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Phileas Fogg Finds Immortality

Phileas Fogg Finds Immortality

51dx9hyli-lchapbook-cover-jpegWhen Jules Verne created gentleman adventurer Phileas Fogg in his 1873 novel, Around the World in Eighty Days, he had no way of imagining the bizarre turn his character’s chronicles would take a century later. When Philip Jose Farmer added The Other Log of Phileas Fogg to his Wold Newton Family series in 1973, he had no way of imagining that four decades later there would exist a Wold Newton specialty publisher to continue the esoteric literary exploits of some of the last two centuries’ most fantastic characters.

Farmer’s concept, in a nutshell, is that Verne’s globetrotting adventure is part of a far larger extraterrestrial conflict between two powerful alien races, the Eridani and the Capellas. Phileas Fogg was raised by the Eridani it turns out and, in the course of Farmer’s work, we learn that Verne’s Captain Nemo (the anti-hero of his 1870 classic, Twenty Thousand Leagues Under the Sea and its 1874 sequel, The Mysterious Island) is not only a Capellan agent, but is also the same man known as Professor Moriarty in Sir Arthur Conan Doyle’s Sherlock Holmes mysteries.

Josh Reynolds was the first author to follow in Farmer’s footsteps in a substantial fashion when he authored two direct sequels to The Other Log of Phileas Fogg for Meteor House: 2014’s Phileas Fogg and the War of Shadows and 2016’s Phileas Fogg and the Heart of Osra. Both books are set in 1889 and see Phileas Fogg coming out of retirement as the extraterrestrial conflict between the Eridani and the Capellas reaches Earth once more. The second of these titles involves Ruritania, the fictitious country from Anthony Hope’s Ruritanian Romances trilogy that began with the famous 1894 novel, The Prisoner of Zenda.

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An Epic Finale for Ancient Opar

An Epic Finale for Ancient Opar

BOAO-cover-small2Hadon-front-final1Over forty years ago, Philip Jose Farmer published a pair of officially sanctioned books recounting the history of ancient Opar, the lost civilization familiar to readers of Edgar Rice Burroughs’ Tarzan novels. Opar was the first of the author’s lost cities that survived undiscovered in the African jungle until the noble apeman came along. Burroughs’ lost civilizations, like his alien worlds, were fantastic places of adventure that allowed the author to sharpen his satiric blade and skewer organized religion and politics alike.

Farmer, in notable contrast, was interested in using Burroughs’ concepts as a springboard for more realistic and decidedly more adult adventures. Farmer’s histories are peopled with conquerors and king-makers who are not just noble savages, but also savage rapists and murderers. His Opar novels opened Tarzan fans’ eyes to the antediluvian kingdom of Khokarsa. While the sword & sorcery boom of the 1960s and 1970s flooded bookshelves with immoral and amoral barbarians, Farmer set his work apart by treating the material as realistically as possible. His characters die tragically and sometimes prematurely. Sexual intercourse leads to unplanned pregnancies that alter people’s lives as it changes the course of a kingdom’s destiny.

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Airship Hunters Take Flight

Airship Hunters Take Flight

Airship Hunters-smallcapra-dirigibleThis weekend I read and thoroughly enjoyed a New Pulp novel called Airship Hunters recently published by the fine folks at Meteor House. I really try and make these articles be about classic pulp, but new titles do catch my eye and while I am a fan of co-author Jim Beard’s occult detective, Sgt. Janus, it was actually the airship that caught my attention.

I first read about airships as a kid in several Edgar Rice Burroughs titles. A film dramatizing the Hindenburg disaster and then an adaptation of Thomas Harris’ Black Sunday terrified me when I was just starting grade school. My introduction to the New Pulp world in 2009 came via Airship 27 with their nifty logo on each book. I even put an airship in my second Fu Manchu novel a few years later as a result. Far and away, my crowning achievement with airships was discussing their use in two cult classic films of the early 1970s: Darling Lili and Zeppelin with one of the principals involved in their production. So yes, suffice to say if you tell me Meteor House is publishing an airship title from Jim Beard, you have my attention.

Now in all fairness, it should be noted this new title is a collaborative effort between Jim and his co-author, Duane Spurlock. I know of Duane, but I had not previously read his work. Much like Pierre Souvestre and Marcel Allain a century earlier with Fantomas, the two men authored alternating chapters while compiling the book. Spurlock hails from Kentucky while Beard is my fellow Ohioan. There is a distinct Midwestern flavor to the adventure which lends an undeniable charm and authenticity to the proceedings.

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Back to Ancient Opar

Back to Ancient Opar

king-oparexiles-khoEdgar Rice Burroughs’ Tarzan has proven an unstoppable force. While misguided movies, TV series, and musicals do their best to rob the ape man of his savage nature and integrity in the name of mass marketing and political correctness, Burroughs’ original Jungle Lord perseveres. Conventional wisdom may suggest time has passed him by, but it’s the vitality of the original that keeps readers coming back for more. Happily, talents like Joe R. Lansdale, Philip Jose Farmer, and most recently Will Murray have been willing to give fans further adventures of the real Tarzan.

Turn back the clock four decades and you’ll find Philip Jose Farmer’s seminal fictional biography, Tarzan Alive (1972) had much to answer for in terms of launching the Wold Newton movement in popular fiction as well as boosting Burroughs’ cachet. While the book may be relatively obscure today, the ripples it created are still felt on the beaches of pulp fiction. For his part, Farmer launched a series of officially sanctioned books recounting the history of ancient Opar. Longtime readers of Burroughs’ work will know that Opar was the first of the author’s lost cities (an outpost of forgotten Atlantis) that survived undiscovered in Tarzan’s African jungle.

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