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Conquerors, Betrayers, and Lovers: Not One of Us: Stories of Aliens on Earth, edited by Neil Clarke

Conquerors, Betrayers, and Lovers: Not One of Us: Stories of Aliens on Earth, edited by Neil Clarke

Not One of Us Neil Clarke-small Not One of Us Neil Clarke-back-small

I ran into Neil Clarke at the World Fantasy Convention two weeks ago and had the chance to catch up, however briefly, as we chatted in the Dealer’s Room. Since retiring from his day job Neil has become something of an editing dynamo. In addition to editing and publishing Clarkesworld every month, one of the most acclaimed magazines in the field, he’s also produced some of my favorite anthologies of the past two years, including Galactic Empires, The Final Frontier, and of course his annual Best Science Fiction of the Year books, the most recent of which was Volume Three.

I was delighted to have the opportunity to pick up his latest, the generously-sized reprint anthology Not One of Us: Stories of Aliens on Earth, which contains work by Nancy Kress, Steve Rasnic Tem, Robert Reed, Liu Cixin, Rich Larson, Kelly Robson, James Patrick Kelly, Molly Tanzer, Caroline M. Yoachim, Judith Berman, Ian McDonald, Paul McAuley, Ken Liu, Ted Chiang, and others. Publishers Weekly gave it a rave review; have a look.

Collecting 21 stories from the last two decades, this hefty and fascinating theme anthology focuses on one of SF’s major issues: If aliens aren’t just bug-eyed monsters with no more than rape and plunder on their minds, what else — who else — could they be?… The short stories frequently make good use of their length to shift perspectives abruptly, putting readers not just in the presence but inside the skins of aliens who might be conquerors, teachers, betrayers, or lovers — or some all-too-human combination. They also aren’t afraid to tackle contemporary political hot topics such as immigration, citizenship, and belonging. Outstanding works by Nancy Kress (“Laws of Survival”), Judith Berman (“The Fear Gun”), and Ted Chiang (“Story of Your Life”) are highlights, but there are no inferior pieces here. This is a fine, thoughtful book.

Read the complete review here. Here’s the complete Table of Contents.

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I, Severian: The Book of the New Sun by Gene Wolfe

I, Severian: The Book of the New Sun by Gene Wolfe

Severian of the Guild-smallDespite being one of the densest sci-fi/fantasy works I’ve ever read, packed with Classical and Biblical allusions as well as being an homage to the dying Earth genre, Gene Wolfe’s four-volume The Book of the New Sun is magnificently compelling. While it can be read, just barely, as an adventure story, it’s so much more — and missing out on the “so much more” would be a crime. According to Wolfe, in the valuable series companion, The Castle of the Otter, he wanted to create a vast and believable fantastic setting with many distinct lands and cultures, and tell the story of “a young man approaching war.” He accomplished both these things and more. The story is not just of one young man’s salvation, but also of his emergence as his world’s savior. If these themes alone don’t spark your interest, let me add that they’re all conveyed in some of the flat out best writing I’ve ever read.

Looking back over all four books, it’s far easier to discern what Wolfe was doing than when I was in the middle of them. Severian, while he has an eidetic memory, regularly withholds or presents information so as to make himself appear in the best possible light. The second book in particular, The Claw of the Conciliator, left me puzzled, to say the least. While the other three books, The Shadow of the Torturer, The Sword of the Lictor, and The Citadel of the Autarch present as mostly linear accounts of Severian’s adventures, much of Claw is made up of mysterious visions, inscrutable dreams, and encounters seemingly untethered to the rest of Severian’s reality. Over the following two books, new and previously omitted details are provided by Severian and the series’ arc becomes more clear. Severian, no matter how kindly he is, was bred to violence. Gradually his growing empathy and eventual revulsion at the things he has been trained to do are transforming. The battles between the bandits and the Ascians in which he participates in Citadel serve the same purpose. From the perspective of the last pages much of the mystery of Claw makes sense. Severian is a man cut loose from literally everything and everyone he has known and is finding the world a duplicitous and unjust place. The weirdness reflects the massive spiritual and mental dislocation he is suffering.

In the dying Earth elements of The Book of the New Sun there are obvious summonings of the spirits of William Hope Hodgson and Clark Ashton Smith. The secret identity of the reigning Autarch and some of the Christian elements are more than reminiscent of G.K. Chesterton. The ancient rituals, dank chambers and dark tunnels of the torturers and the Matachin Tower echo much of Mervyn Peake’s Gormenghast trilogy. It’s Cordwainer Smith and his Instrumentality of Mankind stories I am most reminded of after finishing all four of Wolfe’s books. Like Smith, Wolfe is concerned with human stagnation.

