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Birthday Reviews: C.L. Moore’s “Lost Paradise”

Birthday Reviews: C.L. Moore’s “Lost Paradise”

Cover by Margaret Brundage
Cover by Margaret Brundage

C.L. (Catherine Lucille) Moore was born on January 24, 1911 and died on April 4, 1987. From 1940 until his death in 1958, she was married to science fiction author Henry Kuttner. The two had their own careers and also collaborated together, although they claimed that they each worked on all of the other’s stories, sitting down and continuing whatever was in the typewriter at the time. Moore (or Moore/Kuttner) also used the pseudonyms Lawrence O’Donnell, C.H. Liddell, and Lewis Padgett.

In 1956, their collaboration “Home There’s No Returning” was nominated for the Hugo for Best Novelette. She received the First Fandom Hall of Fame Award in 1972, the Forry Award in 1973, and the World Fantasy Award for Lifetime Achievement in 1981. Moore was the Guest of Honor at Denvention Two, the 1981 Worldcon in Denver. Posthumously, she was inducted into the Science Fiction Hall of Fame in 1998 and, along with Kuttner, was named the recipient of the Cordwainer Smith Rediscovery Award in 2004.

“Lost Paradise” is one of her stories featuring her space-faring rogue Northwest Smith and was originally published in the July 1936 issue of Weird Tales, edited by Farnsworth Wright. Moore included it in various collections, including Northwest of Earth, Shambleau, and Scarlet Dream. It has seen additional reprintings and has been translated into French and Italian.

“Lost Paradise” is essentially a bar story with a twist. Northwest Smith and his Venusian friend Yarol are enjoying a meal in New York when Yarol sees a strange man walking along the street below them. When the man is mugged, Yarol manages to retrieve the man’s package and, having recognized him as a member of a strange, secluded race, the Seles, who live in central Asia but don’t intermingle with any other peoples, he tells him that the only reward he desires is to know the great secret of the Seles.

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Birthday Reviews: Walter M. Miller, Jr.’s “Cruxifixus Etiam”

Birthday Reviews: Walter M. Miller, Jr.’s “Cruxifixus Etiam”

Astounding Science Fiction February 1953-small Astounding Science Fiction February 1953-back-small

Cover by Van Dongen

Walter M. Miller, Jr. was born on January 23, 1923 and died on January 9, 1996. He is best known for his novel The Canticle for Leibowitz, which won the 1961 Hugo Award for Best Novel. He had previously won the first Hugo Award for Best Short Story for “The Darfsteller” in 1955. He wrote numerous short stories and edited the anthology Beyond Armageddon with Martin H. Greenberg, and left a partial manuscript for a sequel to A Canticle for Leibowitz at his death, which was completed by Terry Bisson and published as Saint Leibowitz and the Wild Horse Woman.

“Crucifixus Etiam” was originally published in the February 1953 issue of Astounding Science Fiction, edited by John W. Campbell, Jr. It has been reprinted numerous times, including under the title “The Sower Does Not Reap” in The Best Science Fiction Stories: Fifth Series, edited by Everett F. Bleiler and T.E. Dikty (although it was published under its original title in the first edition of the book). Miller included the story in his collections The View from the Stars, The Science Fiction Stories of Walter M. Miller, Jr., The Best of Walter M. Miller, Jr., The Darfsteller and Other Stories, and Dark Benediction. It has been translated into Croatian, Dutch, German, and Italian.

“Crucifixus Etiam” tells the story of Manue Nanti, a poor Peruvian who has signed an indenturement contract to work on Mars for five years. Nanti figures that with little to spend the money on while he’s working, he can save up and have a good sized nest egg when he returns to Earth. Shortly after his arrival, however, he realizes that conditions on Mars are not exactly as he had expected.

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Birthday Reviews: Katherine MacLean’s “The Snowball Effect”

Birthday Reviews: Katherine MacLean’s “The Snowball Effect”

Galaxy September 1952-small Galaxy September 1952-back-small

Cover by Jack Coggins

Katherine MacLean was born on January 22, 1925. Her novella, “The Missing Man” received the Nebula Award in 1971, and in 2003 she was named an Author Emerita by the Science Fiction and Fantasy Writers of America. MacLean was the guest of honor at the first WisCon in 1977, and in 2011 she was named the recipient of the Cordwainer Smith Rediscovery Award. Best known for her short fiction, which has been collected in three volumes, she has also written three novels and has co-written works with Carl West, Tom Condit, and Charles V. De Vet.

