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Author: John ONeill

Future Treasures: The Year’s Best Fantasy: Volume One edited by Paula Guran

Future Treasures: The Year’s Best Fantasy: Volume One edited by Paula Guran

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The Year’s Best Fantasy: Volume One (Pyr, August 16, 2022). Cover by Liu Zishan

Paula Guran edited ten volumes of The Year’s Best Dark Fantasy & Horror for Prime Books between 2010-2019. She brought the series to Pyr in 2020, and it’s done well enough that this year Pyr launched a companion volume: The Year’s Best Fantasy: Volume One, also with Paula’s capable hand at the helm.

I’m delighted to see a brand new BEST OF series devoted exclusively to fantasy. This is a great volume to start with, containing a new Morlock tale by James Enge, AND a story by our first website editor C.S.E. Cooney (co-authored with her husband Carlos Hernandez), plus fiction from P. Djèlí Clark, Karen Joy Fowler, Sofia Samatar, E. Lily Yu, Isabel Yap, Catherynne Valente, Tobias Buckell, Elizabeth Bear, and many others. It goes on sale next week.

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Blob Monsters, Killer Alien Plants, and Feral Automobiles: July/August 2022 Print SF Magazines

Blob Monsters, Killer Alien Plants, and Feral Automobiles: July/August 2022 Print SF Magazines

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July/August 2022 issues of Analog Science Fiction & Fact, Asimov’s Science Fiction, and
The Magazine of Fantasy & Science Fiction. Cover art by Donato Giancola, Eldar Zakirov, and Alan M. Clark

It’s marvelous to see a cover by the great Donato Giancola on Analog, of all places. Donato did one cover for Black Gate, our famous Red Sonja cover for Black Gate 15, our special Warrior Women issue. Analog‘s last cover was by NASA, the inside of a satellite or reactor or Easy Bake oven or something. This one is much cooler.

Shipping problems have delayed the arrival of this month’s F&SF, so I don’t have a copy in my hot little hands in time to do this article (again), but Tangent Online has the Table of Contents, so I can fake it. There’s lots of good reading in this month’s print SF mags, including stories by Jerry Oltion, Sean Monaghan, Bruce McAllister, Alvaro Zinos-Amaro, Rick Wilber, Will McIntosh, Michael Swanwick, Octavia Cade, Jack McDevitt, Paul Melko, Nick Wolven, James L. Sutter, Nina Kiriki Hoffman, and many others. Let’s dive in.

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Vintage Treasures: Tales from the Spaceport Bar edited by George H. Scithers and Darrell Schweitzer

Vintage Treasures: Tales from the Spaceport Bar edited by George H. Scithers and Darrell Schweitzer

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Tales from the Spaceport Bar and Another Round at the Spaceport Bar
(Avon Books, 1987 and 1989). Covers by James Warhola and Doug Beekman

Science fiction has a rep for being serious stuff. Tales of dystopias, climate catastrophes and environmental collapse, dire warnings about worrying trends, that’s SF in a nutshell. Even dressed up in its best story-telling adventure garb, Star Wars or Mad Max-style, it’s still often perceived as all about desperate battles in apocalyptic settings.

Of course, science fiction is much broader and richer than that, and most of its best writers have amply demonstrated their love of whimsy and fun. One of SF’s best-loved sub-genres is the Club Tale/Bar Story, exemplified by Arthur C. Clarke’s famous Tales From the White Hart, L. Sprague de Camp and Fletcher Pratt’s long-running Gavagan’s Bar stories, Lord Dunsany’s Jorkens tales, Isaac Asimov’s Black Widowers mysteries, Spider Robinson’s Callahan’s Bar, Larry Niven’s spacefaring tales of Draco Tavern, and many others.

In the late 80s Weird Tales editors George H. Scithers and Darrell Schweitzer assembled a collection of the best such stories, Tales from the Spaceport Bar. It made the Locus Award list of Year’s Best Anthologies (in 11th place), and was quickly followed by Another Round at the Spaceport Bar. Both books are a fine antidote to anyone who’s dabbled just a little too long on the dark side of science fiction.

