Good morning, Readers!
I have long been stressing about this episode, since Sam and Henry were introduced last episode. I know precisely how this is going to end, and I’m not looking forward to it at all… While also looking forward to it a great deal. We don’t have time to unpack that. Let’s get on with it all the same.
It’s here! You probably know that back in 2019, many of the leading Robert E. Howard experts and fans contributed to a terrific series here at Black Gate on REH’s Conan stories. Prior to that, Black Gate’s own Howard Andrew Jones, along with Bill Ward, had over on his own blog, done a deep dive into each story as well.
Jason Waltz and his Rogue Blades Foundation combined those two series’ and added much more content. Now, Hither Came Conan is a print book that is THE definitive guide to REH’s sword-swinging Cimmerian (Hollywood added ‘the Barbarian’ tag – that’s not REH).
Howard wrote 20 Conan short stories, and one novel. Plus, there’s one unfinished tale (“Wolves Beyond the Border”). Each of the twenty-two stories has an essay from the Black Gate series, as well as Howard and Bill’s blog entry. Plus, there are thirteen new essays related to various stories. Finally there, are eleven additional essays not tied to a specific story.
I’ve done three shelfies posts. If you missed those (shame on you!), I’ve been posting shelfies, with comments on some of the books, over in a bookshelf subreddit. With over 2,000 physical books, I’ve got a lot of shelves.
And to me, if you’re talking about a shared universe, you gotta start out with Thieves World. I own a (non-RPG/comics) almost complete library; including one few folks know about, let alone have.
THIEVES WORLD
The first Thieves World book came out in 1979, and I have a first edition Ace paperback. I started reading the series almost from the start, and re-read that first book as recently as 2020. It’s probably in my Top Five Fantasy series’.
Thieves World was a shared universe, where multiple authors wrote short stories around the Empire outpost, armpit town of Sanctuary. Writers could use others’ characters in their own stories, and the authors came and went in the series, but their creations were fair game for anyone.
Many of the biggest names in fantasy joined in, and there were also spin-off novels. There were twelve collections, from 1979 – 1989 in the original series. I’ve got all of them on that bottom shelf. I really liked the art-style on the first six books. A friend of mine has at least two of the original paintings by Walter Valez – I suspect more than just those two, which I got to stand right in front of. LOVE them!
Tempus, Hanse Shadowspawn (my favorite rogue in all of fantasy), Molin Torcholder, Jubal, Crit, Niko – SOOO many cool characters. It got a major shake-up later, when a sea-faring race arrived (foreshadowing of the Seanchan?), but it still works. I think that the current crop of Dark Fantasy writers were influenced by Thieves World, which was well before of them.
Official continuators of a literary series can engender mixed emotions. Some folks are happy to see more stories of a character they like – even if the creator has died. Others feel that only the original author should write that character and they should lie in the grave together.
Characters eventually enter the public domain. Though exactly when varies in different countries; and it’s not always clear, regardless. But the rights holders (often the family of the author, or their Estate) contract with someone to continue the series. I have read several official continuations (though I still haven’t gotten around to Ben Black’s Philip Marlowe. And as I recall, Poodle Springs didn’t do anything at all for me). I’m gonna talk about a few, with comments on the concept, mixed in.
Tony Hillerman/Anne Hillerman
Anne Hillerman had previously written some non-fiction when she took over her late father’s Navajo Tribal Police series. The ONLY reason she is writing these books is because she owns the rights. Quite simply, her continuation novels are terrible. And are a bastardization of her father’s books. I wish someone could prevent her from any more of them.
Anne completely transformed her father’s series. She was not interested in writing more books in his style. Expanding from ‘Leaphorn and Chee.’ they are now officially ‘Leaphorn, Chee, and Manuelito Novels.’ She has completely shifted the emphasis to Bernie Manuelito. Chee is an emasculated husband who would be better off completely out of the books. They’re now like Lifetime movies about Bernie and her issues with her mom and sister, and unhappiness with Chee’s attitude at least once a book. It’s exhausting read them.
Louisa Bourbonette is now so annoying, I wish that Leaphorn (who was actually lobotomized by a gunshot wound in the first two books) would dump her.
