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Blogging Marvel’s Master of Kung Fu, Part Two

Blogging Marvel’s Master of Kung Fu, Part Two

MOKF19Master of Kung Fu #19 was the final issue scripted by Shang-Chi’s creator, Steve Englehart. While the idea of a guest appearance from Marvel’s swamp creature, Man-Thing was an offbeat idea, the issue is more notable for the influence of the television series, Kung Fu. This influence is felt strongest in the philosophical discourse on pacifism conducted throughout the issue by Shang-Chi and his fellow Chinese visitor to  the Everglades, Lu Sun (a character clearly based on Kwai Chang Caine from Kung Fu). Shang-Chi admires the pacifist philosophy but the unremitting pursuit of a pair of Si-Fan assassins, (an Asian and Arab double act known as Jekin and Dahar) make it impossible to put it into practice.

Shang-Chi’s memories are colored by the realization of his father’s immorality. The childhood flashback (a familiar conceit from the Kung Fu television series) employed here serves to underscore the point that as the pieces of the puzzle come together for Shang-Chi, he is left more fragmented than before. This conundrum is one that Steve Englehart was leaving for future issues to build upon.

An intriguing sub-plot sees Sir Denis Nayland Smith and Black Jack Tarr launch an assault on Fu Manchu’s convoy of trucks as he abandons Florida following Shang-Chi’s successful sabotage of his operations in the preceding issue. While the casualties on the side of the Si-Fan are heavy, the mastermind makes his escape in the Everglades leaving Sir Denis facing another hollow victory. The Man-Thing is almost superfluous to the plot, but his position as an unwitting pawn in others’ games mirrors Shang-Chi’s own place as a man who strives for peace on a battleground.

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Blogging Marvel’s Master of Kung Fu, Part One

Blogging Marvel’s Master of Kung Fu, Part One

MOKF15Special Mavel Edition is a little remembered comics reprint title of the early 1970s. Its fifteenth and penultimate issue dated December 1973 featured the debut of a new series, Master of Kung Fu. Marvel’s timing was perfect as Bruce Lee was now a major star at the U.S. box office and David Carradine’s Kung Fu series was a critical and ratings success on the small screen.

Marvel had optioned the rights to Sax Rohmer’s Fu Manchu characters several years before when Pyramid paperback reprints of the 13 Rohmer novels were selling strong thanks to the popularity of the Christopher Lee film series. Marvel already had their own Fu Manchu clones in the form of the Yellow Claw and the Mandarin, but Master of Kung Fu gave them the opportunity to build a contemporary martial arts title out of a sequel to Rohmer’s highly influential thriller series.

Conceived by Steve Englehart and Jim Starlin, the decision to incorporate Sax Rohmer’s characters was at the insistence of Marvel editor Roy Thomas. Englehart enlisted the aid of Robert E. Briney, publisher and editor of The Rohmer Review fanzine to ensure the continuity was consistent with Rohmer’s long-running literary series.

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