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Future Treasures: Bloody Rose by Nicholas Eames

Future Treasures: Bloody Rose by Nicholas Eames

Kings of the Wyld-medium Bloody Rose Nicholas Eames

The books I select to showcase here don’t always connect with readers. And that’s okay; I try to highlight books that aren’t getting enough attention, and sometimes that means they have a niche appeal. But there are plenty of titles that do connect, and one of them was last year’s Kings of the Wyld, the first fantasy novel by Nicholas Eames.

It wasn’t just Black Gate readers that responded positively. Publishers Weekly called it a “Brilliant debut… emotionally rewarding, original, and hilarious.” They’re even more impressed with the upcoming sequel Bloody Rose, calling it “”The equivalent of a 500-page heavy metal guitar… This is a messy, glorious romp worthy of multiple encores.”

It arrives at the end of the month in trade paperback from Orbit, and it being called Book 2 of The Band. Here’s the description.

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Birthday Reviews: Louise Marley’s “Diamond Girls”

Birthday Reviews: Louise Marley’s “Diamond Girls”

Fields of Fantasies
Fields of Fantasies

Louise Marley was born on August 15, 1952. She has published novels under her own name and using the pseudonyms Louisa Morgan and Toby Bishop.

Marley’s novel The Glass Harmonica won the Endeavour Award in 2001 and she won a second Endeavour Award in 2005 for The Child Goddess. Two of her other novels were also nominated for the award. Her novel The Terrorists of Irustan was nominated for both the Endeavour Award and the James Tiptree Jr. Memorial Award. The Child Goddess was also nominated for the John W. Campbell Memorial Award.

Marley first published “Diamond Girls” in the June 8, 2005 issue of Sci Fiction, edited by Ellen Datlow. Its first print publication came in Marley’s collection Absalom’s Mother & Other Stories in 2007. It was reprinted again in the science fiction sports anthology Future Games, edited by Paula Guran in 2013 and the following year, Rick Wilber included the story in his SF baseball anthology Field of Fantasies.

In “Diamond Girls,” Marley describes the first faceoff between a female pitcher and a female batter in the major leagues. For Ricky Arendsen, the match occurs in her second season as a pitcher, although starting the season at 0-3 has put a lot of pressure on her to perform. For Grace Elliott, it is her first game in the majors and she, and everyone else, knows that despite batting .300 in the minors, she was brought up essentially for a publicity stunt.

The duel between the two is described throughout the entire game, not just a single at bat, and Marley has a lot more going on than simply the first time two women face each other in a major league game. Arensen is genetically modified while Elliott isn’t, which has caused a lot of hubbub among the fans and the press. While Arendsen is concerned that if she loses another game she’ll be sent back to the minors, Elliott is worried that if she doesn’t perform, the same thing will happen to her, and she’ll never to get another shot at the Show.

The story has shades of Jackie Robinson, although Arendsen has already been playing for more than a season, as well as echoes of the film For Love of the Game, which gets inside the mind of a pitcher throwing a perfect game. What is also clear is that even though both Arendsen and Elliott are aware of the historical nature of the match up, they treat it like any other game. When Elliott comes up to bat against Arendsen, she does so as a ballplayer, not as a woman, although after the game, there is a natural camaraderie of sisterhood between the two.

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Fairy Tales, Space Stations, and a Sequel to The Thing: The Nebula Awards Showcase 2018, edited by Jane Yolen

Fairy Tales, Space Stations, and a Sequel to The Thing: The Nebula Awards Showcase 2018, edited by Jane Yolen

Nebula Awards Showcase 2018-smallThe annual Nebula Awards Showcase anthologies, which collect the Nebula Award nominees and winners, are edited by a revolving committee of editors, and that means the criteria used to select the fiction varies every year.

I think this is a great idea. Essentially, each year it gives editorial power to a new individual to select which stories to showcase. The winners are always included, of course, but picking between the nominees (especially in the novella category, which frequently would fill one and a half anthologies all on its own) is a challenge, and it needs a strong editorial hand to make tough decisions.

