A friend and I have been watching The Wheel of Time adaptation on Amazon. Both of us expressed surprise not at the open casting, which we agree is wonderful, but at how that production choice plays out in small hamlets like Rand al’Thor’s “home town” of Two Rivers. After observing that every possible racial group is represented in this isolated, insular mountain community, my friend had an epiphany.
“I had to remind myself,” said my friend, “that if I suspend disbelief to accept that there’s magic in this world, then I might also have to suspend my disbelief in genetics.”
Well, I’m talking boycotts again, as there is a lot of it going around. And they are absolutely kicking up all kinds of dust. This is great – making your voice heard with the only thing these companies seem to understand; their bottom lines. It’s not so great if you’re an innocent writer just trying to make a living who happens to be caught in the crossfire.
Image by Siggy Nowak from Pixabay. This looks like a Stargate. Where’s the dial?
Good afterevenmorn, Readers!
Once upon a time, a much younger me fell into an obsession… Well, several related obsessions, if I’m being honest. Prehistoric Anthropology and Archaeology dug its claws into my brain and would not let go. In what might have been a profound waste of money, I followed that obsession into university, acquiring a Bachelor’s Honours Degree in the subject, with a focus on Celtic Studies. I wrote a thesis that was four times as long as it needed to be (with permission). I wrote on the Continuity of Religious Iconography From the Upper Palaeolithic to the Pre-Roman Iron Age of the Atlantic Façade. Which is to say, basically, some religious beliefs and practices of the Iron Age Celts might just have had their origin in the pre-Celtic peoples of the Stone Age. That’s a lot to cover in just twenty pages, so I handed in eighty-three.
When I say I was/am obsessed, I absolutely meant it.
Let’s talk self-publishing. Particularly, print on demand options.
In this particular climate, I know a number of book buyers and independent and self publishers looking to make an impact by being more mindful of where they spend their money and with whom they do business. It is, however, incredibly difficult to do any kind of individual action, given the absolute chokehold Amazon has in the book space. Those of us who are self-published know it well. Amazon is where most book buyers go when shopping online. And it’s where a large number of independent publishers go to have their books printed and shipped. Print on demand is a great technology, especially for those of us who do not have the funds to do an entire print run, and no space to store the books in any case.
Look! It’s fun! Image by Patrycja Kwiatkowska from Pixabay
Good afterevenmorn!
I hope everyone who has to suffer through the daylight savings shift Sunday are coping with losing that hour of sleep. To those to whom that does not apply, know that I am fiercely jealous of you. But let’s not dwell on our minor hardships. Today, I want to talk about writing, and very specifically how to make situations that are absolutely ridiculous on the outside feel real and very serious.
Language is fun. The way words can mean more than one thing, depending on where the stress is placed, or its location in a sentence, and where that sentence lies within the tale. It is a playground. A song devising its own music. A melody murmured that can delight not just the eyes, but the ears. How many have paused a read simply to revel in the words just read? To read and reread a sentence? To bask in the brilliance of a cleverly turned phrase?
Side note, autocorrect keeps trying to fix my nonsensical greeting and it’s quite annoying. Back to the post!
I’ve been doing a lot of thinking. It’s dangerous. I do not recommend it. But I’ve been doing a lot of thinking on the nature of fictional villains and morally grey heroes, and how to write them convincingly. While it’s sometimes fun to read a simple story where good and evil are very evident, and we’re all firmly on the side of the heroes here. The fight (and eventual victory) against Evil™ can sometimes be exactly the hopeful escape we need. Please note, I’m not looking down my nose at those kinds of stories. I enjoy them myself.
My favorite reads, however, are stories where good and evil is not so simple. It’s not all cut and dried. This isn’t just about creating complex characters to counter your protagonists, but also about creating a safe space to explore all the nuance that we find in real life. It’s a good, safe place to grapple with ideas of heroism, morality and villainy. What makes a hero? Or a villain, for that matter? If the end result is good, are morally questionable actions justifiable? What are we willing to sacrifice for the greater good? Is it acceptable if the answer to the previous question is, “Everything”?
Well, I was struggling with what to write about in this week’s blog post. I was going to rave about a new C-Drama I just finished watching, but I figure you’re probably tired of that (though, if you don’t mind subtitles, please check out Arsenal Military Academy. It was extremely good; and unusual for me as a viewer because it involves a region of the world (China) at a time we rarely get to learn about unless you’re embarking on higher education about that particular subject (1930s). Highly recommend). That being the case, I’m going to share a few things I do whenever I feel like I’m struggling with writer’s block (which is rarely a block, and really more of a tell from my subconscious that I’m not on the right track). So here we go, my list of five things to do when experiencing writer’s block.
I have taken a protracted break from social media for the past fortnight, which has been both a boon and a source of deep frustration for many reasons I will not rant about here. But while it has been an overall win for my mental health, it does mean that I’m very out of the loop when it comes to writerly news, and any gossip and drama happening in that world. Which leaves me with few options for today’s post. Which means, today I’d like to address all the aspiring writers of the readership.
It is a long-held convention, it seems, that writers are, by nature, introverts. From my experience, both quite personally, and with nearly everyone in my immediate professional circle, this seems to be the case. In fact, of the many writers that I know in person, only one of them is not an introvert. She is the only one who is invigorated by crowds. Others you might be excused believing are extroverts, given their bright, effusive natures, but they, too, collapse into a heap following interactions with people.
A friend and I have been watching The Wheel of Time adaptation on Amazon. Both of us expressed surprise not at the open casting, which we agree is wonderful, but at how that production choice plays out in small hamlets like Rand al’Thor’s “home town” of Two Rivers. After observing that every possible racial group is represented in this isolated, insular mountain community, my friend had an epiphany.
