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Discovering Robert E. Howard: James Reasoner on He Pointed Them North: Trail Towns in the Traditional Westerns of REH

Discovering Robert E. Howard: James Reasoner on He Pointed Them North: Trail Towns in the Traditional Westerns of REH

REHWesterns_Cover
Intro by James Reasoner…

After Paul Bishop’s excellent post on REH’s boxing stories turned my initial post on hard boiled private eyes into the start of a series, the next topic I knew I wanted to cover was westerns. And James Reasoner was the only person I considered to write it. Historical fiction, noir and westerns: he’s excellent in all of those areas. 1914’s Robert E. Howard Days 2014 Featured Attendee is one of the best western writers alive. Let’s hit the trail!


When Robert E. Howard was growing up in Cross Plains in the 1920s, it was entirely possible that some of the older men in town might have gone on cattle drives in their youth, as the great trails from Texas to the railheads in Kansas opened up after the Civil War and changed the focus of the Lone Star State’s economy. Whether a young Bob Howard ever listened to these old cowboys spin yarns about those days, we don’t know, but he certainly might have.

J. Marvin Hunter’s classic book Trail Drivers of Texas appeared in 1927, and this volume might well have caught Howard’s interest, too, although we have no record of him ever reading it.

What we do know, however, is that Howard wrote several Western stories in which the trail towns which served as destination points for those great herds of Longhorns play an important part, beginning with “Gunman’s Debt”, which went unpublished during Howard’s lifetime but is one of his best Westerns. It’s set in the small Kansas settlement of San Juan, and although Howard tells us that the rails and the trail herds haven’t reached it yet, it’s clear that they’re on the way. San Juan is new and raw and more than a little squalid:

Three saloons, one of which included a dance hall and another a gambling dive, stables, a jail, a store or so, a double row of unpainted board houses, a livery stable, corrals, that made up the village men now called San Juan.

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Out of the Mouth of Madness

Out of the Mouth of Madness

Derleth MythosI spent the past year in the frozen tundra on a quest not for gold or oil, but rather that elusive will o’ the wisp men call Ha of Saskatoon. I barely escaped with my life, a sad and broken man. Over the course of many months, I poured through John D. Haefele’s exhaustive tome, A Look Behind the Derleth Mythos which the redoubtable Don Herron bequeathed to me in an effort to restore my shattered mind. Having recently closed the book for the final time, I come forth with this my 250th article. A mere trifle for the more prolific blogger, but a milestone for this shadow of a man who once was.

Now in absolute fairness I should disclose a few facts before continuing. First off, I am not an H. P. Lovecraft cultist. I like aspects of the Mythos more than I do his actual fiction. This will be heretical to many, but I did not come upon his prose until later in life – long after Roy Thomas introduced me to his work in various comics he authored for Marvel in the 1970s and well after the time I had absorbed bits and pieces of the Mythos unknowingly while devouring Robert E. Howard’s stories in the pages of the Lancer or Ace Conan paperbacks with their stunning Frazetta cover art which, like that of Boris Vallejo and Neal Adams, frequently displayed brazen muscular buttocks in a fashion that touched something primal and possibly even impolite in my already warped adolescent brain.

I must also refrain from joshing my readers that a particular Lovecraftian scholar earned my enmity like no one since S. J. Perelman when I purchased a pricey, but beautifully bound and illustrated Sax Rohmer collection that was published in recent years only to find said literary critic’s introduction to the same was dismissive, condescending, and pompous in the extreme. It took much restraint not to craft an analogue for this bloated windbag in my third Fu Manchu book and allow the Devil Doctor to feed this bleating goat’s delicate parts to starving centipedes. Despite the appeal of such a notion, I chose instead to let karma find him and that it may have done with Haefele’s scholarly work.

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New Treasures: The End of the Story: The Collected Fantasies, Vol. 1 by Clark Ashton Smith

New Treasures: The End of the Story: The Collected Fantasies, Vol. 1 by Clark Ashton Smith

The End of the Story The Collected Fantasies Vol 1-smallThe End of the Story is the first of five volumes collecting all of Clark Ashton Smith’s short fiction, arranged chronologically by composition. It was originally published in hardcover by Night Shade Books on January 1, 2007, and quickly went out of print. The cheapest copies I can find online start at over $200.

