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Tor Doubles #37: Esther Friesner’s Yesterday We Saw Mermaids and Lawrence Watt-Evans’ The Final Folly of Captain Dancy

Tor Doubles #37: Esther Friesner’s Yesterday We Saw Mermaids and Lawrence Watt-Evans’ The Final Folly of Captain Dancy

Cover for The Final Folly of Captain Dancy and Yesterday We Saw Mermaids by Pat Morressey

This volumes  was originally scheduled for September 1991, but the series was cancelled before it would see print. Both stories were eventually published by Tor in different formats. Had this volume been printed, it would have been the first volume in the series to include two original stories. Although published separately, both were coincidentally first published in the same month.

Yesterday We Saw Mermaids was eventually published as a stand-alone novel by Tor Books in October, 1992. Set in 1492, Friesner tells the story of a magical ship that seems to be racing Christopher Columbus’ expedition to the new world. The ship is mostly crewed by a group of nuns from Porto in Spain, but there is also a monk, Brother Garcilaso, a woman named Rasha, and two unnamed women, one called La Zagala and one called the Jewess. The story is told from the point of view of a young nun, Sister Ana, who has been appointed the scribe for the voyage.

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Random Reviews: “Twelve-Steppe Program,” by Esther Friesner

Random Reviews: “Twelve-Steppe Program,” by Esther Friesner

Cover by Tristan Elwell
Cover by Tristan Elwell

Last week’s story, “The Birth of A.I.” was a humorous short story which led up to a single punchline. This week’s story, Esther Friesner’s “Twelve-Steppe Program” is a longer humorous short story that rather than serve as the delivery system for a joke, focuses on the situations Friesner establishes to find its humor rather than punchlines.

The eunuch Nir Mung-Mung has been ordered to travel to the Garikkh horde to retrieve Princess Anuk’ti so she can become the bride of Prince Floats-like-dandelion-fluff-upon-the-scented-waters. Unfortunately for Nir Mung-Mung, he is entirely aware of the political machinations of the Chief Eunuch who is less interested in establishing a marriage between Prince Fluffy and Princess Anuk’ti and more concerned with holding onto his role as Chief Eunuch and making sure that any of his rivals, of whom he includes Nir Mung-Mung, are removed from contention to replace him.

For her part, Princess Anuk’ti is not the demure bride that Nir Mung-Mung was expecting to escort. Among her first interactions with him was an attempt to seduce him, not recognizing that he was a eunuch. In any event, Anuk’ti has her own agenda and once Nir Mung-Mung and Anuk’ti begin listening to each other, they come up with the beginnings of a plan to ensure both of their survivals in a court that is designed to be inhospitable to them.

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Birthday Reviews: Esther M. Friesner’s “Miranda’s Muse”

Birthday Reviews: Esther M. Friesner’s “Miranda’s Muse”

Treachery and Treason
Treachery and Treason

Esther M. Friesner was born on July 16, 1951.

Friesner has won the Nebula Award for her short stories “Death and the Librarian” and “A Birthday,” the latter of which was also nominated for the Hugo Award. She has also received nominations for the Gaylactic Spectrum Award and the James Tiptree, Jr. Memorial Award. In 1994, she was the recipient of the Skylark Award, presented by NESFA.

“Miranda’s Muse” was written for Laura Anne Gilman and Jennifer Heddle’s anthology Treachery and Treason. The story has not been reprinted.

Miranda Ford is a highly successful romance author who seemed to lead a perfect life with her husband, Alan. After Alan’s death, however, Miranda finds herself suffering from writer’s block and, more importantly, is confronted by her new agent, Billy Samson, about the extremely overdue manuscript her publisher is clamoring for. Billy quickly learns that Alan was very definitely Miranda’s muse. His poor and boorish behavior provided her with all the villains in her novels, with barely any modifications. Billy offers Miranda a solution that she can’t believe. He explains that he is a necromancer and can bring Alan back from the dead.

Although Miranda doesn’t believe Billy will be successful, she accompanies him to the graveyard and watches as he brings her husband back to life, or at least unlife, using an incantation analogous to a high school football cheer. While Alan’s partial resurrection is potentially good for her career, Miranda didn’t question Billy too closely about the specifics, and Billy didn’t offer the information, so everything that happens next –Billy’s binding of Alan and Miranda, the rules that govern their new relationship, and the fact that Alan is no longer jealous of Miranda’s success — all come as a surprise.

Feeling betrayed by Billy, Miranda’s vengeance on him also backfires, but in the end, she and Billy are able to work out a new, amicable working relationship and, perhaps, even a level of mutual respect. Although Alan was a horrific human, and likely to remain that way as a revenant, Miranda isn’t a whole lot better herself, but she is also Billy’s meal ticket if he wants to be a successful agent.

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