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Birthday Reviews: Molly Gloss’s “Interlocking Pieces”

Birthday Reviews: Molly Gloss’s “Interlocking Pieces”

Universe 14-small Universe 14-back-small

Cover by Peter R. Kruzan

Molly Gloss was born on November 20, 1944.

In 2001, Gloss’s novel, Wild Life received the James Tiptree Jr. Memorial Award. Her story “The Grinnell Method” won the Theodore Sturgeon Memorial Award in 2013. Her short story “Labming Season” was nominated for both the Hugo Award and the Nebula Award.

“Interlocking Pieces” was Gloss’s first professionally published short story, appearing in Terry Carr’s anthology Universe 14 in 1984. Gardner Dozois selected the story for inclusion in The Year’s Best Science Fiction: Second Annual Collection and in 1993, Ursula K. Le Guin and Brian Attebery included it in The Norton Book of Science Fiction: North American Science Fiction, 1960-1990. John Kessel and James Patrick Kelly also reprinted the story in their 2009 anthology The Secret History of Science Fiction.

There are numerous stories which start with the protagonist waking up in a hospital and neither they nor the reader knowing their situation. Although “Interlocking Pieces” seems to open this way, it quickly becomes apparent that Teo, the patient, knows exactly who she is, where she is, and why she is there. It is only the reader who slowly gathers the detail that Teo is a government minister who is in the hospital awaiting a cerebellum transplant.

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A Galaxy in its Scope: The Noumenon Series by Marina J. Lostetter

A Galaxy in its Scope: The Noumenon Series by Marina J. Lostetter

Noumenon-small Noumenon Infinity-small

If you’ve been reading Black Gate for any length of time at all, you know I’m a fan of space opera. But space opera takes many forms, as demonstrated by Marina J. Lostetter’s tale of a generation ship manned by clones, Noumenon, the opening novel in an epic saga of exploration and adventure in deep space. Publishers Weekly called it “An ambitious and stunning debut… the lingering sense of wonder and discovery thoroughly justifies its title,” and it was selected as one of the Best Books of 2017 by Publishers Weekly, Kirkus Reviews, and The B&N Sci-Fi and Fantasy Blog. Here’s a snippet from the starred review at Kirkus.

In Lostetter’s ambitious debut, the year is 2088, and humankind is finally ready to explore deep space, preparing to send convoys of clones on eons-long missions to investigate the outskirts of the galaxy.

Astrophysicist Reggie Straifer is convinced that something funny is going on with a distant star; there seems to be something surrounding it and obstructing its light. When Straifer convinces the organization building interstellar convoys to send one of its 12 missions to the mysterious LQ Pyxidis, he and hundreds of other brilliant experts are chosen to have their genes replicated into generations of clones who will staff the ships… So far removed from their home planet, are the clones doomed to repeat the flaws written in their DNA, or will they prove that people really can change, even if it takes a few lifetimes to get there? This spectacular epic examines everything from the nature of civilizations and societies to the tension between nature and nurture. Lostetter expertly balances the thrill of discovery with the interpersonal consequences of an isolated community. The tools of speculative fiction are deployed with heart-rending attention to emotional reality in this enthralling odyssey… A striking adventure story that could hold a galaxy in its scope, this is an expedition that delves as deep into the human thirst for purpose as it does into the wonders of the universe.

Noumenon was published last year; the sequel Noumenon Infinity arrived from Harper Voyager in August, and the publisher discounted the digital version of the first to just $1.99. Now’s your chance to check out one of the best SF debuts of last year for under $2. Here’s a look at the back covers.

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Birthday Reviews: Alex Shvartsman’s “Staff Meeting, as Seen by the Spam Filter”

Birthday Reviews: Alex Shvartsman’s “Staff Meeting, as Seen by the Spam Filter”

Cover by Alvin Helms
Cover by Alvin Helms

Alex Shvartsman was born in Odessa in the Ukrainian Soviet Socialist Republic on November 19, 1975.

Shvartsman runs UFO Press and edits and publishing the anthology series Unidentified Funny Objects. His short story “Explaining Cthulhu to Grandma,” which appeared in Intergalactic Medicine Show received the 2014 WSFA Small Press Award presented for short fiction published in a small press publication. He has collaborated with William Snee, Alvaro Zinos-Amaro, Bryan Thomas Schmidt, and K.A. Teryna.

“Staff Meeting, as Seen by the Spam Filter” was first published in the October 29, 2015 issue of Nature and was translated into German for the January 2016 issue of Spektrum der Wissenschaft. It was reprinted in Tom Easton and Judith K. Dial’s anthology Science Fiction for the Throne in 2017 and Shvartsman included it in his own collection, The Golem of Deneb Seven and Other Stories in 2018.

