This weekend here in Chicago was the 12th annual Windy City Pulp and Paper Convention, one of my favorite local shows. I met fellow BG bloggers Jason Waltz, Joe Bonadonna, and David C. Smith on Saturday, as well as Bill “Indy” Cavalier, Morgan Holmes, and the always engaging Bob Garcia. Late on Sunday I heard someone call my name and turned to discover none other than William Patrick Maynard, our distinguished Friday blogger, who was selling his new novels The Terror of Fu Manchu and The Destiny of Fu Manchu at an impressively-stocked table. Despite having worked together for years it was the first time we’d ever meet, and I really enjoyed our conversation. He’s a fascinating fellow, and I kept him until well after the show had ended.

But the highlight of the show is always seeing the new titles at the Haffner Press booth, and this year didn’t disappoint. Stephen Haffner’s archival quality hardcovers are works of art, and his taste is excellent. He has published the definitive short fiction collections of many of the finest early pulp writers, including Leigh Brackett, Edmond Hamilton, Jack Williamson, C.L. Moore, and Henry Kuttner.

Still, Stephen may have outdone himself with his newest release, Henry Kuttner’s Thunder in the Void, a massive collection of 16 Space Opera tales from Planet Stories, Weird Tales, Super Science Stories, and other classic pulps. Before Kuttner married C.L. Moore in 1940, he wrote blood-n-thunder Space Opera in the style of one of his favorite authors, Edmond Hamilton — with winning titles like “Raider of the Spaceways,” “We Guard the Black Planet,” and my favorite, “Crypt-City of the Deathless Ones” — all of which are collected here.

The book looks terrific, even by the high standards of Haffner Press. Most of the these tales are appearing in book form for the first time. Also included is a previously unpublished story, “The Interplanetary Limited,” and an introduction by Mike Resnick.

Stephen mention to me that Thunder in the Void may be the fastest-selling book he has ever printed. It was released on April 4th in a printing of 1000 copies, of which only 200 are left. If you want a copy, I urge you to act fast. Thunder in the Void is 612 pages in a high-quality hardcover, with a cover price of $40. Cover art is by Norman Saunders. It is available directly from Haffner Press.

Previous Haffner releases covered here include Kuttner and Moore’s Detour to Otherness, Henry Kuttner’s Terror in the House: The Early Kuttner, Volume One, and the upcoming The Complete John Thunstone, by Manly Wade Wellman.

Last weekend I went to Toronto to attend the Ad Astra science fiction and fantasy convention. It was the third convention I’ve been to in my life. I learned a fair bit.

To start with, I learned a bit about the thriving Toronto sf scene. Toronto’s a huge city, both geographically and in terms of population; over six million people live in the Greater Toronto Area, and over eight and a half in the ‘golden horseshoe’ region around the western shore of Lake Ontario. That’s the population base the sf community there draws from. There are writers of all levels of experience in and around the city, and a friend of mine told me there are at least three critique groups of published writers. Publishers are based in the city, notably ChiZine Publications. And, in tough days for retail booksellers, there’s still a dedicated sf bookstore, Bakka Phoenix. As well as three separate annual conventions, that I know of.

Ad Astra was first held in 1980, and focusses on written fantastika. Guests of honour this year were author Harry Turtledove, writer/actress Lesley Livingston, artist Joe Jusko, editor Shelly Shapiro, and fan organizer/scholar Peter Halasz. The 2012 convention was technically north of the city of Toronto proper, in the neighbouring municipality of Markham.

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Last weekend, Chicago’s McCormick Center played host to the annual Chicago Comic and Entertainment Expo (C2E2 for you cool kids), and once again I am reminded that not all the “interesting” people have pulled up stakes for California.

Amidst the oodles of Avengers merchandise, aisles of comic illustrators (many of whom appeared to have a near cult-like following) and celebrity autograph queues, mingled individuals who seemed to have ample expendable income for use on high-end costumes.

Yes, there was indeed a costume contest much later in the afternoon, but that didn’t explain why a very thin dude in a wig and fishnets was walking around posing as Lady Gaga.

