, Volume One, edited by Jason Ray Carney

Crimson Mists and Uncrowned Kings: Savage Scrolls, Volume One, edited by Jason Ray Carney

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Savage Scrolls, Volume One (Pulp Hero Press, 2020). Cover uncredited.

Last summer there was an ugly incident involving the long-awaited publication of Flashing Swords #6 from Pulp Hero Press, the spiritual successor to Lin Carter’s legendary sword-and-sorcery series from the 70s. Editor Robert M. Price’s introduction, which read to me like an incoherent right-wing rant against feminism, proved toxic enough that four contributors pulled their stories immediately, and publisher Bob McLain made the decision to de-list and kill the book before it even went on sale.

That left plenty of good tales without a home, though Bob did promise that some would find a home in “a new anthology series – no politics, no drama, just sword-and-sorcery! – that I’d like to release later this year.” So I was especially intrigued to see the first volume of Savage Scrolls, a new Swords & Anthology series edited by the distinguished Jason Ray Carney, arrive from Pulp Hero in November. I ordered a copy last month, and I’m delighted to say it’s a thoroughly professional production.

And what a list on contributors! In addition to two tales salvaged from Flashing Swords (Adrian Cole’s Elak of Atlantis tale “The Tower in the Crimson Mist,” and Steve Dilks’s sword & sorcery “Tale of the Uncrowned Kings”), Savage Scrolls includes names that will be intimately familiar to Black Gate readers, including Howard Andrew Jones (with a new Hanuvar tale), James Enge (a new Morlock the Maker story), David C. Smith (a new Oron adventure) and D.M. Ritzlin (with a tale of Avok the Cytheran). In a Publisher’s Note at the back, Bob McLain teases readers with a promise that

The cover art will tell a story, spread over four volumes of Savage Scrolls. On the cover of this volume we have our characters on the cusp of battle: the barbarian, the cultist, and the sorceress. On the cover of the next volume we will have those same characters, with the barbarian, well, you’ll just have to wait and see.

A bold promise! Though why he’d draw such attention to the intriguing cover and then completely neglect to credit the artist, I have no idea. The artist isn’t credited anywhere, far as I can find. Maybe that’s part of the mystery.

Jason Ray Carney’s first blog post for Black Gate was Bran Mak Morn: Social Justice Warrior, and he’s promised us a behind-the-scenes peek at Savage Scrolls in the coming weeks.

Ellsworth’s Cinema of Swords: The Tale of Zatoichi

Ellsworth’s Cinema of Swords: The Tale of Zatoichi

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The Tale of Zatoichi (1962)

During the American occupation of Japan after World War II, one of its many social restrictions was a prohibition on the making of violent movies, which meant no historical samurai adventures. When the occupation was lifted in 1952, the chambara, or swordplay action films, gradually returned, and by the late Fifties they made up a significant portion of the movies and TV shows made for Japanese domestic consumption. Based on a story by the novelist Kan Shimozawa, The Tale of Zatoichi was just one more minor chambara feature, but Shintaro Katsu’s portrayal of the blind swordsman was surprisingly popular and the Zatoichi films went on to become the longest running chambara series of all, running to 25 feature films and four seasons as a TV series. And yet its hero is no noble samurai, or even a masterless ronin, but a mere low-ranking member of the criminal yakuza. Nonetheless, he’s a character you’ll never forget. Elements of the Zatoichi films showed up later in the Lone Wolf & Cub series, which in turn helped inspire The Mandalorian, so these films are relevant even today.

The Tale of Zatoichi

Rating: *****
Origin: Japan, 1962
Director: Kenji Misumi
Source: Criterion DVD

In Japan in the late Fifties and early Sixties, mid-level studios like Daei Motion Pictures churned out samurai action films and TV shows much like Hollywood did Westerns in the same period. These were mostly disposable and forgettable, and most have been duly forgotten. You can be sure that nobody who worked on The Tale of Zatoichi thought they were making anything but one more quickie chambara feature, but somehow they created a story that transcended its genre limitations and spawned the longest-running samurai series in Japanese film.

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New Treasures: Call of the Bone Ships, Book 2 of The Tide Child Trilogy by RJ Barker

New Treasures: Call of the Bone Ships, Book 2 of The Tide Child Trilogy by RJ Barker

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The Bone Ships (Orbit, 2019) and Call of the Bone Ships (Orbit, 2020). Covers by Edward Bettison

RJ Barker’s The Bone Ships was published by Orbit in 2019, to strong reviews. Spectrum Culture called it “A thrilling bit of high seas fantasy… from a tremendously talented and imaginative mind,” BookPage said it’s “the perfect adventure for anyone who’s ever had dreams of the sea,” and it was nominated for the Robert Holdstock Award for Best Fantasy Novel. But my favorite review was by C.H. at Amazon.com, who speaks my language — the language of movies and pop culture.

