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Goth Chick News: The Beautiful Horror of Del Toro’s Pan’s Labyrinth

Thursday, September 3rd, 2020 | Posted by Sue Granquist

Pan's Laybrinth poster-small

I could not leave the topic of early aughts nightmare-inducing films without bringing up this one. As rife with symbolism as it is horrors, Guillermo Del Toro’s 2007 dark fantasy, Pan’s Labyrinth is a simple story which explores complex and sometimes violent themes about human morality and free will. When I Googled “symbolism of Pan’s Labyrinth” I literally got back 35K responses, including several university thesis papers.

If you skipped this one because it is filmed entirely in Spanish, with English subtitles, I urge you to give it a go. Del Toro went to great lengths to avoid making this a main-stream English language film, including turning down several big-budget studios. He personally created the subtitles to ensure his meanings were translated perfectly, and gave up his entire salary, including back-end points, to see this film make it to production. The result is a visually stunning fairytale, which has been twisted for an adult audience. For example, after the first week Pan’s Labyrinth played in theaters in Mexico and Spain, signs were put outside the venues warning the audience about the graphic violence and urging parents not to bring children to see it.

Ofelia and the Faun Pan's Laybrinth-small

Ofelia and The Faun

The official synopsis of the plot reads:

In 1944 Falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she’s a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the true princess and will never see her real father, the king, again.

Ofelia Pan's Laybrinth

Del Toro populates his tale with both human and fantastical monsters. Good and evil are delineated in the extremes, while the character of “the faun” exists in the shadow world between. But before you think Pan’s Labyrinth is too cerebral to be fun, it isn’t. I’ve watched it several times, not for the religious or political themes, but for the beautiful terror of the story.

The Pale Man Pan's Laybrinth-small

The Pale Man

Del Toro’s “Pale Man,” character, who stars in one of protagonist Ofelia’s gruesome tasks, has been labeled by several horror sites as one of the most memorable monsters in movie history. Check it out for yourself:

Pan’s Labyrinth won 34 awards including 3 Academy Awards. It’s available on Netflix, Google Play, Vudu and Amazon Prime Video.

7 Comments »

  1. A classic. I also like how it can be interpreted in two very different ways (not unlike, say, Total Recall) – albeit with one glaring exception. How does Ofelia get out of her locked room in reality, eh?

    Comment by Aonghus Fallon - September 4, 2020 8:39 am

  2. Aon: Del Toro himself answered that one. The last door does give the impression that what Ofelia experiences is, at least partly, real and not pure imagination. Also, director Del Toro has stated the following in an interview:

    “Now objectively, the way I structured it, there are three clues in the movie that tell you where I stand. I stand in that it’s real. The most important clues are the flower at the end, and the fact that there’s no way other than the chalk door to get from the attic to the Captain’s office.”

    The veil between worlds is thin…

    GC

    Comment by Sue Granquist - September 4, 2020 9:05 am

  3. The veil covering Del Toro’s ass is thin, more like….

    Comment by Aonghus Fallon - September 4, 2020 1:29 pm

  4. I found it a brilliant and imaginative film. But I never wanted to watch it again.

    Comment by Chuck Timpko - September 4, 2020 6:47 pm

  5. I found that the scariest parts for me were the “real life” parts, because the fantastic creatures all followed some form of rules, but the Fascists did not have any rules to restrain their evil, making it that much darker and deeper.

    Comment by Eugene R. - September 5, 2020 9:10 pm

  6. > I found that the scariest parts for me were the “real life” parts, because the fantastic
    > creatures all followed some form of rules, but the Fascists did not have any rules to
    > restrain their evil, making it that much darker and deeper.

    Eugene,

    I agree completely. That’s what I remember distinctly from this movie — the men were much more terrifying than the monsters.

    Comment by John ONeill - September 6, 2020 1:16 pm

  7. Wow, I forgot all about this one. Always meant to watch it but never got round to it. Excellent another film to watch!

    Comment by CJN1 - September 8, 2020 2:57 am


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