George Barr: A Fantasy Master

George Barr: A Fantasy Master

Barr illo for the D&D Module IM2: The Wrath of Olympus, by Robert J Blake (TSR, 1987)

When DAW Books launched in early 1972, one of their hallmarks was great cover art. Right from the start, their books featured covers by many of the top SF artists such as Frank Kelly Freas, John Schoenherr, Josh Kirby and Jack Gaughan – and eventually, Michael Whelan, who broke into the field with his cover for DAW’s edition of The Enchantress of World’s End by Lin Carter in 1975.

One of their mainstays was George Barr, whose first DAW cover came in their second month of publication, with The Day Star by Mark S. Geston. For my money, Barr was one of the great fantasy and science fiction artists of the past few decades. Having been introduced to science fiction paperbacks in the mid-1970’s, I have many fond memories of finding his artwork gracing many of the DAW books that I picked up at that time.

“Outpost,” Barr spot illo, probably for Amazing Stories or TSR (1986)

But his pro career had begun far earlier, starting with his cover for the April 1962 issue of Fantastic Stories of Imagination. Over the decades, his work appeared in a variety of places, including books from other publishers as well as magazines such as Isaac Asimov’s Science Fiction Magazine, Amazing Stories, Marion Zimmer Bradley’s Fantasy, and Weird Tales.

One of the cool things about DAW Books was that they also ran interior black and white illos, generally by the cover artist, which was yet another selling point. As great as Barr’s covers were, his black and white work was equally as good, and he provided hundreds of illustrations for pro and fan publications, dating back to his first work in the legendary fanzine Amra in 1959.

“Guardhouse at Gate of Castle,” Barr illustration for Knight of the Living Dead by Allen Varney (TSR, May 1989)

In the 1980’s, he expanded into gaming art, providing fantastic illustrations for Dungeons & Dragons and other TSR products, among others. His 40+ year published career essentially ended in 2006, with only a handful of new works published after that point.

Accompanying this brief article are representative examples of Barr’s black and white work which span most of his career, with the earliest having appeared in 1960 and the latest in 1998.

In addition to his book and magazine work, for a period of roughly 35 years Barr also created fantasy Christmas card art, often featuring dragons, elves and those most magical of creatures, cats. A few pieces were for commercial assignments, but most of it was for his own enjoyment or consignments for fantasy art collectors, most particularly noted collectors Dick and Bette Wald.

George Barr Christmas Card, 2002

Given that the bulk of this art only appeared on seasonal cards, used once and then never used again, most fantasy fans have never had the opportunity to view these incredible drawings.

But that has now changed! Bob Garcia of American Fantasy Press and I have been working on an art book collecting these fantasy illustrations. Entitled Joy to the World: The Fantasy Christmas Card Art of George Barr, the Kickstarter campaign has just launched.

Stay tuned for a follow-up piece in Black Gate discussing this project, and the art it covers, but for now, you can find the Kickstarter campaign at the following link.

[Click the images for bigger versions.]

“Fortress,” Barr spot illo, probably for Amazing Stories or TSR (2986)

 

“The Castle from the Stars,” spot illo, probably for Amazing Stories or TSR (1986)

 

Illustration by George Barr for “Duty to the Empire” by Rory Harper (Amazing Stories, September 1983)

 

Illo for “The Beast” by Alan Dodd (Amra, September 1960)

 

George Barr illustration for the Alan Burns poem “King Kull and the Sea Witch” (Amra, October 1960)

 

“Curse of the Magus” by Bruce Boston and Robert Frazier (Dragon #136, August 1988)

 

Illo for “The Passing of Kings” by Lois Tilton (Dragon Magazine #104, September 1987) 

 

Snorri the Frost Giant, from “The Glass House” by Wolfgang Baur (Dungeon Magazine #15, Jan/Feb 1989)

 

“Eli the Revenant,” illo for “The Glass House” by Wolfgang Baur (Dungeon Magazine #15, Jan/Feb 1989)

 

Frontispiece for Thomas Burnett Swann’s novel How Are the Mighty Fallen (DAW, 1974)

 

“Attack on the Dolphin,” from Knight of the Living Dead by Allen Varney (TSR, 1989) 

 

Barr illustration for Deborah Millitello’s “The Djinn Bottle” (Marion Zimmer Bradley’s Fantasy Magazine, Winter 1989)

 

Illo for Diana l. Paxson’s “The Dancer of Chimaera” (Marion Zimmer Bradley’s Fantasy Magazine, Summer 1990)

 

Illustration for AD&D Adventure Gamebook #7: Sceptre of Power by Morris Simon  (TSR, 1986)

 

Barr illo for the SFWA Bulletin #127 (Summer 1995)

 

Sybarite, spot filler, possibly for Weird Tales, TSR, or Amazing Stories

 

The Rooftop Chase, illo for the AD&D Dungeon Masters Design Kit (TSR, 1988)

 

Illio for “The Hero’s Celluloid Journey” by S.P. Somtow (Weird Tales, Fall 1998)

 

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K. Jespersen

That “Dancer of Chimaera” illustration is deeply iconic. Not sure if that’s because of itself or because it established/followed a particular layout convention and did it well. I know I’ve seen that as a costume, before… golden age of musicals-type costuming, and maybe convention costumes, too. Why is it tweaking my brain so sharply? Argh.

Congratulations on the starting of your illustration collection book! Looking forward to hearing more about it, soon!

Thomas Parker

One of the greats, the true heir of Virgil Finlay.

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