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Author: Bob Byrne

What I’ve Been Listening To: November 2025

What I’ve Been Listening To: November 2025

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It’s been August since I shared What I’ve Been Listening To. My apologies for depriving you! And you know that I listen to audiobooks every single day: Work, home, car, walking, bedtime: I’m constantly listening to them.

I am set up with two library systems here in Columbus now, so I’m borrowing some listens with Libbby, and Hoopla. The first entry today was a borrow.

And I am typing this after watching my Dodgers win the first NL back-to-back World Series’ since 1975/76. 50 years ago! I have seen the Dodgers play in 10 World Series’ in my lifetime, and they’re now 5-5, having won the last three. It’s a good time to be a Dodgers fan.

CONSPIRATA/LUSTRUM (Robert Harris)

I loved Robert Harris’ Fatherland. It’s an alternate history mystery novel in which the Nazis won (similar to Len Deighton’s terrific SS-GB). HBO made a really good version with Rutger Hauer. I’m going to watch it again soon.

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The Double-A Western Detective Agency joins Holmes on the Range (Sorta…)

The Double-A Western Detective Agency joins Holmes on the Range (Sorta…)

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Last year, I did a three-part series on Steve Hockensmith’s terrific Holmes on the Range series. This essay, a comprehensive chronology, and a Q&A which Steve kindly did with me, represent the deepest dive anyone has done on these fun books. Since then, two novels (and a short story) in a spin-off series about the Double-A Western Detective Agency, came out. As well as one Old Red short story. I’m (yet again) listening to the Holmes on the Range audiobooks –  mixing in the short stories in chronological order this time – and loving the series all over again. I’m also reading the second Double-A novel (No Hallowed Ground).

I’ve added some info on the new series at the end of this post. And I’ve updated the Chronology. If I still haven’t convinced you to try that first novel, Holmes on the Range (or the short story collection, Dear Mr. Holmes), give me the benefit of the doubt. Steve’s a really good writer, and these are fun Western mysteries, with a Holmes underlay. Don’t be a saphead. 🙂

There are a lot of ways to go about writing a Sherlock Holmes story. Some folks attempt to very carefully emulate Sir Arthur Conan Doyle’s own style, and to turn out a tale that feels as if it might have been penned (or typed these days) by the creator of the great detective himself. No surprise that results vary. GREATLY. Hugh Ashton and Denis O. Smith are the best I’ve found in this regard.

You can find stories ranging from pretty good to not suitable for (digital) toilet paper. I’ve had a half dozen of my own stories published and I’m still working on better voicing the good doctor.

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What I’ve Been Watching: October 2025

What I’ve Been Watching: October 2025

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Well, August was the last time I shared What I’ve Been Watching, and I know you’re always wondering what is getting my attention.

This week we’ve got three British crime shows, one American comedy cop show, and…an action movie.

RETURN TO PARADISE

I have written more than once about Death in Paradise This British cop show, set in a Caribbean island, is one of my favorites, through 117 episodes over 14 seasons. Click here to read about it.

There have been multiple cast changes, with several Detective Inspectors from Britain assigned. One, Humphrey Goodman (played by Kris Marshall), has his own spin-off, Beyond Paradise. Season three just began dropping on Britbox this week, and has been renewed for a fourth.

There’s another spin-off, set in Australia. It’s a bit different. There’s mild tie to Death in Paradise, but it’s not a sequel, like Beyond Paradise is. More on that below.

Anna Samson is DI Mackenzie Clark. She had been a police officer in her Australian hometown, when she dumped her fiance and went off to work in London. She’s under investigation there and returns home. She ends up working there again, where her ex-fiance is the ME, and his mother is her boss – before and again. So, you get the set-up.

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Writing Advice: Creating Character (Red Sneaker Writers)

Writing Advice: Creating Character (Red Sneaker Writers)

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It’s been a year, so let’s look at another volume of William Bernhardt’s awesome Red Sneaker Writers books. These things are absolute treasures.

I started reading William Bernhardt’s Ben Kincaid books back in the mid-nineties. I seem to recall I went on a ‘lawyer’ kick and read him, Steve Martini, and Robert K. Tannenbaum, all around the same time. But years later, Bernhardt made a bigger impact on me with his Red Sneaker Writers series. These slim volumes with the brightly attractive colors are jam-packed with great writing advice. The first book I read was on story structure, and I think it’s still my favorite. Though every one has been both interesting to read and thought-provoking. If I ever get my act together, I’ll add “taught me a lot.”

I’ve read through a couple of them more than once, making notes on paper (I CANNOT highlight a physical book. I’m incapable of it). Last year, I decided to be a little more systematic and I went through EVERY title, be it Theme, Plot, Character – all of them: and I outlined the key points in each chapter. I printed them all out and have a very cool binder. Which, if I ever actually sit down and write a novel, will be of great use.

I sent one of the outlines to him, telling him that I’d like to include it in a Black Gate post, promoting the series. He kindly granted his permission. Today, it’s the third outline in this series.

