Black Gate

The true value of anthologies, of course, is you get to sample a variety of authors under a single cover. And the true value of great anthologies is that you get to sample a variety of great authors under a single cover.

Epic: Legends of Fantasy looks like a great anthology. It’s a fantasy buffet featuring some of the most acclaimed writers working in the field today, including Patrick Rothfuss, George R. R. Martin, Tad Williams, Michael Moorcock, Mary Robinette Kowal, and N. K. Jemisin, to name just a few. Here’s the complete TOC:

“Homecoming” by Robin Hobb
“The Word of Unbinding” by Ursula K. Le Guin
“The Burning Man” by Tad Williams
“As the Wheel Turns” by Aliette de Bodard
“The Alchemist” by Paolo Bacigalupi
“Sandmagic” by Orson Scott Card
“The Road to Levinshir” by Patrick Rothfuss
“Rysn” by Brandon Sanderson
“While the Gods Laugh” by Michael Moorcock
“Mother of All Russiya” by Melanie Rawn
“Riding the Shore of the River of Death” by Kate Elliott
“The Bound Man” by Mary Robinette Kowal
“The Narcomancer” by N. K. Jemisin
“Strife Lingers in Memory” by Carrie Vaughn
“The Mad Apprentice” by Trudi Canavan
“Otherling” by Juliet Marillier
“The Mystery Knight” by George R. R. Martin

This is a reprint anthology, but don’t let that dissuade you. Adams has done a marvelous job assembling epic fantasy from the last five decades, and tracking down even a fraction of these stories would cost you far more than this anthology. Paolo Bacigalupi’s novella, “The Alchemist,” for example, was previously available only as a limited-edition hardcover from Subterranean Press. “The Road to Levinshir” by Patrick Rothfuss is from Volume 18 of the Writers of the Future anthology, long out of print. Michael Moorcock’s Elric tale, “While the Gods Laugh,” originally published in Science Fantasy #49 (October 1961), is probably the most-reprinted tale of the lot, but trust me — you’ll be glad it’s here.

Epic: Legends of Fantasy was published on October 5th by Tachyon Publications. It is 624 pages in trade paperback for $17.95 ($9.99 for the digital version). Complete details at the Tachyon website.

I’m a big fan of Let the Right One In, the Swedish vampire film based on the John Ajvide Lindqvist novel. Creepy, creepy stuff, and any film that can have you cheering for the vampire while simultaneously being 100% faithful to traditional vampire lore gets my vote.

Let the Right One In was re-made for English audiences as Let Me In in 2010, staring Chloe Moretz (Kick-Ass). Lindqvist’s original novel was given the same title for its English trade paperback release the same year. His latest is Harbor, and it sounds very intriguing indeed.

With Harbor, a stunning and chilling masterpiece, Lindqvist firmly cements his place as the heir apparent to Stephen King.

One ordinary winter afternoon on a snowy island, Anders and Cecilia take their six-year-old daughter Maja across the ice to visit the lighthouse in the middle of the frozen channel. While they are exploring the lighthouse, Maja disappears – either into thin air or under thin ice — leaving not even a footprint in the snow.

Two years later, Anders, a broken man, moves back to his family’s abandoned home on the island. He soon realizes that Maja’s disappearance is only one of many strange occurrences, and that his fellow islanders, including his own grandmother, know a lot more than they’re telling. As he digs deeper, Anders begins to unearth a dark and deadly secret at the heart of this small, seemingly placid town.

As he did with Let the Right One In and Handling the Undead, John Ajvide Lindqvist serves up a blockbuster cocktail of high-tension suspense in a narrative that barely pauses for breath.

I don’t cover a lot of horror with my New Treasures column, mostly because I don’t get the chance to read as much as I used to. But I plan to make an exception for this one.

Harbor was released by St. Martin’s Griffin in September; it is 528 pages. It is $15.99 in trade paperback, and $9.99 for the digital edition.

You can see all of our recent New Treasures articles here.

I don’t know about you, but as Halloween approaches I’m seeing a lot more horror movies, books, and graphic novels cross my path.

As Goth Chick loves to point out, it is the Season. And if you’re not paying attention, it’s easy to overlook some of its more intriguing titles, especially from the small press. Fortunately, Black Gate has you covered.

Dark Regions Press specializes in horror and dark fiction, and have published hundreds of authors such as Bentley Little, Rick Hautala, Bruce Boston, Robert Frazier, Jeffrey Thomas, Charlee Jacob, Tim Waggoner, and many more. This Tuesday, October 23rd, they are publishing Crooked House by Bram Stoker Award winning author Joe McKinney:

In this republican country, amid the fluctuating waves of our social life, somebody is always at the drowning point.

Those words were true when Nathaniel Hawthorne wrote them in 1851, and they were true in 1933, when a fire burned half of Crook House to the ground, taking James Crook’s wife and two sons with it. A disgraced bootlegger and former pro baseball player, James Crook returned from prison to find his house, and his life, a pile of cinders. Broken and insane, he rebuilt Crook House, putting his pain and loneliness into every timber.