I would love to have a copy, but that’s well outside my price range. So I was delighted to discover that Night Shade is printing the entire series in trade paperback, starting with the first volume, which goes on sale tomorrow.

The Collected Fantasies of Clark Ashton Smith consists of:

  1. The End of the Story (January 2007)
  2. The Door to Saturn (June 2007)
  3. A Vintage from Atlantis (November 2007)
  4. The Maze of the Enchanter (April 2008)
  5. The Last Hieroglyph (September 2010)

The trade paperback edition of the second volume, The Door to Saturn — also long out of print in hardcover, and selling in some places for well over $300 — is scheduled to appear January 5, 2016.

The End of the Story contains 24 short stories and three poems, beginning with “The Abominations of Yondo,” first published in Overland Monthly in April 1926. It includes some of his most famous tales, such as the Captain Volmar novelette “Marooned in Andromeda” (1930), the Malygris tale “The Last Incantation” (1930), and the novelette “The Monster of the Prophecy” (1932).

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The Public Life of Sherlock Holmes: Solar Pons – Who Needs a Hard Boiled Detective?

The Public Life of Sherlock Holmes: Solar Pons – Who Needs a Hard Boiled Detective?

PonsWolfe_NarcissusSolar Pons has already made several appearances here in The Public Life of Sherlock Holmes. And previously, I wrote that Rex Stout’s Nero Wolfe is my favorite detective series of them all. So naturally, I found a way to link them together into one post. Barely.

Now, August Derleth was a born-and-raised Wisconsin boy, enamored with Sir Arthur Conan Doyle’s tales of the great Sherlock Holmes. He wasn’t much different than an awful lot of American youths in the nineteen twenties.

Except, the enterprising Derleth wrote to the author and asked if there would be any more stories. Doyle, not the friendliest person in regards to his meal ticket, did have the courtesy to send back a reply in the Fall of 1928,  saying that he was finished with Holmes.

Not discouraged at all, the nineteen year-old University of Wisconsin student made a note on his calendar, ‘In re: Sherlock Holmes’, as a reminder to write a story in imitation of Doyle’s creation. The date is lost in the mists of time, but August Derleth did in fact sit down and produce “The Adventure of the Black Narcissus” in one afternoon, starring Solar Pons and Dr. Lyndon Parker.

It appeared in the February, 1929 edition of Dragnet and Derleth would produce over seventy more tales before passing away in 1973. British author Basil Copper added over two-dozen more Pons stories with the blessing of Derleth’s Estate.

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Little Green Men, Couriers of Chaos, and Miners on Uranus: Things, edited by Ivan Howard

Little Green Men, Couriers of Chaos, and Miners on Uranus: Things, edited by Ivan Howard

Things Ivan Howard-smallThings
Edited by Ivan Howard
Belmont (157 pages, $0.50, February 1964)

Belmont Books, publisher of this anthology, apparently thrived throughout the Sixties. Early on it looks like many of their books leaned toward horror, with SF being sprinkled into the mix more as time went on. Things presents itself more as horror (the subtitle is Stories of Terror and Shock by six SCIENCE-FICTION greats) but there’s not much horror content. It’s a short volume that collects six fairly uninspired novelettes and short stories first published in SF magazines in the early Fifties.

Thumbs Up

“The Gift of the Gods,” by Raymond F. Jones

An interesting take on aliens landing on Earth, as the whole affair is somewhat derailed by bureaucracy and pettiness. It could have been a lot shorter and it was a bit preachy in spots but not bad overall.