It is sights like this which remind me that should I ever venture into the San Diego ComiCon; my head would likely explode.

Still, the popularity of C2E2 continues to grow year over year; so much so that in 2012 it was relocated to a larger venue in the building across the street from 2011’s location.

And though I could have easily grabbed a spot on the floor opposite the entrance and spent the day people-watching, Black Gate photog Chris Z and I waded in with the rest of the press just before the opening bell on Saturday.

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Yesterday I drove up to Lake Geneva, the birthplace of Dungeons and Dragons, for Gary Con IV, the annual gathering in honor of Gary Gygax, the father of role-playing games.

I really enjoy Gary Con. In both locale and tone it’s very much what I imagine the earliest GenCon gaming conventions – which took place in Lake Geneva over thirty years ago — were like.

Just like the early GenCons it’s small and very friendly, with a focus on vintage gaming and first edition D&D/AD&D, with many early TSR employees and industry giants from that era in attendance.

Just a few of the distinguished guests this year included Basic D&D boxed set author Frank  Mentzer; Knights of the Dinner Table creator Jolly Blackburn; author and Dragonlance co-creator Margaret Weis; long-time TSR employee Mike Carr, author of In Search of the Unknown and many others; Troll Lord Games CEO Stephen Chenault; classic AD&D artists Jeff Easley and Jeff Dee; founding Dragon editor Tim Kask; KenzerCo chief David Kenzer; Metamorphosis Alpha creator Jame M. Ward;  Snit’s Revenge creator Tom Wham; Dungeons & Dragons 3.0 co-creator Skip Williams, and many others.

One of the marvelous things about small conventions, of course, is that it’s possible to talk to the guests — unlike big cons where they are usually mobbed.

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It’s that time of year again.

You can tell because the blender in the underground offices of Goth Chick News is cranking out frozen adult beverages at a terrific clip, fueling the preparations for TransWorld Exhibits’ annual bacchanalia of special effect grossness.

This weekend one lucky Black Gate photographer and I will sign out one of the company vehicles (which I assure you with not be that oft-mentioned zeppelin) and head south toward St. Louis, MO in search of the latest trends in all things Halloween and horror.

Though I have been known to lose members of my team in the Leg Avenue adult costume section, and I myself have been known to become woozy when hob-knobbing with some of Hollywood’s lords of gore, the HAA never fails to yield amazing content and must-have products.  This year my personal holy grail consists of an autograph and interview with Tony Moran, who played the original Michael Myers.  And then there’s all the swag we collect from vendors in pursuit of a coveted “5 Bat Award” for best in show products (for instance, who can forget the Blood Energy Drink dispensed in blood donation hang bags?).

Attending the HAA is a job perk of working at Black Gate as it’s an “industry only” event not open to the public.

But fear not!

We’ll make sure you don’t miss a thing and to hold you over, here’s a little video clip from the 2011 show.

Is there something in particular you’re looking for to add to your own Halloween decorations?  Ever wonder how a particular movie horror effect is done? What to know if Michael Myers is boxers or briefs? Post your question here and I’ll ask the experts at the HAA.

As I write this, I’m preparing to travel 60 miles or so to attend a (more or less) local convention, MarsCon 2012 in Williamsburg, Virginia. It’s a terrific event, mostly a relax-a-con where the emphasis is on having a good time rather than doing business. The Guest of Honor is S. M. Stirling, author of Dies the Fire and the other Emberverse books.

I say that doing business is a secondary aspect of MarsCon, but that’s true primarily of hanging with agents, editors and/or publishers and signing contracts. Not a lot of that kind of business goes on. There is plenty of trade going on, though, and in fact MarsCon is well known for having one of the best and most varied dealers’ rooms on the Eastern Seaboard.

Me, I sell used and rare books there every year. Did you have any doubt?

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Occasionally a project comes along that is so cool, that you find yourself trying not to get your hopes up too much.  Comic-Con is a great place to discover fantasy books, series, and movies that fit this profile.

Recently, a feature film that somehow flew under the radar premiered its first trailer in Hall H at the San Diego Comic-Con, and now I can’t spend 10 minutes on Facebook without hearing friends rave about it.