“The Snowball Effect” was first published in Galaxy Science Fiction in the September 1952 issue, edited by Horace L. Gold. It has been reprinted several times, including in MacLean’s collections The Diploids and Science Fiction Collection.

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Birthday Reviews: Kij Johnson’s “The Evolution of Trickster Stories Among the Dogs of North Park After the Change”

Birthday Reviews: Kij Johnson’s “The Evolution of Trickster Stories Among the Dogs of North Park After the Change”

The Coyote Road-small The Coyote Road-back-small

Cover by Charles Vess

Kij Johnson was born on January 20, 1955. Johnson won the Nebula in three consecutive years for her short stories “Spar,” “Ponies,” and the novella “The Man Who Bridged the Mist.” “The Man Who Bridged the Mist” also received the World Fantasy Award, Hugo Award, and Asimov’s Reader Poll. Johnson also won a World Fantasy Award for the novella The Dream-Quest of Vellitt Boe and the Theodore Sturgeon Award for “Fox Magic.” She served on the Sturgeon Award jury from 1997 through 2012 and on the World Fantasy jury in 2014.

“The Evolution of Trickster Stories Among the Dogs of North Park After the Change” was original published in the anthology Coyote Road: Trickster Tales, edited by Ellen Datlow and Terri Windling. It was picked up for Year’s Best Fantasy and Horror, edited by Datlow, Kelly Link, and Gavin J. Grant. The story was nominated for the Sturgeon, World Fantasy, and Nebula Award. Johnson included it in her collection At the Mouth of the River of Bees. The story has been translated into German.

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Birthday Reviews: Allen Steele’s “Day of the Bookworm”

Birthday Reviews: Allen Steele’s “Day of the Bookworm”

Cover by Dominic Harman
Cover by Dominic Harman

Allen Steele was born on January 19, 1958. He was a finalist for the 1990 John W. Campbell, Jr. Award for Best New Author. Steele’s first two Hugo Awards were for his novellas “The Death of Captain Future” and “Where Angels Fear to Tread” in 1996 and 1998. His third Hugo was for Best Novelette and broke with the five-word titles, for “The Emperor of Mars” in 2011.

He also received the Phoenix Award in 2002 from the Southern Fandom Confederation and the Robert A. Heinlein Award from the Heinlein Society in 2013. Many of Steele’s early works focused on the expansion of mankind into near earth space, with his more recent works exploring the planet Coyote.

“Day of the Bookworm” was published in the anthology Little Green Men—Attack!, edited by Bryan Thomas Schmidt and Robin Wayne Bailey and published by Baen Books in March, 2017.

When an alien spaceship lands in front of the main branch of the Boston library (as well as New York’s and London’s) in Allen Steele’s “Day of the Bookworm,” the military has a predictable response, cordoning off the blocks around the building and evacuating the library while waiting for any activity which would allow a military response. They are not prepared, however, for what actually happens, which is the appearance of two librarians, Molly Cooper and Levon Kahn, who were engaged in an illicit tryst and unaware of the evacuation notice.

The result was that they were able to work with the aliens who had entered the building to build up a sort of détente and understanding between the two races. Steele posits a similar situation to Galaxy Quest, which he notes within the story itself. His response is different from that of the film as his librarians work with the aliens, who resemble large slugs, to ensure that they have a better understanding of humanity, while not threatening them, despite the military power arrayed outside the library. Steele’s librarians’ solution is clever, but they must explain it to a reasonably sympathetic army colonel and an officious White House aide.

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Birthday Reviews: Pamela Dean’s “Paint the Meadow with Delight”

Birthday Reviews: Pamela Dean’s “Paint the Meadow with Delight”

Cover by Darrell K. Sweet
Cover by Darrell K. Sweet

Pamela Dean was born on January 18, 1953. Dean has published the Secret Country trilogy as well as three stand-alone novels. In the 1980s, she was involved in the Liavek series of shared world anthologies, contributing stories to each of the five volumes as well as the title poem for the fourth volume. She has been nominated for the Mythopoeic Award twice, for her novels Tam Lin and The Dubious Hills.

Her story “Paint the Meadows with Delight” appeared in Will Shetterly and Emma Bull’s anthology Liavek: Wizard’s Row in 1987, and was reprinted in 2015 in Patricia Wrede and Pamela Dean’s Points of Departure: Liavek Stories.