For example in 1980, for Nebula Winners Fourteen, Frederik Pohl jettisoned virtually every single short fiction nominee (and all the novelettes) so he could make room for just two stories, C. J. Cherryh’s Hugo Award-winning “Cassandra,” and Gene Wolfe’s massive 60-page novella “Seven American Nights.” That had to be a tough call, but I think it was the right one.

In the 2018 Showcase volume, editor Jane Yolen makes a similar choice. Seanan McGuire’s Every Heart a Doorway, which won the Best Novella Nebula, is a massive 176 pages, far bigger even than Gene Wolfe’s 60-page classic, and would throughly dominate the anthology. Instead, for the first time I can remember, Yolen has chosen not to include the full version of the Nebula Award winning novella, but rather represent it with a 20-page excerpt. That leaves her with enough space to include every short story and novelette nominee (or at least, as is the case for Fran Wilde’s 96-page The Jewel and Her Lapidary, a substantial excerpt).

It’s a bold decision, and I applaud it. The 2018 Nebula Awards Showcase is a terrific volume, and it certainly gives you the opportunity to sample a wide variety of top-notch fiction from last year, including the delightfully subversive fairy tale “Seasons of Glass and Iron” by Amal El-Mohtar, Sam J. Miller’s thoughtful and creepy sequel to John Carpenter’s The Thing, “Things With Beards,” Caroline M. Yoachim’s “Welcome to the Medical Clinic at the Interplanetary Relay Station / Hours Since the Last Patient Death: 0,” and excerpts from All the Birds in the Sky by Charlie Jane Anders and Arabella of Mars by David D. Levine

If you’re looking for a Best Of collection that encapsulates some of the finest science fiction from last year, it makes a splendid choice. Here’s the complete Table of Contents.

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Fifteen Years Gone: Water Sleeps by Glen Cook, Part 1

Fifteen Years Gone: Water Sleeps by Glen Cook, Part 1

Water Sleeps.

In their homes, in the shadowed alleyways, in the city’s ten thousand temples, nervous whispers never cease. The Year of the Skulls. The Year of the Skulls. It is an age when no gods die and those that sleep keep stirring restlessly.

In their homes, in the shadowed alleyways or fields of grain or in the sodden paddies, in the pastures and forests and tributary cities, should a comet be seen in the sky or should an unseasonable storm strew devastation or, particularly, if the earth should shake, they murmur, “Water sleeps.” And they are afraid.

oie_1372930SSs2Hx7jI wish I had managed to finish the ninth Black Company book, Water Sleeps (1999), in a single go because, after two frustrating choppy books, Cook is back on his game. Yes, it’s very different than the bloody, battle-focused earlier books, but Water Sleeps, so far, is a tight story with narrative complexity, brutal twists, and more world-building than any of the others.

The previous volume, She is the Darkness, ended with most of the Black Company’s senior officers  — Croaker, Lady, and Murgen — and several important prisoners — the Prahbrindrah Drah of Taglios, Howler, and Lisa Bowalk — trapped by Soulcatcher and held in stasis on the demon-haunted plain of Glittering Stone.

As Water Sleeps opens, we quickly learn that Croaker et al. have been imprisoned for nearly fifteen years. Murgen’s Standardbearer-in-training, Sleepy, is acting Captain, aided by Murgen’s Nyueng Bao wife, Shara, and the increasingly feeble One-Eye and Goblin. Soulcatcher has declared herself Protector of Taglios, has made the Radisha Drah little more than a puppet, and has rendered her councilors toothless. For a decade and a half, the survivors of the Company have been hunting for a way to free their colleagues from Soulcatcher’s trap, while constantly reminding her that the Black Company never lets a betrayal go unpunished.

Sleepy is not only Captain, she’s also the Company’s Annalist. In her hands, there’s greater attention paid to politics and culture than in the other volumes. Unlike Croaker and Lady, Sleepy doesn’t see Soulcatcher and the other power brokers in Taglios just as obstacles. They are part of a complicated nexus of power centers and religious beliefs. Through her, Cook explores and underscores how they manage to run a vast realm. She’s also the only narrator in any of the books who has religious beliefs. When she explains the three main religions of Taglios — Gunni, Shadar, and her own Vehdna — she does it with a degree of sympathy absent from Croaker’s or Lady’s books.