The film is Knights of Badassdom, and was made over the course of summer 2010 in Spokane, Washington by director Joe Lynch and a talented dream cast that has everyone drooling.

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SHARON SHINN!

(…Being a continuation of Part One…)

It began, as all good days should, with breakfast.

A breakfast with FRIKKIN SHARON SHINN, y’all!

This is how it went down. John O’Neill emails me a few weeks ago. It goes something like this:

Hey Claire!!

Want to have lunch with me and Sharon Shinn?  Come on, I’ll introduce you! - John

And I go something like this:

OH MAH GAWD SHARON SHINN!

I am not going to go on about my thing for Sharon Shinn’s books. It’s just one of those things. That you have. When you think, “Ah! Look! A little novella by Sharon Shinn in this collection! How nice!” And two weeks later you emerge from rereading ALL of her books, with little black suns bursting behind your eyes and a nervous twitch, and you assure people, “No, really. I’m all right.” Anyway, for an in-depth encounter with my Sharon Shinn thing, read my review of her book, Troubled Waters.

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C.S.E. Cooney and Delia Sherman (all con-related photos in this post courtesy of Patty Templeton)

It was a long and arduous journey from New York City to San Diego last Thursday. Oh, the delays! Oh, the taxiing! Oh, the stand-bys!

However, two things made the journey incredibly pleasant. One was my traveling companions, Ellen Kushner and Delia Sherman, who both travel so often that they have it down to an art form.

When I told her I liked to arrive at the airport two hours early, Ellen replied:

“I’m more like Peter Sellars, who said he likes airplanes to be like taxicabs:  He gets to the airport, gets on one, and it leaves.”

Daunting! But, see, it worked!

The second thing was the book I read on the airplane. It was Delia’s book, actually released during the convention. It’s a Young Adult time-travel fantasy called The Freedom Maze. I sank into its story as doth the unwary sheep in the treacherous highland bog, and emerged from the last page as we were landing in Texas. Where, due to earlier delays in New York, we’d missed our connection flight.

But have no fear, gentle readers! Even though I was certain I’d never make it to World Fantasy in time for my VERY FIRST EVER WORLD FANTASY READING, the Gods of the Air (and my two traveling companions, AKA fairy godmothers) were with me. Lo was I shunted onto the next flight, the Last of the Stand-By passengers, while Ellen and Delia waved goodbye and sent me texts saying:

“We are eating BBQ and feeling no pain.”

They were booked on the next flight out. I was on my way. I fell promptly asleep.

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Well, here it is Thursday, so I must be Goth Chick. Except I’m not.

Apologies to all those who tuned in today for their regular dose of 80’s sci-fi movie nostalgia and penetrating interviews with the luminaries of modern horror. Goth Chick is unavailable for her regular Thursday slot this week.

Monday is Halloween, the most important night of the year, and she apparently has more important things to do than be here with us today. Things that likely involve the sacrifice of small farm animals, midnight Sabbaths, and ancient voodoo rites. But I shall say no more, on the advice of counsel and due to the sticky consequences of federal libel law. We wish her well, whatever she’s doing, and we hope there are no witnesses.

Instead, let’s turn our attention to the World Fantasy Convention, happening this weekend in San Diego. WFC is hands-down my favorite convention, and I’ve been attending since 1984, when it came to my home town of Ottawa.

What’s so cool about WFC? For one thing, it’s a professional convention, attended chiefly by established writers, editors, agents, and artists. You can’t sling a dead cat in the dealer’s room without hitting half a dozen well-known names. And unlike other cons (I’m looking at you, Dragon*Con), slinging a dead cat won’t instantly win you half a dozen new friends, either. At WFC, that sort of thing isn’t done.

For another thing, the WFC is where the World Fantasy Awards are presented — the highest honor our field can bestow. That’s one above on the left. Yes, they’re in the shape of our beloved patriarch, H.P. Lovecraft. And just like the man’s work, the statue both fills you with a sense of wonder, and kinda gives you the creeps at the same time.

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