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Publishers Weekly Selects the Best Science Fiction and Fantasy Novels of 2016

Publishers Weekly Selects the Best Science Fiction and Fantasy Novels of 2016

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Publishers Weekly is pretty darned discerning in their list of the very best SF/Fantasy/Horror of 2016. Where the Amazon list is fairly comprehensive (20 titles) and B&N splits theirs up into three separate lists — SF & Fantasy novels, Horror, and Anthologies & Collections — PW has a single list for all the categories, and only six novels manage to make the cut.

Nonetheless, they do manage to highlight some terrific titles neglected by other lists, such as Fredric Durbin’s latest novel A Green and Ancient Light (Saga Press, June). Here’s what they say.

In a deliberately blurred time and place, a young boy sent to live with his grandmother while his father is at war finds solace in her splendid garden and the magical woods. Things take a turn for the strange and complicated when they provide help and shelter to an injured enemy soldier. Durbin works true magic with understated, gripping narration and a heartstopping emphasis on love and compassion.

Their list also includes Meg Elison’s The Book of the Unnamed Midwife (47North, October), which won the Philip K. Dick Award last year in its original small press edition.

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Andrew Liptak Selects the Best Science Fiction and Fantasy Novels of 2016

Andrew Liptak Selects the Best Science Fiction and Fantasy Novels of 2016

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Andrew Liptak, the weekend editor at The Verge, has produced his own list of The 11 Best Science Fiction and Fantasy Novels of 2016, and it’s a very fine list indeed — solidifying the consensus around some of the strongest titles of 2016 (Charlie Jane Anders’ All the Birds in the Sky, N.K. Jemisin’s The Obelisk Gate, sequel to her Hugo Award winning The Fifth Season), and adding several overlooked titles to the discussion (Ken Liu’s The Wall of Storms, Ben H. Winters’ Underground Airlines, and one that’s not even a novel — Ann and Jeff Vandermeer’s Big Book of Science Fiction, one of my favorite books of the year).

Andrew’s list also makes fine reading for those, like me, who delight in the subtle art of the plot summary. Here he is on Malka Older’s Infomocracy (Tor.com, June).

In a year with a contentious election, it would seem that reading a book about a futuristic election might be a bit much. That’s not the case with Malka Older’s Infomocracy. Set in the indeterminate future, the world is divided into small districts, and the party that controls the most districts controls policy for the entire planet. Infomocracy is a intellectually stimulating thriller that follows a handful of characters who work for various political parties and election systems. The story hinges on how a voting public receives and interprets information — and how parties manipulate that perception. It’s a book that’s all too relevant in 2016.

Here’s his summary for Allen Steele’s Arkwright (Tor Books, March).

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Barnes & Noble Sci-Fi & Fantasy Blog Selects the Best Horror Books of 2016

Barnes & Noble Sci-Fi & Fantasy Blog Selects the Best Horror Books of 2016

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Another reason I love the B&N Sci-Fi and Fantasy Blog is that they don’t settle for one measly Best of the Year list. Oh no. They have three — Best Novels, Best Collections and Anthologies, and Best Horror. It’s almost as if they love lists as much as I do.

Their Best Horror of 2016, selected by their editors and captured by Sam Reader, includes books by Stephen Graham Jones, Paul Tremblay, Jason Arnopp, Joe Hill, Nick Mamatas, Christopher Buehlman, and many more. They don’t slouch on the evocative descriptions, either. Here’s their take on Mr. Splitfoot by Samantha Hunt (Houghton Mifflin Harcourt, January).

By now, those who follow the horror articles here have heard of this book at least three times. If that’s not a recommendation enough, consider this a last appeal. A lyrical, dark, and haunting work, Mr. Splitfoot travels the darker sections of Appalachian New York, mixing fundamentalist cults, foreboding woods, ghost stories, and psychic phenomena fraudulent and otherwise to tell the story of two women bound by family and an event in the past. If that doesn’t sell it for you, then understand we’re not alone in our adulation: the book has drawn comparisons to Kelly Link and Aimee Bender, good company to be in if your aim is lyrical horror with strong elements of the weird.

And The Brotherhood of the Wheel, by R.S. Belcher (Tor Books, March).

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Kirkus Selects the Best Science Fiction and Fantasy of 2016

Kirkus Selects the Best Science Fiction and Fantasy of 2016

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We continue our tour through the more reputable Best of the Year lists. Today’s stop: Kirkus Reviews, with their slideshow celebrating the Best Science Fiction and Fantasy of 2016.

