Black Gate

A Door Into Ocean (Avon, February 1987). Cover by Line

Joan Slonczewski’s first novel, Still Forms on Foxfield, was published in 1980, but it was their second novel, A Door Into Ocean, which made a real splash, winning the John W. Campbell Memorial Award for Best Science Fiction Novel (not to be confused with the old Campbell Award for Best New Writer, now called the Astounding Award, on account of Campbell being a racist goofball.)

Slonczewski is referred to as ‘she’ and ‘her’ on virtually every bio and interview I’ve found on the web — including the Kenyon College faculty page where Slonczewski is a Chair of Biology — but their website and Wikipedia page give their pronouns as they, them, theirs, so that’s what I’ll use here.

A Door Into Ocean was the book that made readers sit up and take notice of Slonczewski. They followed it with three more books in what became known as the Elysium Cycle: Daughter of Elysium (1993), The Children Star (1998), and Brain Plague (2000). Often compared to Le Guin’s The Left Hand of Darkness, A Door into Ocean explores a colony planet covered entirely by water, occupied by an all-female offshoot of humanity who have become skilled genetic engineers.

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Bard, Volumes I-IV (Ace Books, 1981-97). Covers by Don Maitz

In October 1975 an unknown author named Dennis More made his debut in Fantastic magazine with “Fugitives in Winter,” the rousing tale of Felimid mac Fal of Eire, a bard whose tools are his ancient harp Golden Singer, and his magic sword, Kincaid. Eight more tales of Felimid followed, in places like Fantastic, Weird Tales, and Andrew Offutt’s Swords Against Darkness.

‘Dennis More,’ as it turned out, was Australian writer Keith Taylor, who began writing under his own name with the story “Hungry Grass” in Swords Against Darkness V (1979). In 1981 Taylor collected four of his early Felimid stories  — along with a brand new novella — in the fix up novel Bard, which Fletcher Vredenburgh called “a perfect artifact from the glory days of 1970s swords & sorcery.” It spawned a long-running series that lasted five volumes (with rumors of a sixth in the pipeline).

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Tales by Moonlight, volumes One and Two (Tor, January 1985
and July 1989). Covers by Mark E. Rogers and Jill Bauman

Jessica Amanda Salmonson has produced only a handful of anthologies, but they are all highly regarded. Her first, Amazons!, won the World Fantasy Award in 1980, and the two Heroic Visions volumes she edited in the mid-80s are still enjoyed and discussed today, with an original Fafhrd and the Gray Mouser novella by Fritz Leiber, plus terrific sword and sorcery tales by Jane Yolen, Phyllis Ann Karr, F. M. Busby, Alan Dean Foster, Robert Silverberg, Joanna Russ, Michael Bishop, Keith Roberts, Ellen Kushner, Avram Davidson, Manly Wade Wellman, Grania Davis, and Thomas Ligotti.

Salmonson’s held in such high regard that I recently decided to investigate her two Tales by Moonlight anthologies, published by Tor in the late 80s, and I’m very glad I did. They contain a rich assembly of talent, including Thomas Ligotti, Ruth Berman, H. P. Lovecraft, Janet Fox, Steve Rasnic Tem, W. Paul Ganley, Spider Robinson, John Varley, Charles L. Grant, Nina Kiriki Hoffman, Jayge Carr, W. H. Pugmire, Ramsey Campbell, Joseph Payne Brennan, Phyllis Ann Karr, Eileen Gunn, and many more.

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