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The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

Why I Stopped Reading Granta

Why I Stopped Reading Granta

granta-117-smallI used to subscribe to Granta when I was in grad school. It’s a literary magazine published in the UK, originally produced by students at Cambridge University (where it offered early work by Ted Hughes, A. A. Milne, Sylvia Plath, and many others). It was relaunched as a wider journal of “New Writing” in 1979; since then it’s published work by Mario Vargas Llosa, Richard Ford, Saul Bellow, Salman Rushdie, Ian McEwan, Gabriel García Márquez, and lots more.

But while Granta showcased some terrific writing — when it wasn’t focused on an odd mix of memoir and photojournalism — too often the fiction left me cold. On their website the editorial team writes convincingly of their “belief in the power and urgency of the story, both in fiction and non-fiction, and the story’s supreme ability to describe, illuminate and make real.” But what I frequently read in Granta weren’t so much stories as brief literary fireworks: dazzling to watch, but ultimately empty. For someone looking for love in the crowded literary scene, Granta seemed a bit too smitten with beauty and a bit too scornful of personality.

So I let my subscription lapse. But I did pick up the odd issue now and then. Not because of all that beauty or anything. Just, you know, for the articles.

Granta’s changed management a few times since we hung out together in grad school. The owner of The New York Review of Books took a controlling stake in 1994; in 2005 it changed hands again. I’ve lost track of how many editors it’s had over the same period. But it still does themed issues, and not very predictable themes, either. Granta #69 was The Assassin issue, and #74, Summer 2001, was Confessions of a Middle-Aged Ecstasy Eater (“Perhaps no truth is more momentous, as none more difficult to face, than the blackest, most abject one about oneself. My son supplies me with drugs, with Ecstasy.”)

In tune with that unpredictability, the theme of last year’s Autumn issue was Horror. This was intriguing enough for me to buy a copy, just to see what happened when Granta wandered into my neighborhood. The issue has an impressive table of contents, featuring original fiction by Don DeLillo, Sarah Hall, Rajesh Parameswaran, and Stephen King, and others. Of course there’s also the usual mix of non-fiction, from Will Self, Paul Auster, and Santiago Roncagliolo, among others.

And as a perfect metaphor for this awkward meeting of literature and genre, Mark Doty’s memoir-slash-essay “Insatiable” opens with the odd assertion, from a 2003 Walt Whitman bio, that “Bram Stoker based the character of Dracula on Walt Whitman.”

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Hawkmoon Gets Some Respect With Tor Reprints

Hawkmoon Gets Some Respect With Tor Reprints

the-sword-of-the-dawn-smallIt’s good to see Michael Moorcock back in print in attractive accessible editions again. Thirty years ago the man ruled the paperback shelves with numerous titles in print, including half a dozen Elric novels, the Chronicles of Corum, the Jerry Cornelius books… and of course, Hawkmoon.

Moorcock is still in print, of course — but chiefly in expensive omnibus editions these days. You can’t ride your bike down to the corner store, spot a slender Moorcock paperback on the rack with a glorious Michael Whelan cover, shell out 95 cents, and cram that baby into your back pocket like you used to. (And if you can, listen to an old man and take that Hershey’s bar out of your pocket first. Trust me, you’ll thank me later.)

Anyway, my point is, those fat hardcover editions are great for cranky old collectors like me. But they don’t do much to introduce the man whom Michael Chabon called “The greatest writer of post-Tolkien British fantasy” to a new generation. Michael Moorcock deserves to be celebrated with permanent editions of his work, sure. But he should also be available in cheap paperbacks that teenagers can fold in half while they’re reading, mesmerized, on the back of the bus.

The era of the cheap paperback is over. But Tor did the next best thing two years ago, releasing all four Hawkmoon novels — The Jewel in the Skull, The Mad God’s Amulet, The Sword of the Dawn, and The Runestaff — in slender trade paperbacks with gorgeous new covers by Vance Kovacs. Now that all four have been remaindered (selling at Amazon for between $5.60 and $6.00 each, while supplies last), I took the opportunity to buy a complete set.

