Nonstop SF Adventure: The Mickey7 Novels by Edward Ashton

Nonstop SF Adventure: The Mickey7 Novels by Edward Ashton

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Mickey7 and Antimatter Blues (St. Martin’s Press,
February 15, 2022 and March 14, 2023). Cover design by Ervin Serrano

Truth to tell, I missed Edward Ashton’s novel Mickey7 last year, despite all the breathless praise heaped on it (NPR listed it as one of the Best Books of 2022, calling it “A wildly entertaining mix of action and big ideas peppered with humor and a bizarre love story”). It was our very own Brandon Crilly who tuned me in to the coolness of Mickey7 with his mid-2022 Roundup, in which he wrote:

Gods this was a fun read. Ashton begins with protagonist Mickey stuck at the bottom of a pit and certain he’s going to die, since he’s the Expendable and his colony will just regenerate him. Except things take various turns from there, due to the threat of alien attack, the idiosyncrasies of the colonists, or the bizarre experience of being the seventh iteration of yourself. If you’ve ever spent nights thinking Okay, but the transporter really kills folks and then duplicates them, right, this is most definitely a book for you.

And now the sequel Antimatter Blues, which arrived this week from St. Martin’s Press, is being called “A nonstop SF adventure from beginning to end” (Library Journal).

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Goth Chick News: We’re Definitely Tuned to TPub’s Latest Twisted Tale

Goth Chick News: We’re Definitely Tuned to TPub’s Latest Twisted Tale

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It was way back at the 2014 Chicago Comic and Entertainment Expo when we were first introduced to a fine British lad Neil Gibson and his fledgling comic company TPub. Gibson was there to promote volume one of TPubs inaugural graphic novel, Twisted Dark. At the time Gibson described the comic as a psychological thriller which contained horror with dark (at times demented) twists, incorporating every human emotion, illegal activity, and brutal social commentary.

Nine years and twenty-two publications later, including a total of seven volumes of Twisted Dark, Gibson’s original description of TPub’s first offering seems to have transformed into a mission statement. Often exploring the darkest depths of human nature within their storylines, I have devoured each and every TPub comic since the first. But frankly, no matter how intriguing the story, we all know the visuals make or break a comic. TPub also excels on this front by employing incredible artists to augment every frame with rich detail and cinematic viewpoints.

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New Treasures: Dead Silence by S.A. Barnes

New Treasures: Dead Silence by S.A. Barnes

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Dead Silence (Tor Nightfire, January 24, 2023). Cover by Timo Noack

Nightfire is Tor’s new horror imprint. Launched in 2019, it’s published books by Silvia Moreno-Garcia, Thomas Olde Heuvelt, Catriona Ward, Cassandra Khaw, Ellen Datlow, T. Kingfisher, and lots more.

That’s all well and good, but has it given us a haunted house story in space that’s a successful cross between 2001: A Space Odyssey and Alien? No. No it has not.

Well, at least it hadn’t until the arrival of S.A. Barnes’ Dead Silence, which Library Journal calls “a compelling haunted-house-in-space frame [with] excellent worldbuilding and sustained tension,” and Locus says is a “great, immersive, atmospheric space horror that proves that, despite rumors to the contrary, horror belongs in space.” (And yeah, for the record, Mur Lafferty tells us Dead Silence offers “the suffocating claustrophobia of 2001: A Space Odyssey mixed with the horrors of Alien.” That’s just not a blend you see every day.)

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Long, Long Time: The Last of Us, Episode Three

Long, Long Time: The Last of Us, Episode Three

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And we’re back with the next episode of The Last of Us. As I outline this piece, the episode has aired a few days ago (vastly different from when this article will be published, I know), and the internet is absolutely buzzing. Most of the chatter I hear is about how devastatingly wonderful this episode is, which makes for a nice change. I’ve curated my social media well.

Let’s get into it, shall we?

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10 Things I Think I Think: March, 2023

10 Things I Think I Think: March, 2023

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1) THE MANDALORIAN remains the best Star Wars property going. My son loves The Bad Batch, and it seems cool. But as I wrote here, the mix of innovation and fidelity; and simply all-around awesomeness, I’ll take this over just about any Star Wars of the past few decades.

I liked Boba Fett – and it didn’t hurt that it was like a subs-series for The Mandalorian. I quit Battlestar Galactica, as it put me to sleep. But I’m a big Katee Sackhoff fan from her work on Longmire. And she is SPECTACULAR as Bo Katan. Absolutely superb. I look forward to this show every week. I think The Mandalorian is outstanding.

2) I did not look forward to ANDOR. Elementary was a police procedural with a Sherlock Holmes overlay. I liked it. Solo was a caper/heist flick (for the first half) with a Star Wars overlay. I liked it. I’m a WW II-resistance movie fan. Andor was a war resistance series, with a Star Wars overlay. And for the most part, it was DULL!

It got better when Andy Serkis became a major character, but this should have been right up my alley. But it was soooo slow, I watched most episode in two or three sittings. Lots of FB friends lavished ‘FINALLY: Star Wars for grown-ups” praise on it. To me, it was the same tone as The Literature people being snobby about Robert E. Howard and Sherlock Holmes: “Oh, you’re reading THAT ‘stuff?’ Go get some George Bernard Shaw, or Flaubert.” Whatever. I think Andor was pretty boring.

