Gen Con has threatened to move out of Indiana if Republican Governor Mike Pence signs a controversial anti-gay law into effect.
Gen Con, the largest gaming convention in North America, began in Gary Gygax’s home in Lake Geneva, Wisconsin, in 1967; from 1985 to 2002 it was held in Milwaukee, and in 2003 it moved to its current home in Indianapolis, Indiana. Attendance last year was more than 56,000, making it the largest convention of any kind in the state.
The bill in question, Senate Bill 101 (SB101), has already passed the state legislature and is expected to be signed by Pence soon. It allows business owners to refuse to serve same-sex couples if they have religious objections, in the same manner that white business owners once were legally permitted to refuse to serve black customers in many southern states.
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And so this happened last week…
John O (the big cheese): People probably imagined you lot (Photog Chris Z and I presumably – GC) are just hunkered down there in the subterranean offices of Black Gate sequestered with a blender, several bottles of adult beverages and the Roku horror channels.
John O: So – that’s not the image we want to portray here at Black Gate.
Me: We have an image…?
John O: OF COURSE WE HAVE AN IMAGE! Why can’t you be more like Scott Taylor?
Me: Who? Oh…you mean Art. Right. Wait, what was that first thing again?
John O: [insert unpublishable adult language] Would you please just go be visible somewhere? Be a reporter – get out in the field and report. That’s what Scott Taylor does. He reports… on art… for Black Gate.
Me: The ice machine is broken again.
John O: ARG! [insert more adult language and stomping up the stairs]
What John O doesn’t know but what — and I’m just guessing here — he wants to know, is the following.
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Zombies continue their relentless, feet-shuffling domination of all things pop culture – proof (we continue to hope) that sparkly, angsty, Seattle vampires with sappy theme songs are staked for good.
One of many indications that our infectious love of the undead shows no signs of a cure is the proliferation of Walker Stalker Con, a convention spawned by and primarily dedicated to, AMC’s hit TV show The Walking Dead.
What started in Atlanta, GA (near where the show films) as a small fan convention organized by fanboy pod-casters James Frazier and Eric Nordhoff, then spread to Chicago in 2014 and has now grown to a seven-city tour.
Walker Stalker Con is more than a standard fan convention. In the two Chicago events we have attended, Frazier and Nordhoff have managed to secure a sizable chunk of the cumulative cast of the show’s five seasons and space for “the talent” accounts for more than half of the convention floor.
In addition, the organizers strive to ensure all guests “come away feeling like they’ve had an amazing experience and became part of a greater community of zombie lovers!”
Is this great or what?
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While I was at the World Fantasy Convention last November, I kept being irresistibly sucked into the Dealers Room. Seriously, the place was like a giant supermarket for fantasy fans. There were thousands of new and used books on display from dozens of vendors — books piled high on tables, books crammed into bookshelves, books being pressed into your hands by enthusiastic sellers.
When I came home I moped around for a few days, and then mocked up some HTML pages with dozens of thumbnail jpegs of books so I could pretend I was still at the convention. I waved a crisp twenty dollar bill in front of my computer screen and said things like, “I’ll take the new Moorcock collection, my good man.” I even haggled over the price of The Treasury of the Fantastic. Truly, it felt like I was there.
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In November of last year I attended the World Fantasy Convention in Washington, D.C. I’d never been to the city, and there was a tremendous amount to do and see — including the National Mall, the Washington Monument, the White House, the Vietnam Veterans Memorial, and the Lincoln Memorial.
All very impressive, even for a Canadian like me. But three months later, the place that’s lingered longest in my mind is the convention Dealer’s Room. It was packed with dozens of tables from the finest publishers in the genre, all showing their latest wares. Since I pay attention to the market every day, I naturally assumed there wouldn’t be a lot of surprises, even in a target-rich environment like that.
I was dead wrong. Walking from table to table, and seeing the dazzling display of novels, anthologies and collections piled in dense stacks before all the smiling vendors, drove home just how marvelously rich and diverse our industry is. Since returning from the convention I’ve tried hard to replicate that experience here, in a series of posts showcasing the catalogs of several of the most impressive publishers. So far I’ve covered Valancourt Books and ChiZine Publications; today we turn our attention to the gorgeous catalog of Prime Books.
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I attended my first science fiction convention in 2000 or so. EerieCon in Niagra Falls, New York. A decade-and-a-half later, I’ve become a regular at some conventions, such as GenCon, but others I don’t regularly attend. The big, more corporately-driven conventions like GenCon, Comic-Con, and DragonCon, are very popular, but it’s the smaller literary conventions where the real die hard fans like to gather. As much as I love many of the media representations of science fiction and fantasy, I fell in love with the genre through books.
Last weekend, I made the drive from my central Indiana home up to Dearborn, Michigan, for ConFusion. I lived in Detroit for 4 years and attended ConFusion several times during that period, but moved away over a decade ago and have only been there a couple of times since. Twice I was fully prepared to go, but mid-January weather caused last minutes changes in my plans.
This year, the weather cooperated. The drive took about 4 hours, and I wasn’t alone. This time it was a family trip, with my wife and two sons (9 and 5 years old) along for the adventure. We typically devote a day as a family to GenCon, but I’ve avoided bringing my kids to the more literary conventions. ConFusion has historically had a pretty solid kid’s track, KidFusion, including a Saturday night pizza/pajama party. It’s definitely one of the more kid-friendly conventions, so we decided to give it a try as a family this year.
