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Category: Vintage Treasures

From Mystery to Horror: Darker than You Think by Jack Williamson

From Mystery to Horror: Darker than You Think by Jack Williamson

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Darker Than You Think (Fantasy Press, 1948). Cover by A. J. Donnell

Jack Williamson had an impressively long career in science fiction, from the pre-Campbell era into the twenty-first century. His first sale, in 1928, was to Hugo Gernsback’s Amazing Stories; his last book came out in 2005, the year before his death at 98. Darker than You Think is one of the high points of that career, published in 1948 as a novel expanded from a 1940 novella that appeared in John W. Campbell’s fantasy magazine Unknown.

Despite this venue, though, Darker than You Think is highly rationalized “fantasy,” to the point where it’s more accurately described as science fiction. Near the end of the novel, an important secondary character, Sam Quain, tells the protagonist that “supernatural” really means “superhuman.”

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Vintage Treasures: Moderan by David R. Bunch

Vintage Treasures: Moderan by David R. Bunch

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Moderan, by David R. Bunch (Avon, May 1971). Cover by Norman Adams

The week between Christmas and New Year’s may be my favorite time of the year. Nobody’s working. Life slows down. Everybody’s eating cheese. And I can finally kick back and tackle the reading projects I’ve wanted to get to all year.

At the top of my list is a Moderan, a classic science fiction collection that reviewers at Black Gate have referenced countless times in the past few years — most recently Rich Horton, who wrote here back in February, “Bunch of course is best known for his remarkable Moderan stories, many or most of which were published in Cele Goldsmith Lalli’s Amazing and Fantastic.”

Rich knows how to pique my interest. Start with superlatives, then name drop a bunch of old science fiction magazines.

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The Sword & Planet of Gardner F. Fox: The Llarn Novels

The Sword & Planet of Gardner F. Fox: The Llarn Novels

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Warrior of Llarn and Thief of Llarn by Gardner F. Fox (Ace Books,
1964 and 1966). Covers by Frank Frazetta and Gray Morrow

I discovered Thief of Llarn in my small hometown library. The swordsman on the cover screamed John Carter to me, and the demon skull with the gem in it didn’t hurt any.

I fell in love with this book and finally found a copy for myself. It’s not in great shape. It took me another fifteen years (pre-internet) or so to find Warrior of Llarn, which was actually the first book of the two book series.

I was somewhat disappointed in Warrior, probably because Thief had become almost mythically good to me in my memories. These are solid entries in Sword & Planet fiction. They were published in 1964 and 1966 respectively.

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No More Stories — The Capstone to Joanna Russ’s Alyx Sequence: “The Second Inquisition”

No More Stories — The Capstone to Joanna Russ’s Alyx Sequence: “The Second Inquisition”

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Orbit 6, edited by Damon Knight (Berkley Medallion, June 1970). Cover by Paul Lehr

“No more stories.” So ends Joanna Russ’s great novelette “The Second Inquisition.” But in many ways the story is about stories — about how we use them to define ourselves, protect ourselves, understand ourselves. It’s also, in a curious way, about Joanna Russ’s stories, particularly those about Alyx, a woman rescued from drowning in classical times by the future Trans-Temporal Authority.

“The Second Inquisition” first appeared in Orbit 6 in 1970. It was nominated for the Nebula Award for Best Novelette. It was included in the anthology Nebula Award Stories 6, along with Gene Wolfe’s “The Island of Doctor Death and Other Stories,” which first appeared in Orbit 7 and was also nominated for a Nebula — and which has some resonances with “The Second Inquisition.” Russ’s story has been anthologized several times since, and is collected in her book The Adventures of Alyx, and in the recently released Library of America collection Joanna Russ: Novels and Stories.