Although set in a shared universe, Pamela Dean’s “Paint the Meadows with Delight” stands on its own. The Benedictis are a large Acrivain family living in exile in the city of Liavek. While the father attends political meetings, the rest of the family lives in wait for the day they can return to their native country. One of the daughters, Jehane, is convinced the Acrivain god Acrilat has turned his back on the family because they have left their native land. The result is that the family is in turmoil and one of the sons, Deleon, has disappeared.

Jehane is determined to restore her family to their lost happiness and seeks out one of Liavek’s wizards to help. Jehane’s plan isn’t particular well thought out, in either her goals or her mission. She seeks both to have Acrilat leave her family alone and also to have the family able to return to an Acrivain that is politically welcoming to them. These goals, along with her search for her missing brother, take her on a miniature quest through Liavek, visiting Granny Carry, the Magician, and, at the Magician’s insistence, the House of Responsible Life, and Silvertop, another magician.

In the end, the success of her quest, or even who helped her achieve it, is questionable. The most that can be said is that Jehane may have been able to reconnect on some level with her younger sister, Nerissa, who she also learned has been quite active in ways that Jehane had not even suspected.

While the story can be read and enjoyed on its own merits, its place in the shared-world universe gives it quite a bit of background depth and its structure as a quest around Liavek allows Dean to touch on the characters and concepts created by the other authors.

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Birthday Reviews: John Bellairs’s “The Pedant and the Shuffly”

Birthday Reviews: John Bellairs’s “The Pedant and the Shuffly”

The Pedant and the Shuffly John Bellairs-inside-small

Art by Marylyn Fitschen

John Bellairs was born on January 17, 1938 and died on March 8, 1991. He is best known for his novel The Face in the Frost. Most of his focus was on young adult fiction, including the Anthony Monday series, the Cubby Lewis Barnavelt series, and the Johnny Dixon series. After Bellairs’ death, Brad Strickland wrote novels in the Barnavelt and Dixon series.

Occasionally Bellairs turned his attention to short fiction. His short story “The Pedant and the Shuffly” was originally published as a stand-along book in February 1968 with illustrations by Marylyn Fitschen. Mythopoeic Press reprinted it in 2001 and it was included in the NESFA Press Bellairs omnibus Magic Mirrors in 2009. Both reprintings included Fitschen’s illustrations.

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Birthday Reviews: Nat Schachner’s “Ancestral Voices”

Birthday Reviews: Nat Schachner’s “Ancestral Voices”

Cover by Howard V. Brown
Cover by Howard V. Brown

Nat Schachner was born on January 16, 1895 and died on October 2, 1955. Schachner was an attorney who began writing in collaboration with fellow attorney Arthur Zagat. After about a year working together, each man began writing solo, but after publishing science fiction for a decade, Schachner turned his attention towards biographies, focusing on early Americans.

“Ancestral Voices” was a solo effort published by F. Orlin Tremaine in the December 1933 issue of Astounding Stories.It has never been reprinted in English, although a French translation appeared in 1973 and an Italian translation ten years later.

Schachner opens “Ancestral Voices” with a brief look at several people for whom their ancestry helps define who they are in a very basic way, from a Hitlerian dictator of “Mideuropa” (although Hitler is also mentioned) to the crème-de-la-crème of Boston society, to an accountant who is convinced of his superiority over his boss because he is Anglo-Saxon rather than Spanish. Schachner also posits a boxing match between an Aryan champion, Hans Schilling and a Jewish challenger, Max Bernstein, clear stand-ins for Max Schmeling and Max Baer, who fought in the year the story was published.

The main thrust of the story, however, is the arrogant scientist Emmet Pennypacker, who has created a time machine. Denying his assistant any part of the glory, Pennypacker travels backwards in time, without knowing when or where he’ll wind up. To his chagrin, he finds himself in Aquileia during the Hunnic attack of July 18, 452. Unable to return to his own time until the machine is ready to take him there, he winds up rescuing a Roman girl from her Hun rapist.

Although the idea of going back in time and stopping your parent from being born has become cliché, that is the scenario Schachner wrote. However, given the fifteen centuries that separated Pennypacker from his distant forebears, it means he eradicated the common ancestor of about 50,000 people living in the Twentieth Century.

