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Vintage Treasures: On Wings of Song by Thomas M. Disch

Vintage Treasures: On Wings of Song by Thomas M. Disch

On Wings of Song-small On Wings of Song-back-small

Bantam Books, 1985. Cover by Kid Kane

Last time I wrote about Thomas M. Disch I got a cranky note from Michael Moorcock, taking me to task for calling him a “tragic figure.” Fair enough. He’s not quite as forgotten as I made him out to be, either. There are still people whispering about Thomas Disch in dusty corners of the internet, if you know where to look.

Me, for one. Disch is a fairly recent discovery for me, I admit, and I probably would never have tried him if it hadn’t been for a few lone voices out there still championing his quirky brand of SF, including Rich HortonTed Gioia, and Jo Walton. It was Jo who helped pique my interest in his 1979 novel On Wings of Song, with her 2011 review at Tor.com.

It’s a fascinating complex world. There are machines which you hook up to and sing sincerely, and if you do it right you have an out of body experience. They call this flying, and it’s banned in the same way that drugs are banned — illegal but available… There are famines when rations get cut to starvation levels, and prisons where you have to get McDonalds takeout to survive…

We don’t seem to have a word to describe the kind of story this is. It’s the whole life story, from age five to death, of Daniel Weinreb… He wants to fly, he wants it more than anything. His life is complicated and largely unheroic, the kind of life people actually have in reality and seldom have in fiction. But it’s a life he could only have in that time and place, in the world he lives in. It’s a book about how he grows up and what happens to him and what he wants and what he has to do to get by.

The book is depressing and hilarious in a way that’s very hard to describe. Most of Disch is brilliant and depressing, this is brilliant and depressing and moving and funny… You really want to read On Wings of Song. You might not like it, but it’s one of the books that marks the boundaries of what it’s possible to do with SF.

On Wings of Song was a Hugo nominee, and won the Campbell Award. But I’m certain I would have bounced off it when it was first published. In 1980 I was discovering Roger Zelazny, Robert A. Heinlein, and Stephen R. Donaldson, and busy falling in love with the sweeping adventure epics SF had to offer. I was just one of the many science fiction readers who ignored Disch completely. Definitely my loss.

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Future Treasures: Nexus, Book 2 of The Androma Saga by Sasha Alsberg and Lindsay Cummings

Future Treasures: Nexus, Book 2 of The Androma Saga by Sasha Alsberg and Lindsay Cummings

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When I parked myself in the sprawling Young Adult section at Barnes & Noble last December, I decided to take home the single book that appealed to me the most. I ended up choosing Zenith, the first book in The Androma Saga by Sasha Alsberg and Lindsay Cummings. This is why:

The book that won out over all the others was an instant New York Times bestseller by two popular YA writers, a tale of an all-girl crew of space privateers getting caught up in “a dark and complex sci-fi drama” (Library Journal), and it just screamed fun.

Publishers Weekly said the first volume “features plentiful action, complex politics, and a rich mythology,” and Buzzfeed went much further, saying:

This sci-fi novel follows Andi, also known as the Bloody Baroness, and her fearless all-female crew of space pirates. When someone of high importance proposes a mission that Andi cannot refuse, she finds herself and her crew partnered with Dex — a bounty hunter who has a not-so-pleasant past with Andy. They must work together to complete a nearly impossible mission. But what they don’t know is that the ruler of the planet Xen Ptera is planning to extract revenge on the galaxy, threatening all who inhabit it. Zenith is an spectacularly stunning, whirlwind adventure with a race-against-the-clock plot and strong as hell female characters.

The next book in the series, Nexus, arrives in hardcover next week, and it continues the saga in high fashion. Here’s the description.

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Warhammer Chronicles: The Gotrek & Felix Novels by William King and Nathan Long are Back in Print

Warhammer Chronicles: The Gotrek & Felix Novels by William King and Nathan Long are Back in Print

Gotrek and Felix Volume 1-small Gotrek & Felix The Second Omnibus-small Gotrek & Felix The Third Omnibus-small

I became a fan of Warhammer through Relic’s Warhammer 40K: Dawn of War series of computer games, and eventually became a huge fan of their audiobooks. But people I respect have been telling me for years that their fiction is worth reading. Howard Andrew Jones in particular recommended Clint Werner’s Brunner novels and Nathan Long’s Blackhearts volumes as fine examples of modern sword & sorcery.

But the series I’ve heard the most about is the long-running Gotrek and Felix, which currently stands at no less than 17 volumes, written by William King, Nathan Long, Josh Reynolds, and David Guymer. King is the originator of the series and he wrote the first seven volumes, which I’ve heard described as “the reference series for Warhammer fantasy.”