This is a much more selective list than most (a scant 10 titles), but it’s still a nice mix of repeats from other lists, and fresh names. It includes books by Charlie Jane Anders, Cixin Liu, Malka Older, Michael Swanwick, Brian Staveley, Yoss, and N.K. Jemisin. It calls out excellent titles such as Peter Hamilton’s latest Commonwealth novel A Night Without Stars (Del Rey, September).

Hamilton’s latest (a relatively slender 704 pages) brings to a furious boil the two-book saga (The Abyss Beyond Dreams, 2014) describing human colony planet Bienvenido’s unremitting battle against the hostile alien Fallers. Read full book review

And Patricia A. McKillip’s Kingfisher (Ace, February)

A delicately wrought, twinkle-eyed fantasy from the accomplished author of The Bards of Bone Plain (2010, etc). Read full book review

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Barnes & Noble Sci-Fi & Fantasy Blog Selects the Best Collections and Anthologies of 2016

Barnes & Noble Sci-Fi & Fantasy Blog Selects the Best Collections and Anthologies of 2016

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One of the reasons I love the B&N Sci-Fi and Fantasy Blog? Because they split up their Best of the Year selections into multiple lists. Why would anyone do that? To cram in more books! Duh.

Their second such list this year is The Best Science Fiction & Fantasy Collections and Anthologies of 2016, selected by their editors and jotted down for us by Joel Cunningham. It includes books by Ken Liu, Patricia A. McKillip, Joe Abercrombie, Brandon Sanderson, Greg Bear, Eleanor Arnason, Gardner Dozois, Michael Swanwick, and many more. Titles such as Slipping: Stories, Essays, and Other Writing, by Lauren Beukes (Tachyon Publications, November).

In two lean, lethal sci-fi novels and two murderous, fantasy-tinged mainstream thrillers, Lauren Beukes has become one of the most exciting voices in genre writing to emerge over the last decade. Now, she’s released her first collection of short fiction, she brings the same verve for black humor, sharp satire, and mind-altering tech to stories of living artwork attacking Tokyo, corporate raids on other worlds, tears that mysteriously fall upward, and near-future marketing schemes in which brand loyalty becomes entirely literal. Standout stories: “Unathi Battles the Black Hairballs,” “Ghost Girl”

And there’s a fine shout-out for A Natural History of Hell (Small Beer Press, July), by Black Gate author Jeffrey Ford.

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Amazon Selects the Best Books of 2016

Amazon Selects the Best Books of 2016

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Tomorrow is New Year’s Eve, which means it’s time to get hopping on all those Year’s Best lists I promised myself I’d cover. Wednesday we reported on Barnes & Noble’s Sci-Fi & Fantasy Blog list, which means I should probably give equal time to Amazon today.

Their list pointed me towards some acclaimed fantasy that I’ve clearly overlooked, such as the first novel in Roshani Chokshi’s new Star-Touched Queen (April, St. Martin’s Griffin) series. In fact, it’s got lots of titles that B&N doesn’t mention — including a few I’ve never even heard of, like Sean Danker’s Admiral (May, Roc), the opening book in a brand new SF series (read Chapter One at Tor.com), and Lindsay Buroker’s Star Nomad (May, CreateSpace), a self-published novel about an interstellar alliance that topples before a tyrannical empire. Although Amazon’s editors did choose as their top pick Charlie Jane Anders debut novel All the Birds in the Sky (January, Tor), which has shown up on numerous Best of the Year lists so far.

In fact, I was rather surprised at the books which appear on both lists. They weren’t the big titles from major names that I might have expected. Here’s a complete list of the four novels that appear on both the B&N and Amazon lists as the best SF and fantasy novels of the year, as selected by the editorial staff of both companies.

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The Library of America Publishes Elmore Leonard — Again

The Library of America Publishes Elmore Leonard — Again

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Back in January I dashed off a brief New Treasures article titled The Library of America Publishes Elmore Leonard, in which I highlighted the first two volumes of The Library of America’s omnibus editions of Leonard, Four Novels of the 1970s and Four Novels of he 1980s.

Despite the fact that Leonard never wrote a single SF or fantasy novel (and we’re very much a fantasy blog), it became one of the most popular New Treasures articles I’ve ever written — and in fact, it still outperforms half of the New Treasures articles I write every month. Elmore Leonard is a popular writer in any genre.

