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Month: October 2018

Future Treasures: Mage Against the Machine by Shaun Barger

Future Treasures: Mage Against the Machine by Shaun Barger

Mage Against the Machine-smallIn his feature at The Verge earlier this month, 9 new sci-fi and fantasy books to check out this October, Andrew Liptak describes Mage Against the Machine as “Harry Potter meets The Terminator,” which certainly got my attention.

I don’t quite know what to make of it, though. It’s the debut novel by Shaun Barger, so I can’t look to his previous books for any clue. There aren’t a lot of early reviews. It’s got a mage army, vast machine intelligences, a human resistance, Arnie posters, heroes with cybernetic enhancement, and even a dome. I love all those things.

Will they be great together? I gotta know. And there’s only one way to find out.

The year is 2120. The humans are dead. The mages have retreated from the world after a madman blew up civilization with weaponized magical technology. Safe within domes that protect them from the nuclear wasteland on the other side, the mages have spent the last century putting their lives back together.

Nikolai is obsessed with artifacts from twentieth-century human life: mage-crafted replica Chuck Taylors on his feet, Schwarzenegger posters on his walls, Beatlemania still alive and well in his head. But he’s also tasked with a higher calling — to maintain the Veils that protect mage-kind from the hazards of the wastes beyond. As a cadet in the Mage King’s army, Nik has finally found what he always wanted — a purpose. But when confronted by one of his former instructors gone rogue, Nik tumbles into a dark secret. The humans weren’t nuked into oblivion — they’re still alive. Not only that, outside the domes a war rages between the last enclaves of free humans and vast machine intelligences.

Outside the dome, unprepared and on the run, Nik finds Jem. Jem is a Runner for the Human Resistance. A ballerina-turned-soldier by the circumstances of war, Jem is more than just a human — her cybernetic enhancement mods make her faster, smarter, and are the only things that give her a fighting chance against the artificial beings bent on humanity’s eradication.

Now Nik faces an impossible decision: side with the mages and let humanity die out? Or stand with Jem and the humans — and risk endangering everything he knows and loves?

Mage Against the Machine will be published by Saga Press on October 30, 2018. It is 512 pages, priced at $25.99 in hardcover, $16.99 in trade paperback, and $7.99 for the digital edition. The cover art is by Marko Manev. See all our recent coverage of the best in upcoming SF and Fantasy here.

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

A Ghosts & Scholars Book of Folk HorrorArguably the major living expert on the body of work of Rev. Montague Rhodes James, the cult British author of classical “ghost” stories, Rosemary Pardoe has been the editor of the journals Ghosts & Scholars, The Ghosts & Scholars MR James Newsletter, and the three volumes of the anthology series The Ghost & Scholars Book of Shadow (Sarob Press).

Here’s yet another short story anthology by Pardoe, entitled A Ghosts & Scholars Book of Folk Horror.

Traditional folklore is the basis not only for a good portion of Jamesian stories, but of classic British horror in general, so the new anthology is consistent with Pardoe’s previous work in this area. It assembles seventeen tales, ten of which are reprinted from the journals mentioned above, and seven which are original to this anthology.

Let me tell you right away that, not surprisingly, the best contributions are to be found among the reprints, first of all the outstanding “Meeting Mr. Ketchum” by Michael Chislett. This superb, creepy tale, perfectly in keeping with the anthology’s theme, depicts how ancient horrors come back to terrify a couple of accidental tourists exploring a desolate landscape.

Other excellent offerings include “Where are the Bones..?” by Jacqueline Simpson, a delightful story featuring MR James himself, in which old legends cast a dark shadow on an innocent boy, and” The Walls” by Terry Lamsley, a very unusual tale of supernatural horror, describing the eerie trip taken by two men to find a friend lost in a deserted area near abandoned lead mines that hide unfathomable secrets. Lamsley’s recent disappearance from the British horror scene is still sorely lamented.