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New Treasures: Ubo by Steve Rasnic Tem

New Treasures: Ubo by Steve Rasnic Tem

Ubo Steve Rasnic Tem-smallSteve Rasnic Tem is one of the most acclaimed writers in modern horror. His novels include Deadfall Hotel (2012) and the Bram Stoker Award-winner Blood Kin (2014), and he’s produced over half a dozen collections, including City Fishing (2000) and Figures Unseen (2018). He’s written over 350 short stories and his fiction has won the Bram Stoker, International Horror Guild, British Fantasy, and World Fantasy Awards.

His latest novel Ubo is a strange one, a hallucinatory tale of giant bugs and another world. In “Violence is My Biggest Fear,” an guest post at SciFiNow last year, Steve wrote:

Ubo is a dark science fictional meditation on violence and its origins. During the course of this novel I inhabit the viewpoints of some of history’s most violent figures: Jack the Ripper, Josef Stalin, and Heinrich Himmler among others. I’m not a social scientist, I’m a writer of fiction — I don’t pretend to offer any ingenious new solutions to the issue of human violence. What I do offer is an exploration, a range of eyes and angles through which to view the problem. Perhaps some readers will find their own imaginations triggered, allowing them to view violence in a somewhat different way.

Here’s the description.

Daniel is trapped in Ubo. He has no idea how long he has been imprisoned there by the roaches. Every resident has a similar memory of the journey to Ubo: a dream of dry, chitinous wings crossing the moon, the gigantic insects dropping swiftly over the houses of the neighborhood, passing through walls and windows as if by magic, or science. The creatures, like a deck of baroquely ornamented cards, fanning themselves from one hidden world into the next. And now each day they force Daniel to play a different figure from humanity’s violent history, from a frenzied Jack the Ripper to a stumbling and confused Stalin to a self-proclaimed god executing survivors atop the ruins of the world. The scenarios mutate day after day in this camp somewhere beyond the rules of time. As skies burn and prisoners go mad, identities dissolve as the experiments evolve, and no one can foretell their mysterious end.

Ubo was published by Solaris on February 9, 2017. It is 320 pages, priced at $14.99 in trade paperback and $6.99 for the digital edition. The disturbing cover is by Sam Gretton. Read Steve’s Locus essay “The Long Gestation Period of Ubo” here.

Birthday Reviews: Mary C. Pangborn’s “The Confession of Hamo”

Birthday Reviews: Mary C. Pangborn’s “The Confession of Hamo”

Cover by Lawrence Ratzkin
Cover by Lawrence Ratzkin

Mary C. Pangborn was born on August 13, 1907 and died on February 20, 2000.

Pangborn didn’t publish very many works during her career. Her first story appeared in 1979 and she published six stories by 1985 with one more appearing in 1996. Although she has written a novel, it has not yet been published. Three of her stories appeared in the Universe series, another in the New Dimensions series, one in Fantasy and Science Fiction.

Mary C. Pangborn’s third story was “The Confession of Hamo,” originally published in 1980 in Terry Carr’s Universe 10. Carr enjoyed the story so much that he included it the next year in his Fantasy Annual IV. When Several of the stories that appeared in the Fantasy Annual series were translated into Spanish for inclusion in the book Fantasias in 1989, “The Confession of Hamo” was one of them.

The title of “The Confession of Hamo” tells the reader exactly what they should expect, although without any of the details. Hamo, living in fifteenth century England, is confessing his sins to Brother Albertus, although it isn’t entirely clear that Hamo is fully aware of the extent and nature of his sins. Hamo has been traveling the countryside with his friend, Tom o’Fowey, who calls himself Moses the Mage. The two scam people into believing that they can change base metal into gold.

Through their travels, they occasionally meet up with another charlatan who goes by the name Black Jamie, who teaches them how to make it appear that they are creating gold. Although Hamo never explicitly identifies Black Jamie, it is clear that he is a representation of the Devil. Instead, Hamo is more concerned about the crime of alchemy that he and Tom practiced, although at the same time he is clearly proud of the scam they perpetrated.