The early editions are long out of print, and in fact the original omnibus reprints, which collected three novels each and were issued in 2003-2004, are out as print as well. They’re expensive collectors editions today. So are the second batch of reprints, published by Black Library in 2006-2013, which gathered the first 12 novels.

So I was pleased to see Games Workshop issue a third edition of this classic adventure fantasy series, and bought the first volume as soon as it became available. The second volume arrived in February. and the third is due in June. Here’s the details.

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New Treasures: Winds of Marque by Bennett R. Coles

New Treasures: Winds of Marque by Bennett R. Coles

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You love tales of space pirates, yes? Of course you do. Why did I even ask?

Bennett R. Coles is the author of the Virtues of War trilogy, which we covered here around this time two years ago. His latest, Winds of Marque, is a tale of star-sailing ships, secret identities, dashing commanders and plucky quartermasters, not to mention “interplanetary travel, black powder cannons, and close quarter cutlass duels with members of the brutish Theropods and their mighty tail swords” (Booklist). And pirates! Lots of pirates. Kirkus gives it their stamp of approval.

With solar sails hoisted and war with the Sectoids imminent, Imperial Navy Subcmdr. Liam Blackwood, enigmatic quartermaster Amelia Virtue, and the crew of the HMSS Daring must stop space pirates from disrupting human supply lines in the outer sectors in the first book in a new series.

Unable to catch the pirates outright, they pose as opportunistic space merchants to gather intelligence. Any booty they take from the pirates remains their prize, but sailing the system under a false flag comes with great risk: Fail, and the emperor will disavow all knowledge of the mission. Every member of the crew will be dishonorably discharged and made destitute. When Daring commander Sophia Riverton’s orders jeopardize the mission, that threat becomes all too real, and the crew slips closer and closer toward mutiny. Romantic complications notwithstanding, Liam and Amelia have to uncover the truth about Riverton before the pirates discover their ruse and scuttle the mission, destroying any chance humankind has against the relentless Sectoids… Traditional science fiction lovers may get distracted looking for more space tech, but lovers of classic high-seas adventures and those who enjoy genre-bending SF will find this swashbuckling space adventure a worthy read.

Winds of Marque is the opening volume in a new series, Blackwood & Virtue. It is 354 pages, priced at $16.99 in trade paperback and $9.99 in digital formats. The cover is by Damonza. Read a sizable 30-page excerpt, the complete first two chapters, here, and listen to a 4-minute audio sample here.

Future Treasures: Aurora Rising by Amie Kaufman and Jay Kristoff

Future Treasures: Aurora Rising by Amie Kaufman and Jay Kristoff

Aurora Rising-smallIt wasn’t all that long ago — say, about ten years, when it seemed that 80% of the new release shelf in science fiction and fantasy was adult (and often highly adult) paranormal romance — that it seemed that science fiction just wasn’t attracting new readers any more. And especially, there was no market for young adult SF, and no way for young readers to really discover it, except for those lucky few who stumbled on battered copies of the kid-friendly science fiction I found in my youth, by Heinlein, Simak, Asimov, Le Guin, Poul Anderson, and more.

Man, what a difference a decade makes. Thanks to the gargantuan success of The Hunger Games, Harry Potter, Veronica Roth’s Divergent series, and countless others, YA science fiction and fantasy rules in the bookstore. There’s absolutely scads of it. The YA section at my local Barnes & Noble is nearly as big as the entire SF section — and most of it is genre in one way or another.

I think this is fabulous, especially if SF can keep and nurture these readers. One way to do that it to make sure they know they’re reading science fiction, and not dystopian fiction, or whatever they call it these days. That’s why I’m especially interested in books like the upcoming Aurora Rising, from the the New York Times bestselling writing team of The Illuminae Files, which looks, feels and smells just like SF. Young readers who enjoy this book will come back looking for more space adventure, and there’s a lot to give them. Here’s the description.

The year is 2380, and the graduating cadets of Aurora Academy are being assigned their first missions. Star pupil Tyler Jones is ready to recruit the squad of his dreams, but his own boneheaded heroism sees him stuck with the dregs nobody else in the academy would touch…

A cocky diplomat with a black belt in sarcasm
A sociopath scientist with a fondness for shooting her bunkmates
A smart-ass tech whiz with the galaxy’s biggest chip on his shoulder
An alien warrior with anger-management issues
A tomboy pilot who’s totally not into him, in case you were wondering

And Ty’s squad isn’t even his biggest problem – that’d be Aurora Jie-Lin O’Malley, the girl he’s just rescued from interdimensional space. Trapped in cryo-sleep for two centuries, Auri is a girl out of time and out of her depth. But she could be the catalyst that starts a war millions of years in the making, and Tyler’s squad of losers, discipline cases, and misfits might just be the last hope for the entire galaxy.