3) LETHAL WEAPON (TV SERIES) replaced the Martin Riggs character after season two. And it was canceled after less than a full season three. Apparently Clayne Crawford and the show/studio people did not get along. Whatever. They both probably had some legitimate beefs. But the way they wrapped up his character’s story line at the very end of his final episode, PISSED ME OFF! I haven’t been this mad at a show since the rape scene in Downtown Abbey. It was totally unnecessary, the way they finished up with the Riggs character. They were jack asses.

I continued on with season three. And the show works okay with Sean William Scott (though it’s not as good). But I’m still mad at what they did with Riggs. I think I’m glad the show died not long after.

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Quatro-Decadal Review: The Magazine of Fantasy and Science Fiction, November 1989, edited by Edward Ferman

Quatro-Decadal Review: The Magazine of Fantasy and Science Fiction, November 1989, edited by Edward Ferman

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The Magazine of Fantasy and Science Fiction,
November 1989. Cover by Bryn Barnard

I thought that Asimov’s was going to rule the 1988 roost, but MoF&SF gives it a run for its money.

The issue jumps straight into the fiction!

Fiction — “Icicle Music” by Michael Bishop

A story told in time jumps, starting on Christmas Eve 1957. Danny Pitts, living with his mother in a small boxy house near the waste dump — is up early, and finds his wished-for shotgun that his single mom must have saved for over the year. His father is a bum, out of the picture for a couple of years. Then Danny hears a strange sound, like icicles breaking and the pawing of something on the roof. Then a man comes down the chimney,

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Vintage Detectives: Supernatural Sleuths, Sci-Fi Private Eye, and Isaac Asimov’s Detectives, edited by Gardner Dozois, Sheila Williams, Charles G. Waugh, and Martin H. Greenberg

Vintage Detectives: Supernatural Sleuths, Sci-Fi Private Eye, and Isaac Asimov’s Detectives, edited by Gardner Dozois, Sheila Williams, Charles G. Waugh, and Martin H. Greenberg

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Supernatural Sleuths and Sci-Fi Private Eye (Roc, 1996 and 1997), and
Isaac Asimov’s Detectives (Ace, 1998). Covers by Romas Kukalis, uncredited, and Andy Lackow

Science fiction detectives have been a popular theme for anthologies for a couple of generations now. We’ve covered a few (including Tin Stars, edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh), but there’s lot more out there for the curious and the collector alike.

I’ve recently been dipping into some themed anthologies from the 80s and 90s, and three that have impressed me all have themes of detection: Supernatural Sleuths and Sci-Fi Private Eye (both published by Roc, in 1996 and 1997), and Isaac Asimov’s Detectives (Ace, 1998). They gather a fabulous cross section of 20th Century cross-genre fiction, including a John the Balladeer tale by Manly Wade Wellman, a Black Widowers story by Isaac Asimov, a Solar Pons mystery by August Derleth and Mack Reynolds, a Carnacki adventure by William Hope Hodgson, a Jules de Grandin novelette by Seabury Quinn, and a pair of Gil Hamilton novellas by Larry Niven, plus a rich range of major award-winning and nominated SF from Nancy Kress, Greg Egan, Kate Wilhelm, John Varley, and more.

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Future Treasures: Some Desperate Glory by Emily Tesh

Future Treasures: Some Desperate Glory by Emily Tesh

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Some Desperate Glory (Tor.com, April 11, 2023). Cover by Cynthia Sheppard.

I’m hearing good things about Emily Tesh’s debut novel Some Desperate Glory, coming next month from Tor.com.

Tesh won a World Fantasy Award for Silver in the Wood, the first novella in her Greenhollow Duology, also published by Tor.com. Some Desperate Glory is the tale of the warrior Kyr, raised among the scraps of humanity to avenge the death of the planet Earth, and what happens when she’s thrust into a universe far more complicated than she was taught. Library Journal proclaims it “A monumental journey,” and Booklist says it’s “One of the best sf novels of 2023… with an action-packed pace full of exciting battles and gut-wrenching twists.”

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Goth Chick News: The Count Returns to His Fangy, Blood-Sucking Origins

Goth Chick News: The Count Returns to His Fangy, Blood-Sucking Origins

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Courtesy Wallpaperflair.com

If you’ve read GCN for any length of time, you’ve probably come to understand that as it pertains to vampires, I am a solid purist. I mean, I’m not at all against imagining them in modern society, as in Blade or Blood Red Sky, and I positively love alternative takes such as Let the Right One In and The Lost Boys. It’s also hard not to be a fan of What We Do in the Shadows because it’s just so darn wrong.

But what is absolutely a no-go for me are vampires who literally ignore all the rules of the genre such as sparkling, or going to high school (if only on cloudy days), etc, etc. If that sounds like the only vampires I don’t like live in Washington state, then you may well be right.

But the vampire stories I adore the most are those which cater to all of Bram Stoker’s original tropes, number one of which is that vampires are scary, blood-sucking monsters. And that’s why what I’m about to share is decidedly good news.

It appears that The Last Voyage of the Demeter, due out later this summer, could be the movie that brings my beloved legendary vampire back to his dark and sinister roots.

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Ellsworth’s Cinema of Swords: The Barbarian Boom, Part 7

Ellsworth’s Cinema of Swords: The Barbarian Boom, Part 7

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Oliver Reed in Gor (USA/South Africa, 1987)

We’ve come to the end of the ‘80s and the last of our Barbarian Boom articles, as fantasy films in the ‘90s diversified to offer a broader portfolio after the waning of Conan fever. And as you’ll see from the movies covered this week, by 1987 the barbarian flick genre had definitely passed into a period of decadence, with filmmakers straining to find ways to keep pumping life into it. Not that there aren’t some weird delights to be had in these desperate final outings, as you’ll see.

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