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New Treasures: Black Rain by Matthew B.J. Delaney

New Treasures: Black Rain by Matthew B.J. Delaney

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Matthew B.J. Delaney’s first novel, Jinn, won the International Horror Guild Award. His latest is a near future science fiction thriller in which cures to terrible diseases are brokered on the Stock Exchange, and humanity has become dependent on a new race of synthetic slaves… slaves who are on the verge of revolt.

Read an except from Black Rain here, and see author Matthew B.J. Delaney describe the book in just 15 seconds on YouTube.

Black Rain was published by 47North on September 1, 2016. It is 373 pages, priced at $14.95 in trade paperback and $4.99 for the digital edition.

Rich Playboys, Mad Scientists, and Venusian Monsters: The Best of Stanley Weinbaum

Rich Playboys, Mad Scientists, and Venusian Monsters: The Best of Stanley Weinbaum

The Best of Stanley G WeinbaumA few short years ago, here at Black Gate, John O’Neill did several posts on Del Rey’s Classic Science Fiction series. Those posts were loving, nostalgic homages.

I have never been a huge sci-fi book fan. Fantasy and horror are more my thing. Yet, I found those posts really intriguing, especially the cool covers. I had read some of the stories of certain of these writers, but by and large John’s posts introduced me to most of these authors for the first time. After reading a couple, I was hooked and eventually tracked them all down through eBay and Abebooks.

As a newcomer to these books, and to many of these authors, I thought I would give a review of each. As with John’s original posts, I hope these reviews inspire some newer readers to seek out some of these older treasures, or at least to track down some other works by these authors.

Before reviewing our first volume, let’s get a little background on this series. The Internet Speculative Fiction Database (isfdb.org) refers to these books as Ballantine’s Classic Library of Science Fiction. However, I can’t find that designation on any of the books so I’ll simply refer to them as “Del Rey’s” (an imprint of Ballantine) “Classic Science Fiction” series, just like the covers say. This series began in the early seventies and continued to be published up through the eighties, sometimes with multiple printings of certain volumes. There were twenty-two books published in all.

Each book in this series was a collection of short stories highlighting a single author within the Del Rey publishing fold. According to John O’Neill, this was one way for Del Rey to promote the authors in their stable (especially de Camp, Eric Frank Russell, and others). That’s why there are no volumes dedicated to Asimov, Heinlein, Clarke, etc. None of those “big guns” were Del Rey authors. That’s not to say that there weren’t some heavy hitters in this series though. Writers like Philip K. Dick and Fritz Leiber, to name only two, have dedicated collections within.

I thought it might be best to go through this series in chronological order of publication. Each post will focus on one volume. My main goal is try to give some brief reviews of some of the stories within, at least those that struck me as the most enjoyable, but I’ll also give my overall impressions about the book, and writer, as a whole.

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Future Treasures: Year’s Best Weird Fiction, Volume 3, edited by Simon Strantzas and Michael Kelly

Future Treasures: Year’s Best Weird Fiction, Volume 3, edited by Simon Strantzas and Michael Kelly

years-best-weird-fiction-volume-3-smallMichael Kelly’s Year’s Best Weird Fiction has fast become one of my favorite Year’s Best series. Kelly is the editor of the acclaimed anthology series Shadows and Tall Trees, and every year he invites a guest editor to help select the finest strange and weird fiction from the last 12 months.

Laird Barron and Kathe Koja ably assisted with the first two volumes, and this year Simon Strantzas (Burnt Black Suns, Shadows Edge) bent his considerable editorial talents to the task. It arrives in hardcover and trade paperback from Undertow Books next month.

Showcasing the finest weird fiction from 2015, volume 3 of the Year’s Best Weird Fiction is our biggest and most ambitious volume to date.

Acclaimed editors Simon Strantzas and Michael Kelly bring their keen editorial sensibilities to the third volume of the Year’s Best Weird Fiction. The best weird stories of 2015 features work from Robert Aickman, Matthew M. Bartlett, Sadie Bruce, Nadia Bulkin, Ramsey Campbell, Brian Conn, Brian Evenson, L.S. Johnson, Rebecca Kuder, Tim Lebbon, Reggie Oliver, Lynda E. Rucker, Robert Shearman, Christopher Slatsky, D.P. Watt, Michael Wehunt, Marian Womack, Genevieve Valentine.

No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.

This series is perfect for those Black Gate readers who prefer dark fantasy, or who are looking for something just a little left of ordinary.

Here’s the complete Table of Contents.