Collectively known as The History of the Runestaff, the novels follow the adventures of Dorian Hawkmoon — an aspect of Moorcock’s Eternal Champion — on a post-holocaust Earth as he travels a world of antique cities, scientific sorcery, and crystalline machines and is inexorably pulled into a war against the ruthless armies of Granbretan. Here’s the description for the first novel, The Jewel in the Skull:

Dorian Hawkmoon, the last Duke of Koln, swore to destroy the Dark Empire of Granbretan. But after his defeat and capture at the hands of the vast forces of the Empire. Hawkmoon becomes a puppet co-opted by his arch nemesis to infiltrate the last stronghold of rebellion against Granbretan, the small but powerful city of Kamarang. He’s been implanted with a black jewel, through whose power the Dark Empire can control his every decision. But in the city of Kamarang, Hawkmoon discovers the power inside him to overcome any control, and his vengeance against the Dark Empire is filled with an unrelenting fury.

The Hawkmoon novels were originally written between 1967 and 1969; the Tor reprints were published between January and December of 2010. Roughly 200 – 220 pages each, their original cover price was $14 – $15; they are currently much less. Move quickly if you want copies; they are selling fast.

Amanda Palmer’s Kickstarter Scandal (and New Album)

Amanda Palmer’s Kickstarter Scandal (and New Album)

amanda-palmer-kickstarter-smallMusician Amanda Palmer has been a favorite of fantasy fans since her days with the Dresden Dolls. Her first solo album, Who Killed Amanda Palmer? (a loose homage to “Who Killed Laura Palmer?”, the famous line from cult TV show Twin Peaks), generated a companion photo book with text by Neil Gaiman and pictures by SF photographer Kyle Cassidy. I first heard about it from Kyle when he came to Chicago to add to his “Where I Write” project, photographing SF and fantasy writers in their writing caves (and taking a pic of me in my big green chair.)

Palmer’s 2011 wedding to Gaiman cemented her status as genre royalty. But true fame had to wait until May of this year, and it arrived in the form of a legendary Kickstarter campaign. Seeking $100,000 to fund her new album and tour, Palmer raised closer to $1.2 million, winning the title Queen of Kickstarter from MTV and numerous news outlets in the process.

Palmer’s new album, Theatre of Evil, arrived a few weeks ago. But its success has been overshadowed by a growing controversy surrounding hiring opening acts for her tour. Here’s what The New Yorker said yesterday, under the headline “AMANDA PALMER’S ACCIDENTAL EXPERIMENT WITH REAL COMMUNISM”:

Amanda Palmer, the singer who raised a spectacular sum on Kickstarter to fund her new album and then neglected to pay the musicians who toured with her, is the Internet’s villain of the month… Album in hand, Palmer prepared to tour. She advertised for local horn and string players to help out at each stop along the way: “join us for a couple tunes,” as the post on her Web site had it. Even better, “basically, you get to BE the opening ACT!”

Just one thing, local musicians. There would be none of this million-plus dollars available for you. Supposedly, Palmer had spent it all on producing her album… She promised instead to “feed you beer, hug/high-five you up and down (pick your poison), give you merch, and thank you mightily.” This is a compensation package which, honestly, might be worse than nothing. Depends on the beer.

Cue furor, via the usual music, snark, and music-and-snark Web sites. Palmer has since renounced her hornsploitation scheme and will pay the band, but the outrage remains.

The story has been picked up by The New York Times (“Rockers Playing for Beer: Fair Play?”), Digital Trends (“Kickstarter queen Amanda Palmer, meet your Internet backlash”), Gawker, (“Amanda Palmer’s Million-Dollar Music Project and Kickstarter’s Accountability Problem,” accompanied by a graphic showing Palmer grabbing bags of money), and other news outlets. She’s been called out on Twitter multiple times by musicians unions, and American Federation of Musicians President Raymond M. Hair Jr. told the New York Times, “If there’s a need for the musician to be on the stage, then there ought to be compensation for it.” As The New Yorker noted, Palmer has since relented and agreed to pay the opening acts, but so far the furor shows no sign of dying down.

Vintage Treasures: Tales of Time and Space

Vintage Treasures: Tales of Time and Space

tales-of-time-and-spaceI saw this little beauty sitting on the Starfarer’s Despatch booth less than 60 seconds after entering the Worldcon Dealer’s Room. The Dealer’s Room wasn’t even open yet, but Rich and Arin were kind enough to take my five bucks anyway. Bless ’em.

I love old science fiction anthologies. I just have to have ’em. I can tell this one is old because the Copyright Date is in Roman numerals. MCMLXIX. Let’s see… that’s 19… uh.. what’s LX again?… wait… 1969! Whew. Man, that took forever. No wonder the damn Roman Empire collapsed.

