As a writer, sometimes I get my inspiration in strange ways.
Going to art galleries is one. For some reason, enjoying fine art that isn’t writing fires up my writing. I also like to collect odd and interesting objects, although they have to be cheap because, you know, I’m a writer.
One of my favorites is this Roman coin that I snagged for 10 euros ($11.50) at a local coin shop. It was so cheap because the coin is in pretty bad condition. I didn’t care, because it’s cool to keep a piece of the empire in my pocket.
For a year I wasn’t able to identify it, but then at a party in Oxford I lucked out. I was showing it off and one of the people there knew a former numismatist for the British Museum. We took a couple of shots of it and sent it to her. An hour later I learned it was a coin of Magnentius, a usurper who ruled in the Western Roman Empire from AD 350-353.
Fantasy, science fiction, and horror themes have been in the movies since almost the beginning. During the first few experimental years, movies consisted of simple scenes such as a man sneezing or a train pulling into the station, but soon that novelty wore off and audiences wanted stories. Since the medium itself seemed almost magical, directors began to experiment with the fantastic in order to tell gripping tales.
Most film buffs know of Georges Méliès and his 1902 Trip to the Moon, generally considered the first science fiction film. Méliès started out as a stage magician so it’s not surprising he added an element of the fantastic in his pioneering movies. Other early filmmakers such as Auguste and Louis Lumière and Thomas Edison tended to film realistic subjects or historical/adventure stories, although Edison did make a version of Frankenstein in 1910.
Lost amid these famous names is a man who did as much for the development of fantastic film as any of them. The Spanish director Segundo de Chomón pioneered many early special effects techniques and worked on some two hundred films. Having spent much of his career in France and Italy, he’s been claimed by no country and thus has fallen through the cracks of history.