Browsed by
Author: Julie Czerneda

The Evolution of Process — A Writerly Tale

The Evolution of Process — A Writerly Tale

A Julie as Young Writer-small

The young author with her first electric typewriter!

This guest post by Julie Czerneda is part of the #againstthedark blog tour. Enter a comment below to be entered to win her latest book in hardcover, To Guard Against the Dark, plus a mass market of The Gulf of Time and Stars (US and Canada entries only, please). To enter the tour-wide giveaway of the entire nine-book series, click here before October 16th at 5pm EST.

Once upon a time, there was an unpublished, (and never-thinking-to-be-published) writer named Julie, who would scribble her stories on paper (which she scrunched up to make taller stacks that whispered and rustled in a lovely, ever-so-literary way), when not typing with two fingers on the ancient and indestructible Underwood typewriter her mother gave her. (Then, yes, would scrunch up the paper to make taller stacks.) Eventually, Julie’s stacks burst from her desk drawer. Her mother found her a used portable electric typewriter and filing cabinet, suggesting she stop scrunching and write.

Read More Read More

#rurallife or Can You Hear Me Now?

#rurallife or Can You Hear Me Now?

This guest post by Julie Czerneda is part of the #futurespasttour, taking place from Aug 22nd to Sept 6th. Enter for a chance to win one of two sets of Julie Czerneda’s books: a mass market paperback edition of A Gulf of Time and Stars plus a hardcover edition of The Gates of Futures Past. US/Canada residents only, please. Enter here for the Rafflecopter giveaway.

The Gate to Futures Past Julie Czerneda-smallAt Fantasy Café earlier in this blog tour, I regaled you with the story of how we came to move to the country in the midst of my writing The Gate to Futures Past. If you haven’t read that post yet, by all means nip over and do so, because this one?

Is about what happened next.

Pretty much immediately next, in fact. While we waited for the moving truck, next. We stood inside our new, for-the-time, home, tired but triumphant, and reached for our cell phones to let the family know we’d arrived because we’d promised.

No signal.

Many houses have low-signal spots. In our previous domicile it had been, appropriately enough, beside the shelves with the Pratchetts. Walk a step away, and you were reconnected. L-Space.

Here? In short order we discovered every room and hallway, both floors, of our new house to be a dead zone. No signal at all, anywhere.

How… odd.

Outside we went, phones held high — a little giddy, truth be told, to be doing our own LARP of Mulder and Scully. Were we not, when said and done, in the middle of no-one-knew-where? (Literally. No one else knew exactly where we were, hence the promise to call. Not even a mailing address. More on that later.)

We followed our rising little bars as ardently as if chasing a Pokémon. Up the hill. Finally!

Read More Read More

Hearing Gulf: A Conversation With Allyson Johnson

Hearing Gulf: A Conversation With Allyson Johnson

This Gulf of Time and Stars-smallI’m delighted to have the chance to introduce you to the voice of the audible.com audiobook edition of This Gulf of Time and Stars, as well as the Trade Pact trilogy. Hi Allyson!

Allyson: Hi Julie! It is truly a pleasure to be having a conversation with you about the Trade Pact world. Ordinarily, the only person I’m able to speak with about a book is the engineer who’s recording me. So this is a real treat!

For me too. I didn’t expect to be involved with the audiobook process at all, let alone meet the actor! You and I have had a few phone calls to discuss vocabulary over the four books. Anyone who clicks on the sample of the latest will know at once what a wonderful job you’ve done, Allyson. I know you prepared well in advance. You told me you listened to your own recordings of A Thousand Words For Stranger, Ties of Power, and To Trade the Stars before you tackled Gulf. What did that help you accomplish?

Thanks so much for your kind words. To be honest, although I tuned into a few choice sections of the other two titles, I only had time to listen to Trade all the way through, prior to recording Gulf. But I always take copious notes about character descriptions, vocal characteristics, accent choices, pronunciations, etc. whenever I prep a book. So I was able to refer back to the index cards I’d previously created for the trilogy and create a spreadsheet that would allow for quick and easy reference in the booth. It had, however, been three years since I’d last entered Trade Pact space, as it were, and there’s nothing like hearing long passages of dialogue to refresh my mind. Listening also reminded me of plot points I hadn’t thought about in a long time, which allowed me to pick up where the story left off once I actually began narrating Gulf. I try to be mindful of the fact that listeners sometimes elect to hear books in a series back-to-back. So I need to make the transitions between those stories as seamless as possible.

Read More Read More