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Author: John ONeill

Step into a World of RuneQuest Adventure with The Smoking Ruin and The Pegasus Plateau

Step into a World of RuneQuest Adventure with The Smoking Ruin and The Pegasus Plateau

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Cover art by Andrey Fetisov

Maybe it’s because I’ve only recently started paying close attention, but it seems to me that the RuneQuest RPG has been experiencing something of a renaissance since returning to the fold at Chaosium. Certainly there’s been a flurry of attention-grabbing new releases anyway, including the epic and original Red Cow campaign, the tale of a small clan’s desperate battle for freedom against the oppressive Lunar Empire, a tribe of werewolves, and even darker threats; the Rough Guide to Glamour, a compilation of long out-of-print articles on Lunar magic and colorful personalities; and of course the gorgeous new hardbound rulebooks.

But the drumbeat of new releases has not slowed, and I recently acquired two adventure anthologies that make excellent resources for any RPG fan: The Smoking Ruin & Other Stories, a collection of three long ready-to-play adventures, and The Pegasus Plateau & Other Stories, containing seven shorter adventure scenarios.

Both are essential purchases for serious RuneQuest players. The first focuses on an area in Dragon Pass known as the South Wilds, and includes the full-length scenario “The Smoking Ruin,” in which the players tread the haunted streets of an ancient city in search of a lost artifact. The Pegasus Plateau & Other Stories contains seven fast-run adventures set in ghoul-haunted catacombs, mystic ruins, the deserts of Prax, and the rocky pinnacle of the Pegasus Plateau. Both books are gorgeously designed and well written; here’s a peek at the lovely interiors.

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Vintage Treasures: The 1989 Annual World’s Best SF edited by Donald A. Wollheim with Arthur W. Saha

Vintage Treasures: The 1989 Annual World’s Best SF edited by Donald A. Wollheim with Arthur W. Saha

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The 1989 Annual World’s Best SF (DAW, 1989). Cover by Jim Burns

Most SF readers are familiar with Gardner Dozois’ legendary Year’s Best Science Fiction series, which ran for three and a half decades from 1984 to 2018, and helped shape modern perceptions of short SF. But it was by no means the first Year’s Best in science fiction, and in the early days, wasn’t even my favorite. No, back in the 80s I preferred the annual anthologies by Terry Carr and, more frequently, Donald A. Wollheim’s Annual World’s Best SF, which ran from 1965 until the late 80s.

I recently bought a copy of The 1989 Annual World’s Best SF, and was surprised to find it had a guest introduction by Isaac Asimov. Flipping it open, I found a sober explanation in his first paragraph.

This is the first time that the introduction to his annual volume has not been written by Don Wollheim. Alas, we are not immune to the ravages of time (not even science fiction personalities are) and Don is hospitalized just as the deadline for the volume approaches, so he has asked me to do the introduction for him.

For all my fabled immodesty, I am forced to admit I am a poor substitute. Don has been a sextuple-threat person in science fiction. Let me list his threats…

The rest of Asimov’s 4-page intro is a detailed and affectionate tribute to Wollheim, and the enormous impact he had on the field. Knowing that Wollheim passed away at the end of the decade, I was strongly suspicious he never emerged from that hospital stay. Asimov wrapped up with the hopeful lines:

Don… is a sweet and gentle fellow who has spent his whole life giving more than he has taken. I hope and trust that next year he will be writing his own introduction again.

Donald Wollheim died on November 2, 1990, at the age of 76. He did in fact emerge from the hospital, produce one more volume, The 1990 Annual World’s Best SF (with his co-editor Art Saha), and he did write the introduction.

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Future Treaures: Sun-Daughters, Sea-Daughters by Aimee Ogden

Future Treaures: Sun-Daughters, Sea-Daughters by Aimee Ogden

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Sun-Daughters, Sea-Daughters (Tor.com, February 23, 2021). Cover art by Chase Stone

Tor.com has a full slate of Winter and Spring releases in the pipeline, including new novellas from Martha Wells, Nnedi Okorafor, P. Djèlí Clark, Daryl Gregory, Django Wexler, Aliette de Bodard, Adrian Tchaikovsky, Sylvain Neuvel, and lots more.