The book features also some very conventional yet effective ghost stories such as CE Ward’s “The Spinney” and Kay Fletcher’s “The Peewold Amphisbaena,” both quite enjoyable and well worth reading. The same applies to “Loreley” by Carol Tyrrell, an offbeat tale portraying a case of unconventional vampirism.

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Birthday Reviews: Allan Weiss’s “Heaven and Earth”

Birthday Reviews: Allan Weiss’s “Heaven and Earth”

Cover by Colleen McDonald
Cover by Colleen McDonald

Allan Weiss was born on October 23, 1939.

Weiss has twice been nominated for the Aurora Award. His first nomination was in 1993 for his short story “Ants,” in the Best Short Form in English category. He received a second in 1996 when he was nominated with Hugh Spencer for Best Other Work in English for “Out of This World,” an exhibit they produced at the National Library.

“Heaven and Earth” was published in Tesseracts Nine in 2005. The volumes was co-edited by Nalo Hopkinson and Geoff Ryman. The story has not been reprinted.

Steven is part of a team exploring an alien life form dug up on a distant planet. His description of the study is interspersed with memories of his Uncle Martin, who helped raise Steven during and after his parents’ divorce, teaching him both the study of Judaism and Talmud and how to espouse atheism, which are by no means mutually exclusive.

Steven’s relationship with his uncle is the strongest one in the story, although it is mirrored by his relationship to fellow-scientist Kelly Defalco, who refuses to give him straight answers about her own theories and research and causes him to question his own assumptions, just as Uncle Martin did when he was younger. This questioning becomes important when the evidence before his eyes regarding the physiognomy of the Castormondian alien species seems to contravene everything about biology that he knows from a lifetime of studying humans.

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Magic and Politics in the Desert: Deborah A. Wolf’s The Dragon’s Legacy

Magic and Politics in the Desert: Deborah A. Wolf’s The Dragon’s Legacy

The Dragon's Legacy-small The Forbidden City-small

I was browsing the shelves at Barnes and Noble last week when I came across the two volumes above. They caught my eye immediately. Especially the second one, with its  gorgeous depiction of a moonlit desert city… plus a supergiant bull, whatever the heck that’s about.

I didn’t pick them up right away. Derek Kunsken’s The Quantum Magician, some Angry Robot paperbacks and a bunch of SF magazines were already in my stack, and I’m trying to pace myself. But I did some research when I got home, and I admit I’m intrigued. Deborah A. Wolf is also the author of the Daughter of the Midnight Sun urban fantasy series; the first novel Split Feather came out last year. The Dragon’s Legacy is a planned trilogy, the first volume was a nominee for the 2018 Morningstar Award. Publishers Weekly praised “Wolf’s opulent visual imagination and sly humor” in their review:

Wolf’s epic fantasy debut, the first of a trilogy, is a well-crafted, intricate blend of the politics and magic of multiple cultures. Hafsa Azeina, dreamshifter of the Zeerani desert tribes, can kill her foes as they sleep. She has spent years protecting her daughter, Sulema, from the assassins hunting them, and Sulema has had the chance to come of age as a Zeerani warrior. But Sulema’s father, who may have sent the assassins, has found them. He is the dragon king of the nearby country of Atualon, and his magic prevents the dragon that sleeps under the world from waking and cracking the planet like an egg. Sulema and Hafsa must navigate shifting alliances, ongoing assassination attempts, and manipulation by both friend and foe to try to settle the balance of power and succession…

Titan Books has published two books in the trilogy so far; the third is due next year. Here’s the details:

The Dragon’s Legacy (400 pages, $24.95 hardcover/$14.95 trade/$13.99 digital, April 18, 2017)
The Forbidden City (517 pages, $24.95 hardcover/$16.99 digital, May 15, 2018)
The Seared Lands ($24.99 hardcover/$16.99 digital, April 2, 2019)

The cover artist is uncredited. See all of our recent coverage of the best in series fantasy here.

