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Support Bernie Mireault’s The Jam Non Starter Campaign

Support Bernie Mireault’s The Jam Non Starter Campaign

I’ve been following Bernie Mireault since his career began in Montreal in the mid-80s with the quirky and hilarious comic MacKenzie Queen, which he wrote and drew. When the chance came to recruit him to draw for Black Gate a decade later I jumped at it, and he soon became one of our most valuable and prolific contributors. His art appeared in virtually every issue — starting with our very first, when he illustrated Michael Moorcock’s Eternal Champion story “The Dreamthief’s Daughter.”

These days Bernie is best known as the creator of The Jam, aka Gordon Kirby, a normal guy whose unorthodox hobby (patrolling rooftops in costume, on the hunt for evildoers) has unexpected consequences. His adventures have been published by the top publishers in the industry. This year Bernie joined with Nat Gertler’s About Comics imprint to release a brand new Jam comic, The Jam Super-Cool Color-Injected Turbo Adventure From Hell issue 2, financed by an independent cloud-funding effort, The Jam Non Starter Campaign. Here’s what Bernie told me when I asked about it:

The Jam non-starter campaign is meant to be a humorous imitation of a Kickstarter thing except the book is already done and ready to order through the aboutcomics.com portal. Also available is a recent Jam-related graphic novel and by the end of January, a trade paperback collection of the first five issues from the original fourteen issue series. I’m thrilled to be back in print, even on a small scale.

I’m very excited to see The Jam return to print. Check out the promo video above, have a look at the campaign here — and help one of the most creative comic artists in the industry return his legendary creation to print. The world will thank you.

Writing Rogues, Part One: A Study of Batman: The Animated Series

Writing Rogues, Part One: A Study of Batman: The Animated Series

Batman lurks in the dark

I love villains. They’re often at the center of what makes a great adventure story tick. They force our protagonists to take action, to face their worst fears and come out better, to outdo themselves again and again. They push character arcs, drive narratives, and illuminate the differences between regular people and heroes. In short, villains get the story up and out.

Ask an author what the most important storytelling element is and they’ll probably tell you it’s conflict. Conflict occurs when the main character meets a challenge to their goals. In sword and sorcery, that challenge is often a person. While there are the famed man vs. self, man vs. society,  and man vs. nature conflicts as well, antagonists are some of the most engaging sources of conflict because they’re human. Or human-like. We’re programmed to engage more with characters than we do with snowstorms or oppressive governing entities.

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Uncanny X-Men, Part 27: Act II of the Dark Phoenix Saga

Uncanny X-Men, Part 27: Act II of the Dark Phoenix Saga

1979’s Uncanny X-Men #129-131 began the legendary Dark Phoenix Saga, which runs to issue #137. In those first three issues, we saw far more clearly the hooks that Jason Wyngarde got into Jean Grey, the Phoenix, and we saw more dramatically how Phoenix had been changing. She’d become more violent, sensual, tempted by emotions and desires she’d suppressed all her life. In the fictitious dream world that Wyngarde had been constructing in Jean’s mind, as a means to control her for the Hellfire Club, he’d been giving her unlimited power in a setting without moral restraint. Today I’m diving into the year 1980, with issues #132 – #134: the middle of the Dark Phoenix Saga and the progression of the corruption of Phoenix by the Hellfire Club.

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Call for Backers! Dragons by the Yard

Call for Backers! Dragons by the Yard

I’ll confess I have always loved the concept behind Dragons by the Yard. Written by Debbie Daughetee and adapted for comics by Kelly Swails, it’s the story of Anna, a girl who sews dragons to sell at the Rose Bowl Swap Meet. One day she meets a mysterious woman who sells her an unusual fabric, and Anna makes seven little dragons out of it. Then the magic happens.

Currently, four issues of this wonderful tale exist, but Swails has four more scripts ready to go. Kymera Press is currently running a Kickstarter to turn those scripts into finished comics. Most of the money from the Kickstarter will go to the international team of artists, women who’ve worked for Marvel, DC, IDW, Dynamite or other big houses. They are featured in the brief video below.

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Uncanny X-Men, Part 26: Introducing Kitty Pryde, Emma Frost and Launching the Dark Phoenix Saga in 1979!

Uncanny X-Men, Part 26: Introducing Kitty Pryde, Emma Frost and Launching the Dark Phoenix Saga in 1979!

Well, if you’ve been waiting for my epic reread of the Uncanny X-Men to reach one of the most consequential and memorable stories in comic history, your waiting has paid off. It only took 26 blog posts, but we’ve arrived at the beginning of the Dark Phoenix Saga. This arc of the Dark Phoenix Saga, from issue #129 to #131 does some major things.