But the one I’m most looking forward to is Sun-Daughters, Sea-Daughters by Aimee Ogden, a space opera retelling of The Little Mermaid. You gotta admit, that twists your head around just a little. Here’s a snippet from the appreciative review at Publishers Weekly.

Poetic as myth, but studded with spaceships, gene-modification technology, and alien species, Ogden’s debut delivers an emotionally mature if occasionally labored reimagining of The Little Mermaid. Atuale’s husband, Saaravel, is dying of the disease that’s ravaging their community, while Atuale, the Greatclan Lord’s daughter who left the ocean for land, is immune to the sickness. It’s up to her to save her husband and his people, but to do so she must join forces with her former lover, the World-Witch Yanja, as they travel the galaxy looking for a cure. With this slim space opera, Ogden delves deep into Atuale’s psyche, probing her love for both Saaravel and Yanja, her longing for adventure, and her desire for motherhood… Fans of feminist fairy tale retellings and thoughtful speculative fiction will appreciate Atuale’s quest.

Sun Daughters, Sea Daughters will be released by Tor.com on February 23, 2021. It is 110 pages, priced at $13.99 in trade paperback and $3.99 in digital formats. The cover is by Chase Stone.

See all our coverage of the best upcoming SF and fantasy here.

Crimson Mists and Uncrowned Kings: Savage Scrolls, Volume One, edited by Jason Ray Carney

Crimson Mists and Uncrowned Kings: Savage Scrolls, Volume One, edited by Jason Ray Carney

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Savage Scrolls, Volume One (Pulp Hero Press, 2020). Cover uncredited.

Last summer there was an ugly incident involving the long-awaited publication of Flashing Swords #6 from Pulp Hero Press, the spiritual successor to Lin Carter’s legendary sword-and-sorcery series from the 70s. Editor Robert M. Price’s introduction, which read to me like an incoherent right-wing rant against feminism, proved toxic enough that four contributors pulled their stories immediately, and publisher Bob McLain made the decision to de-list and kill the book before it even went on sale.

That left plenty of good tales without a home, though Bob did promise that some would find a home in “a new anthology series – no politics, no drama, just sword-and-sorcery! – that I’d like to release later this year.” So I was especially intrigued to see the first volume of Savage Scrolls, a new Swords & Anthology series edited by the distinguished Jason Ray Carney, arrive from Pulp Hero in November. I ordered a copy last month, and I’m delighted to say it’s a thoroughly professional production.

And what a list on contributors! In addition to two tales salvaged from Flashing Swords (Adrian Cole’s Elak of Atlantis tale “The Tower in the Crimson Mist,” and Steve Dilks’s sword & sorcery “Tale of the Uncrowned Kings”), Savage Scrolls includes names that will be intimately familiar to Black Gate readers, including Howard Andrew Jones (with a new Hanuvar tale), James Enge (a new Morlock the Maker story), David C. Smith (a new Oron adventure) and D.M. Ritzlin (with a tale of Avok the Cytheran). In a Publisher’s Note at the back, Bob McLain teases readers with a promise that

The cover art will tell a story, spread over four volumes of Savage Scrolls. On the cover of this volume we have our characters on the cusp of battle: the barbarian, the cultist, and the sorceress. On the cover of the next volume we will have those same characters, with the barbarian, well, you’ll just have to wait and see.

A bold promise! Though why he’d draw such attention to the intriguing cover and then completely neglect to credit the artist, I have no idea. The artist isn’t credited anywhere, far as I can find. Maybe that’s part of the mystery.

Jason Ray Carney’s first blog post for Black Gate was Bran Mak Morn: Social Justice Warrior, and he’s promised us a behind-the-scenes peek at Savage Scrolls in the coming weeks.