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Phileas Fogg Finds Immortality

Phileas Fogg Finds Immortality

51dx9hyli-lchapbook-cover-jpegWhen Jules Verne created gentleman adventurer Phileas Fogg in his 1873 novel, Around the World in Eighty Days, he had no way of imagining the bizarre turn his character’s chronicles would take a century later. When Philip Jose Farmer added The Other Log of Phileas Fogg to his Wold Newton Family series in 1973, he had no way of imagining that four decades later there would exist a Wold Newton specialty publisher to continue the esoteric literary exploits of some of the last two centuries’ most fantastic characters.

Farmer’s concept, in a nutshell, is that Verne’s globetrotting adventure is part of a far larger extraterrestrial conflict between two powerful alien races, the Eridani and the Capellas. Phileas Fogg was raised by the Eridani it turns out and, in the course of Farmer’s work, we learn that Verne’s Captain Nemo (the anti-hero of his 1870 classic, Twenty Thousand Leagues Under the Sea and its 1874 sequel, The Mysterious Island) is not only a Capellan agent, but is also the same man known as Professor Moriarty in Sir Arthur Conan Doyle’s Sherlock Holmes mysteries.

Josh Reynolds was the first author to follow in Farmer’s footsteps in a substantial fashion when he authored two direct sequels to The Other Log of Phileas Fogg for Meteor House: 2014’s Phileas Fogg and the War of Shadows and 2016’s Phileas Fogg and the Heart of Osra. Both books are set in 1889 and see Phileas Fogg coming out of retirement as the extraterrestrial conflict between the Eridani and the Capellas reaches Earth once more. The second of these titles involves Ruritania, the fictitious country from Anthony Hope’s Ruritanian Romances trilogy that began with the famous 1894 novel, The Prisoner of Zenda.

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The Shadow over Innsmouth as a Generational Family Saga in Rural Alabama: Michael McDowell’s Blackwater

The Shadow over Innsmouth as a Generational Family Saga in Rural Alabama: Michael McDowell’s Blackwater

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Michael McDowell’s Blackwater was a paperback horror series originally published in six volumes by Avon in 1983. It’s a tough set to track down these days, but not impossible. For those wiling to settle for a modern edition, Amazon offers a complete omnibus Kindle volume for just $9.99 and, at the other end of the spectrum, Centipede Press produced a hardcover slipcased set of all six books in 2014 for $350.

I don’t own any of the original Avon paperbacks (although it’s certainly possible that one or two are buried somewhere in my basement). But my interest was piqued this week by a September 22 Facebook post by author Nathan Ballingrud:

I’m in the midst of reading Blackwater, by Michael McDowell. It is, you might say, as if The Shadow over Innsmouth was written as a generational family saga set in rural Alabama. It is strange, funny, warm, and frightening, and a true pleasure to read.

You gotta admit, as blurbs go, that one certainly gets your attention.

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The Mystery of New Dimensions 13

The Mystery of New Dimensions 13

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Robert Silverberg’s New Dimensions was one of the most celebrated anthology series of the 70s. It published an impressive amount of award-winning fiction, including R. A. Lafferty’s “Eurema’s Dam” (1973 Hugo), Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” (1974 Hugo), James Tiptree, Jr’s “The Girl Who Was Plugged In” (1974 Hugo), Suzy McKee Charnas “Unicorn Tapestry” (1981 Nebula), and many others.

New Dimensions 11 and 12 were co-edited with Marta Randall. The final volume, New Dimensions 13, was solely edited by Randall, and it boasted a dazzling range of writers, including Vonda McIntyre, Robert Silverberg, R.A. Lafferty, Lucius Shepard Michael Swanwick, Barry N. Malzberg, and many others. There’s just one problem with it, however: no finished copies are known to have survived. The entire print run was reportedly pulped, and the only copies that exist today were advance copies sent out to reviewers.

Why? That’s part of the mystery. Gunter Swain posted the cover above on Facebook today — the first image I’ve ever seen of the book. He reports the book “was published but was never distributed.” In the comments section, Marta Randall shed some light on the mystery.

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Feast Your Eyes on Robert McGinnis’ New Covers for Neil Gaiman’s Early Paperbacks

Feast Your Eyes on Robert McGinnis’ New Covers for Neil Gaiman’s Early Paperbacks

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I know I’m not the only one out there who’s purchased a new edition of a favorite book just because I loved the new cover.

And I’ll definitely be getting in line to pick up the new mass market paperback editions of Neil Gaiman’s American GodsNeverwhereAnansi Boys, and Stardust, all gorgeously rendered by famous paperback 50s artist Robert McGinnis, who’s now in his 90s but still doing brilliant work. Neil takes about how the new covers came about on his blog:

About a year ago, Jennifer Brehl and I were talking. Jennifer is my editor at William Morrow… I went off about how paperback covers used to be beautiful, and were painted, and told you so much. And how much I missed the covers of the ’50s and ’60s and ’70s, the ones I’d collected and bought back in the dawn of time. And somehow the conversation wound up with me asking if Harper Collins would publish a set of mass market paperbacks of my books with gloriously retro covers and Jennifer saying that yes, they would….

