Black Gate

Three Bean omnibus reprint volumes featuring James H. Schmitz:
Telzey Amberdon, Agent of Vega and Other Stories, and Eternal Frontier
(March 2000, November 2001, September 2002). Covers by Bob Eggleton

Two years ago I created a Facebook post about a Black Gate Vintage Treasures article on James H. Schmitz’s 1979 novel Legacy. One of the interesting things about Facebook is that you’ll occasionally get comments years later, and that’s what happened this time. On November 3rd of this year Allan T. Grohe Jr. responded to that ancient post with two intriguing questions for me.

John: do you know of any 1/ interviews with Schmitz? — other than the one in Moebius Trip #15 from 1972, which I’m aware of but seems pretty difficult to find, or 2/ literary studies of Schmitz’s works?

I first read Schmitz about 15 years ago, via Eric Flint’s Baen collections, and he ranks up there with Herbert as a worlds-builder, in my estimation! 🙂

Unfortunately I don’t know of any interviews with, or studies of, James Schmitz. But that comment did lead to a broader and very rewarding conversation with Allan, in which I learned about his own writing on Schmitz.

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The 1987 World’s Best SF (DAW Books, June 1987). Cover by Tony Roberts

I’ve been reading a lot of older science fiction recently, though not in a very organized fashion. I pulled Wollheim’s 1987 World’s Best SF off the shelf this morning to read Pat Cadigan’s cyberpunk Classic “Pretty Boy Crossover,” which I saw on the table of contents of Jared Shurin’s The Big Book of Cyberpunk. I prefer to the read the original, when I can.

Of course I got distracted by the rest of the book, which contains plenty of classic tales, including Lucius Shepard’s Nebula award-winning 87-page novella “R & R,” Roger Zelazny’s Hugo-winning “Permafrost,” Howard Waldrop’s Nebula nominee “The Lions Are Asleep This Night,” and a few delightful surprises. I wrote it up as a Vintage Treasure back in April.

But the thing that really commanded my attention this time was Wollheim’s curmudgeonly introduction, which contains the most uncharitable description of the Challenger disaster and crew I’ve ever read, and his wildly off-base assessment of this new-fanged cyberpunk stuff, which he asserts “has something to do with computers and their programming and possibly — considering the derogatory term “punk” — with snubbing accepted traditions.”

Today it reads more like a eulogy for the bright and shiny future science fiction once promised than an introduction by one of the founding fathers of the genre.

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