Stargazer (the sixth book) is the worst continuation novel I’ve ever read. Well, I actually, partly read. The first five books were bad, and that one was so terrible, I abandoned it part-way through.
I enjoyed last week’s 10 Things I Think I Think. And it got some comments, which is kinda the goal of blogging. So, following up with 5 More Things I Think I Think.
1) THREE PINES is a Prime Original, based on a books by Canadian author Louise Penny. The series is at 18 novels and still going! Alfred Molina is Inspector Armand Gamache, head of the Quebec Surete homicide department. It’s a French-Canadian murder mystery with a little bit of supernatural. Kinda like a splash of Weird Tales mixed in. The Three Pines area has the crime rate of a rural Agatha Christie village. Here’s the trailer.
Molina’s career has produced over 200 credits spanning thirty-five years. He’s been in a lot of stuff. He’s probably most recently recognizable as Doc Ock in Toby Maguire’s Spider Man movies. He was Hercule Poirot in a 2001 (modern-day) version of Murder on the Orient Express for TV. It’s still poorly considered by Poirot fans. I will add that in 2021, he was Poirot in LA Theater Works’ radio play of The Murder on the Links, and he was very good. I bought it with an Audible credit and listen to it regularly. Recommended.
He is terrific in Three Pines. I think he makes the show. The supporting cast (including Donald Sutherland’s son, Rossif) is solid but the for me, Molina is the centerpiece. He’s very human. I get a strong Maigret vibe, and I would like to see him play Georges Simenon’s French inspector.
And we’re back with the next episode of The Last of Us. As I outline this piece, the episode has aired a few days ago (vastly different from when this article will be published, I know), and the internet is absolutely buzzing. Most of the chatter I hear is about how devastatingly wonderful this episode is, which makes for a nice change. I’ve curated my social media well.
Let’s get into it, shall we?
1) THE MANDALORIAN remains the best Star Wars property going. My son loves The Bad Batch, and it seems cool. But as I wrote here, the mix of innovation and fidelity; and simply all-around awesomeness, I’ll take this over just about any Star Wars of the past few decades.
I liked Boba Fett – and it didn’t hurt that it was like a subs-series for The Mandalorian. I quit Battlestar Galactica, as it put me to sleep. But I’m a big Katee Sackhoff fan from her work on Longmire. And she is SPECTACULAR as Bo Katan. Absolutely superb. I look forward to this show every week. I think The Mandalorian is outstanding.
2) I did not look forward to ANDOR. Elementary was a police procedural with a Sherlock Holmes overlay. I liked it. Solo was a caper/heist flick (for the first half) with a Star Wars overlay. I liked it. I’m a WW II-resistance movie fan. Andor was a war resistance series, with a Star Wars overlay. And for the most part, it was DULL!
It got better when Andy Serkis became a major character, but this should have been right up my alley. But it was soooo slow, I watched most episode in two or three sittings. Lots of FB friends lavished ‘FINALLY: Star Wars for grown-ups” praise on it. To me, it was the same tone as The Literature people being snobby about Robert E. Howard and Sherlock Holmes: “Oh, you’re reading THAT ‘stuff?’ Go get some George Bernard Shaw, or Flaubert.” Whatever. I think Andor was pretty boring.
3) LETHAL WEAPON (TV SERIES) replaced the Martin Riggs character after season two. And it was canceled after less than a full season three. Apparently Clayne Crawford and the show/studio people did not get along. Whatever. They both probably had some legitimate beefs. But the way they wrapped up his character’s story line at the very end of his final episode, PISSED ME OFF! I haven’t been this mad at a show since the rape scene in Downtown Abbey. It was totally unnecessary, the way they finished up with the Riggs character. They were jack asses.
I continued on with season three. And the show works okay with Sean William Scott (though it’s not as good). But I’m still mad at what they did with Riggs. I think I’m glad the show died not long after.
I’m going to write a post on G.M. Ford’s Leo Waterman series. Waterman is a Seattle-based PI whose dead father was a Tammany-Hall style politician, and he uses some alcoholic bums as his Baker Street Irregulars. Ford wrote six in the series, took a long break, and returned to Waterman and wrote six more books. As with Robert Goldbsorough’s Nero Wolfe continuation novels, the break damaged the series.