“Little Green Man,” by Noel Loomis

I like pulp as much as the next guy and maybe a bit more — although it’s best taken in moderate doses. This one’s pretty pulpy, with the LGM of the title beseeching a mining engineer from Earth to evacuate from his home planet of Uranus. Entertaining but not particularly exceptional.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Tower of the Elephant”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Tower of the Elephant”

Art for "Tower of the Elephant" by Mark Schultz
Art for “Tower of the Elephant” by Mark Schultz

Over at Howard Andrew Jones’ blog, Bill Ward and Howard Andrew Jones continue their re-read of the first Del Rey Conan volume, The Coming of Conan, with the classic “The Tower of the Elephant,” originally published in the March 1933 issue of Weird Tales.

Howard: THIS is Robert E. Howard at his absolute best, in complete control of his narrative, knowing his character better than his closest friend. His Hyborian history article was written just prior to his penning of “The Tower of the Elephant,” which makes sense, because he knows the history and societies so well that he casually mentions cultures in such a way we can usually intuit what he’s talking about…

Bill: Here Conan is a “gray wolf among gutter rats,” to paraphrase just one of the great lines in the opener. From the first paragraph of this section that paints a vivid picture of The Maul, the thieves district of Zamora where the guards have been bribed with “stained coins” to leave the criminals alone, all the way to the conclusion… I think this opener, and this story in general, is one of the best introductions to Conan, and probably the one I would hand a novice that was interested in seeing what all the fuss is about…

Howard: And damn, there are giant spider fights, and then there’s the fight with the thing in the top room of the tower. The only giant spider fight I’ve read that’s on the same level is the one from the first Bard book by Keith Taylor. You can see this monster and its dripping venom, so virulent that it scars Conan for life… It’s just incredibly well written, so much so that even after reading this story multiple times I still find it thrilling. And unsettling.

Read the complete exchange here.

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Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

ElBorak_EarlyToday, our ‘Discovering Robert E. Howard’ series talks about my favorite REH stories: those featuring El Borak. David Hardy wrote the introduction to the Robert E. Howard Foundation’s The Early Adventures of El Borak and he also contributed what is essentially the afterward to Del Rey’s El Borak and Other Desert Adventures.  There’s no one better suited to expound on Francis Xavier Gordon, so enough blathering from me. Let’s check out ‘The Swift.’


Francis Xavier Gordon, known from Stamboul to the China Sea as “El Borak”-the Swift-is perhaps the first of Robert E. Howard’s characters, and the last. El Borak is one of those distinctive characters that could only come from the fertile imagination of REH. He is a Texas gunslinger from El Paso, an adventurer, who has cast his lot in the deserts and mountains of Arabia and Afghanistan. There’s a little bit of John Wesley Hardin in his makeup, a bit of Lawrence of Arabia, and just a touch of Genghis Khan.

Howard described the origin of Gordon and other characters to Alvin Earl Perry: “The first character I ever created was Francis Xavier Gordon, El Borak, the hero of “The Daughter of Erlik Khan” (Top Notch), etc. I don’t remember his genesis. He came to life in my mind when I was about ten years old.”

That would put El Borak’s origins about 1915, the year Rafael Sabatini’s pirate novel The Sea Hawk appeared. The titular Sea Hawk is an Englishman who joins the corsairs of the Barbary Coast. There is also a supporting character named El Borak. Howard also noted that Bran Mak Morn, hero of “Worms of the Earth,” bore a resemblance to El Borak.

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Vintage Treasures: The Timescape Clark Ashton Smith

Vintage Treasures: The Timescape Clark Ashton Smith

The City of the Singing Flame-small The Last Incantation-small The Monster of the Prophecy-small

Clark Ashton Smith is one of the greatest pulp writers of all time, and certainly one of the greatest early fantasy writers. Over a century after his first collection appeared (The Star-Treader and Other Poems, in 1912) virtually all of his work is still in print. That’s an extraordinary statement.

Of course, when I say “in print,” I mean it’s available in an assortment of limited edition hardcovers and trade paperbacks from Night Shade Books, Prime Books, Penguin Classics, and others. Meaning the majority of volumes are priced chiefly for the collector. There hasn’t been a mass market edition of Clark Ashton Smith in over three decades, since Pocket Books’ Timescape imprint released a handsome three-volume paperback collection of his most popular stories between 1981 and 1983.

