The Future Is Now

The Future Is Now

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trekfinal2Star Trek (2009)
Directed by J. J. Abrams. Starring Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben Cross, Winona Ryder.

I wrote a review of the new movie Star Trek for my own blog within a few hours of seeing the film on Friday morning. I have nothing against that review, but it’s definitely the sort of free-form exercise I do on my personal blog, and it goes deep into the story and specific details for general readers. I never intended to put such a review on my Black Gate blog.

But Star Trek deserves it’s own take on Black Gate, one geared toward the specific audience. This isn’t truly a review, but an essay analysis of a cultural phenomenon that takes into account the many other reviews I’ve now read of the movie since I saw it (I purposely avoided reading others reviews before seeing the film) and the reaction of people I know who have seen it so I can paint a canvas of the sort of zeitgeist we’re experiencing.

Although Black Gate takes heroic fantasy as its theme, while the Star Trek franchise is science fiction, the people who read this magazine and its website belong to a genre community of which Star Trek forms one of the cornerstones. It doesn’t matter if you like Star Trek or not… if you count yourself a fan of anything that is “genre,” Star Trek has a place in your universe. Star Trek is the personification of “fandom.”

A few days before the new movie hit theaters, I wrote a short essay examining my own relation to Trek fandom. You can read that if you want to know where on the “Trekker” scale I stand, if that’s of interest to you regarding reading the rest of this essay.

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On Heroes and Humiliation

On Heroes and Humiliation

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Oh where have you been, Lord Randall, my son,
Oh where have you been, my handsome young man?

Not to the greenwood, that’s for sure, and not eating eels and toadstools, though sometimes the job application process (not to mention the writing career) can feel like it. Let’s just chalk up my recent absence from this space to life generally and move on. Though, parenthetically, it’s strange how fragments of ballads you haven’t heard in decades can suddenly breach the darkness. Now I can’t get the impossible-to-sing tune out of my head….

We read together as a family at my son’s bedtime and have been making our way through Lloyd Alexander’s Chronicles of Prydain. It wears well after all the years (I won’t say how many) since I first read it. We also recently saw Paul Blart: Mall Cop. That was not an experience I want to repeat in the decades to come, but the momentary temporal conjunction of the two got me thinking about the humiliation of the hero as a trope. It’s an exceedingly common one in comedy, and I can think of a zillion examples in movies, everything from Bridget Jones’ Diary to There’s Something about Mary. That it’s uncomfortable to watch (at least I find it so) even while I’m laughing (sometimes, anyway) must have something to do with the cathartic value of comedy–the second half of the arc in that genre is success, especially romantic success, and among other things the hero’s humiliation makes his/her success all the sweeter. …

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Serial Distractions reviews Black Gate 13

Serial Distractions reviews Black Gate 13

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Shedrick Pittman-Hassett’s Serial Distractions has reviewed our latest issue.  Here’s an excerpt:

I have treasured Black Gate ever since I first discovered Issue 10.  I had dropped my charter subscription to another fantasy magazine a couple of years before because I wasn’t finding what I was looking for: old-fashioned, but highly imaginative, adventure fantasy.  Black Gate delivers this in spades and the latest issue is no exception.

The Evil Eater by Peadar Ó Guilín

A horror story about the price of deception…especially self-deception.  Toby, a somewhat-aspiring actor and his scheming girlfriend Marie walk into a world of ancient terrors while attending an exclusive restaurant on a “borrowed” invitation.  In the Lovecraftian horror of Ahriman’s kitchen Toby learns to see the truths of his life and the deceptions that have brought him to his current state. 

Return of the Quill by John R. Fultz

The conquered city of Narr is ruled by a council of Sorcerer Kings.  The darkest of these is Grimsort, who resides in the crypts and animates the ancient dead to protect the city from threats without and rebellion within.  His loyalties are soon put to the test as he begins to see the city as it once was and what it probably should be.  This powerhouse story aptly shows that rebellion does not live in riots, screeds, or demonstrations but in the desires inherent in all people.  This is probably my favorite story in this issue.

The complete review is here.