Tales of Time and Space is edited by Ross R. Olney. Never heard of him. Never heard of the publisher either: Golden Press. This has kid’s book stamped all over it. 1969, huh? (Excuse me, MCMLXIX. Probably everyone spoke in Roman numerals back then. Bet that made exchanging phone numbers a bitch. “Yeah, I love vegetarian food too. Give me a ring and I’ll take you to my favorite restaurant. I’m at XIIVIIIIVIIIIVIIIIVI.”)

Likely this was something done for the school library market. Except the table of contents sure looks like a real SF anthology:

  • “Puppet Show,” Fredric Brown
  • “Birds of a Feather,” Robert Silverberg
  • “Clutch of Morpheus,” Larry Sternig
  • “The Last Command,” Keith Laumer
  • “Fog,” William Campbell Gault
  • “The Martian Crown Jewels,” Poul Anderson
  • “Of Missing Persons,” Jack Finney

Okay, I don’t know who William Campbell Gault is, but those other guys are heavy hitters. Keith Laumer’s “The Last Command” is one of my favorite Bolo tales, the one where a bunch of construction workers building a highway on a world where the last war is a distant memory awaken a dormant Bolo and it begins grinding its way to the surface, terrorizing the entire city in the process. And Poul Anderson’s “The Martian Crown Jewels” is a great slice of 50s space opera, from the April 1959 issue of The Magazine of Fantasy and Science Fiction.

Tales of Time and Space was published in MCMLXIX by Golden Press. It is 212 pages in oversized trade paperback, and the original cover price was 95 cents. The stories are illustrated with occasional line drawings by Harvey Kidder, and the groovy cover is by Tom Nachreiner.

September/October Fantasy & Science Fiction Magazine now on Sale

September/October Fantasy & Science Fiction Magazine now on Sale

fantasy-and-science-fiction-sept-oct-2012Andy Duncan gets the cover this issue for “Close Encounters,” a rural tale of alien abduction. Here’s what Lois Tilton says about it in her review at Locus Online:

Old Buck Nelson claims he doesn’t want to be bothered by reporters, even pretty girl reporters, sniffing around after the stories he used to tell about the alien who took him up to Mars and Venus and the dog he brought back with him. No one cares anymore, no one believes him. But now they’re making a movie and people are interested…

A really strong character, a narrative voice with strong authenticity, a strongly-realized setting. And a perfect ending to it all – RECOMMENDED.

Here’s the complete Table of Contents:

NOVELETS

  • “Close Encounters” – Andy Duncan
  • “The Sheriff”  – Chet Arthur
  • “12:03 P.M.” – Richard A. Lupoff
  • “The Goddess” – Albert E. Cowdrey
  • “Arc” – Ken Liu
  • “Troll Blood” – Peter Dickinson

SHORT STORIES

  • “Give Up” – Richard Butner
  • “A Diary from Deimos” – Michael Alexander
  • “Where the Summer Dwells” – Lynda E. Rucker
  • “Theobroma Valentine” – Rand B. Lee

POEMS

  • “Contact – Sophie M. White

The cover price is $7.50, for a generous 258 pages. Additional free content at the F&SF website includes book and film reviews by Charles de Lint, Chris Moriarty, and Kathi Maio; Paul Di Filippo’s Plumage From Pegasus column, “Call Me Ishmael”; and the “Curiosities” column by Chris De Vito. Cover artist this issue is Kent Bash. We last covered F&SF here with the July/August issue.

The Top 40 Black Gate Posts in August

The Top 40 Black Gate Posts in August

fifty-shades-of-greyAugust was a busy month here at the Black Gate rooftop headquarters. Theo Beale observed that 50 Shades of Grey, “according to its description it is little more than John Norman’s Gor brought back to Earth, minus the sword battles and the awesome tarn birds.” Brian Murphy reported on the debate surrounding breaking The Hobbit into three films, and Andrew Zimmerman Jones, live at the scene for the Dungeons & Dragons Next keynote at GenCon 2012, checked in with all the details.

I covered the controversy at Weird Tales magazine as the editorial team abruptly aborted plans to publish an excerpt of Victoria Foyt’s Saving the Pearls: Revealing Eden, and Scott Taylor brought us several more installments of his popular Art of the Genre column. Howard Andrew Jones explored the pleasures of the classic Jungle Stories pulp, and C.S.E. Cooney reviewed William Alexander’s novel Goblin Secrets. And that’s just a sample of the Top 10 articles.

Missed any of the news and updates when they were hot off the press? Not to worry — here’s your chance to catch up. What follows are the 40 most popular articles on the Black Gate blog in August. Don’t thank us, it’s our job.

