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Hither Came Conan: Ruminations on “The Phoenix on the Sword”

Hither Came Conan: Ruminations on “The Phoenix on the Sword”

Hither_PhoenixDHSwordBobby Derie wrote a great essay on the first Conan story, “The Phoenix on the Sword,” for this Hither Came Conan series. Certainly, better than anything I could ever come up with. But I still wanted to do a post on this tale. Because:

A –I wanted to contribute more than just what is likely going to be a bottom-rung essay on my assignment (fans of “Rogues in the House” – sorry, you drew the short straw); and

B – I’m pretty sure “Phoenix” was the first Conan story I read. Now, it might have been “The Thing in the Crypt,” in the first Lancer/Ace collection, which I had bought and then stuck on a shelf for at least a decade or two. But I didn’t remember that story when I started going through the Ace books, AFTER exploring Conan via the Del Rey trilogy. So, I think it was “Phoenix.”

So, because I’m a wordy typer, what started out as just one-third of a post on the first three essays in our series, grew into a solo show.

The Phoenix on the Sword

It is well known that “The Phoenix on the Sword,” the first story of Conan the Cimmerian, was a rewrite of a previously unsold tale of an earlier Howard character, Kull, an exile from Atlantis.

Howard sold three Kull stories to Weird Tales, appearing in the August and September issues of 1929, and finally, in November of 1930. Howard also wrote nine more tales about the character, which were not published until after his death. So, only 25% of his Kull stories sold. Not exactly a money-maker.

However, “By This Axe I Rule!”, which had failed to sell to Argosy and Adventure, was dusted off to feature a less philosophical barbarian.

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Hither Came Conan: Fletcher Vredenburgh – “The Frost Giant’s Daughter”

Hither Came Conan: Fletcher Vredenburgh – “The Frost Giant’s Daughter”

Frank Frazetta's famous work
Frank Frazetta’s famous work

Submitted in 1932 to Weird Tales, “The Frost Giant’s Daughter” is possibly the first Conan story of entirely new material (read Keith West on the story’s publication history), and it is also unique in its style. It is stripped down to the bare, primal essences of sword & sorcery, and exists on the lip between reality and nightmare. There’s more of myth and dream to “The Frost Giant’s Daughter” than to any other Conan yarn. When I first encountered it in my younger days, I wasn’t quite sure what to make of it, but since then, I’ve come to appreciate it on several levels.

The lone survivor from a band of Aesir, Conan the Cimmerian finds himself facing Heimdul, the sole survivor from a Vanir war party, on a corpse-littered field of snow. As soon as Conan defeats and kills the Vanir warrior, he finds himself overcome by the blinding sunlight reflected off the blood-stained snow.

He is raised from his stupor by the arrival of an ivory-skinned, red-haired woman of surpassing beauty. She is barefoot and naked, save for a filmy gown. Soon she is taunting him and he is chasing her. Both rage and mad lust drive him after her into increasingly mountainous terrain with a sky streaked by the colors of the borealis. As he finally nears her, two armored giants rise up from the snow and the woman reveals herself to be their sister. She has lured the Cimmerian northward to his doom.

He proves too powerful, though and, driven by a primal urgency, dispatches them quickly. Unable to ward off Conan any longer, the woman calls on her father, the terrible god, Ymir, and in response to her cries a cascade of blinding blue lights from the heavens strike Conan, leaving him unconscious again. He next finds himself shaken awake by some of his comrades from another war band.

A debate follows whether Conan’s experience was real or just the result of the blow to his head that dented his helmet. One old soldier, Gorm, claims to have seen her in his youth. She is Atali, daughter of Ymir, and has lured men to their deaths for ages. Only Gorm’s wounds kept him from following her himself. Despite the tale, Conan is still unsure of what really happened – until he realizes he still clutches a gossamer gown in his hand.

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Hither Came Conan: Bobby Derie – “The Phoenix on the Sword”

Hither Came Conan: Bobby Derie – “The Phoenix on the Sword”

Hither_PhoenixFightOur Hither Came Conan series gets well and truly underway this week with Bobby Derie presenting the case for “The Phoenix on the Sword.” Grab your loin cloth and tulwar (or zhaibar knife, if you prefer…)  and tread upon some jeweled thrones!

“Know, oh prince…”

The Texas pulpster sat at his typewriter, pounding away at the keys, talking the story out loud as he typed. The long novella of King Kull, “By This Axe I Rule!” written some years earlier remained unsold, rejected by Argosy and Adventure. Already the Texan was working over the history in his mind, weaving together bits of fact and legend of the “Age undreamed of.”

Thinking back to just months ago when he had been down south, in a dusty little border town of the Rio Grande valley, and a character had come into his mind…a raw conception with an old Celtic name, and…

“Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”

The opening to “The Phoenix on the Sword” is the greatest incipit in pulp fiction, an invocation to the muse of artificial mythology, a sketch of a world and a character all at once. It ran as the banner across the Marvel Conan comics for decades, and an abbreviated version opened the 1982 film which introduced the Cimmerian to a whole new audience. It almost didn’t happen.