A (Black) Gat in the Hand: Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part One)

A (Black) Gat in the Hand: Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part One)

I reached out to some friends to help me with A (Black) Gat in the Hand, as I certainly can’t cover everything and do it all justice. Our latest guest is author and fellow Black Gater, Joe Bonadonna. And Joe delivered an in-depth look at hardboiled adaptations on the silver screen. In fact, he covered so much ground, it’s gonna be a two-parter! So, let’s dig in! 


Hardboiled Film Noir: From Printed Page to Moving Pictures (Part One)

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

Prologue

Bonadonna_HardboiledAnthologyCrime does not discriminate. From city streets and slums to quiet suburbia, from the mansions of the rich to the boardrooms of the powerful, crime is alive and well. It can be found in dance halls, beer halls and gambling halls . . . speakeasies, seedy gin joints, smoke-filled pool halls, dive hotels, and wharf-side saloons. Crime exists everywhere, and writers and filmmakers have been telling stories about crime since Gutenberg invented the printing press.

This article deals mainly with American pulp fiction, novels and films, and a few theatrical plays, too. I’m going to give a little background history on the source material for these films and on some of the writers who penned the original stories upon which they were based.

Long ago, long before television came along, the film industry turned to books, magazine stories, theatrical plays, and radio shows for their source material, as well as original screenplays. Movie moguls bought the rights to numerous best-selling novels, mined the pages of pulp magazines, comic books, and even newspaper comic strips.

Many films made during this period were Saturday matinee serials such as Flash Gordon, Buck Rogers, Superman, Batman, Captain Marvel, and The Shadow. Dick Tracy was actually given a series of stand-alone films, and of course we had Edgar Rice Burroughs’ Tarzan.

Most of these serials were the “comic book” films about pulp fiction superheroes, caped crusaders, masked avengers, and magical crime fighters. Many others films, however, were turned into “programmers,” as they were sometimes called: B-pictures with low budgets, made by up-and-coming directors, and featuring actors who had not yet attained A-list status.

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Birthday Reviews: Suzy McKee Charnas’s “Beauty and the Opéra, or the Phantom Beast”

Birthday Reviews: Suzy McKee Charnas’s “Beauty and the Opéra, or the Phantom Beast”

Cover by Kinuko Y. Craft
Cover by Kinuko Y. Craft

Suzy McKee Charnas was born on October 22, 1939

Charnas won the Nebula Award in 1981 for her novella “Unicorn Tapestry” and the Hugo Award in 1990 for the short story “Boobs.” She is a three time James Tiptree, Jr. Memorial Award winner for the novels Walk to the End of the World, Motherlines, and The Conqueror’s Child. Her series The Holdfast Chronicles is included in the Gaylactic Spectrum Award’s Hall of Fame and she won a Mythopoeic Award for The Kingdom of Kevin Malone.

“Beauty and the Opéra or the Phantom Beast” was originally bought by Gardner Dozois and appeared in the March 1996 issue of Asimov’s Science Fiction. Dozois reprinted it in Modern Classics of Fantasy the following year and Charnas included it in her e-collection Music of the Night and later in her collection Stagestruck Vampires and Other Phantasms. The story was nominated for the Hugo Award, the World Fantasy Award, The James Tiptree, Jr. Memorial Award, and the Theodore Sturgeon Memorial Award,

Charnas has decided to retell and expand on Gaston Leroux’s The Phantom of the Opera, conflating it with Gabrielle-Suzanne Barbot de Villeneuve’s Beauty and the Beast. While in the original story by Leroux, Christine is allowed to leave the Phantom, Erik, if she will return upon his death, in Charnas’s story, she agrees to remain with him in return for his freeing Raoul, the French nobleman she loves.

The story follows the characters as they grow to know each other in the secluded apartments Erik has created for himself beneath the Paris Opera House. With Christine agreeing to stay with the Phantom while he agrees to release Raoul, the story takes a turn into Beauty and the Beast territory with Christine suffering from Stockholm Syndrome as Erik is the only person who she can interact with. As time progresses, Christine learns how to assert herself with Erik to in effect turn the tables on him. She is still essentially his captive, but she manages to obtain a level of control over the situation and him, eventually learning that while Erik spared Raoul, he also ensured that Raoul would never mount a rescue of her.