  1. 50 shades of Paedo?
  2. Weird-Tales Pulls Novel Excerpt Following Fan Uproar
  3. Category: New Treasures
  4. Three Hobbit films for the LOTR fans =Trouble
  5. GenCon 2012: Dungeons & Dragons Next keynote Liveblog
  6. Vintage Treasures: The Barbarians Anthology Series
  7. Art of the Genre: The Art of Steampunk Couture
  8. Art of the Genre: When Music and Gaming mix
  9. Escape to the Jungle
  10. Goblin Secrets: A Review
  11. A Brick-and-Mortar bookstore score
  12. The thrill of the Unexpected: Why I Edit Clockwork Phoenix
  13. Black Gate Goes to the Summer Movies: Total Recall 2012
  14. Black Gate Goes to the Summer Movies: The Bourne Legacy
  15. Solomon Kane Crosses the Atlantic to U.S. Movie Theaters in September
  16. Category: Comics
  17. Read More Read More

Black Gate to Publish Online Fiction Starting Sunday, September 30

Black Gate to Publish Online Fiction Starting Sunday, September 30

black-gate-4-smallWe are very pleased to announce that Black Gate magazine, your home for the finest in adventure fantasy, will begin publishing original online fiction starting Sunday, September 30.

Holy crap, that’s tomorrow.

Wow. Uh, well, into the breach. Best way to do this is to jump right in, and figure it out as we go.

New fiction will be published right here on our website every Sunday, starting tomorrow. Here’s what’s coming in the next two months:

  • “The Duelist,” by Jason Thummel
  • “The Quintessence of Absence,” by Sean McLachlan
  • “The Daughter’s Dowry,” by Aaron Bradford Starr
  • “A Phoenix in Darkness,” by Donald S. Crankshaw
  • Novel excerpt: Queen of Thorns, by Dave Gross
  • “Godmother Lizard,” by C.S.E. Cooney
  • “The Poison Well” by Judith Berman
  • Novel excerpt: Bones of the Old Ones, by Howard Andrew Jones
  • Novel excerpt: The Black Fire Concerto, by Mike Allen

What can you expect from online fiction at Black Gate? We will be presenting original fiction from some of our most popular contributors, as well as exciting new authors and many of the best writers in the industry. All stories are presented completely free of charge.

We will be offering fiction at all lengths, including short stories, novellas, and novel excerpts. It’s just like reading an issue of Black Gate, except you can do it from the comfort of your couch. Or that uncomfortable chair in front of the computer, whatever.

Join us tomorrow as Jason Thummel brings us a riveting tale of a talented swordsman who finds himself caught up in a web of deceit and far-reaching ambition in a fast-paced tale of action in a violent city, “The Duelist.”

Vintage Treasures: Into the Aether, by Richard A. Lupoff

Vintage Treasures: Into the Aether, by Richard A. Lupoff

into-the-aetherWhew. What a week. About two hours ago I returned from Canada, where my family celebrated my mother’s 75th birthday on the shores of Lake Huron. It was great to see everyone again, even if it did mean sixteen hours of driving — and writing my last few blog articles in advance, so I could schedule them for publication while I was on the road.

Now that I’m back, I’m pretty tuckered. All I want to do is curl up next to a window, watch the wind and the rain, and read a good book. I’m not up to any of the imposing fat fantasies that pass for novels these days, and as I made a pass through my library, my hand alighted on a slender paperback from 1974 with an enticing Frazetta cover: Richard A. Lupoff’s Into the Aether.

Subtitled “Being the Adventures of Professor Thintwhistle and His Incredible Aether Flyer on the Moon,” it looks like just the kind of fantasy romp I need tonight. Here’s the enticing text on the back cover:

When the ‘Chester A. Arthur’, the world’s first and only coal/steam/paddlewheel-propelled spaceship rose into the skies over Buffalo Falls, Pa., who would have expected what followed?

Will Professor Thintwhistle and his crew be able to return to earth? Will Miss Taphammer ever find them? Will Jefferson Jackson Clay’s foul plot succeed? And what of the King of the Cats?

Find the answers to these and more thrilling questions in Into the Aether.

Richard A. Lupoff was fairly respected among my circle of discerning science fiction readers when I first purchased it, lo those many decades ago. His most popular novel was probably Sandworld, featuring as it did a desert planet and alien vampires, but his sword & sorcery epic Sword of the Demon was also highly regarded. I’ve never had a chance to read Into the Aether though, and it sounds like a lot of fun.