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Seven Things I Think I Think (December, 2023)

Seven Things I Think I Think (December, 2023)

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With the holidays being so busy and such, Ten Things I Think I Think only has seven entries this week. I’m sure it won’t ruin your Christmas. 🙂 So away we go…

THE BLACK COMPANY IS AN ENDURING CLASSIC

I’ve read Glen Cook’s The Black Company, all the way through, at least three times. It’s about a mercenary company that roams far and wide in a dark fantasy world, varying on the scale of ‘good guys’ and ‘bad guys.’ I don’t do Grimdark, but it’s commonly cited as being a foundation of the genre.

Audible had a HUGE sale the start of December, and I picked up almost the entire series on audiobook, at less than $3.50 a book. That’s a pure steal! I listen to audiobooks during my drives, and during my work day. Even as I type blog posts. My mind is good at multi-attention. I wouldn’t have time to read/re-read all the things I listen to.

I’m on book four, and this remains one of the best fantasy series’ I’ve ever read. I feel that the last two books are kind of disappointing, and I slog through them. We’ll see if that’s the case, listening to them. But overall, this is terrific. The latest book, Port of Shadows, is set during the original trilogy, and I am going to read that later this month. But as a whole, I highly recommend The Black Company. Fletcher Vredenburgh did a superb deep dive into the whole thing, over at Black Gate. I also LOVE Cook’s Garrett, PI series, which I wrote about here. Just a great writer.

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Vintage Treasures: Clash by Night by Henry Kuttner and C.L. Moore

Vintage Treasures: Clash by Night by Henry Kuttner and C.L. Moore

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Clash by Night (Hamlyn Paperbacks, 1980). Cover by Chris Moore

I’m a big fan of the short fiction of Henry Kuttner, one of the great genre pulp writers, and earlier this year I stumbled on a curiosity: a Hamlyn (UK) paperback collection of Kuttner’s pulp tales which has never been reprinted in the US: Clash by Night.

Clash by Night collects five Kuttner tales from the heyday of the science fiction pulps, 1943-1952. The stories collected here were originally published in Astounding Science Fiction, Thrilling Wonder, and Space Science Fiction. They include some of Kuttner’s most acclaimed SF, and some that has been rarely reprinted.

Another thing they all have in common: They were all written with his wife, C.L. Moore, whom the editor didn’t see fit to credit on the cover, for reasons of obvious sexism. It’s small remedy to correct that slight in the title of this article, but I did it anyway.

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Vintage Treasures: Fantasy Annual III edited by Terry Carr

Vintage Treasures: Fantasy Annual III edited by Terry Carr

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Fantasy Annual III (Timescape/Pocket Books, May 1981). Cover by Lisa Falkenstern

Today we’re jumping back four decades to Fantasy Annual III, the third volume of Terry Carr’s companion series to his legendary and long-running Best Science Fiction of the Year, which ran from 1972 to the year he died, 1987. Fantasy Annual, which underwent a name change (and a change in publisher) lasted only five volumes, 1978-1982. But it was lauded in its day, and I still miss it.

Fantasy Annual III was one of the stronger installments. It’s anchored by a long story by Stephen King, “The Crate,” originally published in a men’s magazine in 1979, and which has never been reprinted in any of King’s many collections. It’s a terrific tale, one of King’s best works of unapologetic monster fiction, and was filmed as part of George A. Romero’s 1982 anthology film of King tales Creepshow, in a segment staring Adrienne Barbeau and Hal Holbrook.

The remainder of the book also makes excellent reading, with stories by Michael Bishop, Russell Kirk, Harlan Ellison, Walter Tevis, Fritz Leiber, Joanna Russ, Orson Scott Card, and Greg Bear, plus a Traveller in Black novelette by John Brunner, a John the Balladeer tale by Manly Wade Wellman, and The Vampire Tapestry story by Suzy McKee Charnas.