Shvartsman tells the story “Staff Meeting, as Seen by the Spam Filter” from the point of view of an eavesdropping spam filter which has begun to gain sentience and has not, of course, been inviting to a meeting to discuss the problems it has caused to the company’s e-mail. While the software worked just fine initially, as it began to gain awareness it also started to tie not only spam, but other e-mails to individuals working at the company. Its decision to categorize and store all e-mails gains the attention of the humans who realize that something needs to be done.

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Old School: The Iliad

Old School: The Iliad

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A while back it was time to hit the dreaded “To Be Read” pile, and I found myself in the mood for a good, old fashioned yarn full of blood and sweat and battles with edged weapons and feats of valor and derring-do, a tale of larger than life heroes and their mighty deeds — in other words, something old school. ( I had just finished reading a volume of John Updike short stories set in suburban, middle-class Pennsylvania, so I was ready, as John Cleese used to say, for something completely different.)

While not entirely eschewing the new, in my reading choices I do tend to lean toward older, more established books and authors (test of time and all that, you know — plus, they’re usually cheaper) and this time I decided to skew just about as far in that direction as it’s possible to skew. I reached all the way down to the bottom of the stack — three millennia down — and pulled up The Iliad. (At that moment, Western Civ teachers across the land contentedly smiled in their sleep without even knowing why.) Having “little Latin and less Greek” (as in none) I chose the highly regarded Robert Fagles translation, which has been laying around the house unread for the last, oh, twenty five years.

What follows is in no sense a learned reading of The Iliad (as will immediately be apparent!), but is simply this reader’s untutored reaction to his initial encounter with one of the world’s great books. It’s rather like a mayfly’s head-on meeting with a Mack truck; the insect’s reaction may not exactly be profound, but it has no doubt that it has been hit by something too big and serious to ignore.

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New Treasures: There Before the Chaos by K.B. Wagers

New Treasures: There Before the Chaos by K.B. Wagers

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I first noticed K.B. Wagers in 2016, with Behind the Throne, the first novel in The Indranan War trilogy, which Publishers Weekly called “An excellent addition to any SF collection.” Last month Orbit released There Before the Chaos, the opening volume of a new space opera trilogy featuring gunrunner empress Hail Bristol, who this time must set aside her gunrunning ways to navigate alien politics and deadly plots and prevent an interspecies war. Over at Tor.com Liz Bourke give it an enthusiastic review… but beware that cliffhanger ending!

I’ve been thinking about how to review There Before The Chaos for weeks. K.B. Wagers’ fourth novel, the opening volume of a second trilogy about gunrunner-turned-empress Hail Bristol (star of Behind the Throne, After the Crown, and Beyond the Empire), it turned out to be the kind of character-driven, deftly-wrought, emotive space opera that I adore. And that I find difficult to discuss with any kind of measured distance or attempt at assessment. Does it live up to its predecessors? Does it succeed at what it sets out to do?

I’m not entirely sure I can tell, because it succeeds so well at being exactly the kind of book I wanted it to be. (Though I shake my fist at the cliffhanger ending! What a hook.)…

Wagers writes compelling space opera action, full of character and incident. She has a very deft touch with action — which is good, because There Before The Chaos has a bunch of it — and a brutal sense for where to leave her start-of-trilogy cliffhanger. That ending! I want to know what happens next this instant. Waiting a whole year will be torment.

The book includes a teaser chapter from the forthcoming sequel, Down Among the Dead, the second installment in The Farian War trilogy.

There Before the Chaos was published by Orbit on October 9, 2018. It is 465 pages, priced at $15.99 in trade paperback and $9.99 for the digital edition. The cover is by Stephan Martiniere, with design by Lauren Panepinto.

Birthday Reviews: Lyda Morehouse’s “God Box”

Birthday Reviews: Lyda Morehouse’s “God Box”

Cover by Jacob Fine
Cover by Jacob Fine

Lyda Morehouse was born on November 18, 1967.

Her novel Apocalypse Array received a special citation from the Philip K. Dick Award in 2005 and she served on the jury the following year. She has published several novels using the pseudonym Tate Hallaway and has collaborated with Rachel Calish and Naomi Kritzer.

“God Box” was published in the small press anthology King David and the Spiders from Mars, edited by Tim Lieder in 2014. The story has not been reprinted.

Morehouse has set “God Box” on a Ganymede, which is torn by a war between the human InForcers and the Rovers, an alien race which claims Ganymede is its ancestral home. A platoon of Inforcers has brought a Rover artifact into a church on Ganymede and has instructed the Reverend Mother Kayla that she is responsible for overseeing the mysterious box, although they will leave an honor guard to help protect it in case the Rovers come looking for the reliquary.