I’m fortunate that many actual, real, Writers (note the capital ‘W’) with books you can buy on Amazon, or at bookstores (if you can find one that is still in business), are friends of mine. And they are FAR more qualified than I am to talk abut writing advice. I think I hold my own as a Black Gate blogger, and there are worse Sherlock Holmes short stories out there than mine (And certainly better ones!). But my unfinished novel is just a bunch of words strung together, until I finish it.

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A (Black) Gat in the Hand: Will Murray asks, ‘Do Lost Raymond Chandler Stories Exist?’

A (Black) Gat in the Hand: Will Murray asks, ‘Do Lost Raymond Chandler Stories Exist?’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.
– Phillip Marlowe in Raymond Chandler’s The Big Sleep
(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Will Murray makes a return to A (Black) Gat in the Hand. Last month, Strand Magazine (who I wrote DVD reviews for in a prior century) published a lost Raymond Chandler story. Which got Will to thinking…

The recent discovery of a previously unknown and unpublished short story by Raymond Chandler reminded me of a question that’s lingered in my mind for a very long time.

How did Chandler in the early years the Depression support himself and his wife writing for Black Mask and other titles when he only sold a two or three stories a year?

Black Mask was then paying only a penny or a penny and a half a word for fiction to any but their top writers. Chandler was writing stories that were roughly 12 to 18,000 words long. He received $180.00 for his first sale, “Blackmailers Don’t Shoot.“ Even considering what a penny could buy in 1933, when a loaf of sliced bread cost 3 cents, Chandler wouldn’t have been able to survive solely writing for Black Mask.

It wasn’t until 1935 that he broke into Munsey’s Detective Fiction Weekly, which probably paid him two cents a word, and possibly more. A considerable raise, but still far short of what was required for subsistence living. And he only sold one story to DFW, “Noon Street Nemesis.“

Since Chandler had been a well-paid oil company executive until he lost his job in 1932, conceivably his savings carried him for some period. But according to Chandler biographer Tom Hiney, by the time he started working on “Blackmailers,“ Chandler’s savings had been all but exhausted. The story took him five months to write. Add another month or so until he received the acceptance check. So that’s $30.00 a month for six months toil, paid at the end of the six-month period. At his old executive position, Chandler’s salary had approached $10,000 a year.

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By Crom, It’s Cimmerian September: A Plethora of Pastiches! In 2 Paragraphs Each

By Crom, It’s Cimmerian September: A Plethora of Pastiches! In 2 Paragraphs Each

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And we are wrapping up Cimmerian September. Which I think will be an annul thing here at Black Gate. Maybe I’ll do a broader Robert E. Howard month around his birth (January) or death (June). But it’s more Conan this week.

If you’re a regular here, you know that I post almost exclusively positive stuff. You can go anywhere on social media for negative stuff. I like to share things I like – with people who wanna comment on it sometimes. It’s cool.

A notable exception is that festering pile of garbage that was Max Landi’s Dirk Gently TV series. Sometimes you gotta call a spade a spade.

I’m gonna give some thoughts on twenty different Conan pastiches from over the years. And some aren’t good. So, not all happy stuff here. But I think a legitimate opinion is worthwhile. Even mine…

Not ranking them, but listing them in alphabetical order by author. I’ll give some info on the story in the first paragraph, and a very short review in the second. I’ve done in-depth reviews here at Black Gate. These are just light looks at a bunch of Conan stories, to put them on your radar. Hopefully, you’ll find this post useful.

There are others I haven’t read at all,

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By Crom, It’s Cimmerian September: Arthurian Elements In the Conan Canon – Part II

By Crom, It’s Cimmerian September: Arthurian Elements In the Conan Canon – Part II

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It’s installment three of Cimmerian September, and I’m going back to Spring of 2018 for today’s post. But it’s not a reprint (Hey: I think people should read last week’s essay on “Rogues in the House”!

I took a fantasy template developed by John Teehan, citing Arthurian elements to be found in almost any fantasy work. Well, at least one element can be, anyways. I applied the principles to the first four Conan stories: “Phoenix on the Sword,” “Frost Giant’s Daughter,” “The God in the Bowl,” and “The Tower of the Elephant.” You can click on this link to see that three of the four scored pretty low.

Well, we’re gonna look at the next three Conan stories: “The Scarlet Citadel,” Queen of the Black Coast,” Black Colossus,” and Iron Shadows in the Moon.”

So, let’s see how the stories shape up.

John Teehan, in The Complete Guide to Writing Fantasy: Volume One, challenges the reader to think of their favorite contemporary fantasy novels. And we’re talking Tolkien-onwards here, not just the past few years. Then he gives a list and says it would be difficult to think of a book that didn’t have any of the five themes on the list. He is making the point that the Arthurian legend, largely brought to popular culture by Thomas Malory, was an interweaving of those five themes. High fantasy epics like David Eddings’ Belgariad still follow this path.

I immediately thought about Robert E. Howard’s Conan tales and how they didn’t really emulate this pattern. Or so it seemed to me. My friend Deuce Richardson immediately pointed out two stories that did significantly incorporate these elements. So, I decided to start at the beginning and take a good look at “The Phoenix on the Sword”: then, do a less detailed survey of the following stories.