Weather allowing, ConFusion is a great convention for those in the Midwest to attend, both for those who love to read and those who love to write. It draws a lot of fantastic authors, including a regular stream of top names in the field, authors that regularly appear on award nomination (and winner) lists.
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Last month, I attended the World Fantasy Convention in Washington D.C. (my first trip to the city) and had a marvelous time. I attended readings by over a dozen writers, sat in on terrific panels, and reconnected with close friends I haven’t seen in far too long.
But I probably spent the most time in the Dealers Room, where publishers and collectors laid out their wares on closely packed tables. We talk about a lot of new books here at Black Gate, and I’m proud of our coverage of the industry, but let me tell you — there’s nothing like wandering past stacks of newly-published fantasy titles from dozens of publishers to make you realize how woefully you’ve underrepresented the cavalcade of new books that have arrived in just the last few months.
I vowed that when I returned to our rooftop headquarters here in Chicago, I’d showcase those publishers that most impressed me — and not just with a book or two, but by trying to show you what it was like to stand in front of their tables in that room, with the full range of their current books on display. I’ve done that once already, with Valancourt Books; today I’d like to focus on one of the most innovative small press publishers in the field, the brilliant ChiZine Publications.
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One of the many delights of the World Fantasy Convention, as I reported last week, is meeting the small publishers doing marvelous work in the industry. Seeing their catalogs of books spread out before you on a table in the Dealers Room can be quite a revelation. That was certainly the case with Valancourt Books.
As they proclaim proudly on their website, Valancourt Books is an independent small press specializing in the rediscovery of rare, neglected, and out-of-print fiction. They have five major lines: Gothic, Romantic, & Victorian; Literary Fiction; Horror & Supernatural; Gay Interest; and E-Classics. For World Fantasy, they crammed their table with titles from their Horror & Supernatural line. And I do mean crammed: their small table was piled high with dozens of beautifully designed trade paperbacks reprinting long-out-of-print horror paperbacks, chiefly from the 70s and 80s.
All it took was one glance to see that Valancourt Books has two significant strengths. First, their editorial team has excellent taste. They have reprinted work by Stephen Gregory, R. Chetwynd-Hayes, Hugh Walpole, Charles Birkin, Jack Cady, Basil Copper, Russell Thorndike, John Blackburn, Michael McDowell, Bram Stoker, and many, many others. And second, their design team is absolutely top-notch. Their books are gorgeous, with beautiful cover art and striking visual design. I’ve selected eight to highlight in this article, just to give you a taste of what they have to offer, and replicate (in a small way) what it was like to stand in front of their table gazing appreciatively at their assembled treasures.
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There are a lot of books vying for your attention at the World Fantasy Convention. Publishers put free books in your convention bag, publicists place colorful flyers on the giveaway table, and hopeful authors hand out bookmarks and cards by the dozens. I always leave the con with my head brimming with promising new books, authors, and publishers.
Of course, I forget most of them within a day or two. Well, maybe it’s for the best. I couldn’t possibly read them all anyway.
It’s the ones that linger in my mind a couple weeks after the con that truly deserve my attention. Sort of a Darwinian survival-of-the-fittest contest, taking place in the dusty corners of my brain. Good to know those brain cells are doing something, I suppose.
It’s been over two weeks since the 2014 World Fantasy Convention now, and I’m already having trouble remembering what city it was in. (Some brains are more skilled at forgetting than others. My brain is an expert.) But a handful of books I glimpsed at the con have managed to stay with me, and a surprising number of them are from the brand new publisher, Saga Press. In fact, I’d venture to say that Saga had perhaps the most impressive slate of upcoming titles I saw at the con — and that’s saying something.
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Sofia Samatar with the World Fantasy Award. Photo by Nathan Ballingrud
As I was pleased to report last week, Sofia Samatar won the 2014 World Fantasy Award for her acclaimed first novel A Stranger in Olondria. And as I also mentioned, Sofia addressed “the elephant in the room” in her remarks to the audience, saying a few words about the fact that she was being honored with a bust of Lovecraft, a man who expressed profoundly racist views in his fiction and poetry. Nonetheless, she was articulate and extremely gracious, and accepted the award with humility and gratitude.
In the days since, she has expanded slightly on her remarks, saying on her blog:
I said it was awkward to accept the award as a writer of color. (See this post by Nnedi Okorafor, the 2011 winner, if you are confused about why.) I also thanked the board for taking the issue seriously…
I am not telling anybody not to read Lovecraft. I teach Lovecraft! I actually insist that people read him and write about him! For grades! This is not about reading an author but about using that person’s image to represent an international award honoring the work of the imagination.
While the issue of replacing Lovecraft’s image on the award continues to be hotly debated, I was pleased to see that Sofia’s remarks in large part have not been. She is a class act, and if there’s anyone who can gently nudge the calcified old guard of fantasy into accepting that the field’s highest honor remains (at best) a dubious honor for people of color as long as it bears Lovecraft’s image, it’s Sofia Samatar. In the meantime, she reminds us that, if she can maintain a sense of humor in all this, so can the rest of us. On her Facebook page she posted the image at right, captured moments after accepting the award (snapped at her table by fellow Small Beer author Nathan Ballingrud), along with this comment:
And also, to be real, we’re practically identical. Race is a construct! TWINSIES!
This is how you win arguments. By being simultaneously more articulate and dignified — and funnier — than everyone else in the room. I know who gets my vote to replace Lovecraft’s visage on the statue. Perhaps they won’t even have to modify it all that much. But trust me, when they’re done, it’ll be a lot more beautiful.