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Tor Doubles #24: Roger Zelazny’s The Graveyard Heart and Walter Jon Williams’ Elegy for Angels and Dogs

Tor Doubles #24: Roger Zelazny’s The Graveyard Heart and Walter Jon Williams’ Elegy for Angels and Dogs

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Cover for The Graveyard Heart and Elegy for Angels and Dogs by Bob Eggleton

Tor Double #24 was originally published in August 1990 and is the final volume in the series which compiled a classic story along with a sequel (or prequel) written by another author. Walter Jon Williams used the world Zelazny created with an overlap of only a few characters to expand Zelazny’s story. Not original to the Tor Doubles series, Elegy for Angels and Dogs was originally published in Asimov’s Science Fiction Magazine 26 years after The Graveyard Heart appeared.

The Graveyard Heart was originally published in Fantastic Stories of the Imagination in March, 1964. Opening at New Year’s Eve 2000, Zelazny offers a decadent society of the Set, who live to attend flamboyant parties and be seen, going into cryosleep between the parties to prolong their lives. Alvin Moore has managed to get an invitation to the “Party of Parties,” where he promptly falls in love with Leota, one of the Set.

Since the Set only come out of hibernation every few years to attend elaborate parties, there can be no relationship between Moore and Leota. Unable to accept this, Moore decides he must be admitted to the Set and goes about figuring out how to improve his chances of achieving his goal.

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Birthday Reviews: Walter Jon Williams’s “The Fate Line”

Birthday Reviews: Walter Jon Williams’s “The Fate Line”

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Cover by Bob Eggleton
Cover by Bob Eggleton

Walter Jon Williams was born on October 215, 1953

Williams received the Nebula Award for best novelette in 2001 for “Daddy’s World” and for novella in 2005 for “The Green Leopard Plague.” In 1997 he won the Sidewise Award for Alternate History for his story “Foreign Devils.” His works have also been nominated for the Hugo Award, World Fantasy Award, Philip K. Dick Award, and Theodore Sturgeon Memorial Award.

“The Fate Line” was published in the Fred Saberhagen festschrift Golden Reflections in 2011, edited by Robert E. Vardeman and Joan Spicci Saberhagen. The story is set in the same universe as Saberhagen’s 1979 novel The Mask of the Sun and has not been reprinted.

Williams take on the setting is one of constantly shifting expectations. It opens with Perseus, the illegitimate son of one of the Ptolemaic pharaohs, plundering a tomb at the orders of his half-brother, the Pharaoh Ptolemy V Epiphanes, in order to find the wealth needed to fight the rebels and foreigners who threatened the dynasty. Perseus worries that both success or failure would bring about his own death, but when he found the immeasurable wealth of Ahmose, the founder of the eighteenth dynasty, he began to see a way out of his dilemma.

Williams quickly shifts the focus to Demetrios, a disentimed soldier who is working for the Quechuans of The Mask of the Sun in their time-war against the Tenocha. In one of the timelines, Cuzco-81, there is an Egyptian empire that threatens the Quechuans and Demetrios and a team are sent back in time to stop the Ptolemaic dynasty from establishing a foothold that lasts thousands of years. The team suffers almost instant failure when Demetrios meets Elpidos, a man who has knowledge about Demetrios, but who can’t share too much. Demetrios does realize that if he intends any harm to Ptolemy, the pharaoh will learn of it and Demetrios will fail.

Unable to return to his own time and knowing that his mission is stymied, Demetrios tries to figure out how to best establish himself in ancient Alexandria. Taking inspiration from his aunt, he sets himself up as a cheiromancer. When his predictions come true, he draws the attention of those close to the court and is eventually able to learn the secret of Ptolemy’s great luck, which ties in to Saberhagen’s novel, and come up with a way to siderail the timeline’s history without doing anything to harm the king.

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