One of the definite rewards of having a library is that no purchase is ever truly wasted. I’m not sure precisely how long this book has been patiently waiting on my shelves, but for the next few hours I expect to be happily transported back to 1974. And from there, on to the moon.

Into the Aether was published in January 1974 by Dell. It is 220 pages in paperback, with an original cover price of 95 cents.

Boxed Set of the Year: American Science Fiction: Nine Classic Novels of the 1950s, edited by Gary K. Wolfe

Boxed Set of the Year: American Science Fiction: Nine Classic Novels of the 1950s, edited by Gary K. Wolfe

american-science-fictionWe’re lucky enough to receive a lot of review books here at the Black Gate rooftop headquarters. Having the latest fantasy and SF novels arrive at our door before they’re available in stores never gets old, let me tell you.

Of course, cataloging them all and dropping them in the mail for our trusted circle of reviewers gets a little routine after a while. But it’s worth it for those special titles that come in once or twice a month, the ones you drop everything to gawk at. I’ve been a blogger for 16 years, and a publisher and editor for over a decade, but at heart I’m still a fanboy. And every month there’s at least one new book that proves it.

And then there are those special items that come in once or twice a year that you know that you’re not going to bother cataloging or telling the reviewers about. Because you’re never going to part with it. Such a treasure arrived a few weeks ago.

I’m talking about American Science Fiction: Nine Classic Novels of the 1950s, a two-volume set published by The Library of America and edited by Gary K. Wolfe. If I were stranded on a desert island tomorrow, this is the one item I would bring. For one thing, it’s big enough to practically be a life raft.

But just don’t take my word for it. Here’s what Western Civilization’s finest Arbiter of Taste, the distinguished Mr. James Enge, had to say on Wednesday:

Wow. Fritz Leiber, Leigh Brackett, Pohl & Kornbluth, Blish, Heinlein, Matheson, Bester, Sturgeon, and Burdys — all swept into the Library of America, and in appropriately lurid covers, too. Overdue, but somehow I never thought I’d see it.

Indeed. American Science Fiction: Nine Classic Novels of the 1950s is a gorgeous set of volumes collecting the most essential SF of perhaps the most important decade in the history of the genre.

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New Treasures: Cult Magazines: A to Z

New Treasures: Cult Magazines: A to Z

cult-magazine-atozYou get to meet a lot of great people at science fiction conventions. For some, the draw is the Featured Guests, and it’s certainly cool to meet Neil Gaimen, Pat Rothfuss, John Scalzi, Connie Willis, and other top-selling authors.

For me though, the true delights are in meeting exciting writers and artists I’m not always familiar with. A few years ago, as we were setting up our booth at Dragon*Con, author Rob Thurman, who had the booth next to us, wandered over and introduced herself. She turned out to be extremely cool and delightfully entertaining, and when I finally staggered home, bone weary from five days in Atlanta, I dropped into my big green chair with one of her Cal Leandros novels. If it hadn’t been for lucky booth placement, I might never have discovered what an entertaining writer she was.

The same thing happened at Worldcon in Chicago two weeks ago. During the rare slow moments in the Dealers’ Room, I was able to wander a bit and check out the nearby booths. I discovered to my surprise that we were next to Nonstop Press — publishers of Science Fiction: The 101 Best Novels 1985-2010, The Collected Stories of Carol Emshwiller, and Cult Magazines: A to Z.

Nonstop’s Emshwiller: Infinity x Two: The Art & Life of Ed & Carol Emshwiller, by Luis Ortiz, is one of my favorite art books. The distinguished Mr. Ortiz was in the booth, and I was able to introduce myself. He had several intriguing new titles on display and — keeping a wary eye on the empty Black Gate booth — I was able to peek at them.

My eye was drawn immediately to Outermost: Life + Art of Jack Gaughan, a beautiful 176-page hardcover packed with over 500 images, many familiar from countless Ace and DAW paperback covers of the 60s and 70s. Over lunch, Rich Horton had talked about Robert Silverberg’s captivating memoir of writing SF in the 50s, Other Spaces, Other Times: A Life Spent in the Future, and there it was. I couldn’t resist Damien Broderick & Paul Di Filippo’s entertaining Science Fiction: The 101 Best Novels – 1985-2010 either.

But the most fascinating book on the table, by a considerable margin, was Cult Magazines: A to Z, edited by Earl Kemp and Luis Ortiz, a gorgeous oversized softcover jam packed with articles and full-color pictures of hundreds of pulp, horror, science fiction, fantasy, comic, monster mags and men’s magazines published between 1925 and 1990.

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