NOBODY PANIC.

Aurora Rising will be published by Knopf Books on May 7, 2019. It is 470 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover is by Charlie Bowater.

Tor.com on Abandoned Earths and Inhospitable Planets

Tor.com on Abandoned Earths and Inhospitable Planets

Worlds Apart Joe Haldeman-small Venus of Dreams-small Vacuum Flowers UK-small The-Exile-Waiting-small
Worlds Apart Joe Haldeman-back-small Venus of Dreams-back-small Vacuum Flowers UK-back-small The-Exile-Waiting-back-small

Everyone knows that Top Ten lists are irresistable clickbait for bibliophiles. That’s why there are so damned many. Top Ten Science Fiction novels of the 80s. Top 50 Fantasy Novels of All Time. Top 100 Hobbits in Science Fiction, Yo. Don’t lie to me, you know you love ’em.

Anyway, over the last few years book sites have gotten a little more clever, spicing up run-of-the-mill Top Ten lists with more interesting themes. A couple of my recent favorites both appeared at Tor.com: James Davis Nicoll’s SF Stories Featuring Abandoned Earths, and Kelly Jensen’s Five Inhospitable Planets from Science Fiction. Both feature topics near-and-dear to my old school heart and, even better, they showcase classic books from Ursula K. Le Guin, Vonda McIntyre, Poul Anderson, Michael Swanwick, Arthur C. Clarke, Joe Haldeman, Mel Odom, and Kim Stanley Robinson, and more, with nods to films like The Chronicles of Riddick and Interstellar.

Really, these things are just excuses to write about books we love, and what’s wrong with that? Nuthin’, that’s what’s wrong with that. This is what the internet is for, people.

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New Treasures: Finder by Suzanne Palmer

New Treasures: Finder by Suzanne Palmer

Finder Suzanne Palmer-smallSuzanne Palmer has become a familiar face in Asimov’s Science Fiction, with over a dozen stories there in the last decade. Her 2018 Clarkesworld novelette “The Secret Life of Bots” won a Hugo Award, and she’s twice been a finalist for the Theodore Sturgeon Memorial Award.

Her debut novel Finder features Fergus Ferguson, interstellar repo man and professional finder, in an action-packed sci-fi caper that Maria Haskins at the B&N Sci-Fi & Fantasy Blog calls “a Ridiculously Fun Science Fiction Adventure… a rollicking ride from a hardscrabble space colony at the outer edge of the galaxy to the conflict-ridden settlements of colonized Mars and back again, with stops on the way at an alien spaceship and a holiday planet.” It’s available now in hardcover from DAW.

Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia’s Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He’ll slip in, decode the ship’s compromised AI security, and get out of town, Sword in hand.

Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a backwater deep space colony called Cernee. But Fergus’ arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger’s enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly — and inconveniently — invested in the lives of the locals.

It doesn’t help that a dangerous alien species Fergus thought mythical prove unsettlingly real, and their ominous triangle ships keep following him around.

Foolhardy. Eccentric. Reckless. Whatever he’s called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

Finder was published by DAW on April 2, 2019. It is 400 pages, priced at $26 in hardcover and $12.99 in digital formats. The cover is by Kekai Kotaki. Read the first ten pages of Chapter One here, and see all our recent New Treasures here.

Numenera, Nyarlathotep, and RuneQuest Glorantha: Some Recent Slipcase Sets

Numenera, Nyarlathotep, and RuneQuest Glorantha: Some Recent Slipcase Sets

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Kickstarter has fundamentally changed board game publishing over the past decade, and more recently it’s started to have a similar impact on Role Playing as well. Monte Cook’s first Numenera campaign in September 2012 famously raised $517,255 (on a $20,000 goal), and Chaosium’s 7th Edition Call of Cthulhu campaign bested that in June 2013, raising $561,836 (on a $40,000 goal), and those opened the floodgates. Since then some of the most popular RPG properties have turned to fans to get major projects off the ground, with impressive results.

I don’t back crowdfunding campaigns (with the exception of the Veronica Mars movie because, hey, Veronica Mars). But I do trail along after them and buy finished products. Sometimes — not always — that’s more expensive, but it does save me all the drama of late delivery and wondering if the project I funded will ever arrive. Like Judges Guild’s infamous reprint of the City State of the Invincible Overlord, promised in December 2014 and which still shows no sign of ever becoming real nearly five years later.