This time around, we’ll give “The Scarlet Citadel extra attention, then move on to the other two.

So, here we go!

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By Crom, It’s Cimmerian September: Rogues in the House

By Crom, It’s Cimmerian September: Rogues in the House

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We’re rolling through Cimmerian September here at Black Gate. Well, on Monday mornings we sure are! I was fortunate enough to be asked to do some Youtube panels for the Robert E. Howard Foundation folks this month. And we had a great time talking about the first Del Rey Conan volume – The Coming of Conan – in the first one.

I got to give my thoughts on “Rogues in the House,” which was my Hither Came Conan title. That had been a mid-level Conan story for me. But it moved up the ranks after I finished my essay project. So, with some tweaks, here’s my take on a pretty cool story. And HOW was this six years ago??

When I was pitching this series to folks, I was using the title, The Best of Conan. I didn’t come up with Hither Came Conan for about eight months, I think. Yeah, I know… The idea behind the series came from an essay in my first (and so far, only) Nero Wolfe Newsletter. The plan for 3 Good Reasons is to look at a story and list three reasons why it’s the ‘best’ Wolfe story. And I toss in one ‘bad’ reason why it’s not. And finish it off with some quotes.

So, I’m going to take a somewhat different tack from those who have come before me (I doubt I could have measured up, anyways) and pick out two elements that make this story one of Howard’s best accounts of the mighty-thewed Cimmerian. Then, throw a curveball from the Wolfe approach and highlight a few items worthy of note.

OUR STORY

Obviously, you need to read this story, but here’s a Cliff’s Notes version: Nabonidus, the Red Priest, is the real power in this unnamed Corinthian city. He gives a golden cask to Murilo, a young aristocrat. And inside the cask is a human ear (remind you of Sherlock Holmes? It should.). We learn a little later on that Murillo has been selling state secrets, and the ear is from a clerk he had dealings with. The jig is up!

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By Crom, it’s Cimmerian September: Roy Thomas & “Out of the Deep”

By Crom, it’s Cimmerian September: Roy Thomas & “Out of the Deep”

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Cimmerian September (nod to Michael K. Vaughan for coining that) continues here at A (Black) Gat in the Hand. Spooky season is right around the corner, so let’s combine a little horror with our Conan (albeit, of the Marvel variety). I have been reading Savage Sword of Conan lately. But earlier this year, I finished my reading of the first 115 issues of Conan the Barbarian. Those comprised Roy Thomas’ first run of the series, as he left Marvel. I wrote previously about how he brought Conan to Marvel.

He adapted several non-Conan stories, such as “The Marchers of Valhalla,” The Lost Valley of Iskander,” and “Black Canaan,” among many others.

“Sea Curse” appeared in the May, 1928 issue of Weird Tales. It recounted the death of a young girl and an ensuing curse, in the small coastal village of Faring. That same year, he also wrote another tale set in Faring, but it was rejected by both Weird Tales, and Ghost Story. There was also a short poem called The Legend of Faring Town, which first appeared in 1975.

That second story, “Out of the Deep,” finally found print in the November, 1967 issue of Magazine of Horror. Whereas “Sea Curse” is a tale of revenge, this one is a sea monster story. And the reason I chose this of the two is because Roy Thomas adapted it for Conan the Barbarian.

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By Crom, it’s Cimmerian September! (And all my REH essays, too)

By Crom, it’s Cimmerian September! (And all my REH essays, too)

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The seriously talented Jim Zub jumped on board last year

It’s Cimmerian September! Youtuber extraordinaire Michael K. Vaughn coined the term, in which he spends the month talking about my second favorite writer, Robert E. Howard (John D. MacDonald still holds the top spot). He’s going beyond Conan this year, and is starting out with my favorite Howard character, El Borak!

A month celebrating REH is the best thing I can think of. John Bullard of the Robert E. Howard Foundation invited me to join a panel with Michael, John Hocking, Mark Finn, Patrice Louinet, and my Hither Came Conan cohort, Jason Waltz. We recorded two long-winded but fun sessions, and I’ll share those links here when they’re online this month.

I mentioned here that I read the issues 1 through 115 of the Conan the Barbarian comic from Marvel. And with each issue, I read the accompanying chapter from Roy Thomas’ terrific three memoir series. I enjoyed it and will blog more about those comics.

I have also been reading some Savage Sword of Conan issues from the Marvel Omnibuses. And I am enjoying them in a different way. The black and white graphics are very different from the CtB color ones. I’m finding the adaptations of the REH stories are pretty faithful. I just finished up “The Treasure of Tranicos,” which was L. Sprague de Camp’s rewrite of Howard’s unpublished story, “The Black Stranger.”

“The Black Stranger” is in my Conan Top Five, and I enjoy de Camp’s version quite a bit. The Savage Sword version is a good read, covering two issues. The first one also has an informative history on the story, by Fred Blosser.

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