Eventually, Black Jamie sends Hamo on a quest, warning him that part of himself would be taken from him. Hamo’s biggest concern that he would lose his genitalia proves to be unfounded, although he does lose an non-tangible part of himself which proves to be a huge problem for someone who earns their money scamming others. Hamo, who now calls himself the Accursed, also finds that Tom has been taken prisoner by the sheriff, and it’s up to the now destitute Hamo to figure out a way to free him without his own biggest asset.

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Future Treasures: The Stars Now Unclaimed by Drew Williams

Future Treasures: The Stars Now Unclaimed by Drew Williams

The Stars Now Unclaimed-smallDrew Williams’s fiction debut The Stars Now Unclaimed sounds like just what I’m looking for in my late-summer reading: a colorful far-future space opera. Here’s a snippet from the Publisher’s Weekly capsule review:

Williams’s sarcastic, trope-filled debut is a science fiction adventure that never takes itself too seriously. Jane is a human member of the Justified sect who’s trying to make up for what she views as the worst thing she’s ever done. A few generations ago, the universe was hit by the pulse, a weapon that destroyed all other weaponry. It got out of control and set planets back technologically, leaving some without even electricity. Jane’s sect was the one that released it, with her help. Now she’s trying to right her wrongs by traveling to different planets to find kids who have gained powers because of the pulse… it’s an enjoyable ride full of dry humor and thrilling action scenes.

Here’s the publisher’s description.

Jane Kamali is an agent for the Justified. Her mission: to recruit children with miraculous gifts in the hope that they might prevent the Pulse from once again sending countless worlds back to the dark ages.

Hot on her trail is the Pax — a collection of fascist zealots who believe they are the rightful rulers of the galaxy and who remain untouched by the Pulse.

Now Jane, a handful of comrades from her past, and a telekinetic girl called Esa must fight their way through a galaxy full of dangerous conflicts, remnants of ancient technology, and other hidden dangers.

And that’s just the beginning…

The Stars Now Unclaimed is the opening volume in the Universe After series. Read Chapter One at Tor.com.

The Stars Now Unclaimed will be published by Tor Books on August 21, 2018. It is 448 pages, priced at $24.99 for the hardcover and $11.99 for the digital edition. See all our coverage of the best upcoming SF and Fantasy here.

Birthday Reviews: Brenda Cooper’s “Second Shift”

Birthday Reviews: Brenda Cooper’s “Second Shift”

Love & Rockets
Love & Rockets

Brenda Cooper was born on August 12, 1960.

Cooper has won the Endeavour Award twice, for her novels The Silver Ship and the Sea and Edge of Dark. The latter was also a nominee for the Golden Duck Hal Clement Award while the former was nominated for the Philip K. Dick Award. Her short story “Savant Songs” was nominated for the Theodore Sturgeon Memorial Award. Cooper has collaborated with Larry Niven on both short fiction and a novel.

Cooper write “Second Shift” for the anthology Love & Rockets, edited by Martin H. Greenberg and Kerrie Hughes in 2010. In 2015, she included it in her collection Cracking the Sky.

Brenda Cooper looks at a strange form of love in “Second Shift.” Lance Parker is on a solo mission to the asteroid belt to mine ore. Because such missions take so long, companionship is necessary to help the astronauts maintain a sense of sanity. To this end, Sulieyan and Kami have both been hired to maintain contact with him, in shifts, to provide Lance with the required human contact that a computer just can’t provide.

Although the first rule is not to form a relationship with the astronaut, Kami and Lance have both proclaimed their love for each other, even as they realize that there is practically no chance of them ever meeting in real life. Lance’s mission is a lengthy and dangerous one and for him Kami and Sulieyan are simply voices in an otherwise empty cockpit. The situation, however, doesn’t make the feelings Kami has for him, or vice versa, and less real. Seeing what is happening, Sulieyan sends her grandson, Hart, to interview Kami for a newspaper article on love.

In a normal story, Hart and Kami would hit it off and Kami would transfer her affection to Suleiyan’s son, however, in Cooper’s story, Kami remains true to her distant and as yet unmet love. Her interactions with Hart are non-romantic, yet focus on a discussion of what love is and who Kami and Lance can be in love with each other despite the barriers places between them.