New Treasures: Call of the Bone Ships, Book 2 of The Tide Child Trilogy by RJ Barker

New Treasures: Call of the Bone Ships, Book 2 of The Tide Child Trilogy by RJ Barker

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The Bone Ships (Orbit, 2019) and Call of the Bone Ships (Orbit, 2020). Covers by Edward Bettison

RJ Barker’s The Bone Ships was published by Orbit in 2019, to strong reviews. Spectrum Culture called it “A thrilling bit of high seas fantasy… from a tremendously talented and imaginative mind,” BookPage said it’s “the perfect adventure for anyone who’s ever had dreams of the sea,” and it was nominated for the Robert Holdstock Award for Best Fantasy Novel. But my favorite review was by C.H. at Amazon.com, who speaks my language — the language of movies and pop culture.

If you liked the premise of S.W.A.T., but wished that instead of a group of cops protecting a mob boss from profit-seeking ruffians on the way to prison it was a rag-tag group of outcasts on a ship made of sea creature bones protecting the last of said sea creatures from… well, profit-seeking ruffians…

I know, that was a long way to travel to compare a fine, character driven, modern-day Moby Dick to a popcorn action movie, but something about the focal point of the book being a suspenseful trek from point A to point B with chaos buzzing around it reminded me of cinematic prisoner transport, a la Kingpin in Netflix’s Daredevil, or Coleman Reese in The Dark Knight. But enough about that.

Bone Ships brings together a capable captain on a mission to prove her worth and a drunk who may have Peter Principled his way into (and out of) his captaincy. Their dynamic and relationship growth is a highlight of the book… There are bizarre new creatures, interesting world politics, an in-depth instruction manual on the mechanics and operation of a giant crossbow, and a ship energy tracking straight out of a video game. The action sequences are furiously paced, throwing you on the deck of the Bone Ships, whether your sea legs are ready for it or not… Highly recommend.

The second novel in the trilogy, The Call of the Bone Ships, was published by Orbit on November 24, 2020. It is 528 pages, priced at $16.99 in trade paperback and $9.99 in digital formats. The cover is by Edward Bettison. Read a sample chapter from Book 1 here.

See all our recent coverage of the best new fantasy and science fiction releases here.

Vintage Treasures: Alien Earth by Megan Lindholm

Vintage Treasures: Alien Earth by Megan Lindholm

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Alien Earth (Bantam Spectra, 1992). Cover by Oscar Chichoni

Megan Lindholm is a bestselling fantasy writer under her pseudonym Robin Hobb. But before she began producing epic fantasy trilogies under that name in the late 90s, she had a successful career as Lindholm, writing highly respected novels such as Wizard of the Pigeons, Cloven Hooves, and the 4-volume Windsingers series. She also dabbled in science fiction, most notably with her 1992 novel Alien Earth, the tale of small team of humans who return to Earth thousands of years after the dying planet was evacuated.

Alien Earth‘s ecological themes resonate well with modern readers, and the book enjoys a 4.1 average rating at Goodreads today. However my favorite review is by Rob Weber at Fantasy Literature, who calls it “A magnificent science fiction tale.” Here’s an excerpt:

Alien Earth is set in a far future. Humanity has managed to poison Earth to such an extent that the alien Arthroplana step in and offer, what is in their view, the only possible solution to the catastrophe unfolding on our home planet: complete evacuation…

Centuries after the evacuation, Captain John Gen-93-Beta of the Beastship Evangeline is approached with an unthinkable mission. A faction dissatisfied with Arthroplana rule asks him to return to the dead planet Earth to find out if the Arthroplana are right in saying the planet is beyond recovery. The Arthroplana will not approve of what John’s employers are trying to achieve, so the whole mission is complicated by blackmail, manipulation and the need for secrecy… Setting out with a small crew, John heads for Earth without any of them knowing the details of John’s assignment. Each of the five travelers — the Beast Evangeline, her Arthroplana keeper Tug, Captain John, his crew mate Connie, and stowaway Raef —have their own agenda…

Lindholm expertly weaves the stories of these five very different characters into a magnificent science fiction tale. If you happen to come across a copy, I highly recommend you seize the opportunity.

