Galaxy Science Fiction, January 1955: A Retro-Review

Galaxy Science Fiction, January 1955: A Retro-Review

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Galaxy Science Fiction, January 1955. Cover by Ed Emshwiller

It’s been a while since my last Galaxy review, but the best things come to those who wait. This one is for the January, 1955 issue. The cover is by Ed Emshwiller and is titled “Scene: Milady’s Boudoir.” It’s an eye-catching visual of a futuristic bedroom with devices that could replace services from a salon, and the artwork contains interesting colors and shapes for the furniture and electronics. But I’m not really here to get into the artwork, of course, so let’s move on to the fiction.

“The Tunnel Under the World” by Frederik Pohl — Guy Burckhardt wakes up on June 15th, screaming from a dream. In the dream, he felt an explosion that killed him. He continues through his day as best he can. And the next morning awakes on June 15th again, and once again awakes in terror from a nightmare of dying in an explosion. The horrors of the nightmare are alarming, but the deeper issue is the recurring date.

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Goth Chick News: Three Cheers for a New Dracula Comic

Goth Chick News: Three Cheers for a New Dracula Comic

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Universal Monsters: Dracula #1 (Image Comics, October 25, 2023).
Cover A: Martin Simmonds, Cover B: Joshua Middleton

I’ve written in the past about how my Goth Chick origins can be traced back to clandestine viewings of classic monster movies on the local cable access channel with my Dad. Though these events were infrequent, they made an indelible impression, forever making me equate Boris Karloff, Bela Lugosi and Lon Chaney among others, with warm fuzzy feelings. But in between these midnight events, sitting at a distance from the television that would have sent my Mom into fits, I had to get my monster fix in other hideable ways.

And this meant comics.

Living in proximity to six boy cousins, all but one being older than me, I had a near limitless source of contraband, which at nine years old consisted primarily of Warren’s Creepy, Marvel’s Strange Tales, and DC’s House of Mystery. Easily hidden between mattress and box springs, and able to be read by flashlight in the closet, horror comics fed my obsession with monsters and the supernatural – even as they sometimes scared the snot out of me for nights on end.

To this day I’m a sucker for a good horror comic.

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Inspired by the Weird Fiction of Clark Ashton Smith: Castle Amber by Tom Moldvay

Inspired by the Weird Fiction of Clark Ashton Smith: Castle Amber by Tom Moldvay

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Castle Amber (TSR, 1981). Cover by Erol Otus

Castle Amber (aka Château d’ Amberville) by Tom Moldvay (RIP) is a classic D&D adventure that I first enjoyed as a player at age 10 and later as DM. Published in 1981 by TSR, Castle Amber has a wonderful cover by Erol Otus, and excellent interiors by Otus, Jim Holloway (RIP), Harry Quinn, Jim Rosolf (RIP), and Stephen Sullivan (he did the maps, I’m assuming).

I didn’t appreciate it as a youth, but this module was largely inspired by the weird fiction of Clark Ashton Smith — specifically his Averoigne Cycle of stories, which were set in a fictional counterpart of a province of France. Smith called this part of Southern France “the most witch-ridden in the entire country.” Smith has been a huge inspiration to me in my own RPG work, and I never tire of rereading his poetry and fiction.

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Future Treasures: Vampires of El Norte by Isabel Cañas

Future Treasures: Vampires of El Norte by Isabel Cañas

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Vampires of El Norte (Berkley, August 15, 2023)

Isabel Cañas’ first short story, “The Weight of a Thousand Needles,” appeared in the June 2019 issue of John Joseph Adams’ Lightspeed magazine. Since then she’s published nearly a dozen stories in some of the top markets in the field, including Beneath Ceaseless Skies, Nightmare Magazine, Pseudopod, Fireside Magazine, Giganotosaurus, and many others. Her first novel The Hacienda, a gothic horror set in post-Independence War Mexico, was one of the most acclaimed horror debuts of last year, called “A thing of uncanny, chilling beauty, [with] hauntings, exorcisms, incantations, and forbidden love,” by The New York Times and “the perfect Gothic novel… a brilliant piece of historical fiction and a, ‘Okay, I’m gonna need to sleep with the lights on now,’ horror novel” by Jezebel.

Her sophomore effort Vampires of El Norte, due in hardcover from Berkley Books next week, is one of the most anticipated novels of the summer. Booklist labels it “a lush, supernaturally infused historical romance mixing vaqueros, vampires, and the Mexican-American conflict of 1846–48,” and Kirkus says “The vampires of this tale are incredibly original… There are three different narratives here: a love story, a war story, and a horror story. Each is compelling.”

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Talking Tolkien: Ten Things I Think I Think

Talking Tolkien: Ten Things I Think I Think

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It’s time to wrap up Talking Tolkien. And I thought a Tolkien-themed version of Ten Things I Think I Think would be a fun way to do it. So away we go…

READ THE LEGEND OF SIGURD & GUDRUN

I read this last year, and I intend to write an essay on it, but just haven’t fit it in yet. This is a good book. And you can really see the influence it had on Tolkien. It’s as depressing as a Jim Thompson novel, but still well worth reading. I highly recommend it for fans of The Silmarillion.

After finishing this, I tried to read The Story of Kullervo, but it didn’t really work for me. It’s not by Christopher Tolkien, and the way it was laid out, and read, felt different from Sigurd, Gawain, etc. I plan on powering through it, as it was also influential on Tolkien. But I’m not recommending that one, yet. Definitely check out Sigurd.