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New Treasures: The Promise of Space and Other Stories by James Patrick Kelly

New Treasures: The Promise of Space and Other Stories by James Patrick Kelly

The Promise of Space and Other Stories-small The Promise of Space and Other Stories-back-small

James Patrick Kelly is one of the best short story writers we have. His Hugo-winning tale “Think Like a Dinosaur” is one of the finest SF stories of the past 25 years (perhaps the finest), and his fiction has been collected in such essential volumes as Think Like a Dinosaur and Other Stories (1997), Strange But Not a Stranger (2002), and The Wreck of the Godspeed and Other Stories (2008). His novels include Planet of Whispers (1984), Look Into the Sun (1989), Freedom Beach (1985, with John Kessel) and Wildlife (1994).

A new James Patrick Kelly collection is a major event, and I purchased The Promise of Space and Other Stories as soon as it arrived in July. It contains 15 stories published between 2007 and 2016, plus one new tale, “Yukui!” It also contains an introduction by Sheila Williams, and an Afterword by the author. Here’s a snippet from Gark Wolfe’s review in the Chicago Tribune.

The idea of uploading your whole personality into a computer matrix as a hedge against death isn’t new, but should it become a legal right (as in “Declaration”) or face religious opposition (as in “One Sister, Two Sisters, Three”)? Could it even lead to most humans disappearing, leaving the world to intelligent chimps (“”The Chimp of the Popes”)?

For that matter, can technology ever really replace a mind? In the most heartbreaking story, “The Promise of Space,” a wife tries to connect with her brain-damaged astronaut husband, whose own faulty memory is supplemented by thousands of hours of personal video, but who can’t emotionally understand the facts he calls up.

Kelly also has a clear grasp of other genres, but uses them in unexpected ways. “The Last Judgment” is set in a world from which all the men have been snatched away by aliens, but takes the form of a hard-boiled mystery. “The Rose Witch” takes on the tone and form of a fairy tale, complete with a life-changing moral choice the heroine faces. In nearly every story, Kelly offers a master class on how short fiction works.

You can read the title story in Clarkesworld here. The Promise of Space and Other Stories was published by Prime Books on July 31, 2018. It is 383 pages, priced at $15.85 in trade paperback and $6.99 for the digital edition. The cover is by Piotr Foksowicz. See all of our recent New Treasures here.

The Beauty in Life and Death: An Interview with Sebastian Jones

The Beauty in Life and Death: An Interview with Sebastian Jones

Erathune-small Niobe She is Death-small Essessa-small

Niobe returns to reclaim her throne in 3 tales. Get the Erathune hardcover, She is Death #1 & #2, and the vampire epic, Essessa #1!

It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven my strange muses. This interview series engages contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Previously we cornered weird fantasy authors like John Fultz, Janeen Webb, Aliya Whiteley, and Richard Lee Byers. Recently we heard from the legendary author and editor of weird fiction, Darrell Schweitzer!

This round we corner Sebastian A. Jones: Author, actor, and teacher, Sebastian A. Jones grew up in England and moved to America at the age of eighteen where he founded MVP Records, releasing albums that included James Brown, John Coltrane, and Billie Holiday. In 2008 he founded Stranger Comics and Stranger Kids. Sebastian has written children’s books including Pinata and co-created the I Am book series with Garcelle Beauvais, including titles I Am Mixed and I Am Living in 2 Homes. Under Stranger’s dark fantasy line Asunda, he has received critical praise for his written work on The Untamed: A Sinner’s PrayerDusu: Path of the Ancient, and Niobe: She is Life, co-authored by Amandla Stenberg.

Note that the Asunda, the world of Niobe, is being realized with Pathfinder for RPG lovers. Check out the recent Paizo interview for more, and the ongoing Kickstarter which brings an omnibus versions of Niobe to life.