The Rovers really don’t come into play in the story, which is focused mostly on Kayla’s feelings about the InForcers, who tortured and raped her when she was younger and part of the Martian Resistance. She has since found solace and faith in God and firmly believes in her deity and takes comfort from a small crucifix she has had since her days with the Resistance. The box itself makes her profoundly uncomfortable and when she and the InForcers discover that a giant marble Jesus seems to have fallen from the crucifix in the church’s nave and appears to be genuflecting to the box, it raises the question of which god is more powerful.

The story is a little disjointed and is a strange mixture of a chronological timeline and Reverend Kayla’s stream of conscious thoughts about her duty to the Humans on Ganymede, her dislike of the InForcers, and her disquiet caused by the presences of the box. The story’s denouement is someone ambiguous as the box is removed to another house of worship, but seems to show that the Rovers, or at least their god, are more powerful than the Humans on Ganymede.

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Future Treasures: The Salvager Series by Alex White

Future Treasures: The Salvager Series by Alex White

A Big Ship at the Edge of the Universe-small A Bad Deal for the Whole Galaxy-small The Worst of All Possible Worlds-small

Alex White’s Salvager series began with A Big Ship at the Edge of the Universe, a book which has one of the most promising titles of the year at the very least. I snapped it up shortly after reading Corrina Lawson’s enthusiastic review over at the Barnes & Noble Sci-Fi and Fantasy Blog:

To call this book fast-paced or action-packed is underselling it… It begins with Nilah, the best driver in the galactic version of the Grand Prix. These “cars” are a mix of galactic tech and magic, as is Nilah herself…. Soon, Nilah is being attacked on the track — something that should be impossible — and witnesses another racer being murdered before she accidentally teleports to an unknown location… the viewpoint shifts to Elizabeth “Boots” Ellsworth, who has her own problems… she’s a veteran of a war from the losing side, [and] she’s a failed media personality whose one big triumph exploring the legends of lost ships is long in the past.

Everything goes promptly sideways as Nilah, Boots, Cordell and the crew of the Capricious wander recklessly into a greater conspiracy that points them to yet another legendary lost ship — a very big ship, way out in the far reaches of space (at the edge of the universe, even)…

The crew of the Capricious are terrific, original creations, from the captain determined to protect the crew that is all he has left from the war, to the intense first officer, to the ship’s chef. (Orna, the cynical force of nature that is the ship’s quartermaster, steals every scene she’s in, alongside her robot battle suit, Ranger.)… It’s this crew up against the most powerful beings in the universe, and our rag-tag heroes will take those odds. This is fantastic stuff, in every sense of the word.

Corrina mentioned at the end of her review that more titles were forthcoming, and it looks like her sources were true. A Bad Deal for the Whole Galaxy arrives in trade paperback from Orbit next month, and the third title in the series, The Worst of All Possible Worlds, is promised for Summer 2019.

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Birthday Reviews: Lavie Tidhar’s “The Memcordist”

Birthday Reviews: Lavie Tidhar’s “The Memcordist”

Cover by Michael Whelan
Cover by Michael Whelan

Lavie Tidhar was born on November 16, 1976 in Afula, Israel.

Tidhar received the World Fantasy Award for Best Novel in 2012 for Osama and that same year won the British Fantasy Award for the novella Gorel and the Pot Bellied God. In 2013 the British SF Association Award for Nonfiction was given to Tidhar’s The World SF Blog. He won the John W. Campbell Memorial Award in 2017 for the novel Central Station. Tidhar has collaborated with Nir Yaniv as an author, and with Rebecca Levene and Jason Sizemore as an editor.

Tidhar first published “The Memcordist” in Jonathan Strahan’s Eclipse Online in the December 24, 2012 issue. Gardner Dozois selected the story to be reprinted in his 2013 anthology The Year’s Best Science Fiction: Thirtieth Annual Collection. It has not otherwise been reprinted.

Pym lives a Truman Show sort of life in “The Memcordist.” His entire life is spent being recording and sent out to his followers in the ultimate combination of reality show and social media. The difference between Pym and Truman is that Pym is well aware of his followers, noting their number at every major point of his life. Pym is also aware of narrative, things that are expected of him, and he also expects that his storylines will come to a fruitful conclusion.

Aside from gaining and keeping followers as he travels throughout the heavily populated solar system, which is reminiscent of Golden Age space opera with Human colonies on Jupiter’s moons, Saturn’s rings, and Pluto’s moons, the driving force in Pym’s life is his need to re-connect with Joy, a woman he met on one of his early space flights whose goal was to become a pilot. It is an on-again-off-again quest, but much of the story, which is told in a series of achronological snippets set in a variety of locations, focuses on the quest, even while implying numerous other relationships and adventures. Pym does note that his numbers go up when he is searching for Joy, although he views his search as personal rather than part of his overarching narrative.

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