“But “The Phoenix on the Sword” has points of real excellence. I hope you will see your way clear to touch it up and resubmit it. It is the first two chapters that do not click. The story opens rather uninterestingly, it seems to me, and the reader has difficulty in orienting himself. The first chapter ends well, and the second chapter begins superbly; but after King Conan’s personality is well established, the chapter sags from too much writing.”
—Farnsworth Wright to Robert E. Howard, 10 Mar 1932

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Hither Came Conan: The Best Conan Story Written by REH Was….?

Hither Came Conan: The Best Conan Story Written by REH Was….?

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Welcome to a brand new, Monday morning series here at Black Gate. Join us as a star-studded cast of contributors examine every original Conan story written by Robert E. Howard: and tell you why THAT is the best of the bunch. Read on!

“KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”—The Nemedian Chronicles

And so it began. In the December, 1932 issue of Weird Tales (a good month for pulps! Black Mask included stories by Frederick Nebel, John Carroll Daly and Erle Stanley Gardner), Conan of Cimmeria, a barbarian who had wrested the kingship of the mighty kingdom of Aquilonia with his sword, struggles mightily with…paperwork! Truly, heavy is the crown…

But Robert E. Howard, creator of Kull, Solomon Kane, El Borak and others, had come up with what would become the most recognizable character in the Fantasy genre. No silly Hobbitses here!

It wasn’t all mead and concubines from the get go, however. Farnsworth Wright, editor of Weird Tales, and who remained intertwined in Howard’s life to the end, rejected two (“The Frost Giant’s Daughter” and “The God in the Bowl”) of the first three tales. Not exactly a stellar start.

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Hither Came Conan: The New Weekly Robert E. Howard Series at Black Gate!

Hither Came Conan: The New Weekly Robert E. Howard Series at Black Gate!

frank-frazetta-conan-the-barbarian1_small


Hither Came Conan. Indeed. The iron-thewed Cimmerian trod the thrones of the earth under his sandaled feet. Usually, while wearing nothing more than a loincloth…

Robert E. Howard completed twenty-one tales of Conan, as well as a few more fragments. Of course, some stories were better than others, but even those generally considered among ‘the worst’ offer evidence of Howard’s expertise as a story teller. “The God in the Bowl” rarely makes anybody’s Favorites List, but I wrote an essay, positing that it was a very early example of a police procedural; before the term even existed.

Which might leave the average reader wondering, “What are the best stories in the Conan Canon?” Black Gate is here to tell you… ALL OF THEM! in a brand new weekly series.

Black Gate was proud to round up some of the best Howard scholars, and biggest fans (hey, there’s no shame in that sobriquet – I’m one!), for our award-nominated Discovering Robert E Howard series.

Reaching far beyond the stories of the sword (and axe, and dirk, and torch, and furniture, and…) swinging northern barbarian, almost two-dozen essays delved into the works and life of the pride of Cross Plains. It was a fantastic series that truly paid tribute to the man I consider to be the best fantasy writer I’ve yet read.

Well, Black Gate sure as heck didn’t win a World Fantasy Award for my posts on Sherlock Holmes and hard boiled pulp! Swords and sorcery, epic fantasy, and imagined worlds are what the visitor comes here for. And until they change the password and I can’t log in anymore, I’m going to do my best to keep the Robert E. Howard content flowing. And this time, it’s all about Conan!

Beginning on Monday morning, January 7th, an absolutely All Star roster of guest contributors and Black Gaters (and me. Hey, it’s my series!) is going to be presenting you a cogent argument on why that week’s story is the best Conan tale written by Robert E. Howard.

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Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

Discovering Robert E. Howard: David Hardy on El Borak – The First and Last REH Hero

ElBorak_EarlyToday, our ‘Discovering Robert E. Howard’ series talks about my favorite REH stories: those featuring El Borak. David Hardy wrote the introduction to the Robert E. Howard Foundation’s The Early Adventures of El Borak and he also contributed what is essentially the afterward to Del Rey’s El Borak and Other Desert Adventures.  There’s no one better suited to expound on Francis Xavier Gordon, so enough blathering from me. Let’s check out ‘The Swift.’


Francis Xavier Gordon, known from Stamboul to the China Sea as “El Borak”-the Swift-is perhaps the first of Robert E. Howard’s characters, and the last. El Borak is one of those distinctive characters that could only come from the fertile imagination of REH. He is a Texas gunslinger from El Paso, an adventurer, who has cast his lot in the deserts and mountains of Arabia and Afghanistan. There’s a little bit of John Wesley Hardin in his makeup, a bit of Lawrence of Arabia, and just a touch of Genghis Khan.

Howard described the origin of Gordon and other characters to Alvin Earl Perry: “The first character I ever created was Francis Xavier Gordon, El Borak, the hero of “The Daughter of Erlik Khan” (Top Notch), etc. I don’t remember his genesis. He came to life in my mind when I was about ten years old.”

That would put El Borak’s origins about 1915, the year Rafael Sabatini’s pirate novel The Sea Hawk appeared. The titular Sea Hawk is an Englishman who joins the corsairs of the Barbary Coast. There is also a supporting character named El Borak. Howard also noted that Bran Mak Morn, hero of “Worms of the Earth,” bore a resemblance to El Borak.

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