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Birthday Reviews: Ursula K. Le Guin’s “The Rule of Names”

Birthday Reviews: Ursula K. Le Guin’s “The Rule of Names”

Cover by Frank Bruno
Cover by Frank Bruno

Ursula K. Le Guin was born on October 21, 1929 and died on January 22, 2018.

Le Guin’s The Dispossessed is in the Prometheus Hall of Fame and has won the Jupiter Award as wells as the Nebula Award and Hugo Award. The Left Hand of Darkness has also won both the Hugo and Nebula Award, as well as the James Tiptree Jr Award and the Gaylactic Spectrum Award. She has also won the Nebula Award for Tehanu: The Last Book of Earthsea, Powers, the novella “Solitude,” and the short story “The Day Before the Revolution,” which also won the Jupiter Award. Le Guin has also won the Hugo Award for the short story “The Ones Who Walk Away from Omelas,” the novelette “Buffalo Gals, Won’t You Come Out Tonight,” the novella “The World for World is Forest,” and back-to-back best related works for Words Are My Matter: Writing About Life and Books, 2000-2016 and No Time to Spare: Thinking About What Matters, the last of which earned her the award posthumously. “Buffalo Gals, Won’t You Come Out Tonight” won Le Guin her first World Fantasy Award and she received another for her novel The Other Wind. She won a Jupiter Award for “The Diary of the Rose,” a Rhysling Award for “The Well of Bain,” and a Ditmar Award for The Compass Rose. Both Tales from Earthsea and The Telling won the Endeavour Award and “The Matter of Seggri” and “Mountain Ways” both won the James Tiptree, Jr. Award. She won the Theodore Sturgeon Memorial Award for “Forgiveness Day” and the Grand Prix de l’Imaginaire for Four Ways to Forgiveness. Her book Paradises Lost won both the Kurd Lasswitz Preis and Italia Award.

Le Guin has received many lifetime achievement awards, being recognized by the Forry Award in 1988, the Pilgrim Award in 2001, and the Eaton Award in 2013. She received a Gandalf Award in 1979 and was named a Grand Master by SFWA in 2003 and the World Fantasy Convention in 1995. In 2001, Le Guin was inducted into the Science Fiction Hall of Fame. She was the Worldcon Guest of Honor at Aussiecon 1 in 1975 and the World Fantasy Guest of Honor in Seattle in 1989.

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Old-School Sword and Planet with a Modern Attitude: An Excerpt from The MechMen of Canis-9

Old-School Sword and Planet with a Modern Attitude: An Excerpt from The MechMen of Canis-9

Three Against the Stars-cover-small The MechMen of Canis-9-small

The MechMen of Canis-9 is my seventh novel. I’ve always wanted to write some sort of action-packed Sword and Planet Adventure, with some planet-building involved, and that’s what I hope I’ve accomplished with this “sequel” to my Space Opera, Three Against The Stars. The Foreword below should pretty well set the stage for the excerpt that follows. I hope you enjoy it and it interests you in checking out my novel. Thank you!

This time out, Sergeants Seamus O’Hara, Claudia Akira, Fernando Cortez and a platoon of Marines are deployed to Canis-9 — Devoora, the Ocean Planet. Their mission: find seven indestructible robot warriors hidden there for seventy years. Most of the platoon survives a crash-landing but are left stranded in a hostile environment of deadly sea predators. Rescued by native Tulavi islanders, the Marines get caught up in a war between this mysterious, maritime civilization and another indigenous race, the Malvarians, who hunt and harvest the eggs of the giant kaizsu — the Sea Dragons sacred to the Tulavi. As the Marines set out to complete their mission they discover a secret known only by the Tulavi: the endangered kaizsu are the key to Devoora’s ecosystem and the future of all life on the planet.

The MechMen of Canis-9 is now available in both paperback and Kindle editions. Thank you!

Read an exclusive excerpt from The MechMen of Canis-9 here.