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Spooky Sword & Sorcery for Halloween: Samhain Sorceries edited by D.M. Ritzlin

Spooky Sword & Sorcery for Halloween: Samhain Sorceries edited by D.M. Ritzlin

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Samhain Sorceries, edited by D.M. Ritzlin (DMR Books, September 24, 2022). Cover by Adam Burke

The mighty Dave Ritzlin, mastermind of DMR Books, continues to refresh his impressive backstock. Just in time for Halloween he’s re-released his popular collection of spooky Sword & Sorcery, Samhain Sorceries, with a brand new cover. Here’s Dave.

Samhain Sorceries was DMR Books’ best-received release of the past few years. With its unique concept and outstanding roster of authors, it’s not hard to see why. The fantastic new cover art was created by Adam Burke, and another of his paintings will adorn the follow-up volume, Walpurgis Witcheries, due out next spring.

Samhain Sorceries contains ten brand new tales, including a new story by Keith Taylor featuring Felimid mac Fal, hero of his classic Bard series. Order copies directly from the DMR website. And if you’re a fantasy author, note that submissions for the follow-up volume, Walpurgis Witcheries, are open until October 31st.

The Heroic Fantasy of C.L. Moore

The Heroic Fantasy of C.L. Moore

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Jirel of Joiry (Ace Books, November 1982). Cover by Stephen Hickman

While Edmond Hamilton introduced me to Space Opera, his wife, Leigh Brackett, and another woman writer, Catherine Lucille Moore (1911 – 1987), showed me the kind of emotional power these stories could wield. Moore was an influence on Brackett, and both of these writers wrote beautiful and poetic prose, which is something I always look for in the books I take home with me, although it’s not something I often find. (Robert E. Howard was another writer who could create that kind of prose, and both Moore and Brackett acknowledged him as an influence.)

Moore is known today for two genres that she did stellar work in. Neither of those is Sword and Planet, but one of them is Sword & Sorcery. Her Jirel of Joiry stories are exotic and luminescent. Jirel is one of the earliest flame-tressed female warriors in fantasy fiction. Depending on how far afield I eventually travel with this series, we may well come back to Jirel.

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From Traveller to Tantalizing Fiction: Torchship by Karl K. Gallagher

From Traveller to Tantalizing Fiction: Torchship by Karl K. Gallagher

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Torchship by Karl K. Gallagher (Kelt Haven Press, December 9, 2015). Cover by Stephanie G. Folse

In the introduction to his first collection of short fiction, Unmitigated Acts (the title comes from Rudyard Kipling’s poem “The Female of the Species”), Karl Gallagher reflects on the history of the series: “I have a fondness for ‘rag tag crew on ramshackle ship’ stories” (p. 5). His first book, Torchship, published in 2015, is exactly that kind of story. Its setting is a nostalgic one: A starship, the Fives Full, navigated with paper charts and slide rules, like something from a Heinlein juvenile!

But there’s more to this than nostalgia. Gallagher’s interstellar future has a history, one in which artificial intelligence has come to be seen as an existential threat. How to deal with this threat is a central political issue that drives much of the plot. It’s more or less in the background in this first volume; in the sequels (Torchship Pilot and Torchship Captain), the entire plot emerges from it.

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Red Shoes Go Rogue! Read All About It in Rouge by Mona Awad

Red Shoes Go Rogue! Read All About It in Rouge by Mona Awad

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Rouge by Mona Awad (Simon & Schuster, August 1, 2024). Cover uncredited

Red footwear is a powerful metaphor in folklore and fantasy. Dorothy clicked her red slippers to go home. (Yeah, I know, the slippers were silver in the Baum book, and only became red as a better fit with new Technicolor filming, but stay with me here.)

Let’s go back to the Hans Christian Andersen fairy tale The Red Shoes in which Karen is given a pair of red shoes as (it turns out) an inappropriate confirmation present; the shoes stay stuck to her feet and force her to dance incessantly to the point where the only remedy is to cut off her feet.  The story forms the basis of the British film, also called The Red Shoes, in which a ballerina dancing in red shoes commits suicide. The film inspired the Kate Bush song (you guessed it) The Red Shoes.

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Masters of Horror: The Essential Horror of Joe R. Lansdale

Masters of Horror: The Essential Horror of Joe R. Lansdale

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The Essential Horror of Joe R. Lansdale (Tachyon Publications, October 7, 2025). Cover artist uncredited

Lansdale is the well known, prolific author both of mysteries (Hap and Leonard series) and of famous horror stories, which made him the recipient of multiple Bram Stoker awards.