I sent a note to Jennifer asking if there was even the slightest possibility that Mr McGinnis would be interested in painting the covers for the paperback set we wanted to do. He said yes. I say that so blithely. But he has retired, pretty much, and he doesn’t have email, and it was only because the Morrow art director had worked with him, and he was intrigued by the commission… and ROBERT MCGINNIS SAID YES.

Neil has been talking about each cover in more detail on Tumblr. Check it out here.

The new mass market paperback edition of American Gods was published August 16, Stardust arrives on September 27, Anansi Boys on October 25, and Neverwhere on November 29. All four covers are painted by Robert E McGinnis, with lettering by Todd Klein. Click the images above for bigger versions.

New Treasures: The Tinker King by Tiffany Trent, Book II of The Unnaturalists

New Treasures: The Tinker King by Tiffany Trent, Book II of The Unnaturalists

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I discover a lot of great writers by attending readings, and that’s exactly how I found Tiffany Trent. I was at Wiscon — which has one of the most rewarding reading tracks of any convention in the country — back in 2012 , where one reader in particular really impressed me. Her writing was fresh and original, with a marvelously inventive world and a compelling and instantly likable main character. Here’s what I wrote at the time:

My favorite tale… was Tiffany Trent’s The Unnaturalists. Set in an alternate London where magical creatures are preserved in museums, The Unnaturalists follows plucky young Vespa Nyx, who is happily cataloging unnatural creatures in her father’s museum until she becomes involved in Syrus Reed’s attempts to free his Tinker family, who have been captured to be refinery slaves. Funny, fast-paced, and packed with lively characters, Tiffany Trent’s novel captured my attention immediately.

The Unnaturalists was published in hardcover in 2012, and the sequel, The Tinker King, arrived in 2014. Saga Press published the paperback edition of The Unnaturalists (above) in June of this year, and the paperback edition of The Tinker King followed on July 26. Both are available for $7.99 in print, and $6.99 in digital format. The covers are by Aaron Goodman (click for bigger versions).

The Print Version of the 7th Edition of Call of Cthulhu is Now Available

The Print Version of the 7th Edition of Call of Cthulhu is Now Available

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The Kickstarter for the long-awaited Seventh Edition of Call of Cthulhu, one of the greatest role playing games of all time, was one of the most successful crowdfunding campaigns in gaming history, pulling in over $560,000 on a $40,000 goal. The PDF versions were released back in 2014, but the promised print edition took a lot longer to arrive. But it is now here — officially announced on the website on August 26, and already offered for sale at various online outlets.

The 7th Edition, based on the original rules by Sandy Peterson and Lynn Willis, was significantly revised by Paul Fricker and Mike Mason. It weighs in at 448 pages in hardcover, with an eye-catching cover by Sam Lamont and some color interiors. A significant amount of supporting material is already available, including the Call of Cthulhu Keepers Screen, a hardcover Investigator Handbook, the S.Petersen’s Field Guide to Lovecraftian Horrors, and the first 7th Edition adventure collection, Nameless Horrors.

If you’re new to Call of Cthulhu, or just curious, great! CoC is one of the most innovative and creative role playing games ever made, and — almost uniquely in the industry — its supplements and adventures make great reading, even if you never have the chance to sit down at a table with fellow players. It was the first semi-contemporary RPG, and also the first to feature ordinary folks as protagonists. But don’t just take my word for it… here’s a dead-on quote from Ed Grabianowski’s io9 article, “Call Of Cthulhu Was The First Role-Playing Game To Drive People Insane.”

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Peadar and The Call: Behind the Scenes

Peadar and The Call: Behind the Scenes

the-call-peadar-oguilin-smallA few weeks ago I read, nay, inhaled Peadar O’Guilin’s The Call. Peadar and I are friends and fans of each other’s work, but I went into this one not having a clue about what it was. I knew the manuscript was YA, and had elements of horror.

What I discovered was a novel absolutely deserving of the hype it has received — a dystopian YA story about a fractured society, with heroic teenaged protagonists who are realistic AND don’t whine. There are moments of chilling otherworldly horror owing to the frequent presence of the fae folk, the force behind the terrible situation facing these Irish children. And there’s excellent pacing and characterization, and growth…

But this isn’t a review, it’s an interview. After devouring the novel I naturally had questions about how it was composed, and since I knew Peadar I asked him if I could take those questions and his answers public. I did my best to avoid spoilers, although there might be mild ones ahead.

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