The City of the Singing Flame (1981)
The Last Incantation (1982)
The Monster of the Prophecy (1983)

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Galaxy Science Fiction, November 1952: A Retro-Review

Galaxy Science Fiction, November 1952: A Retro-Review

Galaxy November 1952-smallThe November 1952 issue of Galaxy Science Fiction features cover art by Jack Coggins of an Earth satellite. This satellite is more like a space station than satellites I typically think of. But considering that the first artificial satellite (Sputnik 1) wasn’t launched until about five years after this issue hit newsstands, everything was still left to the imagination at this point.

Before I jump to the fiction, I want to comment on Willy Ley’s “For Your Information.” In part of the column, he discusses Mars and its vegetation. I thought that was rather odd or presumptuous for him, but at this time, scientists were observing coloration on the planet’s surface that changed seasonally. That coloration plausibly suggested vegetation, and if there’s vegetation, what other life might be there? Then Mariner 4 did a fly-by in 1965, showing reality. Additional Mariner spacecraft confirmed more of the same — that Mars was a dead planet.

I wonder how many people were crushed by this, including authors of science fiction. There might have been some who feared Martians coming to destroy us and felt relief. But I also think that the possibility of life on Mars offered a kind of hope to some — that humanity wasn’t completely alone. With the truth of Mars revealed, that hope had to extend beyond the neighboring red planet. It will be interesting to see how science fact continues to influence science fiction, not necessarily by devestating our hopes and dreams but by helping to reshape them into new possibilities. And even without life on Mars, the planet still has an allure to it — a vacant planet that beckons to be explored and perhaps settled.

“The Martian Way” by Isaac Asimov — Mario Rioz and Ted Long work together on a small ship near Mars, tracking and scavenging the abandoned shells of Earth spacecraft. These jettisoned pieces are essentially rocket stages cast off as part of the flight, and they contain metal the humans on Mars can reuse.

A rising politician on Earth named Hilder points out that Mars doesn’t reimburse Earth for the shells, and the monetary investments will take many years to return. But worse than that, Mars can never replenish the water it takes from Earth to propel its ships. As Hilder’s voice gains more attention, other politicians begin mimicking him, which leads to new policies that prevent the scavenging of shells.

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Science Fiction Classics #10 Now on Sale

Science Fiction Classics #10 Now on Sale

Science Fiction Classics 10-smallIf you’re a pulp fan like me, you’re always interested in high quality facsimile reproductions of pulp magazines, especially ones available at reasonable prices. So I was delighted to discover Science Fiction Classics, a magazine that reproduces a complete pulp magazine with every issue. They’ve published ten issues, focusing (so far) exclusively on that grand old lady of the pulps, Amazing Stories.

The most recent issue, Science Fiction Classics #10, reproduces one of the rarest early pulps, and certainly the rarest issue of Amazing — the very first Amazing Stories Annual, from 1927. It includes the complete Barsoom novel The Master Mind of Mars by Edgar Rice Burroughs, and a short story by A. Hyatt Verrill, as well as five reprints — two classics from A. Merritt, including the long novella “The Face in the Abyss” and “The People of the Pit,” and tales by Austin Hall, Jacque Morgan, and H. G. Wells. It also contains interior artwork by Frank R. Paul, Gambee, and others. The complete contents are:

Preface by Hugo Gernsback
The Master Mind of Mars by Edgar Rice Burroughs
“The Face in the Abyss” by A. Merritt (1923)
“The Man Who Saved the Earth” by Austin Hall (1919)
“The People of the Pit” by A. Merritt (1918)
“The Man Who Could Vanish” by A. Hyatt Verrill
“The Feline Light & Power Company Is Organized” by Jacque Morgan (1912)
“Under the Knife” by H. G. Wells (1896)

Science Fiction Classics is published by Pulp Tales Press. Issues are print on demand, and available through Amazon.com, Barnes & Noble, Lulu, and other places. Issue #10 was published on June 3, 2015; it is 132 pages, priced at $12.95. The cover is by Frank R. Paul. Order right at the Pulp Tales Press website.

See our August Fantasy Magazine Rack here, and all of our recent magazine coverage here.