If you liked the premise of S.W.A.T., but wished that instead of a group of cops protecting a mob boss from profit-seeking ruffians on the way to prison it was a rag-tag group of outcasts on a ship made of sea creature bones protecting the last of said sea creatures from… well, profit-seeking ruffians…

I know, that was a long way to travel to compare a fine, character driven, modern-day Moby Dick to a popcorn action movie, but something about the focal point of the book being a suspenseful trek from point A to point B with chaos buzzing around it reminded me of cinematic prisoner transport, a la Kingpin in Netflix’s Daredevil, or Coleman Reese in The Dark Knight. But enough about that.

Bone Ships brings together a capable captain on a mission to prove her worth and a drunk who may have Peter Principled his way into (and out of) his captaincy. Their dynamic and relationship growth is a highlight of the book… There are bizarre new creatures, interesting world politics, an in-depth instruction manual on the mechanics and operation of a giant crossbow, and a ship energy tracking straight out of a video game. The action sequences are furiously paced, throwing you on the deck of the Bone Ships, whether your sea legs are ready for it or not… Highly recommend.

The second novel in the trilogy, The Call of the Bone Ships, was published by Orbit on November 24, 2020. It is 528 pages, priced at $16.99 in trade paperback and $9.99 in digital formats. The cover is by Edward Bettison. Read a sample chapter from Book 1 here.

See all our recent coverage of the best new fantasy and science fiction releases here.

Writing Together, Apart

Writing Together, Apart

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Image by Patrik Houštecký from Pixabay

Good morning! What a fortnight it has been. The news is insane, isn’t it? I’m not going to talk about it here. Instead, I’m going to talk about something that I did a couple of weeks ago that brought me joy.

I am a member of my local SFF writing community here in Ottawa (Canada, just to be clear). Thanks to the raging pandemic, we did not have our annual gathering of incredible minds and imaginations that is Ottawa’s own Can*Con. I find the press and bustle of people incredibly stressful, but this convention is always so enjoyable, I risk a panic attack every year just to attend. I love it.

Thankfully, the organizers of Can*Con haven’t left us entirely floundering in the dark. They are live-streaming incredibly thoughtful panels on YouTube every so often (by the by, you can subscribe to their YouTube channel here), and the Facebook group is pretty active with articles and sometimes even book recommendations.

Our humble little community is genuinely lovely to be a part of. I’m terribly glad for it. One of my favourite things, though, is something that I’ve only done once thus far, that the organizers of Can*Con has set up for its members.

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Coriolis: Navigating the Third Horizon

Coriolis: Navigating the Third Horizon

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The “Preface” to the 2018 science fiction roleplaying game Coriolis: The Third Horizon mentions the game’s major influences: Middle Eastern culture, Iain M. Banks, Alastair Reynolds, and Michael Flynn. Shortly after that, the writers state that Coriolis is Arabian Nights in space — an accurate self-assessment and pretty much hitting all the right notes for me. Grand science fiction space opera set in a universe that differs in meaningful and substantial ways.

Coriolis takes place in a setting called the Third Horizon. At one point in time far in the past, humanity discovered giant portals to other star systems, which had habitable planets. They colonized these systems, which became known as the First Horizon. The origin of the portals remain a mystery. Eventually, a second wave of systems were discovered via more portals and colonized: the Second Horizon.

The Third Horizon was discovered later and its 36 systems were colonized. What is known as the Portal Wars took place — a bloody, protracted, and devastating war that ended with the closing off of the portal between the Third Horizon and the first two. A long dark age ensued after the end of the war.

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Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 16 and 17

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 16 and 17

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So, last year, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did  a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Hortsmann. I have already reposted days one through fifteen. Here are days sixteen (April 6) and seventeen (April 7). It helps if you read the series in order, so I’ve included links to the earlier entries. I enjoy channeling Archie more than any other writing which I do.

DAY SIXTEEN– 2020 Stay at Home

Wolfe came down from the plant rooms at the usual time Monday morning, preceded by the sounds of the elevator straining under his one-seventh of a ton. As always, he glanced at me as he walked to his desk, fresh orchid in hand. “Good morning-” He stopped. “WHAT is that?”

I intentionally muffled my voice. “It’s a mask.”

He continued to his desk, placed the orchid in the vase and sat down. “I know it is a mask. What is this flummery?”

I spoke normally. “Flummery? No, sir. You are one of the most atypical human beings on the planet. How do I know you’re not also asymptomatic as well? We spend hours across from each other, here and in the dining room.”

He frowned at me.

“You know, I was on the fence about this thing. It certainly detracts from my charming good looks. Not that anybody is really seeing them nowadays. But then I saw that our very own President, immediately after saying that his administration recommended wearing them, said he wasn’t going to do so himself, without anything resembling a valid reason. That was all I needed, so I voted yes.”

“Perhaps you could find one that mutes you as well.”

I gave him a sarcastic grin, which I then realized was completely wasted under the mask. I sat quietly after that, working on some germination records, and then reading the paper. Wolfe couldn’t seem to get comfortable in his chair, and he snuck glances at me, which I ignored, every so often. He could not get past the mask. Frankly, I was getting a little tired of just sitting there wearing it. But I wasn’t about to take it off.

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