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Religious Cults, Vampires, and the London Underground: Dreadful Company by Vivian Shaw

Religious Cults, Vampires, and the London Underground: Dreadful Company by Vivian Shaw

Strange-Practice-Vivian Shaw-small Dreadful Company Vivian Shaw-small

Vivian Shaw’s debut novel Strange Practice was labeled “a triumph” by SFFWorld, and Booklist called it “a standout in the genre.” I was surprised to discover the second book in the series, Dreadful Company, already on the shelves at Barnes & Noble last week, and I snatched it up immediately. Here’s what the always-reliable Liz Bourke said in her feature review at Tor.com.

Dreadful Company is Vivian Shaw’s second book, sequel to last year’s excellent Strange PracticeAnd if anything, it’s even more fun…

Dr. Greta Helsing isn’t your average medical doctor. She runs a practice dedicated to the supernatural, treating vampires, werewolves, zombies, demons, mummies, ghouls, and all manner of other being. Her best friend is Edmund Ruthven, vampire; and Sir Francis Varney (also a vampire) is tentatively trying to swoon at her feet. After the events of Strange Practicein which Greta found herself at the centre of attempts to dissuade a very strange religious cult beneath London’s underground from doing a whole lot of murder, Dreadful Company finds Greta attending a medical conference in Paris…

Dreadful Company is fast, fun, and immensely readable. As with Strange Practice, one of the largest parts of its appeal is in its voice. Dreadful Company has a wry edge, one that at times goes all the way over into laugh-out-loud funny, without ever losing a sense of heart. And it’s got kindness in its bedrock… As you may have guessed, I deeply enjoyed Dreadful Company… it’s delightful. I recommend it wholeheartedly, and I’m looking forward to seeing much more of Shaw’s work in the years to come.

You can read Liz’s complete review here.

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In 500 Words or Less: Graveyard Mind by Chadwick Ginther

In 500 Words or Less: Graveyard Mind by Chadwick Ginther

oie_9232935aM029I3CGraveyard Mind
By Chadwick Ginther
ChiZine Publications (300 pages, $17.99 paperback, $10.99 eBook, July 2018)

I love a book set in a Canadian city… other than Toronto. Sorry, T-dot; you get a lot of attention in the mainstream, but we have a big-ass country for SFF authors to play with, and as Bobby Singer once said to the Winchesters, “You ain’t the center of the universe.”

Sorry, that probably seemed aggressive. But it’s justified, since one of the things worth celebrating about Chadwick Ginther’s newest novel, Graveyard Mind, is that once again he brings us back to Winnipeg, painting it in a much different light than his Thunder Road novels by focusing on the underworld: ghosts, vampires, monsters, and more. There’s a similar feel here in the way Chadwick weaves interesting story elements together, presenting a unified world that makes total sense while being freaky and entertaining. You’ve got Frank, a golem stitched-together from dead soldiers who grapples with wanting to die; an underworld “territory” divided between an aging, pot-bellied vampire and an aristocratic animated skeleton; and protagonist Winter Murray, the necromancer charged with protecting Winnipeg while she deals with her never-born twin sister whispering in the back of her head. There’s even hell hounds and cultists and whatnot!

The freaky moments are superb, like where Winter’s frenemy vampire Christophe shows up at an art sale and brings the entire room under his thrall just to throw his weight around. These are so gripping because of Chadwick’s excellent character work; even minor characters make you care about them because, apologies for the cliché, they jump off the page. Graveyard Mind is a lot like The Dresden Files in that the interpersonal is just as important (and handled as well) as the excitement and terror of the supernatural. Winter tries to support her best friend Lyssa, who’s lost her mother, while at the same time keeping a local cult from taking over the funeral; she has a tenuous relationship with the lingering spirit of her mentor, Grannie Annie, who abducted her and brutally trained her in necromancy, keeping her from ever seeing her parents again; and so on. The consequences of Winter’s decisions on these relationships are more important than the consequences for her city or the supernatural world, because that’s what matters more to her.

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