Black Gate

J-F. Dubeau is a Montreal writer who burst on the scene last year with The Life Engineered, which was nominated for the Dragon Award for Best Science Fiction Novel. His follow-up is very different indeed — a contemporary horror novel set in small town Quebec, where a dark spirit has held sway for centuries. Fangoria says “Move over True Detective. A rich, gothic story of murder and mystery, A God in The Shed is quite possibly one of the most enthralling novels I’ve read in the last ten years.”

The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafés, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing ― a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It’s not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play.

When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand’s teenage residents, she learns that this creature’s power has a long history with her town ― and that the serial murders merely scratch the surface of a past burdened by evil secrets.

I love the movie-like credits on the back, which include the editor and cover designer. I wish more publishers followed suit. A God in the Shed was published by Inkshares on June 13, 2017. It is 428 pages, priced at $15.99 for the trade paperback and $7.99 for the digital edition. The cover was designed by M.S. Corley.

Rio Youers’ short fiction has been published in Postscripts, Northern Haunts, 21st Century Dead, End of the Road, Seize the Night: New Tales of Vampiric Terror, and other fine venues. James McGlothlin called “Outside Heavenly,” his contribution to Best Horror of the Year: Volume Seven, “By far my favorite tale… outstanding. It really made the hairs on the back of my neck stick up.”

Youers’ novels include Westlake Soul (2012), which Matthew David Surridge said has “a lot of heart” in his Black Gate review, and Point Hollow (2015). His latest is a dark mystery that Joe Hill calls “An absolute rocket… a supernatural thriller that thunders along at Mach 5 from the first page to the last. Written with a brutal lyricism, a savage wit, and a killer instinct for suspense.” It was published this week by St. Martin’s Press.

Harvey Anderson is a twenty-six-year-old street performer from New Jersey. He enjoys his peaceful life, but everything turns upside down when he is abducted and beaten by a group of nondescript thugs. Working for a sinister man known as “the spider,” these goons have spent nine years searching for Harvey’s girlfriend, Sally Starling. Now they think they know where she lives. And whom she loves.

There’s only one problem: Sally is gone and Harvey has no memory of her. Which makes no sense to him, until the spider explains that Sally has the unique ability to selectively erase a person’s memories ― an ability she has used to delete herself from Harvey’s mind.

But emotion runs deeper than memory, and Harvey realizes he still feels something for Sally. And so ― with the spider threatening ― he goes looking for a girl he loves but can’t remember… and encounters a danger that reaches beyond anything he could ever imagine.

Political corruption and manipulation. A serial killer’s dark secrets. An appetite for absolute, terrible power. For Harvey Anderson, finding the forgotten girl comes at quite a cost.

The Forgotten Girl was published by St. Martin’s Press on June 13, 2017. It is 343 pages, priced at $27.99 in hardcover and $14.99 for the digital edition. The cover was designed by Danielle Christopher. Read an excerpt at Criminal Element.

Now here’s an interesting idea — a collection of horror stories showcasing the work of a single publisher.

How appealing is that? Depends on the publisher. In the case of Valancourt Books, an independent small press specializing in the rediscovery of rare, neglected, and out-of-print Gothic, Romantic and Horror fiction, it’s very appealing indeed. Here’s a snippet from the Editor’s Forward to give you a taste.

Since 2005, Valancourt Books has made available almost 40 neglected classics by dozens of authors, most of them out of print for decades, sometimes even for a century or two. Our catalogue includes Gothic novels from the late 1700s and early 1800s, Victorian ‘penny dreadfuls’ and ‘sensation’ novels, vintage mystery and horror fiction from the 1920s, ’30s and ’40s, rediscovered gay interest fiction from the mid-20th century, and more recent horror and science fiction from the 1970s, ’80s and ’90s. The idea behind this anthology was, “What if we distilled the best of each part of our catalogue into a single volume? What would a horror anthology spanning two centuries, and featuring only Valancourt authors, look like?”

This book has something for fans of each section of our catalogue. Those who have enjoyed our Gothic Classics series will surely find Matthew Gregory Lewis’s rare ghost story in verse, “The Grim White Woman,” to their liking. If, like us, you love a good, old-fashioned Victorian horror story, you’ll relish the creepy tales we’ve included by authors hugely popular in the day but now little known, like Florence Marryat, Richard Marsh and Mary Cholmondeley. Readers who have appreciated our efforts to rediscover lost gay fiction will be pleased to find contributions from authors such as Forrest Reid, Hugh Walpole and Francis King in this volume. Of course, no horror anthology would be complete without stories from some of the great contemporary masters of horror like Michael McDowell, Bernard Taylor and Stephen Gregory. But perhaps the biggest surprise for some readers will be the excellent tales by writers not normally thought of as “horror authors,” like Christopher Priest, Michael Blumlein and Francis King.

Here’s the complete Table of Contents.

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Read More Read More

With the constant drumbeat of hit superhero films — mostly recently the huge international hit Wonder Woman, which opened on Friday — I’m surprised there’s not a lot more attention to superheroes in print. But there is the occasional anthology, like the brand new Behind the Mask, which looks at “The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can only be experienced from behind the mask.” It contains original short fiction from some of the top writers in SF & fantasy, including Kelly Link, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Cat Rambo, and others. It’s available now in trade paperback from Meerkat Press.

The authors in this collection, both established and new, are all dexterous and wonderfully imaginative, each deserving of their own form-fitting uniforms and capes. Some of the stories pulse with social commentary, like Cat Rambo’s whimsical and deft “Ms. Liberty Gets a Haircut” and Keith Rosson’s haunting “Torch Songs.” Others twist the genre into strange and new territories, like Stuart Suffel’s atmospheric “Birthright,” Kate Marhsall’s moving “Destroy the City with Me Tonight,” and Adam Shannon’s reality-bending “Over an Embattled City.” Some punch with heart and humor, like Matt Mikalatos’s satisfying “The Beard of Truth” and Chris Large’s adventurous “Salt City Blue,” while others punch with bite and grit, such as Michael Milne’s evocative “Inheritance,” Aimee Ogden’s poignant “As I Fall Asleep,” and Jennifer Pullen’s heartfelt “Meeting Someone in the 22nd Century.” Some of the stories feature characters who might not be superheroes in the traditional sense, yet are heroic nonetheless, such as Sarah Pinsker’s imaginative “The Smoke Means It’s Working” and Stephanie Lai’s majestic “The Fall of the Jade Sword.” Some shine a unique, captivating spotlight on supervillains, like Keith Frady’s dramatic “Fool” and Carrie Vaughn’s romantic “Origin Story.” Some are somber, ponderous works, where our heroes consider their impact on the world, like Lavie Tidhar’s regret-tinged “Heroes” and Nathan Crowder’s resonant “Madjack.” Others tread more light-hearted waters, with heroes adjusting to the sometimes-comical, sometimes-stressful life in the public eye, like Seanan McGuire’s entertaining “Pedestal” and Patrick Flanagan’s lively “Quintessential Justice.” And then there are the softer, quieter moments between heroes, as they navigate their extraordinary lives in their own unique ways, such as Ziggy Schutz’s tender “Eggshells” and, of course, Kelly Link’s captivating “Origin Story.”

Behind the Mask was published by Meerkat Press on May 16, 2017. It is 290 pages, priced at $16.95 in trade paperback and $8.95 for the digital edition. Order at your favorite online retailer or at the Meerkat website.