I WANT A ‘TALES OF MIDDLE EARTH’

I’m not a fan of how the rights holder of Robert E. Howard’s works is handling new fiction. At all. Not just the barren output – but the whole approach (which has been mostly talk so far).

I’d love to see a collection of short stories based on Tolkien elements. Ideally done by people qualified to write in Tolkien’s style (folks who wrote like Dennis L. McKiernan, Andre Norton, Peter S. Beagle, Terry Brooks – not just big-names to put on the cover).

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Vintage Treasures: Frontier of the Dark by A. Bertram Chandler

Vintage Treasures: Frontier of the Dark by A. Bertram Chandler

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Frontier of the Dark (Ace Books, January 1984). Cover by Attila Hejja

A. Bertram Chandler was an enormously prolific science fiction author whom we haven’t covered much at Black Gate. He wrote some 200 short stories and over 40 novels, and is chiefly remembered today for his popular tales of the pioneer Rim Worlds, especially the adventures of John Grimes.

Chandler began his career as a merchant marine officer in the UK, eventually commanding ships in the Australian and New Zealand merchant navies, including the Australian aircraft carrier HMAS Melbourne. He drew heavily from his long career sailing everything from tramp steamers to troop ships to infuse his fiction with a distinctly naval flavor.

His 1984 novel Frontier of the Dark, published the year he died, is a significant departure. A science fiction horror tale featuring werewolves in space, it bears the dedication, “For Harlan Ellison, who made me do it.”

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Movie of the Week Madness: Satan’s School for Girls

Movie of the Week Madness: Satan’s School for Girls

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The Devil was one of the biggest success stories of the 1970’s, along with John Travolta, The Eagles, microwave ovens, and the Senate Select Committee on Presidential Campaign Activities. For this you can thank (or blame, if such is your inclination) William Peter Blatty and his runaway best seller The Exorcist, which got the decade off to a hell of a start when it was published in 1971.

Everyone knew that The Exorcist would make it to the silver screen sooner rather than later, and so it was; in 1973 blockbuster novel was followed by blockbuster movie, and the film directed by The French Connection’s William Friedkin became the year’s biggest hit, grossing one hundred and ninety-three million dollars (and that’s in 1970’s money).

However, three months before the premier of The Exorcist another film appeared that is, to my mind, the definitive celluloid treatment of the Fallen Angel and his diabolical dealings with Middle America. On September 19th, 1973, the ABC Movie of Week granted us a true glimpse of the abyss; during the seventy-eight-minute running time of Satan’s School for Girls, viewers truly knew what it was like to be one of the damned.
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Only the Beginning: The Colour of Magic by Terry Pratchett

Only the Beginning: The Colour of Magic by Terry Pratchett

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St. Martin’s Press – 1st , 1983

IN A DISTANT AND SECONDHAND SET OF DIMENSIONS, in an astral plane that was never meant to fly, the curling star-mists waver and part…

See…

Great A’Tuin the turtle comes, swimming slowly through the interstellar gulf, hydrogen frost on his ponderous limbs, his huge and ancient shell pocked with meteor craters. Through sea-sized eyes that are crusted with rheum and asteroid dust He stares fixedly at the Destination.

In a brain bigger than a city, with geological slowness, He thinks only of the Weight.

Most of the weight is of course accounted for by Berilia, Tubul, Great T’Phon and Jerakeen, the four giant elephants upon whose broad and star-tanned shoulders the Disc of the World rests,  garlanded by the long waterfall at its vast circumference and domed by the baby-blue vault of Heaven.

Astropsychology has been, as yet, unable to establish what they think about.

So begins The Colour of Magic (1983), the first volume of the eventually forty-one-book-long Discworld series by Terry Pratchett. I was lent this book (along with another Pratchett book, Strata (1981), which I’ve still never read — or returned, possibly) back in 1985 when it first hit US shores. He said it was funny and it was.

I hadn’t laughed much during earlier run-ins with fantasy and sci-fi comedies, save for Douglas Adams’s The Hitchhiker’s Guide to the Galaxy. Too often, puns were what passed for wit and the satire was shallow. Returning to Colour for the first time in many years, I’m impressed with how sharp Pratchett’s eye was when it came to picking his genre targets and just how good his prose was. His writing would become more complex, deeper, and much darker over the decades, but already, it’s witty and effervescent. In an age of such po-faced seriousness, we could use more of it.

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A Hypnotic 71 Minutes: Last and First Men

A Hypnotic 71 Minutes: Last and First Men

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Last and First Men (Zik Zak Filmworks, February 2020)

Just watched Last and First Men (2020), an Icelandic sci-fi film by the late composer Jóhann Jóhannsson who sadly died two years before the film’s release. It is based on the 1930 novel Last and First Men: A Story of the Near and Far Future by British writer Olaf Stapledon, and rather than employing a typical film narrative, Jóhannsson chose to present a meditation on the theme, with Tilda Swinton’s voice-over combined with a haunting score and stark, black and white images of forgotten monuments shot in grainy 16mm.

Swinton begins by saying “Listen patiently,” and you must be patient, in fact you might do well to approach it as an audiobook with a visual montage. The images are of inhospitable landscapes studded with brutalist architecture and the iconography of an extinct race (us) set two billion years in the future.

It’s fascinating, somewhat hypnotic, beautifully made, and worth 71 minutes of your time if you need a quiet moment alone with Tilda’s voice.

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