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Month: September 2020

Vintage Treasures: Merchanter’s Luck by C.J. Cherryh

Vintage Treasures: Merchanter’s Luck by C.J. Cherryh

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Merchanter’s Luck (DAW, 1982). Cover by Barclay Shaw

I haven’t covered many C.J. Cherryh novels in my ongoing Vintage Treasures project, and that seems like a serious oversight. Cherryh was a constant presence on the paperback racks in my youth. She sold her first novel Brothers of Earth to Donald A. Wollheim at DAW in 1975; since then she’s published more than 80 science fiction and fantasy books, including the most ambitious and successful first contact saga in science fiction, The Foreigner Series. Volume 21, Divergence, arrives in hardcover next week.

I recently picked up a copy of the author’s 1982 paperback original Merchanter’s Luck, and I thought it would be a good place to start. It’s the first novel in her Company Wars saga, set in the Alliance-Union universe where humanity has split into three space-faring power blocs: Union, the Merchanter’s Alliance and Earth. I remembered Jo Walton’s Tor.com review of Merchanter’s Luck from a decade ago, enticingly titled “A girl on a haunted spaceship.” Here’s an excerpt.

Ben JB and I were talking about Gothics, and Ben JB asked if you could have a Gothic on a spaceship. My immediate response was Merchanter’s Luck, a 1982 novel by C.J. Cherryh. It has a girl and a haunted spaceship and a mysterious man with lots of secrets in his past. But on re-reading it, I have to admit that it doesn’t quite work as a Gothic… Allison is far from a gothic heroine — she’s empowered, and most of the time in the novel she is the one in the position of power. She goes onto the spaceship and goes into abandoned cabins, full of the possessions of the dead, but she doesn’t go alone. She’s not virginal, not isolated, and never helpless…

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Weird Tales Deep Read: November 1934

Weird Tales Deep Read: November 1934

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Weird Tales, November 1934. Cover by Margaret Brundage (for “Queen of the Lillin”)

We’re back on more familiar ground with this issue of Weird Tales from its classic period. More familiar authors are represented, and although not every story is a classic the editors at least avoided any real stumbles this. The issue grades out to a 2.1, which all in all is pretty decent.

Both Howard and Lovecraft appear, although the Lovecraft tale is a reprint and the Howard is the last installment of a serial. E. Hoffman Price, Paul Ernst, and August Derleth, seasoned pulp veterans all, also contributed stories. Price tale’s is part of his Pierre d’Atois stories; , d’Atois, like another Frenchman who appears in a series of WT stories, is an occult detective. The Ernst is one of his slighter efforts. The Derleth is somewhat more unusual, although, as is common, also rather slight. We have to cover already trodden ground with two serials this time around. I’ve included the information on those stories for those who haven’t read all the posts in this series.

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Future Treasures: The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 edited by Jonathan Strahan

Future Treasures: The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 edited by Jonathan Strahan

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Cover design by Richard Yoo (click to embiggen)

Jonathan Strahan’s The Year’s Best Science Fiction Vol. 1 feels like a beginning. Probably because it is a beginning, in more ways than one. Jonathan has been editing Year’s Best books since 2003, and he curated thirteen volumes of the excellent Best Science Fiction and Fantasy of the Year, the first seven with Night Shade (2007-2013) and the last six with Solaris (2014-19). He’s now switched publishers to Saga Press/Gallery Books, and with that transformation comes other changes as well.

Most obvious is a switch in title, to The Year’s Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020, a reset in the numbering scheme (back to #1), and a refocus (dropping fantasy altogether). But the most interesting alteration (to me, anyway) is foreshadowed by the touching dedication:

In memory of my dear friend Gardner Dozois (1947-2018), who would have loved these stories.

With the title change, it seems to me that Jonathan assumes the mantle of Dozios (who edited 35 volumes of his own The Year’s Best Science Fiction between 1984-2018), and the duties and responsibilities that go with it. For example, Gardner’s introductions to his volumes were legendary, an annual summation of the Year in Science Fiction that fans looked forward to and read with relish. Jonathan’s summations have always been more modest — his intro to last year’s edition was a humble 8 pages — but with this one, titled A New Beginning, Jonathan stretches his legs admirably. His introduction to The Year’s Best Science Fiction Vol. 1 clocks in at 23 pages, room to weigh in not just on the best stories of the year, but the finest novels, collections, anthologies, magazines, and nonfiction, and well as report on rumblings in publishing, deaths in the field, award news, and more. Jonathan is a natural at this kind of opinionated writing, and he nails it.

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