The BBC recently held a ‘Best of Doctor Who 50th Anniversary Poll’ and Tom Baker came out number one. This is a bit surprising, as he roamed in the Tardis from 1974 to 1981, which was over three decades ago. And less relevant but still of note is that the Doctor never really broke big in America until David Tenant took on the role.
After Baker gave the Doctor up for regeneration, the BBC approached him and asked what project he would like to do next with his popularity still soaring. Baker immediately replied, “Sherlock Holmes,” and traded his scarf for a deerstalker.
With England’s most iconic actor (sorry, Roger Moore) to play England’s most iconic character (sorry, James Bond), only the biggest Holmes story would do. Though that’s not the smartest choice to showcase Holmes.
The BBC hadn’t tackled The Hound of the Baskervilles since Peter Cushing’s second attempt at it for his 1968 television series (a role he secured after failed attempts to land Robert Stephens and Eric Porter). There had been an American TV version in 1972 starring a dull Stewart Granger with Bernard Fox as yet another doofus Watson who mumbled his lines.
Fox is better known as Colonel Crittenden in Hogan’s Heroes and the pilot Winston in Brendan Fraser’s The Mummy. A recently unemployed starship captain played Stapleton.
Baker would star in a four-part, two-hour mini-series of The Hound. This adaptation is more faithful to Doyle’s story than any other filmed attempt. And Baker acquits himself well. However, there’s a peculiarity about The Hound that creates a potential Achilles heel. And Baker’s version is peppered with arrows from Paris.
Sherlock Holmes is off-screen for a significant part of this tale. Which means that the casting of Dr. Watson and Sir Henry Baskerville is crucial. Peter Cushing’s 1959 big screen version is an example of how to do it correctly (Andre Morrell and Christopher Lee). Sadly, this Watson and Baskerville cripple the production, to Baker’s detriment.
Terrence Rigby joins the long list of ineffective Watsons who mumble their way through the role. I’ve yet to understand why so many actors feel that the good doctor is incapable of speaking clearly. Or why he must constantly wear a clueless expression. Doyle did not write the character that way.
Rigby is completely forgettable. He would be a lightweight Inspector Leyton (who?) the following year in Ian Richardson’s version of The Sign of Four.
But Nicholas Woodeson (Skyfall, John Carter) was terribly miscast as Henry Baskerville. The balding, 5’4” actor yips his way through the movie like a small terrier. He’s barely up to Baker’s nose. I cannot think of a worse Sir Henry. You almost find yourself rooting for the hound in the end.
And it’s simply too much to overcome. Holmes is missing for approximately an hour: that’s half of the miniseries! Rigby and Woodeson are simply not up to the task of carrying the production and it’s too late for Baker to salvage things when he takes center stage.
He had dressed up as Holmes in a Doctor Who episode, The Talons of Weng Chiang. This time, he got to don the deerstalker and Inverness without all of that hair and they fit him well. Baker manages to convey Holmes’s superiority without being too condescending, like, say, Douglas Wilmer or Benedict Cumberbatch.
The look he gives Dr. Mortimer when the latter asks if he may run his finger along Holmes’s parietal fissure is spot on. Baker does not have Jeremy Brett’s antic disposition or Robert Downey Jr’s sarcasm. He delivers Doyle’s lines as the reader expects to hear them voiced.
The general perception is that Baker’s performance was flat and he’s not held in high regard. True, it is a reserved Holmes, but not a bad one. I would very much have liked to see Baker given the chance to play the role in one of the short stories; where he’s the centerpiece and there’s more detective work.
In fact, had Baker been given a chance to inject some of the Holmesian-like persona he displayed in The Talons of Weng-Chiang (and lost a few pounds as well), I think he would have made a popular Sherlock.
Not surprisingly, this production did not generate excitement and Baker’s stint as the world’s first private consulting detective was brief. Ian Richardson’s superior version followed the next year, Jeremy Brett’s A Scandal In Bohemia aired in 1984 and Baker’s Hound was quickly forgotten.
Baker’s version of The Hound has never been made available on VHS or DVD. Fortunately for us, it has been posted to youtube. Otherwise, it would be virtually unseen.
It’s hard to recommend this version because the script is a bit dull and Watson and Sir Henry are terrible. But the seeds of a fine Holmes are there in Baker’s performance, so it’s worth a watch.
IT’S ELEMENTARY – Baker is not the first actor to play both Dr. Who and Sherlock Holmes. Peter Cushing was Holmes on the big screen (Hammer’s 1959 Hound of the Baskervilles), in a television series (BBC’s 1968 Sherlock Holmes) and in a TV movie (1984’s The Masks of Death).
And in 1965 (Dr. Who and the Daleks) and 1966 (Dalek’s Invasion Earth 2150 A.D.), he played Dr. Who on the silver screen. However, because the movies were not affiliated with the television series, Cushing is not considered an official Dr. Who.
Bob Byrne founded www.SolarPons.com, the only website dedicated to the ‘Sherlock Holmes of Praed Street’ and blogs about Holmes and other mystery matters at Almost Holmes.