A number of writers have explored Megan Lindholm/Robin Hobb’s career at Black Gate. Here’s some of our most popular coverage over the years.

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James Davis Nicoll on Five Thrilling SF Stories About Patrolling Space

James Davis Nicoll on Five Thrilling SF Stories About Patrolling Space

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Crashing Suns (Ace, 1965), A Matter of Oaths (Questar, 1990), and The Prefect (Ace Books, 2009).
Covers by Ed Valigursky, Martin Andrews, and Chris Moore

What’s better than thrilling stories of patrolling space?? (No need to email an answer; it’s a rhetorical question. And the answer is “nuthin'”).

Mind you, I’d be hard pressed to cite actual examples. Star Trek books maybe? EC Comics Weird Science, naturally. After that, I got nothing.

Fortunately James Nicoll reads a lot more than I do. Over at Tor.com he’s posted a fun little article titled Five Thrilling SF Stories About Patrolling Space, which includes classics like Edmond Hamilton’s Crashing Suns, but also more modern titles I was totally ignorant of. Here’s his take on Helen S. Wright’s sole SF novel A Matter of Oaths:

There are but three powers of note — the Old Empire and the New Empire, both ruled by their respective immortal emperors, as well as the Guild of Webbers that supplies both sides with starship crews — but the simmering conflict between empires, not to mention basic human cussedness, means an endless need for the services of patrolships like Bhattya to deal with raiders and the like. Being short-staffed, Bhattya’s Commander Rallya grudgingly hires Rafe. Rafe’s service record and qualifications are exemplary… enough so that Rallya is forced to overlook the alarming fact that Rafe was previously mind-wiped for reasons unrecorded. It is only once Rafe is a member of the crew that Rallya belatedly becomes aware of a fact that would have been nice to know before Rafe came on board: someone appears to want Rafe dead and to achieve this goal, they are quite willing to sacrifice everyone in Rafe’s vicinity. Including the crew of the Bhattya.

That definitely sounds like something I shouldn’t have overlooked three decades ago. Here’s the back covers for all three books above.

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Future Treasures: Stormbreak, Book 3 of the Seafire Trilogy by Natalie C. Parker (Author)

Future Treasures: Stormbreak, Book 3 of the Seafire Trilogy by Natalie C. Parker (Author)

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The Seafire trilogy (Razorbill, 2018-21). Covers by Billelis and Cliff Nielsen

You know the rule about trilogies at Black Gate. Every time one wraps up, we bake a cake. Stormbreak, the third novel in Natalie C. Parker’s Seafire series, arrives early next month from Razorbill, and the interns are already warming up the oven.

What’s Seafire all about? Pirates!! Girl pirates of the far future, actually, which is intensely cool. My favorite notice comes from Feliza Casano over at Tor.com, who enthusiastically reviewed the first volume:

Caledonia Styx’s ship, the Mors Navis, is one of the only ships that still sails free from the rule of bloodthirsty warlord Aric Athair and his army of Bullets, who brutalize the coastal settlements… it was a Bullet boy claiming to seek a place on the Mors Navis who talked Caledonia into revealing the Mors Navis’s location, resulting in the death of every person in the crew save Caledonia and her best friend, Pisces, who were ashore on a supply run.