The present collection does not include new stories but assembles a bunch of his best horror tales, making the book a real treat for horror fan. His narrative output is so huge that even a confirmed horror lover like myself has found here a few tales I was not familiar with.

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The Sword & Planet of Edmond Hamilton, Part II

The Sword & Planet of Edmond Hamilton, Part II

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The Star Kings by Edmond Hamilton (Paperback Library, November 1970). Cover artist unknown

See Part I of The Sword & Planet of Edmond Hamilton here.

Edmond Hamilton’s Kaldar tales seem very much an homage to ERB’s Barsoom stories. An Earthman adventurer named Stuart Merrick is sent to Kaldar by a group of scientists. He finds himself a princess to love and becomes that world’s greatest warrior, and at the end of the first tale is drawn back toEearth by those same scientists. When asked what he found, he says, “My world.”

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The Sword & Planet of Edmond Hamilton, Part I

The Sword & Planet of Edmond Hamilton, Part I

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Crashing Suns by Edmond Hamilton (Ace Books, 1965). Cover by Ed Valigursky

Edmond Hamilton, who I’ve mentioned here before as Leigh Brackett’s husband, wrote mostly Science fiction and I consider him one of the first generation of Space Opera writers. And one of the best of the bunch. You might wonder what Space Opera is and how it differs from Sword & Planet fiction, as well as from more mainstream SF. Well, let me explain.

Space Opera was coined to be used pejoratively, to denigrate a certain type of SF in which action and drama were king. This type of story supposedly only used the trappings of SF to tell an adventure tale rather than engaging with futuristic ideas. And the trappings included such things as ray guns, faster-than-light travel, and space battles.

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Space Opera vs Sword & Planet: Flash Gordon

Space Opera vs Sword & Planet: Flash Gordon

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Flash Gordon is sometimes labeled Sword & Planet fiction. It meets quite a few of the characteristics. It has an Earthman, Flash, ending up on a strange world where he engages in battles with strange monsters and weird humanoid aliens, including winged men, bird riders, lion men, and others. However, it fails the S&P test on one major feature, the primary weapon used. When Flash is first challenged, if at all possible, he reaches for a ray gun rather than a sword.

John Carter, Dray Prescot, Jandar of Callisto, and Ruenn Maclang of Talera reach for a sword. For this reason, since “sword” is the very first word in Sword & Planet, I tend to classify the Flash Gordon stories as Space Opera and put them in a category of S&P adjacent. It’s a matter of taste, of course. I tend to be a splitter rather than a lumper, which means I tend to separate genres along narrower lines than some other folks. The images I’ve posted today, downloaded as public domain or as stills from the movie, illustrate this feature of the Flash stories.

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A Bloody Good Time for Young and Old: Nathan Hale’s Hazardous Tales

A Bloody Good Time for Young and Old: Nathan Hale’s Hazardous Tales

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These days, deciding what to get depressed about is like visiting a fabulous smorgasbord where the presentation is first-class and every delicious dish is cooked to perfection. Hmmm… what shall I have today? Let’s see… a generous spoonful of climate-change anxiety is guaranteed to make a good appetizer. Now let’s have some sides… umm… a little state of the economy worry is always tasty, and… where are they hiding it? Oh! There it is — it’s just not a meal without a steaming portion of AI apocalypticism. And now for the main course. Well, we all know that there’s nothing as filling as… er, let’s just stop there, shall we?

For myself, I tend to go in for the more exotic entrees. For instance, one of my favorites is a heaping plateful of “dammit, kids just don’t read comic books as much as they did when I was their age!” Though it might not be enough for a whole meal, it is something that I frequently find myself chewing on.

It’s true, too — in my role as a fourth-grade teacher, I spend every day in the company of elementary-age children, and I can attest that actual comic books play almost no role in their lives, certainly compared with the space those gaudy booklets took up in my life — and my bedroom closet — when I was a child.

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The Sword & Planet of Leigh Brackett

The Sword & Planet of Leigh Brackett

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The Secret of Sinharat and People of the Talisman (Ace Double M-101, 1964). Covers by Ed Emshwiller

Leigh Brackett (1915 – 1978) is my favorite from among the second generation of Sword & Planet writers (S&P). Many people I meet recognize her name from her association with Star Wars: The Empire Strikes Back, for which she wrote the initial script. Or for the script to The Big Sleep, which she also wrote. Or, for several western movies she wrote the scripts for.

Those don’t mean anything to me, though. I know her from her Space Opera and S&P books, particularly the series featuring Eric John Stark.

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