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Birthday Reviews: Robert Silverberg’s “When We Went to See the End of the World”

Birthday Reviews: Robert Silverberg’s “When We Went to See the End of the World”

 Cover by Dean Ellis
Cover by Dean Ellis

Robert Silverberg was born on January 15, 1935. In 1956, he won a Hugo for being the Most Promising New Author, nearly two decades before the John W. Campbell, Jr. Award debuted. He has subsequently won two Hugo Awards for Best Novella and one for Best Novelette. Silverberg has also received two Nebula Awards for Best Short Story, two more for Best Novella, and one for Best Novel.

He has won or been nominated for numerous other awards. Silverberg was a Guest of Honor at Heicon ‘70, the 28th Worldcon, held in Heidelberg, Germany. He was inducted into the Science Fiction Hall of Fame in 1999 and named an SFWA Grand Master in 2004. Other lifetime achievement awards include the Big Heart Award, the Forry Award, the Prix Utopia, the Skylark Award, the Milford Award.

“When We Went to See the End of the World” was published in Universe 2 in 1972 by Terry Carr. The story was nominated for both the Hugo and Nebula Award. Carr reprinted it the following year in The Best Science Fiction of the Year #2, and Isaac Asimov included it in Nebula Award Stories Eight. Lester del Rey also included it in his Best Science Fiction Stories of the Year, Second Annual Collection. It has since been included in several collections and anthologies and has been translated into Italian, Dutch, German, French, and Russian.

“When We Went to See the End of the World” is set at a cocktail party which in many ways seems very much of the early seventies when the story was written. Casual sex and marijuana are routine, but the main focus of the story is Nick and Jane telling the rest of the attendees about their recent excursion to see the end of the world.

Such excursions are new, only recently having come down from a price where only millionaires could afford to go, so Nick and Jane gained social status by being the first in their neighborhood to see the end of the world, and Nick sees the opportunity to have an affair with a neighbor’s wife.

Their status, and Nick’s chances for an affair, appear to be ended when a couple of latecomers to the party indicate that they have also taken the journey to the end of the world, although the world they saw was extremely different from what Nick and Jane had experienced. Before either couple can accuse each other of lying about their experiences, another couple announces that they completed the journey and saw someone else when they were there.

The story is a reasonably light-hearted look at a common idea in science fiction and presents a reasonable explanation for the multiple experiences the party-goers who visited the end of the world had. At the same time, since all of the activity takes place in the confines of the cocktail party, it is quite possible to read “When We Went to See the End of the World” is a story about people trying to one up each other, rather than relating their actual experiences.

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Birthday Reviews: Arthur Byron Cover’s “A Murder”

Birthday Reviews: Arthur Byron Cover’s “A Murder”

 Cover by O'Neil de Noux
Cover by O’Neil de Noux

Arthur Byron Cover was born on January 14, 1950. He attended the 1971 Clarion Writers Workshop and made his first sale to Harlan Ellison for inclusion in The Last Dangerous Visions. Cover’s novel, Autumn Angels was nominated for the 1976 Nebula Award. Cover was the owner of Dangerous Visions bookstore in Sherman Oaks, California until the store closed in 2002.

His story “A Murder” was published in the August 17, 1991 issue of Pulphouse Weekly Fiction Magazine and was purchased by Dean Wesley Smith. The story has never been reprinted.

Cover’s “A Murder” is a metafictional and psychological exploration of a brutal murder. He tries to get into the head of both the victim, Stephanie, and the murderer, Bill Prisman. Stephanie is an avid reader of horror novels and stories and when she finds herself being attacked, she is very much aware that it was a complete surprise. There was none of the forewarning or sense of foreboding that she would have expected there to have been in the novels and stories she has read. Prisman’s mind is dark. He has just been released from prison and has a sense of entitlement towards women that he can only fulfill by raping and murdering them.

Cover brings the two of them together and then backs away from the horrible crime be invoking the point of view of the omniscient author. Rather than describing Prisman’s attack, he discusses an alternative to the horror he has set up. This tangent is presented in almost clinical terms and serves to show that certain ideas about criminal behavior, notably reformation, are impractical.

Prisman is the poster child for recidivism, something both he and the law enforcement community know, but their hands are tied by a society and culture which believe that people can change when placed in an environment which actually serves to reinforce their worst tendencies. Once this detour is complete, Cover allows his story to continue to its inexorable ending.

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