First, it introduces a mutant who will over the course of the coming decades become a very important X-Man and eventually one of the team leaders: Kitty Pryde. Second, it introduces a mutant who over than same time period will become an iconic X-Men rival and villain, and eventually an ally, teammate and leader herself: Emma Frost. Third, it deepens the corruption of Phoenix’ soul by Jason Wyngarde and Emma Frost.

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Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Welcome to the 25th installment of my reread of The Uncanny X-Men from 1963’s issue #1. We’re now in 1979 and this post will cover issues #125-#128. This is a really memorable run for me for a few of reasons.

First of all, it’s an amazing 4-issue story with huge stakes and high drama, and an example of the Claremont-Byrne team entering their creative peak.

Second, in these 4 issues, some really messed up stuff starts to be revealed about the psychological manipulation of Phoenix that puts the whole series and Marvel history on a collision course with the Dark Phoenix Saga.

Third, issue #128 was one of the first four comics my mom gave me after she came back from a trip, and I remember reading it with a sense of wonder and confusion as I learned by myself how to read comics. I very shortly ended up trading parts of my fledgeling collection to a friend in return first for issue #125, and then finally issues #126 and #127 (and #137!). So my inexperience with the form as well as the non-linear way in which I absorbed the story are indelible parts of my view of what later became known as the Proteus saga.

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Uncanny X-Men, Part 24: Arcade, Murderworld and their First King-Sized Annual

Uncanny X-Men, Part 24: Arcade, Murderworld and their First King-Sized Annual

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Oh hi! You’ve stumbled onto part 24 of my ongoing reread of The Uncanny X-Men. We’ve reached the year 1979, about halfway through the Bronze Age of comics and about a third of the way into the legendary Claremont-Byrne-Austin run. Looking back, we’ve come a long way from 1963; the Bronze Age was a time of growing sophistication and experimentation in comics, and the X-Men was one of the petri dishes.

This post will only cover issues #123 and #124 because we’ve also got our first King-Sized Annual in the mix as well. Taken together, there’s less character development and angst than normal, in part because these three issues are wall-to-wall mutant superheroics.

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Uncanny X-Men, Part 23: 1979 – Chaos in Canada with Alpha Flight!

Uncanny X-Men, Part 23: 1979 – Chaos in Canada with Alpha Flight!

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Welcome to my 23rd blog post detailing my epic reread of The Uncanny X-Men. I started in 1963 and had reached the classic Claremont-Byrne-Austin period that ran from 1977-1980. From Giant-Size X-Men #1 with thirteen team members, the creative team pared them down to seven by issue #111, peeled off Jean Grey and Professor X by issue #117 and in issue #119 injured Banshee so gravely that essentially these new X-Men are down to five effectives: Cyclops, Colossus, Storm, Nightcrawler and Wolverine.

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A Tour of a Pop-Culture Phenomenon: Marvel: The First 80 Years

A Tour of a Pop-Culture Phenomenon: Marvel: The First 80 Years

Marvel the First 80 Years magazine-small

Marvel: The First 80 Years, magazine edition from Titan Comics. On sale November 2020

I was in Barnes & Noble yesterday, picking up some new releases, including a new Stellaris anthology and the latest Year’s Best anthology from John Joseph Adams (here’s the complete stack of titles I walked out with), and literally on my way out of the store my eye fell on a colorful cover in the magazine section. I reversed course to get a closer look, and three minutes later I was back in the checkout line, buying one more item.

The magazine was Marvel: The First 80 Years, a 160-page full color special release from Titan. It’s a little pricey, even with my B&N discount ($19.99 cover price), but according to the scant facts I can find on the internet, it’s a limited release magazine version of the upcoming book Marvel: The First 80 Years, scheduled for hardcover release in two weeks with a $29.99 price tag.

I didn’t know any of that yesterday, tho. I shelled out nearly 20 bucks for an oversize magazine because it looked more than worth the money. Have a look at the gorgeous interior photo spreads below and see if you agree.

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Uncanny X-Men, Part 22: 1978 – The Savage Land, Japan and Psionic Throwback Thursday!

Uncanny X-Men, Part 22: 1978 – The Savage Land, Japan and Psionic Throwback Thursday!

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Welcome to my increasingly Quixotic reread of the Uncanny X-Men. I started in 1963 and am now in 1978, and in my favorite period, the legendary Claremont/Byrne/Austin run. In this installment, I’m covering Uncanny X-Men #115 – 119. It’s a special run for me. As a kid, issues #116 and #118 were among the earliest great trades I’d made, but as with all filling of back issues, I didn’t get the in-between stories until years later. But in those days, I suppose we just lived with the chapters we had and filled in the gaps with our imaginations.

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