So I could hardly ignore the third and final volume in the set, Elmore Leonard: Four Later Novels. Like the others it contains four full novels (Get Shorty, Rum Punch, Out of Sight, and Tishomingo Blues, published between 1990-2002). Here’s the description, which does a find job of summarizing each of Leonard’s freewheeling plots in a single sentence.

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The Very Opposite of a First Contact Novel: On Whetsday by Mark Sumner

The Very Opposite of a First Contact Novel: On Whetsday by Mark Sumner

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Mark Sumner produced some of the most acclaimed fiction ever published in Black Gate. The Internet Review of Science Fiction called his story “Leather Doll” (from BG 7) “Absolutely riveting…. A masterpiece of contemporary science fiction,” and Tangent Online called his serialized novel The Naturalist (in BG 10, 11, and 13) “Absorbing and thoroughly enjoyable… it recalls the “lost world” tales of H. Rider Haggard and Sir Arthur Conan Doyle… Fraught with danger and excitement, and full of the mystery and color of a grand adventure.”

His newest book is On Whetsday, a far-future tale of a planet where the last remaining humans live in peaceful co-existence with an enigmatic alien race. Sharon Shinn calls it “The very opposite of a first contact novel… but just as exciting.” It was originally serialized at Daily Kos, where Mark has been a writer for several years. Here’s the enticing first paragraph.

On Whetsday, Denny danced at the spaceport. It was a good place to dance, if you didn’t mind the heat that boiled off the acres of asphalt or the noise of the rising shuttles. You could meet a dozen races in single morning: lithe little skynx, scarlet klickiks, and sluggish chugs with their curtains of eyes brushing the ground. Most of the passing visitors had never seen a human, and fewer still understood what Denny was doing. Dancing was a rare thing among the races of the galaxy. But they understood enough to toss shiny credit chips or small bits of scrip into the box by his feet. They understood begging. Begging was universal.

You can read the complete first chapter at Daily Kos here.

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Barnes & Noble Sci-Fi & Fantasy Blog Selects the Best Novels of 2016

Barnes & Noble Sci-Fi & Fantasy Blog Selects the Best Novels of 2016

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It’s the end of the year, the time when companies, magazines, and bloggers flood the airwaves with Year’s Best lists. Why do they bother? Because we love them! Lists, lists, lists. They’re the best.

One of my favorite genre sites, the Barnes & Noble Sci-Fi and Fantasy Blog, is out with their annual Editor’s Picks for the Best Science Fiction & Fantasy of 2016, including Cixin Liu’s Death’s End, N.K. Jemisin’s The Obelisk Gate, and a debut novel, Too Like the Lightning by Ada Palmer.

Palmer’s long-in-coming debut crafts a distinctly unique vision of a future world — a 25th century where technology has created abundance, where religion is outlawed but personal spirituality is encouraged, where criminals are sentenced to wander the world making themselves useful. It’s an imagined outcome rooted in threads visible all around us even today. The story involves an unlikely meeting between a convict serving a family named Mycroft Canner; a “sensayer,” or spiritual guide, named Carlyle Foster; and Bridger, a young boy who seems to possess the power to make his every wish come true — a power that could completely destabilize a world that is the very definition of stability. With lush prose that recreates the feel of a period novel, this is one of the year’s most striking debuts. Read our review..

The list also includes several novels we’ve recently covered at Black Gate. Here’s a partial list.

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A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave

A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave

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This week’s Tale of Two Covers looks at two very similar covers, released a month apart late this year. (Click the images above for bigger versions.)

The first is Crow Shine, published by the Australian independent publisher Ticonderoga Publications on November 11, 2016. Crow Shine is the debut horror collection from Australian dark fantasy writer Alan Baxter, and it gathers stories from F&SF, Beneath Ceaseless Skies, Postscripts, and multiple anthologies. You can read more about it at the Ticonderoga website, but unfortunately it doesn’t identity the cover artist.

The second is The Bone Cave, published in paperback yesterday by Harper Voyager Impulse. It’s the third volume in Sarah Remy’s Bone Magic series, following Stonehill Downs (2014) and Across the Long Sea (2015). See all the details at the publisher’s website here. Like Crow Shine, the cover artist is uncredited.

While both books clearly make use of the same base image, there are also interesting design differences. Note the lamp affixed to the rock in the cover on the left (missing on the right), and the skull at the base of the rock on the right. They’ve also gone with different color schemes — Crow Shine is a pale white, almost green, and The Bone Cave has colored the entire background red.

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