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New Treasures: World Breakers edited by Tony Daniel and Christopher Ruocchio

New Treasures: World Breakers edited by Tony Daniel and Christopher Ruocchio

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World Breakers (Baen mass market reprint, July 26, 2022). Cover by Dominic Harman

If you’re one of the (very few) folks who pay attention when I complain, you know that I frequently lament the decline of the mass market science fiction anthology. Book store shelves used to be full of ’em, and nowadays they’ve all but vanished. Folks don’t have an appetite for short fiction these days, at least not in the way they used to. And that’s a shame — anthologies are a great way to discover new writers, fil the time when you can’t commit to a longer work, and just read some great stories.

Tony Daniel and Christopher Ruocchio previously edited Star Destroyers (2018) for Baen, and with Baen senior editor Hank Davis, Ruocchio has produced nearly half a dozen others, including Space Pioneers (2018), Sword & Planet (2021), and Time Troopers (2022). Last year Daniel and Ruocchio released World Breakers, a collection of original stories of super tanks, and what did I find in my local bookstore last week but a handsome and affordable mass market edition. Civilization isn’t dead after all.

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Vintage Treasures: The New Hugo Winners edited by Isaac Asimov

Vintage Treasures: The New Hugo Winners edited by Isaac Asimov

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The New Hugo Winners, Volume I & II and The Super Hugos
(Baen, 1991, 1992, and 1992). Covers by Vincent Di Fate, Bob Eggleton, and Frank Kelly Freas

Last month, as part of my master plan to examine every interesting science fiction paperback ever printed, I surveyed five of the finest SF anthologies of all time: the first Hugo Winners volumes, all edited by Isaac Asimov and published by Doubleday between 1962 and 1986.

Although the first two volumes, collected in one big omnibus by the Science Fiction Book Club in 1972, were on the bookshelf of every serious SF fan in the 70 and 80s (and much of the 90s), by the time Volume IV and V were released in the mid-80s, sales had fallen off so significantly that neither one was reprinted in paperback. Asimov, who frequently noted that “the fine folks at Doubleday have never said no to me” — even indulging him with a massive 1,005-page, highly uncommercial vanity project in 1974, Before the Golden Age, a bunch of pulp stories threaded together with Asimov’s reminiscences of growing up in Brooklyn — found Doubleday saying ‘No” to further Hugo volumes.

It was Martin H. Greenberg, Asimov’s frequent collaborator, who talked him into doing additional installments. Together they produced three more: The New Hugo Winners, Volume 1 (1989) & Volume II (1992) and The Super Hugos, released after Asimov’s death in April 1992.

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Lush Fantasy Inspired by Indian Epics: Tasha Suri’s The Burning Kingdoms

Lush Fantasy Inspired by Indian Epics: Tasha Suri’s The Burning Kingdoms

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The Jasmine Throne and The Oleander Sword (Orbit, June 2021 and August 2022). Covers by Micah Epstein

The Jasmine Throne, the opening volume in Tasha Suri’s Burning Kingdoms fantasy epic, was named one of the best books of 2021 by Booklist, Library Journal, Publishers Weekly, and the New York Public Library. The second installment, The Oleander Sword, is due August 16, and early reviews have only heightened the anticipation. This is  shaping up to be one of the major fantasy series of the decade.

Suri is also the author of two well-received fantasy volumes, Empire of Sand and Realm of Ash — though, as Liz Bourke at Tor.com points out in her review of The Jasmine Throne, “[I] admired them as well-constructed epic fantasy with a strong romantic component, but they never made me feel like this — gobsmacked, a little awestruck, violently satisfied, painfully engaged.”

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New Treasures: Never the Wind by Francesco Dimitri

New Treasures: Never the Wind by Francesco Dimitri

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Never the Wind (Titan Books, June 2022). Cover design by Julia Lloyd

I first learned about Francesco Dimitri’s new novel Never the Wind when I heard Paul Tremblay describe it as “”Susanna Clarke meets Robert Aikman,” not exactly a description I hear every day. Publishers Weekly calls it “truly spooky…plenty here to fascinate fans of cerebral horror.”