Four years later, Caledonia and Pisces have rebuilt the Mors Navis and recruited a new crew entirely made up of women and girls who have lost their own families and homes to Athair’s raids. The women of the Mors Navis are determined to chip away at Athair’s empire, even if that means taking his navy down ship by ship. But when Pisces brings aboard a runaway Bullet who says he wants to defect, the secret Caledonia’s been keeping for four years threatens to come to light…

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A Mutant Godling on a Ruined Earth: The Eyes Trilogy by Stuart Gordon

A Mutant Godling on a Ruined Earth: The Eyes Trilogy by Stuart Gordon

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The Eyes Trilogy by Stuart Gordon (DAW, 1973-75). Covers by Tim Kirk, Peter Manesis, and Michael Whelan

DAW Books is one of the most prestigious and successful science fiction imprints in the industry, regularly publishing top-selling authors and titles. Fifty years ago…. well, it wasn’t any of those things. Donald A. Wollheim built his scrappy publishing powerhouse the old fashioned way: by buying the best books he could find on a shoestring budget, slapping whatever cover art he could find on the cover, and moving on rapidly to the next book.

Wollheim gave a lot of brand new authors (and forgotten authors, and washed up authors) a chance — and in many cases, multiple chances. Many, like C.J, Cherryh, John Brunner, Tanith Lee, Mercedes Lackey, and Melanie Rawn, grew with the imprint and gradually became big names. And a great many…. didn’t.

Stuart Gordon is in the latter category. He published a trilogy of science fiction paperbacks in the early 70s, then promptly abandoned SF, moving on to biker books like The Bike from Hell and The Devil’s Rider (both written as Alex R. Stuart). But I used to see One Eye, Two Eyes, and Three Eyes on the shelves when I was a wee lad exploring the science fiction racks for the first time, and they always fascinated me.

Part of it was the subject matter: a strangely powerful mutant roaming a blasted post-apocalyptic landscape and…. I dunno? Carrying unconscious women around? I was never clear on the concept, actually. But hey, mutants and blasted mountain peaks! That’s all it took to fascinate me in those days. My needs were simple.

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The Secret World of Greg Ketter

The Secret World of Greg Ketter

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Hit or Myth by Robert Asprin (Starblaze, 1983). Cover by Phil Foglio

Greg Ketter, owner of Dreamhaven Books in Minneapolis, is one of the best booksellers in the business, and he’s sold me many fine volumes over the years. Greg doesn’t talk about it much, but he’s also friends with many of the most famous writers and artists in the field. This being a creative industry, Greg’s friendships reveal themselves in entertaining ways. In fact, Greg has been Tuckerized more than anyone else I know, and in some surprising ways.

I’ve been enjoying Greg’s tales of Tuckerization on Facebook. What is “Tuckerization?” Here, I’ll let Greg explain it.

Wilson “Bob” Tucker was an early SF fan who also went pro, writing mystery and science fiction stories alike. His first book, mystery novel The Chinese Doll, contained the names of many of his friends as characters. Thus you had been “Tuckerized.” The practice continues today sometimes with people paying great sums of money (usually for charities) to be included as characters in books. The most popular seems to be getting killed off in whatever silly/gruesome/disgusting/crazy way the author can dream up.

Greg’s namesake has appeared in George R.R. Martin’s Game of Thrones, Nick Pollata’s Satellite Night Fever, Joe Domenici’s Bringing Back the Dead, and many more. But my favorite story is the time he appeared on the cover of Hit or Myth, the fourth book in Robert Asprin’s popular and long running Myth Adventures series:

I was staying with Phil Foglio for a while when he said he needed a model for the new Robert Asprin Myth book. Sure, why not. So, I became a demon for Hit or Myth. Notice those ripped abs (actually, back then I was a bit closer to that than I am now. Everything has dropped down a ways since then). I helped with some of the atrocious puns scattered about the cover and Phil named the place “K’tier Abu’s Djin Mill” as a nod to his old buddy.

I leave it as an exercise to the reader to spot all those visual puns Greg mentions. Just about every one of my friends in Ottawa back in the day read Asprin’s Myth Adventures series, and the books were scattered around our house when I was in University. It’s quite the kick to discover that’s I’ve secretly known the cover model for the demon Aahz all these years. Small world.