Targetted Book Recommendations #2

Targetted Book Recommendations #2

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Part One of this enthralling series is here.

Finally, I shut my big mouth and show a few cards. Novels are what it’s all about, but not just any novels. We want something immediate. We want action and adventure. And although introspection and other, more literary qualities won’t be run out of town with the imprint of my boot on their buttocks, they must never, ever slow the story down. In short, we’re after books that embody the spirit of Black Gate.

Got it? Let’s see then… …

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It’s the End of the World as We Know It…

It’s the End of the World as We Know It…

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A few posts ago, I asked if, given current economic and political conditions, the next thematic trend in SF and fantasy will be a return to woeful tales of doom and disaster. Sure enough, lately I’m coming across signs that the zeitgeist might be finding a warm place in Cold War era end-of-the-world narratives.

In yesterday’s Wall Street Journal there’s a short review of Genesis by Bernard Beckett.  Yeah, I know, the title is cringe-inducing, but it actually fits (both the title and the author’s surname), at least according to writer Jeffrey Trachetenberg’s description:

…survivors in a world destroyed by nuclear and biological weapons are forced to re-think what makes the human species special…the issue of machine self awareness emerges as pivotal.

Not exactly original, but, then again, “nothing is new under the sun” as Ecclesiastes noted back in antiquity and, as Trachetenberg notes, revisiting this time honored trope is in part a result of “deep-rooted international concerns about such issues as global warming and the 9/11 attacks.”

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Internet Review of Science Fiction reviews Black Gate 13

Internet Review of Science Fiction reviews Black Gate 13

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Every month Lois Tilton covers the best new short fiction in her column at The Internet Review of Science Fiction, one of the genre’s most respected and enjoyable e-zines. This is what she had to say (in part) about Black Gate 13:

In recent issues, this zine has shifted its emphasis toward the Sword and Sorcery end of the fantasy spectrum, and every piece of fiction here could be described to some extent as Dark Fantasy. But there is dark Dark Fantasy and light Dark Fantasy, and most of the stories here are on the lighter side.

“The Good Sheriff”  by David Wesley Hill

Charles Duke, in a previous installment of this series, has found himself in another world, where the gold he has accumulated is worthless. Here, the local currency is grains of good. Duke locates a sorcerer who agrees to send him back to 1879 Texas in exchange for a fee, and since he has just killed the local sheriff, he takes over the job and finds several ways to make it pay. But of course there are complications:

“‘Ah, crap,’ Duke muttered, and sprinted for the constable’s office, where the three deputies were standing on the porch rail and goggling at the energy display.

Duke’s first instinct was to take down “Old Reliable” from its peg on the wall, but instead of the shotgun, he armed himself with his Henry repeater.”

This light fantasy is pretty fun to read and stands quite well on its own. Duke is an interesting character, well-suited to this sort of tale.

RECOMMENDED

You can find the complete review here.

Imaro: The Trail of Bohu

Imaro: The Trail of Bohu

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trail-of-bohuImaro: The Trail of Bohu
Charles R. Saunders
Sword & Soul Media (217 pages, $20.00, January 2009)

Fans of Sword & Sorcery and Heroic Fantasy had reason to rejoice as 2009 kicked-off with a big release from one of the genre’s master storytellers. No, it wasn’t a new Elric novel, nor a previously undiscovered Fafhrd and Gray Mouser short. And not a book by one of those other famous names, Howard, Vance, Gemmell, or Wagner, either. It was Imaro: The Trail of Bohu, the third in the Imaro series, by the best fantasy author you’ve never heard of.

Of course, many of Black Gate’s readers have heard of and are fans of Charles R. Saunders, but the world at large has been slow to catch up. The perilous journey of the Imaro series into and out of print has been related elsewhere, but finally it seems things have gotten on the right track and this previously unfinished series will at last be in the hands of fans everywhere, thanks to new imprint Sword & Soul media.

Imaro: The Trail of Bohu continues the saga of the outcast warrior Imaro in the land of Nyumbani; a rich fantasy setting based on African history and myth. But, while the first two books in the series, Imaro and Imaro: The Quest for Cush, were essentially episodic in structure (constructed as they were of Saunders’ short stories), The Trail of Bohu, the first Imaro book written as a novel from start to finish, presents us with a bigger overall story — it is, in fact, the beginning of the arc that will carry the reader through books four and five and, let’s just say, things really start to get going in this installment of the Imaro saga.