So far in 2019 I’ve purchased four crowdfunded boxed sets, and I’ve been very, very impressed with all of them. There were:

RuneQuest Roleplaying in Glorantha — $119.99
Numenera Discovery and Destiny — $119.99
Call of Cthulhu: Masks of Nyarlathotep — $129.99
RuneQuest: The Guide to Glorantha — $169.95

All are still available to latecomers. Here’s a closer look at all four.

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L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

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Cover art for all 12 volumes by Donato Giancola

Every time a trilogy wraps up, we bake a cake at the Black Gate rooftop headquarters. Strangely, we don’t have a protocol for when a 12-book cycle completes, but we’re working on it.

L. E. Modesitt Jr.’s Imager Portfolio series opened with Imager in 2009, and around about book 8, Rex Regis, Tor started referring to it as “The New York Times Bestselling Imager Portfolio.” Modesitt has hit those rarefied heights before — the 20 books in his Saga of Recluse have sold over three million copies — but it was good to see him with another major success.

The final volume in the series, Endgames, arrived in February. This time the publisher refers to it as “the third book in the story arc that began with Madness in Solidar through Treachery’s Tools and Assassin’s Price” and, despite having counted several times, I make Endgames the fourth book in that sequence, but hey, whatever. You count any way you want Tor, and don’t let ’em give you any grief.

However you count his books, L.E. Modesitt deserves some serious respect. He’s produced more than seventy novels, including two science fiction series, the Ghost Books and Ecolitan Matter, four fantasy series, the Imager Portfolio, the Saga of Recluce, the Spellsong Cycle and the Corean Chronicles, and many popular standalone titles such as Solar Express, which Arin Komins at Starfarer’s Despatch calls utterly wonderful. All 12 volumes in the Imager Portfolio series are still in print, which is no mean feat. Here’s the description for the first one.

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Future Treasures: Decades: Marvel in the 70s – Legion of Monsters

Future Treasures: Decades: Marvel in the 70s – Legion of Monsters

Marvel Decades Legion of Monsters-smallIf there’s a company out there that knows how to use nostalgia to shake dollars out of me, it’s Marvel. I’ve already shelled out for their deluxe hardcover Omnibus volumes, the black & white Essentials line, and more recently I’ve spent a fortune on their Epic Collections, which assemble 18 issues apiece of early core titles like Thor, Spider-Man, Avengers and Fantastic Four. Recently they’ve launched a Decades series that looks at some of the more offbeat comics from Marvel’s long history and, heaven help me, I’m reaching for my wallet again. In this case it’s for a nearly forgotten team book from the 70s which has never let go of my imagination.

Celebrate 80 years of Marvel Comics, decade by decade — together with the groovy ghoulies of the Supernatural Seventies! It was an era of black-and-white magazines filled with macabre monsters, and unsettling new titles starring horror-themed “heroes”! Now, thrill to Marvel’s greatest horror icons: The melancholy muck-monster known as the Man-Thing — whosoever knows fear burns at his touch! Morbius, the Living Vampire! Jack Russell, cursed to be a Werewolf-by-Night! And the flame-skulled spirit of vengeance, the Ghost Rider! But what happens when they are forced together to become… the Legion of Monsters? Plus stories starring Dracula, Frankenstein’s Monster, Manphibian, the vampire-hunter Blade… and never-before-reprinted tales of terror!

COLLECTING: LEGION OF MONSTERS (1975) 1; MARVEL PREVIEW 8; MARVEL PREMIERE 28; MARVEL SPOTLIGHT (1971) 2, 5; FRANKENSTEIN (1973) 1; TOMB OF DRACULA (1972) 10; MATERIAL FROM SAVAGE TALES (1971) 1

Previous titles in the Decades series include Marvel in the 60s – Spider-Man Meets the Marvel Universe, collecting 60s Spider-Man stories from Amazing, Avengers, Daredevil, Fantastic Four, and other places; Marvel in the 50s – Captain America Strikes! which gathers material from Young Men, Captain America (1954), Men’s Adventures, and other mags; Marvel in the 80s – Awesome Evolutions, which collects some of the bizarre makeovers of the 80s, including Spider-Man’s black costume, Storm’s mohawk, Thor’s battle armor and the Hulk’s return to gray.

Decades: Marvel in the 70s – Legion of Monsters will be published by Marvel on April 23, 2019. It is 248 pages, priced at $24.99 in print and $16.99 in digital formats.