That was more than enough to pique my interest. I set out to learn more and quickly found Dimitri’s guest post at Mary Robinette Kowal’s blog, My Favorite Bit:, where he discusses the narrative use of magic. It certainly cemented my interest — but I also found the way he approached magic on the page fascinating, and enormously useful for anyone using the supernatural in fiction.

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High Fantasy Romance from New-Minted SF Royalty: A Strange and Stubborn Endurance by Foz Meadows

High Fantasy Romance from New-Minted SF Royalty: A Strange and Stubborn Endurance by Foz Meadows

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A Strange and Stubborn Endurance (Tor, July 26, 2022)

Foz Meadows is conquering the world.

She won a Hugo Award in 2019 (as she puts it, “for yelling on the internet”), and she’s been a widely acclaimed essayist and blogger — at Strange Horizons, The Huffington Post, and Black Gate, among many other fine places — for nearly a decade. Her fantasy novel An Accident of Stars and its sequel A Tyranny of Queens were publishedby Angry Robot in 2016/17, and last year Tor Books announced they’d acquired her massive new fantasy novel, A Strange and Stubborn Endurance.

A Strange and Stubborn Endurance finally arrives next week and, if the early buzz is anything to go by, it’s shaping up to be one of the major fantasy novels of year. Publishers Weekly calls it “lushly drawn fantasy romance… skillfully integrates gripping mystery and satisfying slow-burn romance,” and Library Journal proclaims it ““an emotionally gripping, delightful queer fantasy filled with political intrigue.” But my favorite notice came from SF Chronicle, which heralds Foz as “newly minted royalty of sci-fi fantasy.”

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Interzone Finds a New Publisher

Interzone Finds a New Publisher

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Interzone 292/293. Cover art by Vincent Sammy

Big changes are afoot for Interzone, the leading British SF magazine.

Long time publisher TTA Press has announced that the latest issue, Interzone 292/293, will be its last. The magazine has been sold to MYY Press. The new editor is Gareth Jelley.

The TTA era of Interzone ends with a bang — a big 192-page full color double issue, with new fiction from Rich Larson, Jeff Noon, Alexander Glass, Charles Wilkinson, and many more — plus artwork from Richard Wagner, Vince Haig, Vincent Sammy, and many others, the usual columns and goodies, and a Guest Editorial by Gareth Jelley, in which he outlines his plans and vision for the magazine.

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Vintage Treasures: The Seven Deadly Sins of Science Fiction, edited by Isaac Asimov, Charles G. Waugh, and Martin H. Greenberg

Vintage Treasures: The Seven Deadly Sins of Science Fiction, edited by Isaac Asimov, Charles G. Waugh, and Martin H. Greenberg

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The Seven Deadly Sins of Science Fiction and The Seven Cardinal Virtues of Science Fiction
(Fawcett Crest, 1980 and 1981). Covers by Jerome Podwil

Back in the day, there was a pretty reliable formula for a successful science fiction anthology.

Went like this: Step one, find a fresh theme. Could be anything. Unicorns, space dreadnaughts, cats (cats were always a good choice). Step two, find a bunch of science fiction stories. Step three, put Isaac Asimov’s name on the cover.

In 1978, Asimov put out his first anthology with Martin H. Greenberg, who was famously gifted at the production side of things, and over the next decade or so they published over a hundred together, usually with Charles G. Waugh, a psychology professor in Maine. Charles picked the stories, Isaac wrote the intros, and Marty did everything else.

It was an inspired partnership, and it produced many celebrated volumes, including Isaac Asimov’s Wonderful Worlds of Science Fiction (10 books), Isaac Asimov’s Magical Worlds of Fantasy (12 books), and many Mammoth Books of Science Fiction. But for me the real gems of the enterprise were some of the one-offs, including The Seven Deadly Sins of Science Fiction, and its sequel The Seven Cardinal Virtues of Science Fiction.

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