While Goldsborough’s second run is, simply, not good, the second batch of Watermans are still worth reading. But the series took a decidedly darker tone. I’ve read five of the second six, and I haven’t enjoyed them nearly as much. I haven’t been in any rush to close it out.
After finishing book eleven (of twelve) last week, I found out that Ford had passed away in December of 2021. I’d met him once at a Bouchercon, and he was a nice guy; Funny. I’m sorry he’s gone. But that confluence of Ford in my life led me to re-read the first book in the series, Who in Hell is Wanda Fuca? And I liked it as much as I did the first time around. What a terrific book! I moved right on to the next, Cast in Stone.
That novel is an homage to one of his favorite writers, John D. MacDonald. And if you read my stuff here, you know that John MacD is my favorite writer, in any genre. I think he’s one of the finest writers of the 20th Century. Meanwhile, book three is a tribute to Nero Wolfe (which is my all-time favorite PI series. So, that’s up next.
“I have been thinking,” said Arthur, “about Might and Right. I don’t think things ought to be done because you are able to do them. I think they should be done because you ought to do them.”
King Arthur, p. 239 The Once and Future King
I first read English author T.H. White’s The Once and Future King when I was seventeen, fresh from seeing the movie Camelot (1967) for the first time (the musical Camelot, by Lerner and Lowe was based on parts of White’s novel). The tale of Arthur Pendragon, by turns both comic and tragic, told in a thoroughly anachronistic and post-modern way, reached me as few other books had. The story of Arthur’s education and effort to create a better world and his ultimate failure and downfall broke my heart. I absolutely loved the book and used it as the basis for my AP English exam essay instead of any of the books I’d read in class (I aced the test). More than any other Arthurian book or movie, White’s book forms my image of Arthur’s doomed noble reign.
I know I reread the book once during college or grad school, but that was over thirty years ago and my memories are dim. To say I approached The Once and Future King last month with some trepidation is an understatement. There’s been more than one greatly admired book I’ve revisited only to find out that whatever affection I held for it had flown. I did not want that to happen here. Nonetheless, spurred again by watching Camelot recently, I was determined to read the book. Having finished the first two parts of the novel, I am happy to find that not only do I still love the book, I’m impressed more than ever by its power and White’s artistry. Note: To convey the latter point, I’ll be quoting the book generously.
The Once and Future King is really four books; The Sword in the Stone (1938), The Witch in the Wood, later retitled The Queen of Air and Darkness (1939), The Ill-Made Knight (1940), and The Candle in the Wind (1958). The first three were all published as standalone novels, the fourth only as part of the unified four-book collection. A fifth part, The Book of Merlyn (1977), was written in 1941 but wasn’t published until long after White’s death in 1964. For today, I’m going to write on the first two parts.
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For those who don’t know about the Open Game License “incident” from earlier this year, it’s too complicated to lay out in an introduction, so go look it up, then come back to this article.
Crazy, right? Despite Wizards of the Coast walking back a lot of what they were going to do, players and game designers alike are giving serious thought into whether or not they want to continue playing with this game system. While many are sticking with 5th Edition (5E) Dungeons & Dragons, others are looking into something completely different, including games that simulate the 1st Edition rules (known as Old School Renaissance or OSR). Which puts Kelsey Dionne at Arcane Library in the perfect time to release her long-awaited Shadowdark game, since it combines the fan-favorite elements of 5E and OSR games.
While it might seem like Shadowdark was rushed into production to capitalize on this sudden interest in alternative game systems, the truth is that it’s been several years in development. After the OGL crisis, Kelsey Dionne had to re-work some of the mechanics so that Shadowdark didn’t resemble Dungeons & Dragons too closely, but this just results in the game now looking more like her own unique thing (a similar situation is occurring with Gavin Norman’s also long-awaited Dolmenwood game). There are still the usual 6 character traits, armor class, and hit points. But complicated encumbrance rules are now replaced by a simple gear slot mechanic (you can carry as many items as your Strength score). The magic system looks like the traditional Vancian system used in every version of Dungeons & Dragons, but now it’s limited by a spell mishap table (similar to what you find in Dungeon Crawl Classics). Darkvision has been completely eliminated as an option for player characters, making those torches far more important and the threat of losing your light source far more intense (since ALL monsters can see in the dark). …