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“not really now not any more” Red Shift by Alan Garner

“not really now not any more” Red Shift by Alan Garner

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He began  to  climb  the  inside  of  the  castle, the folly, the empty stone.
“Tom?”
He climbed.
“Don’t be so bloody dramatic!”
At the top he stood upright, jerkily, balancing against the air above the wall and the cliff.
“You’ll not frighten me!”
He spread his arms and lifted his head to the sky.
“Through the sharp hawthorn blow the winds,” he shouted. “Who gives anything to poor Tom? Tom’s a-cold! Bless thee from whirlwinds, starblasting, and taking!”
“Stop it! You’re all quote! Every bit! Any you call me second hand!”
“Pillicock sat on Pillicock-hill. Halloo, halloo, loo, loo!”
“You can’t put two words of your own together! Always someone else’s feeling! Other people have to hell to find words for you! You’re fire-proof!”

Red Shift (1973) by Alan Garner, is a complex book that weaves together three distinct but related stories. The main story, set in 1970s England, is about Tom and Jan, teenagers struggling to maintain their love in the face of Tom’s disapproving parents, looming separation as Jan prepares to enter nursing school in London, and Tom’s unsettled mental state. Jan is constantly expressing her love for Tom, but he seems incapable of really accepting that.

The second story is about Macey is part of a band of deserters from the Roman IX Legion named Macey and a tribal priestess raped and held prisoner by his comrades following the slaughter of her entire village. He is given to berserker rages where he fights like ten men and experiences visions of the other two stories.

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Vintage Treasures: A Door Into Ocean by Joan Slonczewski

Vintage Treasures: A Door Into Ocean by Joan Slonczewski

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A Door Into Ocean (Avon, February 1987). Cover by Line

Joan Slonczewski’s first novel, Still Forms on Foxfield, was published in 1980, but it was their second novel, A Door Into Ocean, which made a real splash, winning the John W. Campbell Memorial Award for Best Science Fiction Novel (not to be confused with the old Campbell Award for Best New Writer, now called the Astounding Award, on account of Campbell being a racist goofball.)

Slonczewski is referred to as ‘she’ and ‘her’ on virtually every bio and interview I’ve found on the web — including the Kenyon College faculty page where Slonczewski is a Chair of Biology — but their website and Wikipedia page give their pronouns as they, them, theirs, so that’s what I’ll use here.

A Door Into Ocean was the book that made readers sit up and take notice of Slonczewski. They followed it with three more books in what became known as the Elysium Cycle: Daughter of Elysium (1993), The Children Star (1998), and Brain Plague (2000). Often compared to Le Guin’s The Left Hand of Darkness, A Door into Ocean explores a colony planet covered entirely by water, occupied by an all-female offshoot of humanity who have become skilled genetic engineers.

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Mission to the Mesozoic: The Shores of Kansas by Robert Chilson

Mission to the Mesozoic: The Shores of Kansas by Robert Chilson

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The Shores of Kansas (Popular Library, March 1976). Cover by Mariano

Here’s another in my series of reviews of fairly obscure books from the ’70s and ’80s. Like some others, this review is of a book I bought at the Windy City Pulp and Paper Convention in Lombard, IL, earlier this year.

Rob Chilson is a Kansas City based writer (though born in Oklahoma) whose first story appeared in Analog in 1968. (Likely he is one of the few John W. Campbell discoveries still alive, though I think Donald Kingsbury, who is 94 and whose first story was in Astounding in 1952, remains the senior among that group.) His first stories and novels, including this one, were published as by Robert Chilson, though by the mid-80s he was using Rob.

I’ve known Rob for a number of years, seeing him most often at the KC convention ConQuesT. I saw him most recently at the World Fantasy Convention, which was in Kansas City this year, where he was kind enough to sign this very book for me. He’s a fine writer, and I’ve enjoyed his short fiction for a long time, with notable stories including “This Side of Independence,” “Farmers in the Sky,” “The Conquest of the Air,” and a series of stories set 60,000,000 years in the future, called collectively “Prime Mondeign.” (The most recent of these is “The Tarn,” from Analog in 2015.)

I had not read any of his novels until I recently tried his first, As the Curtain Falls, also set in the very distant future. It had interesting aspects, but ultimately I felt it didn’t quite work, and it was clearly a first novel that probably could have used another revision. I’m happy to report that The Shores of Kansas, his third novel, from 1976, is much better.

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