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Blogging Mac Raboy’s Flash Gordon, Part Two – “Yeti”

Blogging Mac Raboy’s Flash Gordon, Part Two – “Yeti”

Flash Gordon 1Flash Gordon 2Mac Raboy succeeded Austin Briggs in illustrating the Flash Gordon Sunday strip from 1948 until his death in 1967. As an artist, Raboy was heavily influenced by the strip’s creator, Alex Raymond, and did a fine job of continuing the series. Dark Horse reprinted the entire Mac Raboy run in four oversized monochrome trade paperbacks a few years ago. Titan Books will reprint the series in full color as part of their ongoing hardcover reprints of the entire run of the series. At present, I have only two Mac Raboy stories (one early and one late-period) as a sample of his two decade run on the strip.

“Yeti” was serialized by King Features Syndicate from July 21 to November 17, 1963. Raboy’s artwork was not as strong by this point as it had been earlier, but having succeeded Don Moore in writing his own scripts, it is clear that Raboy was taking a cue from Dan Barry’s concurrent daily strip in moving the series away from Alex Raymond’s original template.

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Blogging Mac Raboy’s Flash Gordon, Part One – “Polaria”

Blogging Mac Raboy’s Flash Gordon, Part One – “Polaria”

Flash Gordon 4Flash Gordon 3Mac Raboy succeeded Austin Briggs in illustrating the Flash Gordon Sunday strip from 1948 until his death in 1967. As an artist, Raboy was heavily influenced by the strip’s creator, Alex Raymond, and did a fine job of continuing the series. Dark Horse reprinted the entire Mac Raboy run in four oversized monochrome trade paperbacks a few years ago. Titan Books will reprint the series in full color as part of their ongoing hardcover reprints of the entire run of the series. At present, I have only two Mac Raboy stories (one early and one late-period) as a sample of his two decade run on the strip.

“Polaria” was serialized by King Features Syndicate from September 18, 1949 to January 1, 1950. Raboy’s artwork never approached the grandeur of Alex Raymond’s vistas (to be fair, he wasn’t allotted the space), but the realism of his characters (particularly their windswept hair) exceeded the originals. Don Moore’s scripts remained unchanged fifteen years after the fact, as the storyline concerned yet another regional monarch’s desire to become Emperor of Mongo and follow in the footsteps of both Ming the Merciless and Kang the Cruel.

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