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Gulo Gulo IV

Gulo Gulo IV

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X-Men Origins: Wolverine is zapped into obscurity by the twin phaser-blasts of Trekstalgia and JJAbramitude, I would like to point out that the movie doesn’t actually suck.

I don’t know why I care. Big-budget summer blockbusters don’t weep for me; why should I weep for them? What’s Hecuba to me, or me to Hecuba?

Still, there was a lot of Wolverine hate fogging up the internet in the last week. A fair sample is the AV Club review (and the AV Talk segment that followed). If it hadn’t been for some dissenters, like the wide-ranging, always shrewd Ryan Harvey, I probably wouldn’t have bothered to see the movie at all. But I think it is worth seeing, for anyone who liked X-Men and its sequel, anyway.

More maundering, speckled with caveats and spoilers, after the jump.

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Kobolds Ate My Baby! Super Deluxx Edition

Kobolds Ate My Baby! Super Deluxx Edition

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Kobolds Ate My Baby! Super Deluxx Edition
By Chris O’Neill and Dan Landis. Illustrated by John Kovalic. (Dork Storm Press, 2005; $14.99)

I’ve previously mentioned in a comment thread that when it comes to tabletop role-playing games, I lean toward the rules-lite side of the equation. I’d rather have a system that allows flexible play, with minimal die-rolls and looking up charts, and greater focus on the “role-playing” instead of the “game.” Given a good Game Master, rules-lite games can feel as close to realistic as any of the more simulationist systems. My favorite RPG of all time, Fudge, has managed to adapt and handle any other game system, setting, or style I’ve thrown at it. In fact, it’s almost the only system I use. Any RPG that comes out I translate into Fudge…

…with the exception of “Beer and Pretzels” RPGs, in which sheer simplicity and ludicrousness are the norm.

Most rules-lite systems are geared toward the Beer and Pretzels genre: RPGs that are played for comedy and speed and with minimum planning and plenty of bad bad bad beer. Risus is the Beer and Pretzels equivalent of Fudge, a complete generic system (six pages long!) usable for quick ‘n’ silly RPGs late at night. I might discuss Risus in another post—it’s interesting both as a rules-lite system and as a purposeful parody of all other early RPGs. Fudge also deserves a long review, because it’s so wonderful that it’s a shame it isn’t spread like a beautiful pandemic to every corner of the hobby.

But today I bring you the most popular setting-specific Beer and Pretzels game, a funny and witty spoof on the concept of “cannon fodder” in Dungeons & Dragons: Dork Storm Press’ Kobolds Ate My Baby! Super Deluxx Edition, written by Chris O’Neil and Dan Landis—and hereafter abbreviated KAMB! (The manual loves exclamation marks! With a passion! See!)

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Bill Ward reviews Black Gate 13

Bill Ward reviews Black Gate 13

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Welcome back Bill!

We’ve missed Bill during his sabbatical from the BG blog. But that doesn’t mean he hasn’t been busy. On Sunday he posted another in his regular series of Black Gate magazine reviews. Here’s what he said about our latest issue, in part:

One look at Black Gate and you understand what makes it the leader in this field. Gorgeous cover and interior art, a huge amount of content including short stories and novellas, non-fiction, and an extensive reviews section that takes on both gaming and current fiction offerings, makes Black Gate a magazine that delivers on all cylinders…

Fans of John C. Hocking’s story in Lords of the Swords, ‘Vali’s Wound,’ will be excited to see the precursor story to that tale of vikings, ‘The Face in the Sea.’ Peadar Ó Guilín returns to Black Gate with another weird tale, ‘The Evil Eater,’ a contemporary fantasy in which a forbidden food leads to an underworld of horror. And John R. Fultz offers another strong fantasy, one of the best in the issue, with a tale of wizards and rebels in a most compellingly drawn setting in ‘Return of the Quill.’

You can find the full review here .