But Hawthorne’s words are still true today, and nobody knows that better than Dr. Robert Bell, who has just moved into Crook House as part of his hiring package from a small Texas college. He soon discovers that Crook House is more than just a new beginning for himself and Sarah and their daughter Angela. For the Bell family, Crook House is a place where the past still lives, and its horrors waiting for the next drowning man.

With Crooked House, Joe McKinney brings you a chilling novel in the vein of The Shining by Stephen King, a haunted house tale that will stay with you long after the final page is turned.

Joe McKinney is the author of Flesh Eaters, Dead City, Mutated, and more. Crooked House will be available as a leather-bound deluxe lettered hardcover and as a signed and numbered limited hardcover. Find complete details and order information at Dark Regions.

Melanie Rawn’s first novel, 1988’s Dragon Prince, was an immediate success. Twenty-four years later, it’s still in print — on something like its 50th printing — and so are both of its sequels. If that’s not an auspicious debut, I don’t know what is.

Rawn certainly didn’t rest with the Dragon Prince trilogy. From 1991-94, she published the Dragon Star trilogy; in 1996 the collaborative novel The Golden Key (with Kate Elliott and Jennifer Roberson); and 1994 and 1997 saw the release of the first two novels of the Exiles trilogy. Rawn practically had her own shelf on every bookstore in North America — nine fat fantasy novels, all still in print.

And then… nothing. Her last publication of the 90s was a short story in A Magic-Lover’s Treasury of the Fantastic in 1998. The Captal’s Tower, the final novel in the Exiles trilogy, has been listed as “forthcoming” since 1997.

She emerged from nearly a decade of silence in 2006, breaking away from epic fantasy with Spellbinder, a modern urban fantasy of the territorial disputes and sex lives of Manhattan witches. In a note in that book, Rawn spoke of battling clinical depression and the need to move on to other projects to help her recovery. The sequel Fire Raiser arrived in 2009.

Last year she returned to epic fantasy for the first time in nearly 15 years with The Diviner, a prequel to The Golden Key:

The only survivor of royal treachery that eliminates his entire family, Azzad al-Ma’aliq flees to the desert and dedicates himself to vengeance. With the help of the Shagara, a nomadic tribe of powerful magicians, he will finally be able to take his revenge — but at what cost?

The Diviner was released in paperback by DAW books on August 7th. It is 438 pages, and priced at $7.99 for both the digital and print versions.

I somehow managed to overlook Ian Tregillis’s debut novel, Bitter Seeds, and that situation might not have changed if I hadn’t accidentally stumbled into his reading at the World Science Fiction convention.

In front of a packed audience, Ian spun a tale of Nazi supermen, the warlocks of Britain, and a desperate battle to prevent the twisted psychics of Germany from winning World War II in a supernatural alternate history. I heard less than a minute of his summary of the second novel, but it was more than enough to grab my attention. I got my hands on the first volume, just released in paperback, as soon as I could.

It’s 1939. The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in between.

Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.

When the Nazis start running missions with people who have unnatural abilities — a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present — Marsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.

Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, Bitter Seeds by Ian Tregillis is a tale of a twentieth century like ours and also profoundly different.

Bitter Seeds was published by Tor Books on April 24, 2012. It is 467 pages for $7.99 in both paperback and digital format. The Coldest War, the sequel and second volume in what’s now being called The Milkweed Triptych, was published in hardcover on July 17, 2012.

See all of our recent New Treasures selections here.

Some time, I dunno, about four years ago, I saw the cover for The Return of the Sorcerer: The Best of Clark Ashton Smith online, and I knew I had to have it.

Maybe it was the cool cover. Maybe it was the Gene Wolfe cover blurb. I can’t say. But I wanted it. Real bad.

Of course, it wasn’t published yet. So I had to wait. I added it to my Amazon cart, where it sat. For months. The publication date changed a few times, and then Amazon slapped it with one of those “Currently Unavailable” warnings that are code for “We have no clue when it’s going to ship, dude.”

So I reluctantly took it out of my cart. But I still kept an eye out in bookstores. For years. It was a long, lonely vigil, like Penelope waiting for Odysseus. Exactly like that, now that I think about it.

There were false reports from time to time. Private sellers listed it on Amazon, but when I queried them they admitted it was “available for pre-order.” Bastards. Our own Brian Murphy, usually rock-solid reliable, even wrote a detailed review in July of 2010, the poor deluded fool. It’s sad what deadline pressure can do, I know. When I have to, I make up books to review too, I’m not throwing stones.

Then today I saw it listed for sale by the Book of the Month club. Yes, the Book of the Month club. That’s just weird. They don’t sell books that don’t exist, usually.

So I dug a little further. I discovered, to my astonishment, that Amazon.com had it listed. So did Barnes & Noble. Apparently it came out in 2010.

Excuse me? 2010?? How the hell did it get past me? I had, like, a dragnet the size of Rhode Island out for this book. I’m usually pretty plugged in to the publishing industry. Really. I’m connected, man. It hurts that this book managed to get past me. For two years.

I blame the publisher, because they’re small and I can pick on them. Prime Books, you owe me an apology. And maybe a cinnamon danish.

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