Rotten Tomatoes recently published its list of the 50 Best-Reviewed Fantasy Fims of all time. Such lists are by their subjective natures both entertaining and infuriating, designed perhaps to produce reactions ranging from nostalgic admiration to sputtering, slack-jawed amazement, and opening debate as to whether not only a particular film should have been selected, but also whether whole categories of films should have been selected.
What counts as a fantasy film? RT’s list, for example, is dominated by decades of Disney and Pixar films, from classics such as Snow White and the Seven Dwarves (#3 on the list) and Pinocchio (#2) to the Shrek franchise, not to mention all five of the Mayazaki releases. Sure, somebody casts a magic spell in each one of them, but are these fantasy movies or kid’s movies? If a bit of magic is all you need to qualify as a fantasy film, where are all the movies featuring Santa Claus? Why is Mary Poppins not on the list?
Few viewers loved The Princess Bride (#15) more than I, and while Miracle Max could not have brought Wesley back to life without a magic pill, is it a fantasy or a comedy? If it isn’t a comedy, Monty Python and The Holy Grail (#7) surely must be. And if comedies involving any sort of magic count as fantasy movies, why aren’t Groundhog Day and Splash on the list? What about Ghostbusters, featuring not only a panoply of ghosts, but also a Mesopotamian demigod with the power to create a giant marshmallow man?
Does Stephen King’s Carrie become science fiction if we distinguish her magical ability with the scientific moniker of psychokinesis? Since the gentle giant in The Green Mile has no name for his magical healing ability, does that film qualify?
Does tracing superhuman ability to a radioactive arachnid classify Spider-man as science fiction? Does the fact that we attribute the abilities of the X-Men to genetic evolution, without any actual scientific basis, similarly slide those films into the science-fiction category?
Similar lists have abandoned all pretense of trying to limit themselves to true fantasy films (check out the list by IMBD, for example, which includes obvious science fiction films such as V For Vendetta, Star Wars, and Avatar).
The problem may be that the list of truly good films that unequivocally qualify as fantasy is not very long. Cut the animated films and the Harry Potter franchise and RT loses about half its roster.
Even though Hollywood was able to generate sufficient special effects long before CGI to make fine fantasy films – The Wizard of Oz, Jason and the Argonauts – finding an even watchable fantasy film can be a daunting task. From Krull to Willow to The Golden Compass to Wrath of the Titans, the list of worst fantasy films seems easier to generate, though less susceptible to debate.
Irrespective of categorization, the RT list was baffling at best. Does anyone seriously believe that Hellboy II (#37) was better than the original (#50)? Why is The Adventures of Baron von Munchausen (#31) on anyone’s list of best films of any category?
If you were trapped on a deserted island with a DVD player and an endless supply of batteries, would you really rather bring Fantasia (#5) than Pan’s Labyrinth (#12) or Time Bandits (#18)?
Using my own subjective viewpoint as a universally accepted baseline (though this admittedly requires the universe to accede to exclusion of films I have not seen), the following are the ten best fantasy films (i.e., films that smell like fantasies more than comedies, family films, Christmas or horror movies, etc.) of all time, (arbitrarily limiting franchises to one entry each):
#10: Jumanji – Robin Williams is excellent as man who has been trapped in a board game for most of his life.
#9: The Green Mile – Tom Hanks and David Morse are prison guards responsible for the fate of Michael Clarke Duncan, a man with miraculous healing powers accused of horrific crimes. Sort of a junior Shawshank, which is good enough for me.
#8: Pan’s Labyrinth – a visually rich, haunting, and moving film about the fate of a young girl caught in Nazi occupied Spain.
#7: Ladyhawke — Rutger Hauer and Michelle Pfieffer are cursed lovers and Matthew Broderick is the young thief who may set them free. A thoroughly satisfying movie.
#6: Harry Potter and the Prisoner of Azkaban – While I found Michael Gambon wanting after Richard Harris’s portrayal of Dumbledore, this was the most emotionally powerful film (and book) in the series.
#5: Splash – borderline as to qualification criteria, since this smells almost as much like a comedy as a fantasy. Tom Hanks, Eugene Levy, and John Candy are hilarious, but Darryl Hannah is pure magic.
#4: Hellboy – the story of a demon raised by a loving father, which explores the question of nature vs. nurture. Very funny, oddly moving, terrific dialogue, fine acting, and stunning visuals.
#3: The Wizard of Oz – demographically driven into my soul. I grew up seeing it once a year, and never in color until the neighbors got a color TV in the mid 1960’s. The Lion leaping through the window still sends my brother and I into gales of uncontrollable laughter.
#2: Jason and the Argonauts – Harryhausen at his best. The sight of Talos turning his head to look at the Argonauts as they rob his temple still gives me chills.
#1: The Lord of the Rings II, The Two Towers – Yes, the Orcs die too easily, and the banter between Legolas and Gimli was silly, but Gollum was as fresh and wondrous an innovation as I have seen in many years, and the battle for Helm’s Deep was spectacular.